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Chinese hairpin

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Chinese hairpin
凤首金顶银簪03564
Two styles of Chinese hairpin, zan and chai.
TypeTraditional Chinesehairpin
MaterialDiverse
Place of originChina,at least since theNeolithicHemudu culture(5500 BC to 3300 BC)

Ji(Chinese:Kê );pinyin:) (also known asFazan(Chinese:Phát trâm );pinyin:Fà zān),Zanzi or Zan(Chinese:Trâm tử or trâm );pinyin:Zānzi or zān) for short)[1][2]andChai(Chinese:Thoa );pinyin:Chāi) are generic terms for hairpin inChina.[3]'Ji'(with the same character of) is also the term used for hairpins of theQin dynasty.[4]The earliest form ofChinese hair stickwas found in the NeolithicHemudu culturerelics; the hair stick was calledJi(Chinese:Kê );pinyin:), and were made from bones, horns, stones, and jade.[5]

Hairpins are an important symbol inChinese culture,[1]and are associated with many Chinese cultural traditions and customs.[6]They were also used as every day hair ornaments in ancient China;[3]all Chinese women would wear a hairpin, regardless of their social rank.[7]The materials, elaborateness of the hairpin's ornaments, and the design used to make the hairpins were markers of the wearer's social status.[1][6]Hairpins could be made out of various materials, such asjade,gold,silver,ivory,bronze,bamboo,carvedwood,tortoiseshellandbone,as well as others.[3][8][1][9]

Prior to the establishment of theQing dynasty,both men and women coiled their hair into a bun using aji.[3]There were many varieties of hairpin, many having their own names to denote specific styles, such aszan,ji,chai,buyaoandtiaoxin.[10][3][11]

Cultural[edit]

Burials[edit]

During theChinese funeralperiod, women in mourning were not allowed to wear hairpins.[1]

Jiceremony[edit]

Jiplayed an important role in the coming-of age ofHan Chinesewomen.[1][4]Before the age of 15 years old, women did not use hairpins, and always kept their hair in braids.[1]When a woman turned 15, she stopped wearing braids, and a hairpin ceremony called"Ji Li"(Kê lễ), or "hairpin initiation", would be held to mark the rite of passage.[3][1][6][4]During the ceremony, their hair would be coiled into a bun with ajihairpin.[1][4]After the ceremony, the woman would be eligible for marriage.[3][6][4]

Hairpins as a love token[edit]

Betrothal and wedding customs[edit]

When engaged to be married, Chinese women would take the hairpin from their hair and give it to their male fiancé.[1]After thewedding,the husband would then return the hairpin to his newly-wed wife by placing it back in her hair.[1]

Separation and reunion love token[edit]

Thechaihairpin[12]also used to be a form of love token; when lovers were forced to break apart, they would often break a hairpin in half, and each would keep half of the hairpin until they were reunited.[3]

Similarly, when married couples were separated for a long period of time, they would break a hairpin in two and each keep one part.[1]If they were to meet again in the future, they would then put the hairpin together again, as a proof of their identity and as a symbol of their reunion.[1]

Design and construction[edit]

Materials[edit]

Silver hairpins,Tang dynasty

Initially, Chinese people liked hairpins which were made out ofboneandjade.[13]Hairpins which were made out of carved jade appeared in China as early as theNeolithic Period(c. 3000–1500 BC), along with jade carving technology.[7]Some ancient Chinese hairpins dating from theShang dynastycan still be found in some museums.[14]

By the Bronze Age, hairpins which were made out ofgoldhad been introduced into China by people living on the country's Northern borders.[13]Some ancient Chinese hairpins dating back to 300 BC were made from bone, horn, wood, and metal.[8]

The art of engraving wood first appeared in theTang dynasty,and this new form of art was then applied to large wooden Chinese hairpins.[15]Many of these wooden hairpins were then coated with silver.[15]

In theMing dynasty,the hairpins became more elaborate, and the carvings were made on silver, ivory, and jade, with pearl being used often as a setting.[15]

Decorations[edit]

Hairpins could also be decorated with gemstones, as well as designs of flowers, dragons, and phoenixes.[8]

Types[edit]

There are various types of Chinese hairpins:

Zan[edit]

The Zan is a type of hairpin with a single pin.[10][9]The Zan could also come in different styles such as:[10]

  • Ji-style:A style ofzanhairpin which likely refers to the hairpin used to secure the hair in a bun.[10]
  • Ruyi-style:A style ofzanhairpin in the shape of aruyiscepter.[10]
  • Tiger-head style[10]
  • Round-dragon style[10]

Phoenix hairpin[edit]

Phoenix (Fenghuang)hairpin originated inQin dynastyand had an upper part made of gold and silver while the feet was made of tortoise shell; it later evolved into thefengguanduring theSong dynasty.Thefengguanthen continued to evolve further in theMingandQing dynasties,and in the modern republic.[16]In theHan dynasty,an imperial edict decreed that the hairpin withfenghuangdecorations had to become the formal headpiece for theempress dowagerand the imperial grandmother.[16]The Fenghuang is an auspicious bird in Chinese tradition and is believed to represent the empress or the bride in a wedding.[17]Phoenix hairpins were also made and used byPeranakanwomen after settling in the Straits as part of their wedding headdresses.[17]

Chai[edit]

Thechaiis a type of hairpin with double or multiple pins.[10][9]The double-pinchaievolved from thezan;it was frequently found in Chinese poetry and literature as it played an important symbol and as a love token.[12]

Buyao[edit]

Thebuyaowas an elaborate and exquisite form of hairpin which denoted noble status.[3]It was generally made of gold and was often decorated with jewels (such as pearls and jade) and carved designs (such as in the shape of dragons or phoenix).[3][13]It looked similar to azan,[12]but one of its main characteristics is its dangling features, which gave it its name'buyao'(lit. "shake as you go" or "that sway with each step" or "step shake" ).[3][9][18][12]Thebuyaobecame popular in theWestern Han dynasty.[13]

Diancuihairpin[edit]

Thediancuihairpin, also known as "kingfisherfeatherhairpin ",[19]were made using the traditional Chinese art ofdiancui.[18]

Flower-hairpin headdresses[edit]

The Flower-hairpin headdresses is a generic term which was used to refer to the jewelry and headdresses worn by the Song dynasty Empresses and imperial concubines.[20]The Flower-hairpin headdresses were decorated with flower hairpins.[20]Different numbers of flowers were used depending on the imperial consorts' ranks and specific imperial rules were issued on their usage.[20]

Jin chan yu yue[edit]

Jin Chan yu yue (Chinese:Kim thiền ngọc diệp );pinyin:Jīn chán yù yè) Known as the "gold cicada on a jade leaf" hairpin, or"jin zhi yu ye""Jin zhi yu yue"(Chinese:Kim chi ngọc diệp );pinyin:Jīnzhīyùyè) (lit. golden branches and jade leaves) a homonym for theChineseidiom "one of noble birth",[21]a type of Ming dynasty hairpin in the shape of acicadamade of gold sitting on a piece of jade carved in the shape of a leaf.[9][21]

Tiaoxin[edit]

The Tiaoxin (Chinese:Thiêu tâm );pinyin:Tiāo xīn) is a Chinese hairpin worn by women in the Ming dynasty in their hair bun; the upper part of the hairpin was usually in the shape of a Buddhist statue, an immortal, aSanskritword, or a phoenix.[11]The Chinese charactershou(Thọ,"longevity" ) could also be used to decorate the hairpin.[11][22]

See also[edit]

References[edit]

  1. ^abcdefghijklm"Hairpins in Society and Art".Hairpin Museum bách liên cương hóa tác nhiễu phát nhu phát trâm bác vật quán.Retrieved2021-05-05.
  2. ^Wu, Shu-Ling (2019).Mastering advanced modern Chinese through the classics.Haiwang Yuan. Abingdon, Oxon: Taylor & Francis. pp. 125, 233.ISBN978-1-315-20897-8.OCLC1053623258.
  3. ^abcdefghijk"Historical hair ornaments and their social connotations".usa.chinadaily.com.cn.Retrieved2021-05-05.
  4. ^abcdeHidden dimensions of education: rhetoric, rituals and anthropology.Werler, Tobias. Wulf, Christoph. Waxmann. 2006. pp. 165–168.ISBN3-8309-1739-2.OCLC470776855.{{cite book}}:CS1 maint: others (link)
  5. ^"Chu nguyên di chỉ xuất thổ đích cốt kê".
  6. ^abcd"Chinese cloisonne hairpin".collection.maas.museum.Retrieved2021-05-06.
  7. ^ab"Material & Technology".Hairpin Museum bách liên cương hóa tác nhiễu phát nhu phát trâm bác vật quán.Retrieved2021-05-06.
  8. ^abcSherrow, Victoria (2006).Encyclopedia of hair: a cultural history.Westport, Conn.: Greenwood Press. p. 179.ISBN0-313-33145-6.OCLC61169697.
  9. ^abcdeYuan, Xiaowei (2017)."Traditional Chinese Jewelry Art: Loss, Rediscovery and Reconstruction Take Headwear as an Example".Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017).Atlantis Press. pp. 550–554.doi:10.2991/iccessh-17.2017.135.ISBN978-94-6252-351-7.
  10. ^abcdefghLiving the good life: consumption in the Qing and Ottoman empires of the eighteenth century.Elif Akçetin, Suraiya Faroqhi. Leiden: Brill. 2018. p. 205.ISBN978-90-04-35345-9.OCLC1008768840.{{cite book}}:CS1 maint: others (link)
  11. ^abc"Golden Hairpin Decorated with Character" Shou "- Chengdu Museum".www.cdmuseum.com.Retrieved2021-05-06.
  12. ^abcd"Tradition of China - Hair Ornament Culture | ChinaFetching".ChinaFetching.com.Retrieved2021-05-06.
  13. ^abcd"Hair Accessories - MIHO MUSEUM".www.miho.jp.Retrieved2021-05-06.
  14. ^"Hairpin 13th–11th century B.C. China".www.metmuseum.org.Archivedfrom the original on 2021-05-06.Retrieved2021-05-06.
  15. ^abcLester, Katherine Morris (2004).Accessories of dress: an illustrated encyclopedia.Bess Viola Oerke, Helen Westermann. Mineola, New York. p. 118.ISBN978-0-486-14049-0.OCLC857715305.{{cite book}}:CS1 maint: location missing publisher (link)
  16. ^abCheng, Hui-Mei (2001)."Research on the Form and Symbolism of the Chinese Wedding Phoenix Crown".Proceedings of the Korea Society of Costume Conference:59–61.
  17. ^ab"Phoenix hairpin".www.roots.gov.sg.Retrieved2022-10-22.
  18. ^abWu, Yiqian (2020).A Study of Historical Transformation and Cultural Change in Chinese Dian-cui Jewellery [Thesis].University of Sydney(Thesis). pp. 21, 30, 33, 43–44.hdl:2123/24005.
  19. ^"Kingfisher feather hairpin from China".collection.maas.museum.Retrieved2021-05-06.
  20. ^abcZhu, Ruixi; chu thụy hi (2016).A social history of middle-period China: the Song, Liao, Western Xia and Jin dynasties.Bangwei Zhang, Fusheng Liu, Chongbang Cai, Zengyu Wang, Peter Ditmanson, Bang Qian Zhu (Updated ed.). Cambridge, United Kingdom. pp. 26–27.ISBN978-1-107-16786-5.OCLC953576345.{{cite book}}:CS1 maint: location missing publisher (link)
  21. ^abLiu, Fang (2011)."Rare collections of the Ming and Qing Dynasties".europe.chinadaily.com.cn.Archivedfrom the original on 2021-05-06.Retrieved2021-05-06.
  22. ^"Traditional Chinese Hair Jewelry - Ming Style Diji & Tiaopai".www.newhanfu.com.2020-12-04.Retrieved2024-05-28.