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Connie Smith

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Connie Smith
Smith performing live at the Grand Ole Opry in 2007
Born
Constance June Meador

(1941-08-14)August 14, 1941(age 82)
Elkhart, Indiana,U.S.
Occupations
  • Singer
  • songwriter
Years active1964–present
Known for"Once a Day"
Spouses
  • Jerry Smith
    ​
    ​
    (m.1961;div.1966)​
  • Jack Watkins
    ​
    ​
    (m.1966;div.1967)​
  • Marshall Haynes
    ​
    ​
    (m.1972;div.1992)​
  • ​
    (m.1997)​
Children5
Musical career
Genres
Instrument(s)
  • Vocals
  • guitar
Labels

Connie Smith(bornConstance June Meador;August 14, 1941)[1][2]is an Americancountry musicsinger and songwriter. Hercontraltovocals have been described by music writers as significant and influential to the women of country music. A similarity has been noted between her vocal style and the stylings of country vocalistPatsy Cline.Other performers have cited Smith as influence on their own singing styles, which has been reflected in quotes and interviews over the years.

Discovered in 1963, Smith signed withRCA Victor Recordsthe following year and remained with the label until 1973. Her debut single "Once a Day"was nominated at theGrammy AwardsforBest Female Country Vocal Performanceand reached number one on theBillboardHot Country Songschart in November 1964 and remained at the top position for eight weeks, the first time a female artist had achieved this feat, with Smith holding the record for over 50 years until it was broken byTrisha Yearwood.The song became Smith's biggest hit. Smith's success continued through 1960s and mid 1970s with 19 more top-10 hits (including "Then and Only Then";"Ain't Had No Lovin'";"Cincinnati, Ohio";"I Never Once Stopped Loving You";and"Ain't Love a Good Thing") on the country songs chart.

In the early 1970s, Smith began recordingGospel musicmore frequently as she became more serious in her Christianity. As she focused more heavily on religion, Smith became known for her outspoken religious demeanor at concerts and music venues. At the same time, Smith spent more time raising her five children than focusing on music. She eventually went into semi-retirement in 1979. Smith returned to recording briefly in the mid-1980s withEpic Records.However, it was not until her collaboration withMarty Stuartin the 1990s that she returned permanently. Their musical friendship became romantic, leading to their marriage in 1997. The pairing led toConnie Smith,Smith's first studio album in 20 years. Critically acclaimed, Smith began performing again and has recorded two more studio albums.

Smith has been nominated for 11Grammy Awards,including eight nominations for Best Female Country Vocal Performance. She has also been nominated for oneAcademy of Country Musicaward and threeCountry Music Associationawards.Rolling Stoneincluded her on its list of the 100 greatest country music artists andCMTranked her among the top 10 in its list of the 40 greatest women of country music. She has been a member of theGrand Ole Oprycast since 1965. In 2012, Smith was inducted into theCountry Music Hall of Fame.

Early life[edit]

Connie Smith was born Constance June Meador to parents Wilma and Hobart Meador in Elkhart, Indiana.[3]Her parents were originally from West Virginia, and when Smith was five months old, the family returned there. They later moved to Dungannon, Ohio.[4]Her biological father was an alcoholic, and he was abusive to Smith's family.[4][5]"There were some tough times that I went through as a young child," she told an interviewer.[6]

Her mother divorced her biological father when she was a child and remarried to Tom Clark. Smith's stepfather brought eight children to the marriage, and Meador brought five (including Smith). The couple later had two more children together, totaling 15 children.[4]Smith was influenced by music in her childhood. Her stepfather playedmandolin,while her brother playedfiddle,and her other brother played guitar. On Saturday nights, the family tuned into theGrand Ole Opryradio broadcast.[4]She took up the guitar following a lawnmower accident, which nearly cut her leg off. While in the hospital recovering, she was given a guitar and learned how to play different chords.[7]Smith did not perform publicly until high school when a friend invited her to singConnie Francis's pop hit "My Happiness".[8]

With only one-tenth of a point behind the valedictorian,[8]Smith graduated from Salem-Liberty High School in 1959 as the class salutatorian.[5]Following graduation, she worked as telephone operator in Lowell, Ohio. She also worked as a drugstore clerk, a dental assistant and in a grocery store.[8]At age 19, she married her first husband, Jerry Smith.[9]Smith's husband encouraged her singing, and she began performing with more frequency. Her first professional performance was at the 1962 Washington County Fair. She then briefly joined the cast ofSaturday Night Jamboree,a local country music television program. Smith was fired following her first performance, later theorizing it was because she was pregnant.[8]She then successfully auditioned for and landed a spot on a similar program forWSAZ-TV.[10]

Despite performance opportunities, Smith intended to remain a housewife and mother.[1][11]In August 1963, Smith entered a talent contest at the Frontier Ranch country music park near Columbus, Ohio. PerformingJean Shepard's "I Thought of You",Smith won the talent contest and fivesilver dollars.[12]Judging the contest was country singer-songwriterBill Anderson,who was instantly impressed by her voice. "At first I thought they were playing a record and she was lip sync'ing it," he later explained.[10]

In January 1964, Smith ran into Anderson again at a country music package concert in Canton, Ohio. He invited her to perform with him onErnest Tubb'sMidnite Jamboreeprogram in Nashville, Tennessee. When Smith performed on the program in March 1964, she found out that she would not be performing with Anderson, but instead withErnest Tubb.Impressed by her performance,Loretta Lynnintroduced herself after the show and gave her career advice.[13][14]After performing on the program, Smith returned to Nashville that May to record demos by Anderson that he planned on pitching to other country artists. Anderson's manager Hubert Long brought the demo recording to theRCA Victorlabel where producerChet Atkinsheard it. Also impressed by her vocals, Atkins offered Smith a recording contract, and she signed on June 24, 1964.[15]

Career[edit]

1964–1967: "Once a Day" and peak success[edit]

Smith performing for a crowd of 5,000 people, August 1964.

After signing Smith to RCA,Chet Atkinsfound himself too busy with other artists. Instead he enlistedBob Fergusonto act as Smith's producer. The pair developed a close professional relationship and Ferguson remained her producer until she departed from RCA. "I couldn't have asked for a better person to work with. He is one of the finest men I've ever known," Smith later said.[16]Smith's first session took place on July 16, 1964, where she recorded four songs. Three of these tracks were written by Bill Anderson, who agreed to write material for Smith.[17]Two days later, Smith made her debut on theGrand Ole Opry.[18]One of the four songs recorded on July 16 was "Once a Day",which was chosen to be Smith's debut single." Once a Day "was released in August 1964 and reached number one on theBillboard MagazineHot Country Singleschart on November 28. It remained at the number one position for eight weeks between late 1964 and early 1965.[19]"Once a Day" became the first debut single by a female country artist to reach number one. For nearly 50 years the single held the record for the most weeks spent at number one on theBillboardcountry chart by a female artist.[20]

Smith started performing more regularly with "Once a Day" 's success. Bill Anderson briefly served as her manager, but was replaced by Charlie Lamb. Smith made her first network television appearance in October 1964 on ABC'sThe Jimmy Dean Show.[21]In March 1965, RCA Victor released herself-titled debut album[22]It also reached the number one spot, spending a total of seven weeks at the top of theBillboardTop Country Albumschart.[23]Dan Cooper ofAllmusicgave the disc a positive reception and described Smith as "a down-homeStreisandfrontingThe Lennon Sisters."[24]

Bill Anderson fulfilled his promise to RCA Victor and continued writing Smith's next single releases.[25]Producer Bob Ferguson and steel guitar playerWeldon Myrickcreated a "high" and "punchy" production that Ferguson thought would sound pleasing on car radios.[26]"I thought it was an awfully thin sound, but it wound up being very popular," Myrick recalled.[27]In 1965, RCA issued Smith's follow-up single written by Anderson titled "Then and Only Then",which reached number four on theBillboardcountry songs chart.[3]It was followed by another Anderson-written top 10 single titled "I Can't Remember".[19]In October 1965, the latter song appeared onCute 'n' Country,Smith's second studio album.[28]Although she disliked the name of the LP,[26]it became her second disc to top theBillboardcountry albums chart.[23]She had additional top fiveBillboardcountry singles through early 1966 with Anderson's "Nobody But a Fool (Would Love You)"andPriscilla Mitchell's "If I Talk to Him".[29]In 1965, Smith became a member of theGrand Ole Opryradio show.[30]

In 1966, Ferguson felt pressured from RCA headquarters to market Smith's sound toward "middle-of-the-road"country popmaterial. Smith was against the pop production but nevertheless agreed to try it. The pair did several sessions featuring a string instrumentation. The style appeared on her next studio releasesBorn to Sing(1966) andDowntown Country(1967). Both albums featured full orchestras in the background and cover versions of singles by pop artists of the time.[31]Featured on the LPs were the singles "Ain't Had No Lovin'"and"The Hurtin's All Over",which both reached theBillboardcountry top five.[19]During this time, Smith appeared in several country music vehicle films, where she performed many of her current hit recordings.[32]In 1966, she appeared in the filmsSecond Fiddle to a Steel GuitarandThe Las Vegas Hillbillys,the latter of which starredJayne Mansfield.In 1967, she appeared inThe Road to NashvilleandHell on Wheels.[33]Smith's touring schedule also increased. In 1966, she formed her own touring band named the Sundowners and later married the band's guitar player Jack Watkins.[34]

In February 1967, RCA's subsidiary budget labelCamdenreleased Smith's next studio LP titledConnie in the Country.The LP included covers of popular country recordings of the era and "Cry, Cry, Cry",a single by Smith that reached the top 20.[19][35]In May 1967, RCA released an album of songs written solely by Bill Anderson titledConnie Smith Sings Bill Anderson.Smith later commented that "it was an honor, not a favor" to record an album of all Anderson tunes. It included covers of Anderson's hits such as "City Lights"and"That's What It's Like to Be Lonesome".[36]Included on the album was "Cincinnati, Ohio",which Smith released as a single and brought the song to theBillboardcountry top five.[19]Its success later inspired the city of Cincinnati, Ohio to declare its own Connie Smith Day in June 1967.[36]Smith remained at her commercial zenith through 1967 with a continued series of top 10 recordings.[3]Her further hits included the "I'll Come Runnin'","Burning a Hole in My Mind","Baby's Back Again"and"Run Away Little Tears".[19]Three of these recordings were included on Smith's 1967 albumI Love Charley Brown,which reached the country LPs top 20.[37]

1968–1972: Setbacks, gospel music and continued country music success[edit]

By 1968, Smith had reached the height of her career. She was making multiple appearances on film and television while attempting to balance touring with a family life.[33][3]The pressures of various responsibilities stressed Smith to a point where she nearly left her career. In 1968, she discovered Christianity, which brought solace to her personal and professional life.[1][34][38]Ultimately, she chose to continue with her career and recorded for RCA every few months.[39]However, she reduced her touring schedule. She devoted the remainder of her time to family life and made efforts to appear on more Christian music programs. She worked alongside ministersBilly GrahamandRex Humbard.She also appeared on several Christian television shows.[34]

Smith presenting "Instrumentalist of the Year" at the 1972Country Music Association Awards.

With Smith's commitment to RCA, the label continued releasing new albums and singles with regularity.[39]With her new religious convictions, Smith also made it a priority to includegospelrecordings on her secular albums. This remained a theme throughout her career.[40]In 1968 and 1969, RCA Victor released the studio LPsSunshine and Rain,Back in Baby's ArmsandConnie's Country.These recordings yielded a cover ofMarty Robbins's "Ribbon of Darkness".Smith's version reached the top 20 of theBillboardcountry singles chart.[41][19]In Canada, "Ribbon of Darkness" became her first song to top theirRPMCountry chart.[42]Entering the 1970s, Smith made the top 10 of the North American country charts with less frequency, but continued having commercial success.[3][1]The singles "You and Your Sweet Love"and"I Never Once Stopped Loving You"(both written by Bill Anderson) made theBillboardcountry top 10 in 1970.[3]Her fifteenth studio LP of thesame namewas released in 1970 and made the top 20 of theBillboardcountry albums chart.[23]

During this period, Smith also teamed with country singer-songwriterNat Stuckeyto record two duet studio albums. The idea was crafted by Smith's producer (Bob Ferguson) and Stuckey's producer (Felton Jarvis). Both men thought the artists' voices would "blend well".[43]The duo's first duet sessions produced a cover ofSonny James's "Young Love",which reached the top 20 of theBillboardcountry songs chart.[19]Their firstalbum of the same namefeatured covers of country and pop songs of the era.[43]In an effort for Smith to record more gospel music, the duo cut a spiritual-themed LP in 1970 titledSunday Morning with Nat Stuckey and Connie Smith.Christian radio programs often opened their shows with the duo's gospel music, which influenced RCA to release "If God Is Dead (Who's That Living in My Soul)" as a single in 1970.[44]The song peaked in the lower reaches of theBillboardcountry chart.[19]

Journalists and writers took notice of Smith's RCA work following 1968. Biographer and writer Barry Mazor found that Smith's recordings had "a new delicacy of phrasing that shows itself".[45]Mazor also found her albums to have more distinctive qualities, calling 1970sI Never Once Stopped Loving Youto be "one of her most consistent and strongest albums".[46]AllMusic's Stephen Thomas Erlewine praised Smith's recordings from 1968 to 1972, highlighting the strength of her vocals: "She may have been given some of the best songs, but the thing is, she deserved them: few others could give them grace and soul, as this always entertaining box amply proves."[47]Authors Mary A. Bufwack and Robert K. Oermann commented that her later RCA singles "stand the test of time as among the most powerful country female vocal performances of the 1970s."[33]

In the early 1970s, Smith started recording more songs penned byDallas Frazier.The pair had become close friends, which prompted Frazier to write songs for Smith that reflected situations in her personal life.[48][49]Both Smith and Frazier described her 1970 single "Where Is My Castle"as being autobiographical of her recent marital troubles." Anybody knows that its cathartic to sing how you feel about things, "Smith later said.[50]"Where Is My Castle" reached the top 20 of both theBillboardandRPMcountry singles charts.[19][42]In 1971, RCA released Smith's cover ofDon Gibson's "Just One Time".Backed by a large rhythm section, the recording reached number two on theBillboardandRPMcountry charts, becoming her most commercially successful single of the 1970s.[19][51]Her eighteenth studio LP of thesame namereached number 14 on theBillboardcountry albums chart and featuredliner noteswritten byLoretta Lynn.[51][23]

With Smith being among RCA's top-selling recording artists, she had enough leverage to coax executives to let her record another gospel album. The result was 1971'sCome Along and Walk with Me.The studio album featured gospel tracks written by spiritual writers such asDottie Rambo.[52]In 1972, Smith had three back-to-back top singles on theBillboardcountry chart: "Just for What I Am","If It Ain't Love (Let's Leave It Alone)"and"Love Is the Look You're Looking For".[3]RCA released the singles on three separate LPs:Ain't We Havin' Us a Good Time(1972),If It Ain't Love and Other Great Dallas Frazier Songs(1972) andLove Is the Look You're Looking For(1973).[48]Her most commercially successful album wasIf It Ain't Love and Other Great Dallas Frazier Songs,which reached number 14 on theBillboardcountry albums chart.[23]The studio project was recorded as a tribute to Dallas Frazier and featured 10 songs written by him. Frazier also sang several duets with Smith on the project. Before leaving her contract with RCA, the label released more LPs, including the compilationDream Painter(1973).[48]Itstitle trackcharted in theBillboardtop 40.[19]

1973–1979: Record label switches, pop music incorporation and semi-retirement[edit]

In 1973, RCA promised to give Smith a better royalty and more creative control if she renewed her contract. In an updated contract, these terms were not met. Upon hiring a lawyer, she left RCA and was offered a contract byColumbia Records.[53]In 1973, Smith signed a new recording contract with Columbia Records.[54]The label gave her more creative control, including the opportunity to record one gospel album per year.[3]At Columbia, she met withClive Davis,who agreed to produce her. However, the label dismissed Davis before they could work together. Instead, producerBilly Sherrillchose to work with Smith. However, a disagreement about religion ended the pairing before it began. She started recording alongside producerGeorge Richey,who recently had success writing material forGeorge JonesandTammy Wynette.[53]

At Columbia, Smith was pressured into recording with more pop production than before. "From Day One at the new label, even more than before, it was a constant tussle, because I just am who I am," recalled Smith.[55]However, she remained active in song selection and the recording process.[56]Smith's first Columbia LP titledA Lady Named Smith(1973) included pop production such as string instrumentation and overdubbed background vocals.[57]The LP reached number 31 on theBillboardcountry albums chart.[23]Richey agreed to release "Ain't Love a Good Thing"as her first Columbia single. Instead, the Richey-Smith co-written song"You've Got Me (Right Where You Want Me)"proved to be the first label single. The decision disappointed Smith enough that she chose to end their professional relationship.[58]The last Richey-produced project was Smith's first Columbia gospel LP, titledGod Is Abundant.The album of religious material climbed to number 20 on theBillboardcountry albums chart.[23][59]

Smith performing at theGrand Ole Oprywith her daughter on her arm, 1974.

Smith choseRay Bakerto serve as her next producer. Baker had operated a publishing company and produced several song demos that prompted Smith to choose him. The pair had a more agreeable relationship and recorded together throughout the decade.[60]Baker produced Smith's next Columbia album titledThat's the Way Love Goes(1974). The LP featured several original recordings and cover tunes. The album included "Ain't Love a Good Thing", which was released as a single and became her eighteenth top 10 song on theBillboardcountry chart.[19][61]Although she recorded two gospel projects in 1974, the label waited until 1975 to release both LPs.[62]Instead, Columbia released a secular project titledI Never Knew (What That Song Meant Before)(1974).[63]Itstitle trackbecame a top 20Billboardcountry single, peaking at number 13.[19]It was followed in 1975 by the traditional country LPI Got a Lot of Hurtin' Done Today/I've Got My Baby On My Mind.[63]Both "I've Got My Baby on My Mind"and Smith's cover ofHank Williams's "Why Don't You Love Me"reached the country top 20.[19]

Music critics noticed a change in Smith's vocals following her Columbia switch. When reviewing the compilation,Connie Smith Sings Her Hits,Thom Jurek of Allmusic commented that she lost the "grain" in her voice. Jurek went on to write "It could be said, that regardless of the material, she never made a bad record; the tunes were carefully chosen it's true, but she never tried to hide the hardcore twang in her vocal style."[54]Smith's biographer, Barry Mazor, found her voice to "lower in range by this point" and saw evidence of Columbia attempting to "push her recorded vocal into the upper end of her range".[60]Other critics noticed stylistic changes but observed no change in her singing. NPR's Ken Tucker found her recordings in this era to feature more pop instrumentation but did not "obscure the passion and pain she communicated so fearlessly".[64]

In 1975, Columbia released both of her 1974 gospel projects.[62]The first wasConnie Smith Sings Hank Williams Gospel.For the album, Smith and Baker went through the Hank Williams catalog where they came across a series of never-before-released gospel songs.[65]The result was the first album of Hank Williams gospel material recorded by another artist.[66]In 1976, the project was nominated by the Grammy Awards forBest Gospel Performance.[67]The second 1975 religious LP was the gospel influencedChristmasalbum titledJoy to the World.[68]In 1976, Columbia issued two more country albums of Smith's material:The Song We Fell in Love ToandI Don't Wanna Talk It Over Anymore.[69]Both LPs peaked in theBillboardcountry albums top 40.[23]The albums included the number 13 country single "I Don't Wanna Talk It Over Anymore"and her twentieth top 10, a remake ofThe Everly Brothers's "(Till) I Kissed You".[19]The latter was Smith's second single to top Canada'sRPMcountry chart.[42]

In 1977 Smith moved toFred Foster's Nashville labelMonument Records.She was pressured into recording more country pop material than before and was given singing lessons by a songwriter. "He [Fred Foster] wanted to mold me into something that I wasn't comfortable with," Smith commented. "That's why that never worked."[69]AllMusic's Stephen Thomas Erlewine found her Monument music to have "state-of-the-art production that dates instantly, walks the line between crossover pop and country-pop rather clumsly, and lacks good material."[70]Monument released two LPs of Smith's material between 1977 and 1978.[69]Her only commercially successful Monument single was a cover ofAndy Gibb's "I Just Want to Be Your Everything".The single climbed to number 14 on theBillboardcountry chart. Yet, her other Monument releases reached progressively-lower positions on the country chart between 1978 and 1979.[70]Furthermore, Smith had five children by this point and felt pressured to be at home with her family. Ultimately, Smith decided to leave her country music career entirely to focus on raising her children and tending to her religious needs.[69]

1983–present: Return to recording and performing[edit]

For three years, Smith remained in semi-retirement, committing only to occasional performances at theGrand Ole Opry,where she remained a member. At the Opry, she only performed gospel songs. However, she decided to return to her career in 1983. She re-signed with Monument Records, but left after the label filed for bankruptcy. Instead, singer and songwriterRicky Skaggshelped her secure a new recording contract toEpic Records.[71][34]The first single, "A Far Cry from You"(1985), was written byAlternative countryartistSteve Earle.[72]It reached number 71 on the Hot Country Songs chart.[19]

One day in the mid-1990s, Smith was at her home talking to one of her daughters on the phone. After telling her mother what she was going to do that night, her daughter asked Smith what her plans for that night were. Because she did not have anything fun planned, Smith lied so her daughter wouldn't have to worry about her. After the conversation ended, Smith realized that she didn't need her own children worrying about her at the start of their adult lives and decided that it was time to return to her career.[14]With country artistMarty Stuart(whom she later married in 1997) acting as the album's main producer, Smith signed a recording contract withWarner Bros. Recordsin 1996. Although the label preferred her to record an album of duets, Smith decided to go by her own terms and record a solo studio album. In October 1998 she released hersecond self-titled studio album.[73]It consisted of ten tracks, nine of them co-written by both Smith and Stuart.[74]

Smith's 1998 project attracted limited commercial attention, but was given critical praise for its traditional and contemporary style. Kurt Wolff, in the bookCountry Music: TheRough Guide,commented that the album sounded "far gutsier than anything in theRebaandGarthmainstream ".[1]Thom Jurek of Allmusic gave the release four out of five stars, calling it "a solid effort" and commenting "it stands head and shoulders over most of the stuff that's come out of Nash Vegas in over a decade. Even if it doesn't sell a copy, it's a triumphant return for Smith. She hasn't lost a whit of her gift as a singer or as a writer."[75]Also in 1998, Smith made a second cameo appearance in a film, portraying a "Singer at the Rodeo Dance" inThe Hi-Lo CountrystarringWoody HarrelsonandBilly Crudup.

Smith on stage at the Grand Ole Opry

In August 2003, she released a gospel album with country artistsBarbara FairchildandSharon WhitetitledLove Never Failson Daywind Records.[74]In an interview withCountry Stars Central,Smith said that she was ill with thestomach fluwhile recording the album, but still enjoyed making the record.[6]Produced by country and bluegrass performerRicky Skaggs(White's husband), the album received a nomination from theDove Awards.The website Slipcue.com reviewed the release and stated thatLove Never Fails"is probably too rowdy for mostSouthern gospelfans (who really like tinkly pianos and less-twangy vocals), and while it probably won't wow many country listeners, for folks who are fans any of these three singers, this is kind of a treat ".[76]

In November 2008, Smith joined the cast ofMarty Stuart's television seriesThe Marty Stuart Show,which aired on theRFD-TVnetwork every Saturday night. The thirty-minute program featured traditional country music performed by both Stuart and Smith, as well as radio personalityEddie Stubbs.[77]The show stopped airing on RFD-TV in 2014.[78]In August 2011, Smith released her first new solo recording in thirteen years, entitledLong Line of Heartaches,viaSugar Hill Records.The record was produced by Marty Stuart and included five songs written by the pair.Harlan Howard,Kostas,Johnny Russell,andDallas Frazieralso wrote tracks that were included on the disc.[79]The album was reviewed positively by AllMusic's Steve Leggett, who gave it four stars. "It wouldn't be quite right to call this a throwback album, but it does sound like vintage traditional country given just a bit of a polished edge," he concluded.[80]Andrew Mueller ofBBCalso gave it a positive response, calling it "classic and classicist country songs".[81]

In August 2021, Smith's next studio album was released on theFat Possumlabel titledThe Cry of the Heart.It was the third project produced by Stuart and her first album of new material in ten years.[82]The New York TimesdescribedThe Cry of the Heartas evoking traditional styles that "recall Smith's '60s era recordings".[83]It was Smith's first album since 1976 to reach a charting position onBillboard,peaking on theCurrent Album Saleschart following its release.[84]PopMattersgave the album an 8/10 rating and concluded "If you wanted to understand what traditional country is, you could go to the same place today as you could have 50 years ago: a Connie Smith record."[85]

In April 2024, the Fat Possum label surprise-released Smith's next studio project,Love, Prison, Wisdom and Heartaches.[86]Although an album of covers, Smith herself did not describe it that way: "I’m singing on behalf of my friends. Hoping to share them while passing along their songs."[87]

Personal life[edit]

Connie Smith on the day of her wedding to third husband, Marshall Haynes, 1972.

Smith has been married four times. In 1961, she married Jerry Smith, a ferro-analyst at the Inter-Lake Iron Corporation in Beverly, Ohio. They had one child together, born on 9 March 1963, named Darren Justin. (In the late 1970s, Darren went to Europe to become a missionary; he is currently a psychologist.)[14][88]In the mid-1960s, the couple divorced and Smith married the guitarist in her touring band, Jack Watkins. They had a son before separating nearly a year after marrying. Shortly afterward, Smith married telephone repairman Marshall Haynes. In the early 1970s, Haynes frequently toured with Connie on her road show. The couple had three daughters.[34]

After divorcing Haynes in the early 1990s, Smith stated that she never would marry again.[14]However, on 8 July 1997, she married for the fourth time, this time to her producer, country artistMarty Stuart.Stuart began producing her after writing songs for Smith's 1998comeback album.Stuart described encountering Smith 26 years earlier, after attending her concert: "I met Connie when I was 12 years old. She came to the Indian reservation in my hometown of Philadelphia, Mississippi to work at a fair. She hasn't changed a bit. She looked great then and she looks great now."[89]Stuart said he told his mother then that he was going to marry Connie Smith. Smith explains how they have sustained their marriage: "Make the Lord the center...and commit."[90]

Smith revealed in aNew York Timesinterview that she had been diagnosed withCOVID-19in February 2021. She was hospitalized, developingsepsisand pneumonia. She eventually made a full recovery.[12]"They asked me if my heart stopped, did I want to be revived, and I said, 'Of course, I don't want to be a COVID statistic,'" she told theNashville Scene.[91]

Musical styles and vocal ability[edit]

Connie Smith's sound is defined by theNashville Soundmusical style, primarily during her breakthrough years in the 1960s. While most Nashville Sound recordings of the time mainly included full orchestras, Smith's sound remained more traditional with its use ofsteel guitarand her twangy vocals, while still featuring some pop-influenced instrumentation to provide urban pop appeal. Critics have largely praised Smith's use of the steel guitar, which have often been described as "sharp" and "prominent".[1]Her steel guitar playerWeldon Myrickis often credited with creating what Smith has called "The Connie Smith Sound". In an interview withColin Escottin his bookBorn to Sing,Myrick recalls how Smith's producer (Bob Ferguson) wanted the guitar to sound: "He came out and said he wanted a bright sound, and he adjusted my controls. I thought it was an awfully thin sound, but it wound up being very popular."[18]

Smith's vocal delivery has also been considered to be part of her musical style. Writer Stephen Thomas Erlewine noted in 2012 that Smith sings with a "cool, authoritative ease, a skill that brought her to the attention of some of Nashville's finest songwriters."[47]Mary A. Bufwack and Robert K. Oermann called her singing "a pillar-of-fire delivery sobbed with desolation."[92]Thom Jurek of AllMusic stated that Smith's vocals offer "sophisticated emotional delivery" and that "her control and phrasing remain a high-water mark today."[93]

Legacy and honors[edit]

Smith at theGrand Ole Opry,2007.

Smith is considered by many critics and historians to be one of country music's more celebrated and respected artists.[74][3][94]In his review of Smith's 1996 compilationThe Essential Connie Smith,Jurek explained why Smith's vocals are usually compared to Cline's, "Connie Smith is perhaps the only female singer in the history of country music who can truly claim to be the heiress to Patsy Cline's throne. It's not that there aren't many amazing vocalists in the field, and plenty of legends among them. But in terms of the pure gift of interpretation of taking virtually any song and making it a country song of class and distinction, Smith is it."[95]

Writers and journalists have also cited Smith as an integral piece of country music history. Mary A. Bufwack and Robert K. Oermann categorized her as one of country's "heroines of heartbreak", due to her emotional vocal delivery. Bufwack and Oermann further stated that along withTammy Wynette,Smith was among the genre's "most towering country voices of the 1960s and 1970s" who "sang from the depths of despair" and "spoke for conservative Middle America in both music and life."[92]

Many artists in the country music industry have cited Smith as a significant musical influence or one of their favorite musical artists.George Jonescited Smith as his favorite female singer in his 1995 autobiography.[74]Elvis Presleyhad many of Smith's albums in his record collection at hisGracelandhome and intended to record Smith's version of "The Wonders You Perform",but never got around to doing so.[14]In a discussion with country songwriterFred Foster,Dolly Partonfamously said, "You know, there's really only three female singers in the world:Barbra Streisand,Linda Ronstadt,and Connie Smith. The rest of us are only pretending. "[96]

Smith has been given honors and achievements as part of her legacy. In 2002, she was ranked in the top ten onCMT's televised special of the40 Greatest Women of Country Music.[97]In 2011, she was inducted into the West Virginia Music Hall of Fame.[98]AlongsideGarth Brooks,Smith was inducted into theCountry Music Hall of Famein 2012. "Just to be in the company of the greatKitty Wellsis enough, "she commented after hearing the news.[99]In 2015, she celebrated 50 years as a member of the Grand Ole Opry radio broadcast. Her celebration was honored in a performance joined byAlison KraussandMel Tillis,among others.[100]In 2017, she was ranked onRolling Stone's list of the "100 Greatest Country Artists of All Time".[101]

In March 2021, Smith's legacy was further cemented by theLibrary of Congress,which added "Once a Day" to theNational Recording Registry.[102]In April 2021, Smith's husband, Marty Stuart, announced a documentary to be released about her life and career titledConnie: The Cry of the Heart."Studying the depth of what Marty and Connie have achieved in the industry and then discovering their ability to predict the business trends around their legacy makes me very excited to be part of what they are doing," said Nick Kontonicolas, who will help broadcast the documentary on his network.[103]

Discography[edit]

Main articles:Connie Smith albums discography,Connie Smith singles discography,andList of songs recorded by Connie Smith

Studio albums

Filmography[edit]

Year Title Role Notes Ref.
1966 The Las Vegas Hillbillys Herself cameo [33]
Second Fiddle to a Steel Guitar Herself cameo [33]
1967 The Road to Nashville Herself cameo [33]
Hell on Wheels Herself cameo [33]
1998 The Hi-Lo Country Singer at rodeo dance [106]
2008–2014 The Marty Stuart Show Herself 153 episodes [78]

Awards, nominations and honors[edit]

Year Nominee / work Award Result Ref.
1964 Billboard Magazine Most Promising Female Country Artist Won [107]
1965 Grammy Awards Best Country and Western Single – "Once a Day" Nominated [67]
Best New Country and Western Artist Nominated
Best Country & Western Vocal Performance, Female – "Once a Day" Nominated
Billboard Magazine Most Promising Female Country Artist Won [107]
Billboard Magazine Favorite Female Country Performer Nominated [107]
Favorite Album (1964–1965) –Connie Smith Nominated [107]
Cash Box Most Promising Female Country Vocalist Won [107]
Country Music Review Most Promising Female Singer Won [107]
1966 Grammy Awards Best Sacred Recording –Connie Smith Sings Great Sacred Songs Nominated [67]
Best Country and Western Vocal Performance, Female – "Ain't Had No Lovin'" Nominated
Billboard Magazine Favorite Female Country Performer Nominated [107]
Favorite Country Album –Cute 'n' Country Nominated [107]
Cash Box Most Programmed Female Artist Won [107]
Country Music Life Award Favorite Female Artist Won [107]
Record World Top Female Vocalist Won [107]
Most Outstanding Female Country and Western Vocalist Won [107]
1967 Billboard Magazine Top Country Artist, Female Vocalist Nominated [107]
Cash Box Most Programmed Female Artist Nominated [107]
Record World Top Female Vocalist Nominated [107]
Country Music Association Awards Female Vocalist of the Year Nominated [107]
1968 Grammy Awards Best Country & Western Solo Vocal Performance, Female – "Cincinnati, Ohio" Nominated [67]
1969 Academy of Country Music Top Female Vocalist Nominated [108]
Grammy Awards Best Country Vocal Performance, Female – "Ribbon of Darkness" Nominated [67]
1970 Country Music Association Female Vocalist of the Year Nominated [109]
Record World Top Female Vocalist Nominated [110]
1971 Grammy Awards Best Sacred Performance – "Whispering Hope" (withNat Stuckey) Nominated [67]
1972 Music City News Awards Top Female Vocalist Nominated [107]
Country Music Association Female Vocalist of the Year Nominated [109]
1974 Grammy Awards Best Inspirational Performance – "All the Praises" Nominated [67]
Music City News Awards Top Female Vocalist Nominated [107]
1975 Music City News Awards Top Female Vocalist Nominated [107]
1976 Grammy Awards Best Gospel Performance –Connie Smith Sings Hank Williams Gospel Nominated [67]
1979 Music City News Awards Gospel Group/Act of the Year Won [111]
2002 Country Music Television 40 Greatest Women of Country Music Won [112]
2007 Country Universe 100 Greatest Women – Rank (#24) Won [113]
2010 Grammy Awards Best Country Collaboration with Vocals – "Run to You" (withMarty Stuart) Nominated [67][114]
2011 West Virginia Music Hall of Fame Inducted Won [98]
2012 Country Music Association Country Music Hall of Fame induction Won [115]
2017 Rolling Stone 100 Greatest Country Artists of All Time – Rank (#69) Won [116]

References[edit]

Footnotes[edit]

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  10. ^abEscott 2001,p. 7.
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  13. ^Escott 2001,pp. 7–8.
  14. ^abcdeInterview with Connie Smith forRalph Emery LiveonRFD-TV
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  16. ^Escott 2001,p. 10.
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  18. ^abEscott 2001,p. 12.
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  50. ^Mazor 2012,p. 37.
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  52. ^Mazor 2012,p. 42.
  53. ^abMazor 2021,p. 11.
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  55. ^Mazor 2021,p. 9.
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  57. ^Mazor 2021,p. 37-39.
  58. ^Mazor 2021,p. 12.
  59. ^Mazor 2021,p. 38-39.
  60. ^abMazor 2021,p. 13.
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  62. ^abMazor 2021,p. 15.
  63. ^abMazor 2021,p. 20.
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  108. ^"Search winners: Connie Smith".Academy of Country Music.RetrievedApril 30,2022.
  109. ^ab"CMA Past Winners & Nominees: Connie Smith".Country Music Association.RetrievedApril 30,2022.
  110. ^"Record World Awards"(PDF).Record World:11. October 18, 1969.RetrievedFebruary 11,2023.
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Books[edit]

External links[edit]

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