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DSCH motif

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{
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble
  \time 4/4 d es c b
} }
The DSCH motif, consisting of the notes D-E-C-B

DSCHis amusical motifused by the composerDmitri Shostakovichto represent himself. It is amusical cryptogramin the manner of theBACH motif,consisting of the notesD, E-flat, C, B natural,or inGerman musical notationD, Es, C, H(pronounced as "De-Es-Ce-Ha" ), thus standing for the composer's initials inGermantransliteration:D. Sch.(DmitriSchostakowitsch).

Usage

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By Shostakovich

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The motif occurs in many of his works, including:

By others

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Many homages to Shostakovich (such asSchnittke'sPrelude in memory of Dmitri ShostakovichorTsintsadze's 9th String Quartet) make extensive use of the motif. The British composerRonald Stevensoncomposed a largePassacagliaon it. AlsoEdison Denisovdedicated some works (1969 DSCH for clarinet, trombone, cello and piano, and his 1970saxophonesonata) to Shostakovich, by quoting the motif several times and using it as the first four notes of atwelve-tone series.Denisov was Shostakovich's protégé for a long time.[1]

See also

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References

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  1. ^Taruskin, Richard (2010).Music in the Late Twentieth Century: The Oxford History of Western Music.Oxford, New York: Oxford University Press. p. 463.ISBN9780195384857.

Bibliography

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