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Fondukistan monastery

Coordinates:34°58′11″N68°52′37″E/ 34.969591°N 68.876891°E/34.969591; 68.876891
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Fondukistan monastery
View of the Fondukistan monastery on top of a conical mountain next to theGhorband Valley,taken by French archaeologistsJoseph Hackin(1886–1941) and Jean Carl (? - 1941), during their excavation campaign from 1933 to 1940.[1][a]
Fondukistan monastery is located in Afghanistan
Fondukistan monastery
Shown within Afghanistan
Fondukistan monastery is located in Hindu-Kush
Fondukistan monastery
Fondukistan monastery (Hindu-Kush)
Fondukistan monastery is located in South Asia
Fondukistan monastery
Fondukistan monastery (South Asia)
Fondukistan monastery is located in West and Central Asia
Fondukistan monastery
Fondukistan monastery (West and Central Asia)
Coordinates34°58′11″N68°52′37″E/ 34.969591°N 68.876891°E/34.969591; 68.876891
TypeMonastery

TheFondukistan monasterywas aBuddhistmonastery located at the very top of a conical hill[2]next to theGhorband Valley,Parwan Province,about 50 kilometers northwest ofKabul.The monastery dates to the early 8th century CE, with aterminus post quemin 689 CE obtained through numismatic evidence, so that the Buddhist art of the site has been estimated to around 700 CE.[3][4]This is the only secure date for this artistic period in the Hindu Kush, and it serves as an important chronological reference point.[4]

Characteristics

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According to Benjamin Rowland "These little shrines, densely packed with sculptured figures set off by gaily painted backgrounds, must have given the effect of a kind of religious peep-show, in which, as on a stage, the visitor obtained a glimpse of celestial realms".[5][6]

The works of art of the Fondukistan Monastery corresponds to a relatively high level of artistic activity in the areas controlled by the BuddhistTurk Shahisduring 7-8th centuries CE, as a result of the continued development ofBuddhist art,with possibleHephthaliteinfluence, combined with theSasaniancultural heritage.[7][6]The art of Fondukistan also corresponds to the last stages ofGreco-Buddhist artin the 7-8th century CE.

During this period, the ChineseTang Empireextended its influence and promotion of Buddhism to the Kingdoms ofCentral Asia,including Afghanistan, with a corresponding influx of Chinese monks, while there was conversely a migration of Indian monks from India to Central Asia, precisely looking for this protection.[8]These events gave rise to the hybrid Indian-Sinicized styles of Fondukistan andTapa Sardar.[8]Similarities have also been noted with contemporary works of art in China, such as those ofTianlongshan.[9]

Discovery

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Charles Massonvisited the area of theGhorband Valleyin 1836 and mentioned the presence of numerous ruins in his bookNarratives of various journeys in Afghanistan, Baluchistan & the Punjab.[10][11]

The monastery was excavated in 1936 byJoseph Hackinof theDélégation archéologique française en Afghanistan,and in 1937 by Jean Carl, from the same organization.[6][12]Most of the works of art that were recovered were shared between theMusée Guimet,Paris,and theNational Museum of Afghanistan,where many did not survive the depredations of the recent decades.

Buddhist figures

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Central Asian figures

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"Solar and Lunar Gods" showing Central Asian influence, wearing double-lapelcaftan,boots, armour and crown with triple lunar crescents, Fondukistan monastery.[15]

Various figures from the monastery show Central Asian influence, with dignitaries wearing double-lapelcaftan,boots, armour and crown with lunar crescents.[16]

Dedications including coins of the BuddhistTurk Shahis(7-8th century CE) have been found under a statue of a royal couple in the monastery of Fondukistan, providing important insights in terms of datation.[17][18]The coins were found in a cremation urn buried under the statues of the royal couple: the urn contained one Sasanian coin of the type ofKhusrow II(r.590-628 CE) with Arabic "Bismillahi" legend and local countermarks, indicating a final strike date of 686 CE, thus suggesting a date soon after 686 CE for the construction of the site; another goldbracteatewith the portrait of a ruler; and three early copper coins of theTurk Shahis(Göbl Type 236) with theBactrian scriptlegend "Srio Shaho"().[19][20]

The royal couple consists of a princess in "Indian" dress, and a prince "wearing a richcaftanwith double lapel and boots "characteristic of Central Asian clothing.[21][22]

  • Royal couple. The King wears a Central Asian caftan with double lapel, as well as boots, while the Queen is of Indian type.[23] circa 700 CE.[24][25]
    Royal couple. The King wears a Central Asiancaftanwith doublelapel,as well as boots, while the Queen is of Indian type.[23]circa 700 CE.[24][25]
  • Coin of Turk Shahi ruler Barha Tegin, in the style of the former Nezak Huns, of the type found in the urn of the Fondukistan monastery (Göbl Type 236). On the obverse, new legend in the Bactrian script: "Srio Shaho" ("Lord King") . Late 7th century CE.[26]
    Coin ofTurk ShahirulerBarha Tegin,in the style of the formerNezak Huns,of the type found in the urn of the Fondukistan monastery (Göbl Type 236). On the obverse, new legend in theBactrian script:"Srio Shaho" ( "Lord King" ).Late 7th century CE.[26]
  • A portrait of the first Turk Shahi ruler Barha Tegin, around the time the Fondukistan Monastery was established.
    A portrait of the first Turk Shahi rulerBarha Tegin,around the time the Fondukistan Monastery was established.

Notes

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Wikimedia Commons has media related toFondukistan.
  1. ^For modern views of the monastery see[1]and[2]

References

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  1. ^Brendan, Cassar; Sara, Noshadi; Kabul, UNESCO Office (31 December 2015).Keeping history alive: safeguarding cultural heritage in post-conflict Afghanistan.UNESCO Publishing. p. 106.ISBN978-92-3-100064-5.
  2. ^"Images of the Fondukistan monastery".Colorado State University.
  3. ^Verardi, Giovanni; Paparatti, Elio (2005)."From Early to Late Tapa Sardār: A Tentative Chronology".East and West.55(1/4): 432.ISSN0012-8376.JSTOR29757657.
  4. ^abNovotny, Susanne (1 January 2007)."The Buddhist Monastery of Fondukistān, Afghanistan – A Reconstruction".Journal of Inner Asian Art and Archaeology.2:31–37.doi:10.1484/J.JIAAA.2.302542.ISSN1783-9025.
  5. ^Rowland and Rice, Ancient Art of Afghanistan, p. 45
  6. ^abc"FONDOQESTĀN – Encyclopaedia Iranica".iranicaonline.org.
  7. ^Compareti, Matteo (2008)."The Painting of the" Hunter-King "at Kakrak: Royal Figure or Divine Being?".Studio Editoriale Gordini:133.
  8. ^abVerardi, Giovanni; Paparatti, Elio (2005)."From Early to Late Tapa Sardār: A Tentative Chronology".East and West.55(1/4): 437–438.ISSN0012-8376.JSTOR29757657.
  9. ^"Stylistic similarities between the images ofFonduqistanand late Tapa Sardar and the early 8th-century Tang production ofTianlongshanhave been noted, and the existence of a 'common international style' inclusive of Tang China and the regions to the west and south of the Pamir has been suggested "inVerardi, Giovanni; Paparatti, Elio (2005)."From Early to Late Tapa Sardār: A Tentative Chronology".East and West.55(1/4): 433.ISSN0012-8376.JSTOR29757657.
  10. ^Naweed, Hamid (28 February 2013).Art Through The Ages in Afghanistan.Author House. pp. 239–240.ISBN978-1-4817-4275-7.
  11. ^Masson, Charles(1842).Narrative Of Various Journeys In Balochistan Afghanistan And The Panjab Vol III.p. 169.In the valley of Ghorband, separated from Koh Daman to the west by a high hill range stretching from the Hindu Kosh, are many and important remains of ancient times....
  12. ^"Encyclopaedia Iranica: Fondukistan".iranicaonline.org.
  13. ^Novotny, Susanne (1 January 2007)."The Buddhist Monastery of Fondukistān, Afghanistan – A Reconstruction".Journal of Inner Asian Art and Archaeology.2:31–37 andthis page,alsothis page.doi:10.1484/J.JIAAA.2.302542.ISSN1783-9025.
  14. ^Compareti, Matteo (2009)."Iranian Elements in Kaśmīr and Tibet Sasanian and Sogdian Borrowings in Kashmiri and Tibetan Art".Transoxiana.14.
  15. ^Hackin, J. (1938)."Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)".Revue des arts asiatiques.12(1): 10–11.ISSN0995-7510.JSTOR43475079.
  16. ^Hackin, J. (1938)."Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)".Revue des arts asiatiques.12(1): 10–11.ISSN0995-7510.JSTOR43475079.
  17. ^ALRAM, MICHAEL (2014)."From the Sasanians to the Huns New Numismatic Evidence from the Hindu Kush"(PDF).The Numismatic Chronicle.174:282–285.ISSN0078-2696.JSTOR44710198.
  18. ^For the photograph of the famous statue, named the "Royal Couple of Fondukistan", see:"FONDOQESTĀN – Encyclopaedia Iranica".iranicaonline.org.
  19. ^Kuwayama, Shoshin (1976)."The Turki Śāhis and Relevant Brahmanical Sculptures in Afghanistan"(PDF).East and West.26(3/4): 399–400.ISSN0012-8376.JSTOR29756318.
  20. ^ALRAM, MICHAEL (2014)."From the Sasanians to the Huns New Numismatic Evidence from the Hindu Kush".The Numismatic Chronicle.174:282–283.ISSN0078-2696.JSTOR44710198.
  21. ^"Fondukistan Digitaler Ausstellungskatalog".pro.geo.univie.ac.at.Kunsthistorisches Museum Vienna. Archived fromthe originalon 2020-09-22.Retrieved2020-11-01.
  22. ^Hackin, J. (1938)."Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)".Revue des arts asiatiques.12(1): 10–11.ISSN0995-7510.JSTOR43475079.
  23. ^Hackin, J. (1938)."Les travaux de la Délégation archéologique française en Afghanistan: COMPTE-RENDU SOMMAIRE (SEPTEMBRE 1936-AOÛT 1937)".Revue des arts asiatiques.12(1): 10–11.ISSN0995-7510.JSTOR43475079.
  24. ^Alram, Michael; Filigenzi, Anna; Kinberger, Michaela; Nell, Daniel; Pfisterer, Matthias; Vondrovec, Klaus."The Countenance of the other (The Coins of the Huns and Western Turks in Central Asia and India) 2012-2013 exhibit: 12. ZABULISTAN: FROM THE ALKHAN-NEZAK CROSSOVER TO THE TURKS".Pro.geo.univie.ac.at.Kunsthistorisches Museum Vienna. Archived fromthe originalon June 23, 2017.RetrievedJuly 16,2017.
  25. ^A recent detailed view:"Les trésors sataniques - Satanic treasures PATRICK CHAPUIS PHOTOGRAPHE".patrickchapuis.photoshelter.com.Archived fromthe originalon 2022-01-06.Retrieved2020-11-01.
  26. ^Alram 2014,p. 282, Plate 43 coin number 37.

Sources

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  • Alram, Michael (2014). "From the Sasanians to the Huns New Numismatic Evidence from the Hindu Kush".The Numismatic Chronicle.174:261–291.JSTOR44710198.(registration required)
  • J. Hackin, "Le monastère bouddhique de Fondukistan (fouilles de J. Carl, 1937)," MDAFA 8, 1959, pp. 49–58.
  • J. Hackin, "The Buddhist Monastery of Fondukistan," Afghanistan (Kabul) 5/2, 1950, pp. 19–35.
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