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For You Blue

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"For You Blue"
j
US picture sleeve
Singlebythe Beatles
from the albumLet It Be
A-side"The Long and Winding Road"
Released11 May 1970
Recorded25 January 1969, 8 January 1970
StudioAppleandOlympic Sound,London
GenreCountry blues
Length2:32
LabelApple
Songwriter(s)George Harrison
Producer(s)Phil Spector
The BeatlesUS singles chronology
"Let It Be"
(1970) 		"The Long and Winding Road"/"For You Blue"
(1970) 		"Got to Get You into My Life"
(1976)

"For You Blue"is a song by the English rock bandthe Beatlesfrom their 1970 albumLet It Be.The track was written byGeorge Harrisonas a love song to his wife,Pattie Boyd.It was also theB-sideto the "Long and Winding Road"single, issued in many countries, but not Britain, and was listed with that song when the single topped the USBillboardHot 100and Canada's national chart in June 1970. On theCash BoxTop 100chart, which measured the US performance of single sides individually, "For You Blue" peaked at number 71.

The song is atwelve-bar bluesin thecountry bluesstyle. When writing "For You Blue", Harrison was partly influenced by his stay withBob Dylanandthe BandinWoodstockover November–December 1968. Whereas that visit had been a musically rewarding experience for Harrison, the Beatles first worked on the song amid an atmosphere of discord, during the filmed rehearsals that made up part of theLet It Bedocumentary film. Recorded at the group'sApple Studioin London in late January 1969, the song includes alap steel guitarpart played byJohn Lennon.Among music critics, some have admired the track for its lighthearted qualities and as a good band performance. Other commentators identify it as an inconsequential song, particularly in relation to some of the Harrison compositions that his bandmates rejected over theLet It Beperiod.

In 1976,Capitol Recordsincluded "For You Blue" on the compilation albumThe Best of George Harrison.An alternative take of the track appeared on the Beatles' 1996 compilationAnthology 3.A live version recorded during Harrison's 1974 North American tour received a limited release on theSongs by George HarrisonEP in 1988.Paul McCartneyperformed the song at theConcert for Georgein November 2002, a year after Harrison's death.

Background and composition[edit]

TheCatskill Mountainsin upstate New York. Harrison's late 1968 visit toWoodstock,where he spent time withBob Dylanandthe Band,served as part of his musical inspiration for the song.

George Harrisonwrote "For You Blue" in late 1968[1][2]as a love song to his wifePattie Boyd.[3][4]In his autobiography,I, Me, Mine,he describes the composition as "a simple twelve-bar song following all the normal principles except it's happy-go-lucky!"[5]The song was partly influenced by Harrison's recent stay inWoodstockin upstate New York,[6]where he had collaborated withBob Dylanand jammed withthe Band.[7]The visit allowed Harrison to experience a musical camaraderie that contrasted with the tense atmosphere in the Beatles over much of 1968,[8]particularly during the recording of theirself-titled double album(also known as "the White Album" ).[9][10]In addition, the creative equality Harrison enjoyed among these musicians, as on his recent collaborations withEric Clapton,[11]contrasted with the continued dominance ofJohn LennonandPaul McCartneyin the Beatles[8][12]during a period when Harrison was emerging as a prolific songwriter.[13][14]

"For You Blue" is acountry bluessong[3][15]in themusical keyof D.[16]Aside from the introduction, it is one of the few original songs by the Beatles in which every section follows thetwelve-bar blues(I-IV-V) pattern. The five-bar introduction deviates from the pattern due to its length and the inclusion of what musicologistAlan Pollackterms a "V-of-V" chord – namely, E7 in the home key.[17]On the Beatles' recording, Harrison performs this opening section alone,[17]playing a series of "elegant introductoryhammer-ons",according to musicologistWalter Everett.[18]The song'sbluesyfeel is accentuated by the addition to theminor pentatonic scaleof a♭7 note on each of the I (D7), IV (G7) and V (A7) chords.[19][nb 1]Harrison opts for a popular variant within the twelve-bar blues formula, by moving briefly to the IV chord for the second bar, rather than remaining on I until the fifth bar.[17]

The composition comprises two verses, a two-round instrumental break, and two further verses.[17]In his lyrics, Harrison unashamedly states his love for Boyd;[3]Pollack describes the message as "unusually unmuddled romantic euphoria".[17]Early in the song, Harrison tells her, "I loved you from the moment I saw you", and by the last verse, in the description of author Ian Inglis, "[Boyd's] 'sweet and lovely' personality makes her irresistible... he now loves her 'more than ever.'"[21]

As reproduced inI, Me, Mine,Harrison's original handwritten lyrics show the song title as "For You Blues".[22]The song was named "George's Blues (Because You're Sweet and Lovely)" when the Beatles recorded it in late January 1969, and then "Because You're Sweet and Lovely" when mixing began on the unreleasedGet Backalbum two months later.[23]By the time that album had been presented to the Beatles for their approval, in late May, the song was listed as "For You Blue".[24]

Twickenham rehearsals[edit]

"For You Blue" was one of the many new songs that the Beatles rehearsed atTwickenham Film Studiosin south-west London, in January 1969.[25]The film project, which became known asGet Backand eventuallyLet It Be,[26]formed part of the band's proposed return to live performance for the first time since their1966 North American tour.[27]Harrison said that after coming back from Woodstock in December 1968, he was "quite optimistic" about the new project, especially the plan to return to a more ensemble-based approach to playing.[28][nb 2]The rehearsals were filmed and recorded by directorMichael Lindsay-Hoggwith the intention that the documentary film would accompany a televised concert by the Beatles.[34][35]

Harrison presented an early draft of the song on 7 January,[36]during a day marked by acrimony within the group.[37]In their study of the tapes from theGet Backproject, authors Doug Sulpy and Ray Schweighardt write that the Beatles rehearsed "For You Blue" half-heartedly, amid heated discussions about their future and with Harrison in disagreement with McCartney over the proposed concert.[38]Adding to Harrison's dissatisfaction since the start of the Twickenham rehearsals, his compositions "All Things Must Pass","Let It Down"and"Hear Me Lord"[12]had received little enthusiasm from Lennon and McCartney.[39][40]The Beatles returned to "For You Blue" on 9 January,[41]by which time Harrison had completed the lyrics.[42]He suggested that the song required an acoustic arrangement akin toskiffleor, citingslide guitaristSon Houseas an example, traditional country blues.[43]The following day, Harrison walked out of the sessions, weary of what he considered to be McCartney's overbearing attitude[44]and Lennon's lack of engagement with the project.[45][46]

Production[edit]

Recording[edit]

A lap steel guitar. The song features Lennon soloing on aHöfnerHawaiian Standard lap steel.[47]

As a condition of Harrison's return to the group,[48][49]the Beatles abandoned the idea of a concert and relocated to theirApple Studioin central London, on 22 January,[50]to record an album of some of the songs rehearsed at Twickenham.[51][52]Until Lindsay-Hogg chose to include footage relating to "I Me Mine"in the documentary, necessitating a formal recording of that song in January 1970,[53][54]"For You Blue" was the only Harrison composition recorded for the album.[55]Music criticJohn Harrisremarks on the surprising decision to include "For You Blue", in light of the more substantial compositions that Harrison had presented.[56]Like Harris, author Elliot Huntley considers that Harrison deliberately refrained from pushing for the inclusion of his best material, believing that his bandmates would not do justice to songs such as "All Things Must Pass", "Let It Down" and the similarly overlooked "Isn't It a Pity"and"Something".[57][nb 3]

The session for "For You Blue" took place at Apple on 25 January,[59][60]withGlyn JohnsandGeorge Martinsharing the role of producer.[61]According to Sulpy and Schweighardt, the band played the song with a "complete focus" that contrasted with their indecisive approach that day when working on McCartney's "Let It Be"and"Two of Us".[62]With regard to Harrison's suggestion for a light acoustic arrangement on "For You Blue", Sulpy and Schweighardt describe the group's performance as being closer to theurban bluesstyle.[43]

Take 6 was selected as the master take.[61]The recording features Harrison on acoustic guitar and Lennon playinglap steel guitar.[63]Lennon performs the first solo over the instrumental break, after which McCartney plays a piano solo.[17]According to various commentators, Lennon used either a cigarette lighter, a shotgun shell, or the standardslidethat came with theHöfnerlap steel.[64]To achieve Harrison's request for a "bad honky tonk piano" sound, Martin[65]and McCartney intertwined newspaper between the strings of the piano.[66][67][nb 4]Ringo Starrcontributed a drum part that, in Everett's description, provides a "heavy backbeat" throughout the performance.[20]

Overdubbing and mixing[edit]

After the film project was revived in January 1970, for a proposed cinema release under the new title ofLet It Be,[71]Harrison chose to re-record his lead vocal for the track.[72]With Johns producing the session,[72]Harrisonoverdubbedthe vocal part atOlympic Sound Studiosin south-west London on 8 January.[71]Harrison's ad-libbed comments during the instrumental breaks – including "Go, Johnny, go!" and a reference to Mississippi bluesmanElmore James– originated from this session also.[72][nb 5]

WhenPhil Spectorremixed "For You Blue" for inclusion on theLet It Bealbum, on 30 March 1970,[74]he added a spoken introduction by Lennon in the style of a newspaper headline: "Queen Says 'No' to Pot-Smoking FBI Member."[75]This comment was edited in from dialogue recorded at Twickenham Film Studios on 8 January 1969.[75]Described by Beatles historianMark Lewisohnas a "most interesting" idea, Spector created atape loopof the song's instrumental break[72]over which he inserted other items of dialogue from the film, including contrasting reactions from members of the public to the Beatles'Apple rooftop concerton 30 January 1969.[76]The tape was possibly intended to help promoteLet It Bebut never released.[72]Despite Johns' extensive contribution, Lennon denied him a producer's credit on the album, which was instead credited to Spector.[77]

Release[edit]

Apple RecordsissuedLet It Beon 8 May 1970[78]with "For You Blue" sequenced as the penultimate track, between "The Long and Winding Road"and"Get Back".[79][80]The release came four weeks afterthe Beatles' break-upand shortly before the premiere of theLet It Bedocumentary film.[81]The song's appearance in the film signalled the change of location for the troubledGet Backproject, from Twickenham to Apple Studio.[18]

The song was selected as theB-sideto "The Long and Winding Road", a single released in the United States on 11 May,[82]but not issued in Britain.[83]In the US, "For You Blue" gained sufficient radio airplay forBillboardto list the two songs together, as a double-sided hit,[84]when the record topped the magazine'sHot 100chart.[85][86]The release was similarly treated as a double A-side when it topped Canada's singles chart[87]and peaked at number 6 on Australia'sGo-Setnational chart.[88]On the US listings compiled byCash Box,which continued to monitor single-sides individually, "For You Blue" peaked at number 71.[89]

"For You Blue" was one of Harrison's most successful songs on theBillboardcharts, both as a member of the Beatles and as a solo artist.[90]In 1976, it was among the seven Beatles tracks[91]thatCapitol Recordsselected for inclusion on the compilationThe Best of George Harrison.[92]Recognising that its status as a US chart-topper was due toBillboard's policy at the time, however, Apple did not include the track on the Beatles'1compilation, released in 2000.[1][2]

The first take of "For You Blue" from the 25 January 1969 session was released on the Beatles'Anthology 3compilation in 1996.[73][93]The edit of the song as used in theLet It Befilm – a composite of takes 9 and 6 – was issued as a promotional video for the compilation.[61]A new mix of this film version was included on theAnthologyDVD in 2003.[61]That same year, a remix of the original album track, without the introductory dialogue added by Spector, was issued on the albumLet It Be… Naked.[94]

Critical reception[edit]

Among contemporary reviews ofLet It Be,Alan Smith of theNMEdescribed "For You Blue" as "another strong one from George, a whispery chunky rocker...'Elmore James,' he calls out at one point, 'got nothin' on this baby!'"[95]Melody Maker'sRichard Williams[81]considered it to be "an amusing trifle", citing Lennon's "camped-down bottleneck guitar" and the reference to James.[15][96]Less impressed, John Gabree ofHigh Fidelitymagazine found the lap-steel playing the only point of interest on an "otherwise boring" track.[97]

In a 2003 review forMojo,John Harris highlighted "For You Blue" as one of the tracks that remained true to McCartney's original concept for a "return to the group's beginnings" with theGet Backproject. Harris admired the song's "mesh of piano, acoustic guitar and lap steel" as "quietly wonderful".[98]Writing inAcoustic Guitarmagazine that same year, David Simons said that, along with other "standout" s such as "Here Comes the Sun"and" I Me Mine "," For You Blue "exemplified Harrison's creativity as a rhythm guitarist and introduced a new element to the band's sound, through the composition's origins on capo-ed acoustic guitar.[99]

Among Beatles biographers,Ian MacDonalddismisses the song as a "forgettable twelve-bar",[63]whileMark Hertsgaardterms it "a slight blues boogie" and considers that Harrison would have been better served on the album by the superior "All Things Must Pass" and "Let It Down".[100]Walter Everett writes that the "promise" offered in Harrison's acoustic guitar introduction remains unfulfilled, such that the principal interest lies in "Lennon's only lap-steel performance with the Beatles, one that seems both clumsy and polished at the same time".[18]Ian Inglis welcomes the song's lightheartedness as evidence that, amid Harrison's usual preoccupation with spirituality and enlightenment, he was nevertheless able to produce "an uncomplicated and enjoyable love song". Inglis concludes: "Its directness, and his obvious enjoyment, reinforce the sincerity of his words."[101]Music journalist Kit O'Toole recognises "For You Blue" as an example of a Beatles B-side that was "just as good, if not better" than the single's lead side. While remarking on the contrast between the song's upbeat and optimistic qualities and the tense atmosphere within the band in January 1969, O'Toole likens the performance to "the four sitting in a living room, just jamming for fun".[2]

Like Harris, Justin Gerber ofConsequence of Soundconsiders "For You Blue" to be in keeping with the group's intended back-to-basics approach, although he pairs it with "I Me Mine" as Harrison compositions that are "not bad, but pale in comparison to his offerings on [the White Album]".[102]Pitchfork's Mark Richardson admires the song's "prickly rhythmic drive" and groups it with tracks such as "Two of Us" and "Get Back" as examples of howLet It Bestill contains quality material even though "little... feels consequential to the Beatles' legacy".[103]

Live performances and cover versions[edit]

Dhani Harrison(pictured in 2010) was among the musicians who performed "For You Blue" with McCartney at theConcert for Georgein 2002. He also recorded a cover of the track in 2013.

"For You Blue" was part of Harrison's set on hisDark Horse Tourof North America in 1974.[104]Harrison performed the song as a jam track during which he introduced the musicians in his tour band.[105]A live version, featuring solos byRobben Ford,Emil RichardsandWillie Weeks– on guitar, percussive bells and bass, respectively[106]– appeared on the disc accompanyingSongs by George Harrison,a limited-edition illustrated book published byGenesis Publicationsin 1988.[107][108]

On 29 November 2002, McCartney sang "For You Blue" at theConcert for George,held at theRoyal Albert Hallin London on the first anniversary of Harrison's death.[109]McCartney was backed by a large band that included Starr, Clapton, and Harrison's son,Dhani,[110]withMarc Mannplaying slide guitar.[111]

Pete Molinari covered the song forMojo'sLet It Be RevisitedCD, included with the October 2010 issue of the magazine.[112]In 2013, Dhani Harrison recorded "For You Blue" as a charity release in aid of theChristopher and Dana Reeve Foundation,[113]a project supported by the Harrison family'sMaterial World Charitable Foundation.[114]Dhani was accompanied byBlake Mills,Aaron EmbryandJim Keltner,[113]the last of whom also played drums on Harrison's 1974 live version of the song[115]and on McCartney's performance in 2002.[116]

Personnel[edit]

According to Ian MacDonald:[63]

Chart positions[edit]

Chart (1970) Peak
position
AustralianGo-SetNational Top 60[88] 6
CanadianMLSSingles[87] 1
USBillboardHot 100[85] 1
USCash BoxTop 100[89] 71

Notes[edit]

  1. ^Harrison uses acapoon the fifth fret of his guitar, allowing him to play chord shapes as if the song was a twelve-bar in the key of A.[20]
  2. ^In addition to his time with the Band, Harrison had enjoyed jamming with musicians in Los Angeles[29]during the sessions forIs This What You Want?,an album byJackie Lomaxthat Harrison produced for the Beatles'Applerecord label.[30][31]These session musicians included members ofthe Wrecking Crewsuch asHal BlaineandLarry Knechtel.[32][33]
  3. ^Harris describes this situation as one that "speaks volumes about George's predicament" over 1968–69, when Harrison's output as a songwriter had outgrown his junior status to Lennon and McCartney.[56]While Everett considers that the songs submitted by Harrison throughout January 1969 were "far more interesting" than Lennon's,[58]Sulpy and Schweighardt write that Lennon and McCartney routinely rejected Harrison's contributions "even though some were far better than their own".[11]
  4. ^While neitherIan MacDonaldnorKenneth Womacklist a bass guitar part in their respective credits for the track,[63][68]Harrison said in a 1987 interview withCreemthat McCartney also played bass.[64][69]Author Simon Leng credits Harrison for thebassline,performed on acoustic guitar.[70]
  5. ^When recording the song at Apple, Harrison had included a mention of the group'sBlüthnerpiano as McCartney played his solo.[73]

References[edit]

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  8. ^abLeng 2006,p. 39.
  9. ^MacDonald 2005,p. 328.
  10. ^Hertsgaard 1996,pp. 247, 251.
  11. ^abSulpy & Schweighardt 1999,p. 1.
  12. ^abO'Gorman 2003,p. 73.
  13. ^Everett 1999,p. 199.
  14. ^The Editors ofRolling Stone2002,pp. 38, 178–79.
  15. ^abSutherland, Steve, ed. (2003).NME Originals:Lennon.London: IPC Ignite!. p. 75.
  16. ^MacDonald 2005,p. 494.
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  113. ^abCubarrubia, R.J. (23 September 2013)."Dhani Harrison Embraces Dad's Song for Charity – Song Premiere".rollingstone.com.Retrieved20 September2016.
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Sources[edit]

External links[edit]

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