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Guys and Dolls

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Guys and Dolls
Original 1950 Broadway cast recording
MusicFrank Loesser
LyricsFrank Loesser
BookJo Swerling
Abe Burrows
Basis"The Idyll of Miss Sarah Brown"
byDamon Runyon
"Blood Pressure"
byDamon Runyon[1]
Productions1950Broadway
1953West End
1976 Broadwayrevival
1982 London revival
1992 Broadway revival
2005 West End revival
2009 Broadway revival
2015 West End revival
2023 London revival
AwardsTony Award for Best Musical
Tony Award for Best Book
(1982)Olivier for Outstanding Musical
Tony Award for Best Revival
Drama Desk Outstanding Revival
(2005)Olivier for Outstanding Musical

Guys and Dollsis amusicalwith music and lyrics byFrank Loesserand book byJo SwerlingandAbe Burrows.It is based on "The Idyll of Miss Sarah Brown"(1933) and" Blood Pressure ", which are two short stories byDamon Runyon,[1][2]and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".[3] The show premiered onBroadwayon November 24, 1950,[4]where it ran for 1,200 performances and won theTony Awardfor Best Musical. The musical has had several Broadway and London revivals, as well as a1955 film adaptationstarringFrank Sinatra,Marlon Brando,Jean Simmons,andVivian Blaine.

In 1998,[5]Vivian Blaine,Sam Levene,Robert AldaandIsabel Bigley,along with the original Broadway cast of the 1950Deccacast album, were inducted into theGrammy Hall of Fame.

Background[edit]

Guys and Dollswas conceived by producersCy Feuerand Ernest Martin as an adaptation ofDamon Runyon's short stories.[6]These stories, written in the 1920s and 1930s, concerned gangsters, gamblers, and other characters of the New York underworld. Runyon was known for the unique comic dialect he employed in his stories; mixing highly formal language, without contractions, and colorful slang.[7]Frank Loesser, who had spent most of his career as alyricistfor movie musicals, was hired as composer and lyricist.George S. Kaufmanwas hired as director. When the first version of the show'sbook,or dialogue, written byJo Swerlingwas deemed unusable, Feuer and Martin asked radio comedy writerAbe Burrowsto rewrite it.[6][8]

Loesser had already written much of the score to correspond with the first version of the book.[7]Burrows later recalled:

Frank Loesser's fourteen songs were all great, and the [new book] had to be written so that the story would lead into each of them. Later on, the critics spoke of the show as 'integrated'. The wordintegrationusually means that the composer has written songs that follow the story line gracefully. Well, we accomplished that but we did it in reverse.[9]

Abe Burrows specifically crafted[10]the role of Nathan Detroit around Sam Levene who signed for the project long before Burrows wrote a single word of dialogue, a similar break Burrows said he had when he later wroteCactus FlowerforLauren Bacall.In “Honest, Abe: Is There Really No Business Like Show Business?”, Burrows recalls "I had the sound of their voices in my head. I knew the rhythm of their speech and it helped make the dialogue sharper and more real". Although Broadway and movie veteran Sam Levene was not a singer, it was agreed he was otherwise perfect as Nathan Detroit; indeed, Levene was one of Runyon's favorite actors.[citation needed]Frank Loesser agreed it was easier adjusting the music to Levene's limitations than substituting a better singer who couldn't act.[11]Levene's lack of singing ability is the reason the lead role of Nathan Detroit only has one song, the duet "Sue Me".

Composer and lyricist Frank Loesser specifically wrote "Sue Me" for Sam Levene, and structured the song so he and Vivian Blaine never sang their showstopping duet together. The son of a cantor, Sam Levene was fluent inYiddish:"Alright, already, I'm just a no-goodnick; alright, already, it’s true, so nu? So sue me." Frank Loesser felt[12]"Nathan Detroit should be played as a brassy Broadway tough guy who sang with more grits than gravy. Sam Levene sang “Sue Me” with such a wonderful Runyonesque flavor that his singing had been easy to forgive, in fact it had been quite charming in its ineptitude. "" Musically, Sam Levene may have been tone-deaf, but he inhabited Frank Loesser's world as a character more than a caricature ", says[13]Larry Stempel, a music professor atFordham Universityand the author ofShowtime: A History of the Broadway Musical Theater.

The character of Miss Adelaide was created specifically to fit Vivian Blaine into the musical, after Loesser decided she was ill-suited to play the conservative Sarah.[14]When Loesser suggested reprising some songs in the second act, Kaufman warned: "If you reprise the songs, we'll reprise the jokes."[15]

Synopsis[edit]

Act I[edit]

Apantomimeof never-ceasing activities depicts the hustle and bustle of New York City ( "Runyonland" ). Three small-time gamblers, Nicely-Nicely Johnson, Benny Southstreet, and Rusty Charlie, argue over which horse will win a big race ( "Fugue for Tinhorns"). The band members of the Save-a-Soul Mission, led by the pious and beautiful Sergeant Sarah Brown, call for sinners to" Follow the Fold "and repent. Nicely and Benny's employer, Nathan Detroit, runs an illegal floatingcrap game.Due to local policeman Lt. Brannigan's strong-armed presence, he has found only one likely spot to hold the game: the "Biltmore garage." Its owner, Joey Biltmore requires a $1,000 security deposit, and Nathan is broke ( "The Oldest Established" ). Nathan hopes to win a $1,000 bet against Sky Masterson, a gambler willing to bet on virtually anything. Nathan proposes a bet he believes he cannot lose: Sky must take a woman of Nathan's choice to dinner in Havana, Cuba. Sky agrees, and Nathan chooses Sarah Brown.

At the mission, Sky attempts to make a deal with Sarah; offering her "one dozen genuine sinners" in exchange for the date in Havana. Sarah refuses, and they argue over whom they will fall in love with ( "I'll Know" ). Sky kisses Sarah, and she slaps him. Nathan goes to watch his fiancée of 14 years, Adelaide, perform her nightclub act ( "A Bushel and a Peck"). After her show, she asks him to marry her once again, telling him that she has been sending her mother letters for twelve years claiming that they have been married with five children. She finds out that Nathan is still running the crap game. After kicking him out, she reads a medical book telling her that her long-running cold may be due to Nathan's refusal to marry her ("Adelaide's Lament").

The next day, Nicely and Benny watch as Sky pursues Sarah, and Nathan tries to win back Adelaide's favor. They declare that guys will do anything for the dolls they love ( "Guys and Dolls" ). General Cartwright, the leader of Save-a-Soul, visits the mission and explains that she will be forced to close the branch unless they succeed in bringing some sinners to the upcoming revival meeting. Sarah, desperate to save the mission, promises the General "one dozen genuine sinners", implicitly accepting Sky's deal. Brannigan discovers a group of gamblers waiting for Nathan's crap game, and to convince him of their innocence, they tell Brannigan their gathering is Nathan's "surprise bachelor party". This satisfies Brannigan, and Nathan resigns himself to eloping with Adelaide. Adelaide goes home to pack, promising to meet him after her show the next afternoon. The Save-A-Soul Mission band passes by, and Nathan sees that Sarah is not in it; he realizes that he lost the bet and faints.

In a Havana nightclub, Sky buys a "Cuban milkshake" for himself and Sarah. She doesn't realize that the drink containsBacardirum, and she gets drunk and kisses Sky ( "If I Were a Bell"). Sky realizes that he genuinely cares for Sarah, and he takes her back to New York. They return at around 4:00 a.m., and Sky tells Sarah how much he loves the early morning (" My Time of Day "). They both spontaneously admit that they're in love ("I've Never Been in Love Before"). A siren sounds and gamblers run out of the mission, where Nathan has been holding the crap game. Sarah assumes that Sky took her to Havana so Nathan could run the game in the mission, and she walks out on him.

Act II[edit]

The next evening, Adelaide performs her act ( "Take Back Your Mink" ). Nathan doesn't show up for the elopement because he's still running the crap game. She soon realizes that Nathan has stood her up again ( "Adelaide's Second Lament" ).

Sarah admits to Arvide, her uncle and fellow mission worker, that she does love Sky, but she will not see him again. Arvide expresses his faith in Sky's inherent goodness and urges Sarah to follow her heart ( "More I Cannot Wish You"). Sky tells Sarah he intends to deliver the dozen genuine sinners for the revival. She doesn't believe him and walks off, but Arvide subtly encourages him.

Nicely shows Sky to the crap game; now in the sewers ( "Crapshooters Dance" ). Big Jule, a gambler, has lost a large sum of money and refuses to end the game until he earns it back. Sky arrives and fails to convince the crapshooters to come to the mission. He gives Nathan $1,000 and claims that he lost the bet to protect Sarah. Sky makes a last-minute bet to get the sinners; if he loses, everyone gets $1,000, but if he wins, they go to the mission ( "Luck Be a Lady"). He wins the bet. Nathan runs into Adelaide on his way there. She tries to get him to elope, but when he can't, she walks out on him. Nathan professes his love for her (" Sue Me "), then leaves.

Sarah is shocked to see that Sky carried through on his promise. The General asks the gamblers to confess their sins, and while some do, one of them admits the real reason they are even there. The General is thrilled that good can come from evil. Attempting to appear contrite, Nicely invents a dream that encouraged him to repent, and the gamblers join in with revivalist fervor ( "Sit Down, You're Rockin' the Boat"). Brannigan arrives and threatens to arrest everyone for the crap game in the Mission, but Sarah clears them, saying that none of the gamblers were at the mission the previous night. After Brannigan leaves, Nathan confesses that they held the crap game in the mission. He also confesses to the bet he made with Sky about taking Sarah to Havana. He adds that he won the bet, to Sarah's shock, and she realizes that Sky wanted to protect her reputation and must genuinely care about her.

Sarah and Adelaide run into each other, and they commiserate and then resolve to marry their men anyway and reform them later ( "Marry the Man Today" ). A few weeks later, Nathan owns a newsstand and has officially closed the crap game. Sky, who is now married to Sarah, works at the mission band and has also stopped gambling. The characters celebrate as Nathan and Adelaide are married ( "Guys and Dolls (Finale/Reprise)" ).

Musical numbers[edit]

Guys and Dolls window card starringVivian Blaine,Robert AldaandSam Levenefrom original 1950 Broadway production at the 46th Street Theatre

Productions[edit]

Original 1950 Broadway production[edit]

New York Mirror "Theatre-Ticket Ordergram" featuring original Broadway starsVivian Blaine,Sam LeveneandIsabel Bigleyin 1950 Broadway productionGuys and Dollsat46th Street Theatre

The show had its pre-Broadway try-out at theShubert TheaterinPhiladelphia,opening Saturday, October 14, 1950.[16]The musical premiered onBroadwayat the 46th Street Theatre (nowRichard Rodgers Theatre) on November 24, 1950. It was directed byGeorge S. Kaufman,with dances and musical numbers byMichael Kidd,scenic and lighting design byJo Mielziner,costumes byAlvin Colt,and orchestrations byGeorge BassmanandTed Royal,with vocal arrangements byHerbert Greene.[17][better source needed]It starredRobert Alda(Sky Masterson),Sam Levene(Nathan Detroit),Isabel Bigley(Sarah) and Vivian Blaine (Miss Adelaide).Iva Witherswas a replacement as Miss Adelaide. The musical ran for 1,200 performances, winning five 1951 Tony Awards, including the award for Best Musical.Decca Recordsissued the original cast recording on 78 rpm records, which was later expanded and re-issued on LP, and then transferred to CD in the 1980s.

1953: First UK production[edit]

Vivian BlaineandSam LevenemeetQueen Elizabethafter a Royal Command Variety Performance ofGuys and Dollson November 2, 1953

The premiereWest Endproduction ofGuys and Dollsopened at theLondon Coliseumon May 28, 1953, a few days before the 1953 Coronation and ran for 555 performances, including a Royal Command Variety Performance forQueen Elizabethon November 2, 1953. Credited with above-the-title-billing the London cast co-starred Vivian Blaine as Miss Adelaide and Sam Levene as Nathan Detroit, each reprising their original Broadway performances; Jerry Wayne performed the role of Sky Masterson since Robert Alda did not reprise his Broadway role in the first UK production which co-starredLizbeth Webbas Sarah Brown. Before opening at the Coliseum,Guys and Dollshad an eight performance run at theBristol Hippodrome,where the show opened on May 19, 1953, and closed on May 25, 1953.[18][19]Lizbeth Webb was the only major principal who was British and was chosen to play the part of Sarah Brown by Frank Loesser. The show has had numerous revivals and tours and has become a popular choice for school and community theatre productions.

1955 First Las Vegas production[edit]

Guys and Dollsprogram from 1st Las Vegas production which opened September 7, 1955, at theRoyal Nevada,performed twice daily starringVivian Blaine,Robert AldaandSam Levene,each reprising their original Broadway performances

Vivian Blaineas Miss Adelaide,Sam Leveneas Nathan Detroit andRobert Aldaas Sky Masterson recreated their original Broadway performances twice daily in a slightly reduced version ofGuys and Dollswhen the first Las Vegas production opened a six-month run at theRoyal Nevada,September 7, 1955, the first time a Broadway musical was performed on theLas Vegas Strip.[20][failed verification]

1965 Fifteenth Anniversary production[edit]

In 1965 Vivian Blaine and Sam Levene reprised their original Broadway roles as Miss Adelaide and Nathan Detroit in a 15th anniversary revival ofGuys and Dollsat the Mineola Theatre, Mineola, New York and Paramus Playhouse, New Jersey. Blaine and Levene performed the fifteenth anniversary production ofGuys and Dollsfor a limited run of 24 performances at each theatre.

New York City Center 1955, 1965 and 1966 revivals[edit]

New York City Centermounted short runs of the musical in 1955, 1965 and 1966. A production starringWalter Matthauas Nathan Detroit,Helen Gallagheras Adelaide, Ray Shaw as Sky and Leila Martin as Sarah had 31 performances, running from April 20 to May 1, and May 31 to June 12, 1955.[21][22]

Another presentation at City Center, withAlan Kingas Nathan Detroit,Sheila MacRaeas Adelaide,Jerry Orbachas Sky andAnita Gilletteas Sarah, ran for 15 performances from April 28 to May 9, 1965. A 1966 production, starringJan Murrayas Nathan Detroit, Vivian Blaine reprising her role as Adelaide,Hugh O'Brianas Sky, and Barbara Meister as Sarah, ran for 23 performances, from June 8 to June 26, 1966.[23]

1976 Broadway revival[edit]

Libretto and vocal book,Music Theatre International(1978), rented out to actors

An all-black cast staged the first Broadway revival ofGuys and Dollsopened on July 10, 1976, in previews, officially on July 21, atThe Broadway Theatre.It starredRobert Guillaumeas Nathan Detroit,Norma Donaldsonas Miss Adelaide, James Randolph as Sky,Ernestine Jacksonas Sarah Brown, andKen Pageas Nicely-Nicely Johnson. Guillaume and Jackson were nominated for Tony and Drama Desk Awards, and Page won aTheatre World Award.

This production featuredMotown-style musical arrangements by Danny Holgate and Horace Ott, and it was directed and choreographed by Billy Wilson. The entire production was under the supervision ofAbe Burrows,and musical direction and choral arrangements were byHoward Roberts.

The show closed on February 13, 1977, after 12 previews and 239 performances. A cast recording was released subsequent to the show's opening.

1982 London revival[edit]

Laurence Olivierwanted to play Nathan Detroit, and began rehearsals for a planned 1971 London revival ofGuys and Dollsfor theNational Theatre Companythen based at theOld Vic.However, due to poor health he had to stop, and his revival never happened.[24]

In 1982,Richard Eyredirected a major revival at London's National Theatre. Eyre called it a "re-thinking" of the musical, and his production featured an award-winning neon-lit set design inspired by Rudi Stern's 1979 bookLet There Be Neon,[25]and brassier orchestrations with vintage yet innovative harmonies.[26][27]The show's choreography byDavid Toguriincluded a large-scale tap dance number of the "Guys and Dolls" finale, performed by the principals and entire cast. The revival opened March 9, 1982, and was an overnight sensation,[28]running for nearly four years and breaking all box office records.[29][30]The original cast featuredBob Hoskinsas Nathan Detroit,Julia McKenzieas Adelaide,Ian Charlesonas Sky andJulie Covingtonas Sarah.[31][32]The production won fiveOlivier Awards,including for McKenzie and Eyre and for Best Musical. Eyre also won anEvening StandardTheatre Award,and Hoskins won theCritics' Circle Theatre Award.

In October 1982, Hoskins was replaced byTrevor Peacock,Charleson byPaul Jones,and Covington byBelinda Sinclair;in the spring of 1983, McKenzie was replaced byImelda StauntonandFiona Hendleyreplaced Sinclair. This production closed in late 1983 to make way for a Broadway try-out of the ill-fated musicalJean Seberg,which following critical failure closed after four months.[33][full citation needed]Eyre'sGuys and Dollsreturned to the National from April through September 1984, this time starringLulu,Norman Rossington,Clarke PetersandBetsy Brantley.[34][full citation needed][35]After a nationwide tour, this production transferred to the West End at thePrince of Wales Theatre,where it ran from June 1985 to April 1986.[36][37]

Following Ian Charleson's death fromAIDSat the age of 40, in November 1990 two reunion performances ofGuys and Dolls,with almost all of the original 1982 cast and musicians, were given at the National Theatre as a tribute to Charleson. The tickets sold out immediately, and the dress rehearsal was also packed. The proceeds from the performances were donated to the new Ian Charleson Day Centre HIV clinic at theRoyal Free Hospital,and to scholarships in Charleson's name atLAMDA.[38]

1992 Broadway revival[edit]

DVD cover of the 1992 cast-album recordingdocumentary,Guys and Dolls: Off the Record,starringPeter Gallagher,Josie de Guzman,Nathan Lane,andFaith Prince

The 1992 Broadway revival was the most successful American remounting of the show since the original Broadway production which ran for 1,200 performances. Directed byJerry Zaks,it starredNathan Laneas Nathan Detroit (from whom Lane had taken his stage name),Peter Gallagheras Sky,Faith Princeas Adelaide andJosie de Guzmanas Sarah. This production played at theMartin Beck Theatrefrom April 14, 1992, to January 8, 1995, with 1,143 performances.

The production received a rave review fromFrank RichinThe New York Times,stating "It's hard to know which genius, and I do mean genius, to celebrate first while cheering the entertainment at the Martin Beck."[39]It received eightTony Awardnominations, and won four, including Best Revival, and the show also won theDrama Desk Award for Outstanding Revival.This revival featured various revisions to the show's score, including brand new music for the "Runyonland", "A Bushel and a Peck", "Take Back Your Mink" and "Havana". The orchestrations were redesigned byMichael Starobin,and there were new dance arrangements added to "A Bushel and a Peck" and "Take Back Your Mink".

A one-hour documentary film captured the recording sessions of the production's original cast album. TitledGuys and Dolls: Off the Record,the film aired onPBS'sGreat Performancesseries in December 1992, and was released on DVD in 2007. Complete takes of most of the show's songs are featured, as well as coaching from director Zaks, and commentary sessions by stars Gallagher, de Guzman, Lane and Prince on the production and their characters.

Lorna Luftauditioned for the role of Adelaide in this production. Faith Prince ultimately played the role, and Luft later played the role in the 1992 National Tour.[40]

1996 London revival[edit]

Richard Eyre repeated his 1982 success with another National Theatre revival of the show, this time in a limited run. It starredHenry Goodmanas Nathan Detroit,Imelda Stauntonreturning as Adelaide,Clarke Petersreturning as Sky andJoanna Ridingas Sarah.Clive Roweplayed Nicely-Nicely Johnson, and David Toguri returned as choreographer. The production ran from December 17, 1996, through March 29, 1997 and from July 2, 1997, to November 22, 1997.[41][42]It received threeOlivier Awardnominations, winning one: Best Supporting Performance in a Musical went to Clive Rowe.[43]Richard Eyre won theCritics' Circle Theatre Awardfor Best Director, and the production won Best Musical.

2005 West End revival[edit]

The 2005West Endrevival opened at London'sPiccadilly Theatrein June 2005 and closed in April 2007. This revival, directed byMichael Grandage,starredEwan McGregoras Sky,Jenna Russellas Sarah,Jane Krakowskias Adelaide, andDouglas Hodgeas Nathan Detroit.[44]During the run,Nigel Harman,Adam Cooper,Norman Bowman andBen Richardstook over as Sky;Kelly Price,Amy NuttallandLisa Stokketook over as Sarah;Sarah Lancashire,Sally Ann Triplett,Claire Sweeney,Lynsey Britton andSamantha Janustook over as Adelaide; andNigel Lindsay,Neil Morrissey,Patrick Swayze,Alex FernsandDon Johnsontook over as Nathan Detroit. This production added the song "Adelaide" that Frank Loesser wrote for the 1955 film adaptation. According to a September 2007 article inPlaybill,this West End production was scheduled to begin previews for a transfer toBroadwayin February 2008, but this plan was dropped.[45]

2009 Broadway revival[edit]

A Broadway revival of the show opened on March 1, 2009, at theNederlander Theatre.The cast includedOliver Plattas Nathan Detroit,Lauren Graham,in her Broadway debut, as Adelaide,Craig Bierkoas Sky andKate Jennings Grantas Sarah.Des McAnuffwas the director, and the choreographer wasSergio Trujillo.[46]This version of the show moved the setting from the 1950s to the 1940s and added Damon Runyon himself as a non-speaking character. The show opened to generally negative reviews.[47]The New York Timescalled it "static" and "uninspired",[48]theNew York Postsaid, "How can something so zippy be so tedious?"[49]andTime Out New Yorkwrote, "Few things are more enervating than watching good material deflate."[50]However, the show received a highly favorable review fromThe New Yorker,[51]and the producers decided to keep the show open in hopes of positive audience response. TheNew York Postreported on March 4 that producerHoward Panter"[said] he'll giveGuys and Dollsat least seven weeks to find an audience ".[52]The revival closed on June 14, 2009, after 28 previews and 113 performances.[53]

2015 London revival[edit]

A new production directed byGordon Greenbergwas originally presented atChichester Festival Theatrein Summer 2014 before moving theSavoy Theatreon December 10, 2015, for previews with a full opening on January 6, 2016, running until March 12, 2016 (following preview runs at thePalace Theatre, ManchesterandAlexandra Theatre, Birminghamin November 2015). The production starredDavid Haigas Nathan,Sophie Thompsonas Adelaide,Jamie Parkeras Sky, Siubhan Harrison as Sarah and Gavin Spokes as Nicely.[54]The production then transferred to thePhoenix Theatre,withOliver Tompsettas Sky,Samantha Spiroas Adelaide,Billy Boyleas Arvide, andRichard Kindas Nathan. On June 28, 2016, the role of Miss Adelaide was taken over byRebel Wilson,and Nathan Detroit was played bySimon Lipkin.[55]The production also toured around UK cities and Dublin starringMaxwell Caulfieldas Nathan,Louise Dearmanas Miss Adelaide,Richard Fleeshmanas Sky andAnna O'Byrneas Sarah.[56]

2017 UK all-black production[edit]

Talawa Theatre Companyand Manchester'sRoyal Exchange Theatreproduced the UK's first all-blackGuys and Dollsin 2017. The production opened on December 2, 2017, and following an extension ran to February 27, 2018, at the Royal Exchange in Manchester.[57][58][59][60][61]The cast includedRay Fearonas Nathan Detroit, Ashley Zhangazha as Sky Masterson, Abiona Omonua as Sarah Brown, and Lucy Vandi as Miss Adelaide.[62][63]

In this production, the musical was relocated toHarlem,1939, with the music referencing jazz, and gospel. DirectorMichael Buffongsaid, "Pre-war Harlem was all about the hustle. The creativity of that era was born from a unique collision of talent and circumstance as people escaped the agricultural and oppressive south via the 'underground railroad' into the highly urbanised and industrialised north. Much of our popular culture, from dance to music, has its roots in that period. OurGuys and Dollsbrings all of this to the fore. "[57][64]

Reviews particularly praised the music, relocation to Harlem, and sense of spectacle.Lyn GardnerinThe Guardianwrote that "the gamblers... are a bunch of sharp-suited peacocks clad in rainbow hues."[65]Ann TrenemaninThe Timescommented, "Whoever had the idea of moving this classic musical from one part of New York to another bit, just up the road, needs to be congratulated. This version of Frank Loesser's musical, which swirls around the lives of the petty gangsters and their 'dolls' who inhabit New York's underbelly, moves the action to Harlem at its prewar height in 1939. It is a Talawa production with an all-black cast and it is terrific from the get-go."[66]Clare Brennan inThe Observerstated, "Relocated to Harlem, this fine new production of Frank Loesser's classic musical retains a threat of violence under a cartoon-bright exterior."[67]

2023 London revival[edit]

A new revival directed byNicholas Hytner,choreographed byArlene Phillipsand James Cousins and designed byBunny Christiebegan previews at theBridge TheatreinLondonon March 3, 2023, with an opening night on March 14. Similar to Hytner's productions ofJulius CaesarandA Midsummer Night's Dreamat the Bridge, the production has an immersivein-the-roundstaging where audience members in the pit stand and the stage platforms rise around them involving audience participation. The cast includedDaniel Maysas Nathan Detroit,Celinde Schoenmakeras Sarah Brown,Marisha Wallaceas Miss Adelaide, Andrew Richardson as Sky Masterson andCedric Nealas Nicely Nicely Johnson.[68][69][70]

A new cast recording was released digitally on September 29, 2023, and was physically released on October 27, 2023 byBroadway Records.This album features several bonus tracks including a pop remix of "Luck Be A Lady", sung byMarisha Wallace,which is played after the curtain call and the Hi-Hi Boys' (Cedric Nealwith Simon Anthony, Jordan Castle, Ryan Pidgen) versions of "I'll Know", "I've Never Been in Love Before" and "If I Were A Bell" which is performed during the interval.[71]

Owain Arthurtook over from Mays as Nathan Detroit from July 17 to October 14 while Mays undertook filming commitments before returning to the role on October 16 with George Ioannides replacing Richardson as Sky Masterson. From February 28, 2024, a new cast took over including Arthur returning as Nathan Detroit, Timmika Ramsay as Miss Adelaide, Jonathan Andrew Hume as Nicely Nicely Johnson with Schoenmaker and Ioannides remaining as Sarah Brown and Sky Masterson.[72]Gina Beckwill take over from Schoenmaker as Sarah Brown from 2 September 2024.[73]

Following numerous extensions due to popular demand, the production will close on January 4, 2025.[74]

Other productions[edit]

  • In 1984, the first Japanese production by all-female theatre troupeTakarazuka Revueopened in December 9 and ran to March 31 in bothTokyoandTakarazuka Grand Theater;it featured Moon Troupe's Mao Daichi and Hitomi Kuroki.[75]It was performed again in 2002 (featuring Moon Troupe's Jun Shibuki and Kurara Emi)[76]and in 2015 (featuring Star Troupe's Kairi Hokushou and Fuu Hinami).[77]

Reception[edit]

The original Broadway production ofGuys and Dollsopened to unanimously positive reviews. This was a relief to the cast as they had a 41-performance pre-Broadway tryout in Philadelphia where each performance was different. Critics praised the musical's faithfulness to Damon Runyon's style and characterizations.Richard Wattsof theNew York Postwrote "Guys and Dollsis just what it should be to celebrate the Runyon spirit...filled with the salty characters and richly original language sacred to the memory of the late Master ".[102]William Hawkins of theNew York World-Telegram & Sunstated "It recaptures what [Runyon] knew about Broadway, that its wickedness is tinhorn, but its gallantry is as pure and young asLittle Eva".[102]Robert Coleman of theNew York Daily Mirrorwrote "We think Damon would have relished it as much as we did".[102]

The book and score were greatly praised as well;John Chapman,then Chief Theatre Critic, of theNew York Daily Newswrote "The book is a work of easy and delightful humor. Its music and lyrics, byFrank Loesser,are so right for the show and so completely lacking in banality, that they amount to an artistic triumph ".[102]Coleman stated "Frank Loesser has written a score that will get a big play on the juke boxes, over the radio, and in bistros throughout the land. His lyrics are especially notable in that they help Burrows's topical gags to further the plot". InThe New York Times,Brooks Atkinsonwrote "Mr. Loesser's lyrics and songs have the same affectionate appreciation of the material as the book, which is funny without being self-conscious or mechanical".[103]

Multiple critics asserted that the work was of great significance to musical theatre. John McClain of theNew York Journal Americanproclaimed "it is the best and most exciting thing of its kind sincePal Joey.It is a triumph and a delight. "[102]Atkinson stated, "we might as well admit thatGuys and Dollsis a work of art. It is spontaneous and has form, style, and spirit. "[103]Chapman asserted, "In all departments,Guys and Dollsis a perfect musical comedy ".[102]

Film adaptations[edit]

Main article:Guys and Dolls (film)

On November 3, 1955,the film versionof the musical was released, starringMarlon Brandoas Sky,Frank Sinatraas Nathan Detroit, andJean Simmonsas Sarah, with Vivian Blaine reprising her role as Adelaide. The film was written and directed byJoseph L. Mankiewiczand produced bySamuel Goldwyn.

Levene lost the film role of Nathan Detroit to Sinatra even though Mankiewicz wanted Levene. "You can't have a Jew playing a Jew, it wouldn't work on screen," Goldwyn argued[104]Frank Loesser felt Sinatra[105]played the part like a "dapper Italian swinger." Mankiewicz said[106]"if there could be one person in the world more miscast as Nathan Detroit than Frank Sinatra that would be Laurence Olivier and I am one of his greatest fans; the role had been written for Sam Levene who was divine in it." Sinatra did his best to give Nathan Detroit a few stereotyped Jewish gestures and inflections, but Frank Loesser hated[107]"how Sinatra turned the rumpled Nathan Detroit into a smoothie. Sam Levene's husky untrained voice added to the song's charm, not to mention its believability." Loesser died in 1969, still refusing[108]to watch the film version released in 1955.

Around the time of the film's release, American composer and lyricistStephen Sondheimwrote film reviews forFilms in Review.Sondheim (then aged 25) reviewed the film version ofGuys and Dolls,and observed: "Sinatra ambles through his role as Nathan Detroit as though he were about to laugh at the jokes in the script. He has none of the sob in the voice, and the incipient ulcer in the stomach, that the part requires and Sam Levene supplied so hilariously on the stage. Sinatra sings on pitch, but colorlessly; Levene sang off pitch, but acted while he sang. Sinatra's lackadaisical performance, his careless and left handed attempt at characterization not only harm the picture immeasurably but indicate an alarming lack of professionality."[109]

Three new songs written by Loesser were added to the film: "Pet Me Poppa"; "A Woman in Love";and" Adelaide ", which was written specifically for Sinatra. Five songs from the stage musical were omitted from the movie:" A Bushel and a Peck, "" My Time of Day, "I've Never Been In Love Before," "More I Cannot Wish You"and" Marry the Man Today. "" A Bushel and a Peck "was later restored to the video release version.

20th Century Foxacquired the film rights to the musical in early 2013, and was said to be planning a remake.[110]In March 2019,TriStar Picturesacquired the remake rights, withBill Condonhired as director two years later. As of January 2024, there have been no updates.[111][112]

Casts of major productions[edit]

The following table shows the principal casts of the major productions ofGuys and Dolls:

Casts of major productions
Character Broadway London Off-Broadway Revival First Broadway Revival First London Revival Second Broadway Revival Second London Revival Third London Revival Third Broadway Revival Fourth London Revival Fifth London Revival
1950 1953 1965 1976 1982 1992 1996 2005 2009 2015 2023
Nathan Detroit Sam Levene Alan King Robert Guillaume Bob Hoskins Nathan Lane Henry Goodman Douglas Hodge Oliver Platt David Haig Daniel Mays
Sky Masterson Robert Alda Jerry Wayne Jerry Orbach James Randolph Ian Charleson Peter Gallagher Clarke Peters Ewan McGregor Craig Bierko Jamie Parker Andrew Richardson
Sister Sarah Brown Isabel Bigley Lizbeth Webb Anita Gillette Ernestine Jackson Julie Covington Josie de Guzman Joanna Riding Jenna Russell Kate Jennings Grant Siubhan Harrison Celinde Schoenmaker
Miss Adelaide Vivian Blaine Sheila MacRae Norma Donaldson Julia McKenzie Faith Prince Imelda Staunton Jane Krakowski Lauren Graham Sophie Thompson Marisha Wallace
Nicely-Nicely Johnson Stubby Kaye Jack De Lon Ken Page David Healy Walter Bobbie Clive Rowe Martyn Ellis Tituss Burgess Gavin Spokes Cedric Neal
Benny Southstreet Johnny Silver Joey Faye Christophe Pierre Barrie Rutter J.K. Simmons Wayne Cater Cory English Steve Rosen Ian Hughes Mark Oxtoby
Arvide Abernathy Pat Rooney Ernest Butcher Clarence Nordstrom Emett "Babe" Wallace John Normington John Carpenter John Normington Niall Buggy Jim Ortlieb Neil McCaul Anthony O'Donnell
Harry the Horse Tom Pedi John Russell Bill Paterson Ernie Sabella Steven Speirs Norman Bowman Jim Walton Cornelius Clarke Jordan Castle
Big Jule B.S. Pully Lew Herbert Jake LaMotta Walter White Jim Carter Herschel Sparber Stanley Townsend Sevan Stephan Glenn Fleshler Nic Greenshields Cameron Johnson
Rusty Charlie Douglas Deane Robert Arden Ed Becker Sterling McQueen Kevin Williams Timothy Shew Connor Byrne Andrew Playfoot Spencer Moses Carl Patrick Ryan Pidgen
Lieutenant Brannigan Paul Reed Robert Cawdron Frank Campanella Clark Morgan Harry Towb Steve Ryan Colin Stinton Patrick Brennan Adam LeFevre William Oxborrow Cornelius Clarke
General Matilda B. Cartwright Netta Packer Colleen Clifford Claire Waring Edye Byrde Irlin Hall Ruth Williamson Sharon D. Clarke Gaye Brown Mary Testa Lorna Gayle Katy Secombe

Notable replacements[edit]

Broadway (1950–53)[edit]

Off-Broadway revival (1965)[edit]

London revival (1982–86 and 1996–97)[edit]

Source:[113]

Broadway revival (1992–95)[edit]

London revival (2005–07)[edit]

Broadway revival (2009)[edit]

London revival (2015–16)[edit]

London revival (2023–25)[edit]

Awards and honors[edit]

Original Broadway production
Year Award Ceremony Category Nominee Result
1951 Tony Awards Best Musical Won
Best Performance by a Leading Actor in a Musical Robert Alda Won
Best Performance by a Featured Actress in a Musical Isabel Bigley Won
Best Choreography Michael Kidd Won
Best Direction of a Musical George S. Kaufman Won
1965 New York City Center production
Year Award Ceremony Category Nominee Result
1965 Tony Awards Best Performance by a Featured Actor in a Musical Jerry Orbach Nominated
1976 Broadway revival
Year Award Ceremony Category Nominee Result
1977 Drama Desk Awards Outstanding Actor in a Musical Robert Guillaume Nominated
Outstanding Featured Actress in a Musical Ernestine Jackson Nominated
Theatre World Award Ken Page Won
Tony Awards Best Revival Nominated
Best Performance by a Leading Actor in a Musical Robert Guillaume Nominated
Best Performance by a Leading Actress in a Musical Ernestine Jackson Nominated
1982 London revival
Year Award Ceremony Category Nominee Result
1982 Critics' Circle Theatre Award[114] Best Actor Bob Hoskins Won
Best Designer John Gunter Won
Evening Standard Awards Best Director Richard Eyre Won
Laurence Olivier Awards Best Musical of the Year Won
Best Actor in a Musical Bob Hoskins Nominated
Best Actress in a Musical Julia McKenzie Won
Best Performance in a Supporting Role in a Musical David Healy Won
Best Director Richard Eyre Won
Best Set Design John Gunter Won
1992 Broadway revival
Year Award Ceremony Category Nominee Result
1992 Drama Desk Awards Outstanding Revival Won
Outstanding Actor in a Musical Nathan Lane Won
Peter Gallagher Nominated
Outstanding Actress in a Musical Faith Prince Won
Outstanding Featured Actor in a Musical Walter Bobbie Nominated
Outstanding Director of a Musical Jerry Zaks Won
Outstanding Choreography Christopher Chadman Nominated
Outstanding Set Design Tony Walton Won
Outstanding Costume Design William Ivey Long Won
Outstanding Lighting Design Paul Gallo Won
Tony Awards Best Revival Won
Best Performance by a Leading Actor in a Musical Nathan Lane Nominated
Best Performance by a Leading Actress in a Musical Faith Prince Won
Josie de Guzman Nominated
Best Direction of a Musical Jerry Zaks Won
Best Choreography Christopher Chadman Nominated
Best Scenic Design Tony Walton Won
Best Lighting Design Paul Gallo Nominated
1996 London revival
Year Award Ceremony Category Nominee Result
1996 Critics' Circle Theatre Award Best Director Richard Eyre Won
1997 Laurence Olivier Awards Best Actress in a Musical Imelda Staunton Nominated
Joanna Riding Nominated
Best Performance in a Supporting Role in a Musical Clive Rowe Won
2005 London revival
Year Award Ceremony Category Nominee Result
2006 Laurence Olivier Awards[115] Outstanding Musical Production Won
Best Actor in a Musical Douglas Hodge Nominated
Ewan McGregor Nominated
Best Actress in a Musical Jane Krakowski Won
Jenna Russell Nominated
Best Theatre Choreographer Rob Ashford Nominated
Best Sound Design Terry Jardine and Chris Full Nominated
Best Lighting Design Howard Harrison Nominated
2008 Australian production
Year Award Ceremony Category Nominee Result
2008 Helpmann Awards Best Musical Nominated
Best Actress in a Musical Marina Prior Nominated
Best Supporting Actor in a Musical Shane Jacobson Won
Best Direction in a Musical Michael Grandageand Jamie Lloyd Nominated
Best Choreography in a Musical Rob Ashford Nominated
Best Sound Design Chris Full, John Scandrett and Nick Reich Nominated
2009 Broadway revival
Year Award Ceremony Category Nominee Result
2009 Tony Awards Best Revival of a Musical Nominated
Best Scenic Design Robert Brill Nominated
2015 London revival
Year Award Ceremony Category Nominee Result
2015 Laurence Olivier Awards Best Musical Revival Nominated
Best Actor in a Musical David Haig Nominated
Jamie Parker Nominated
Best Actress in a Musical Sophie Thompson Nominated
Best Actor in a Supporting Role in a Musical Gavin Spokes Nominated
Best Theatre Choreographer Carlos Acosta&Andrew Wright Nominated
2022 Kennedy Center production
Year Award Ceremony Category Nominee Result
2023 Helen Hayes Award[116] Outstanding Performer in a Visiting Production Kevin Chamberlin Won
Steven Pasquale Nominated
Phillipa Soo Nominated
Outstanding Visiting Production Won
2023 London revival
Year Award Ceremony Category Nominee Result
2023 Evening Standard Theatre Awards[117] Best Musical Won
Best Director Nicholas Hytner Nominated
Best Musical Performance Marisha Wallace Nominated
Emerging Talent Andrew Richardson Nominated
Best Design Bunny Christie Nominated
2024 WhatsOnStage Awards[118] Best Musical Revival Won
Best Performer in a Musical Marisha Wallace Nominated
Best Supporting Performer in a Musical Cedric Neal Nominated
Best Professional Debut Performance Andrew Richardson Nominated
Best Direction Nicholas Hytner Nominated
Best Musical Direction/Supervision Tom Brady Nominated
Best Choreography Arlene Phillips& James Cousins Nominated
Best Costume Design Bunny Christie& Deborah Andrews Nominated
Best Lighting Design Paule Constable Nominated
Best Set Design Bunny Christie Won
Best Sound Design Paul Arditti Nominated
Best Graphic Design Muse Creative Won
Laurence Olivier Awards[119] Best Musical Revival Nominated
Best Actor in a Musical Daniel Mays Nominated
Best Actress in a Musical Marisha Wallace Nominated
Best Supporting Actor in a Musical Cedric Neal Nominated
Best Choreographer Arlene Phillips,James Cousins Won
Best Costume Design Bunny Christie,Deborah Andrews Nominated
Best Set Design Bunny Christie Nominated
Best Lighting Design Paule Constable Nominated
Outstanding Musical Contribution Tom Brady (Musical Supervision & Arrangements),Charlie Rosen(Orchestrations) Nominated

Recordings[edit]

There are numerous recordings of the show's score. These include:

Notes[edit]

  1. ^abNadel, Ira Bruce.Double act: a life of Tom Stoppard.Methuen, 2002. p. 542.
  2. ^"Damon Runyon".Authors.The eBooks-Library.Retrieved2008-07-20.
  3. ^Stempel, 435
  4. ^"Guys and Dolls (Playbill)".Playbill.
  5. ^"GRAMMY Hall Of Fame".GRAMMY.com.2010-10-18.Retrieved2019-10-31.
  6. ^abZolotow, Maurice "Guys, Dolls and Runyon".The New York Times,Nov. 12, 1950, Section 2, p. 1,3.
  7. ^abStempel, 434
  8. ^Suskin, 272–276
  9. ^Burrows, Abe (1980).Honest Abe.Boston: Atlantic-Little, Brown, p. 149, cited in Stempel, 434–435
  10. ^Levene, Joseph K. (2019-07-15)."Casting Guys and Dolls by Ron Fassler has factual errors and oversights concerning Sam Levene, the…".Medium.Retrieved2019-10-31.
  11. ^Gerabian, Keith (2002).The Making of Guys and Dolls.Ontario: Mosaic Press. pp. 93, 94.ASINB01M1E9JZR.
  12. ^Loesser, Susan (2000).A Most Remarkable Fella: Frank Loesser and the Guys and Dolls in His Life: a Portrait by His Daughter.Hal Leonard Corporation.ISBN9780634009273.
  13. ^"Impertinent Questions with Larry Stempel".National Endowment for the Humanities (NEH).Retrieved2019-10-31.
  14. ^Scott Simon (host). "Creation of the musicalGuys and Dolls,Weekend Edition Saturday,National Public Radio, November 2=pk2000
  15. ^"On a lighter note, Sam Levene and Vivian Blane made guest-star appearances on a New Year's Eve production ofThe Big Show,December 31, 1950, withTallulah BankheadandJose Ferrer;Sam Levene and Vivian Blaine performed with Bankhead, satirizing the difficulty of getting theatre tickets to their standing-room-only Broadway musical,Guys and Dolls."Herrmann, Dorothy (1982).With Malice Toward All.New York: G. P. Putnam's Sons. pp. 60–61.
  16. ^Philadelphia Inquirer,Monday, October 16, 1950, p. 26
  17. ^Guys and Dolls.IBDB. Retrieved on 2012-05-21.
  18. ^"Listing, 1953".Guide to Musical Theatre.Retrieved March 5, 2010
  19. ^"The London Coliseum history, Programme".Arthur Lloyd.co.uk.Retrieved March 5, 2010
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  43. ^"Olivier Winners 1997".Archived2010-11-27 at theWayback Machine.Official London Theatre.Retrieved May 28, 2010
  44. ^Nathan, John (14 April 2007)."Adelaide's Lament: London Guys and Dolls Closes April 14".Archived2009-05-10 at theWayback Machine.Playbill.
  45. ^Gans, Andrew (September 11, 2007)."Guys and Dolls Revival Unlikely for Spring".Archived2007-10-14 at theWayback Machine.Playbill.
  46. ^"'Luck Be a Lady': Guys and Dolls Returns to Broadway Feb. 5 ".Archived2009-02-22 at theWayback Machine.Broadway.com.
  47. ^Review summary for 2009 "Guys and Dolls".New York Theatre Guide.
  48. ^Brantley (Ben March 2, 2009)."It’s a Cinch That the Bum Is Under the Thumb of Some Little Broad".The New York Times.
  49. ^Vincentelli, Elisabeth (March 2, 2009)."This Revival is a Bad Bet:Guys & DollsBores in Broadway Return ".New York Post.
  50. ^Feldman, Adam (March 5–11, 2009)."Review: Guys and Dolls"Archived2009-03-10 at theWayback Machine.Time Out New York.
  51. ^Lahr, John (March 9, 2009)."Broadway Boogie-Woogie:Guys and DollsRolls the Dice Again ".The New Yorker.
  52. ^Riedel, Michael (March 4, 2009). "Producer Backs Play The Critics Don't Like".The New York Post.p. 40.
  53. ^"Adelaide's New Lament: Broadway's Guys and Dolls to Close June 14".Archived2009-06-12 at theWayback Machine.Playbill.
  54. ^"Full casting announced for Guys and Dolls at the Savoy Theatre in London's West End".London Theatre.Retrieved2016-01-15.
  55. ^"Review | Rebel Wilson in Guys and Dolls at London's Phoenix Theatre".Attitude.2016-07-20. Archived fromthe originalon 2017-01-17.Retrieved2016-08-07.
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  57. ^abMasso, Giverny (October 18, 2017)."Cast announced for UK’s first all-black 'Guys and Dolls'"The Stage.
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  59. ^Wiegand, Chris (June 7, 2017)."Jubilee Manchester Royal Exchange".The Guardian.
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  62. ^Eaton-Rutter, Claire (October 18, 2017)."Guys and Dolls musical announces UK's first ever all-black cast".Metro.
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  64. ^Gilbey, Ryan (2017-11-13)."Harlem shake-up: How Guys and Dolls found its swing".The Guardian.
  65. ^Gardner, Lyn (2017-12-07)."Guys and Dolls review – swaggering Harlem grit rocks the Broadway boat".The Guardian.
  66. ^Treneman, Ann (2017-12-08)."Theatre review: Guys and Dolls at the Royal Exchange Theatre, Manchester".The Times.
  67. ^Brennan, Clare (2017-12-10)."Guys and Dolls review – larger than life, but with a core of grit".The Observer.
  68. ^"'Guys & Dolls' to open at the Bridge Theatre ".London Theatre.10 June 2022.Retrieved2022-06-22.
  69. ^Thomas, Sophie (2022-11-28)."Marisha Wallace to lead 'Guys and Dolls' cast at the Bridge Theatre".London Theatre.Retrieved2022-11-29.
  70. ^"Owain Arthur to join Guys and Dolls at the Bridge Theatre".What's On Stage.2023-07-04.Retrieved2023-07-06.
  71. ^Rabinowitz, Chloe."GUYS & DOLLS 2023 London Cast Recording to be Released This Month".Broadway World.Retrieved2023-09-20.
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  120. ^Guys & Dolls:1950 Original Broadway Cast Recording2000 CD
  121. ^Guys and Dolls:1955 Movie Soundtrack2007 Blue Moon Imports CD
  122. ^Guys & Dolls:1955 Movie Soundtrack101 Distribution 2009 CD
  123. ^Guys and Dolls:1976 Studio Recording (1976 date is incorrect)1992 CD
  124. ^Guys and Dolls:1976 Broadway Revival Cast Recording1991 CD
  125. ^Guys and Dolls:Original 1982 London National Theatre CastEMI 2007 CD
  126. ^Guys and Dolls:Original 1982 London National Theatre CastMusic for Pleasure 1992 CD
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References[edit]

External links[edit]

Wikimedia Commons has media related toGuys and Dolls (musical).
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