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John Barry (composer)

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Not to be confused withJohn Barrymore.

John Barry
OBE
Barry in 2006
Barry in 2006
Background information
Birth nameJohn Barry Prendergast
Born(1933-11-03)3 November 1933
York,England
Died30 January 2011(2011-01-30)(aged 77)
Oyster Bay, New York,U.S.
Occupation(s)Composer, conductor
Spouses
  • Barbara Pickard
    ​
    ​
    (m.1959;div.1963)​
  • ​
    ​
    (m.1965;div.1968)​
  • Jane Sidey
    ​
    ​
    (m.1969;div.1978)​
  • Laurie Barry
    ​
    (m.1978)​

John Barry PrendergastOBE(3 November 1933 – 30 January 2011)[1][2]was an English composer and conductor of film music. Born inYork,Barry spent his early years working in cinemas owned by his father. During hisnational servicewith the British Army inCyprus,Barry began performing as a musician after learning to play thetrumpet.Upon completing his national service, he formed a band in 1957,the John Barry Seven.He later developed an interest in composing and arranging music, making his début for television in 1958. He came to the notice of the makers of the first James Bond filmDr. No,who were dissatisfied with a theme forJames Bondgiven to them byMonty Norman.[3]Noel Rogers, the head of music at United Artists, approached Barry.[4]This started a successful association between Barry and the Bond series that lasted for 25 years.

He composed the scores for eleven of theJames Bondfilms between 1963 and 1987, as well as arranging and performing the "James Bond Theme"for the first film in the series, 1962'sDr. No.He wrote the Grammy- and Academy Award-winning scores to the filmsDances with Wolves(1990) andOut of Africa(1985), as well as the scores ofThe Scarlet Letter(1995),Chaplin(1992),The Cotton Club(1984),Game of Death(1972),The Tamarind Seed(1974),Mary, Queen of Scots(1971) and the theme for the television seriesThe Persuaders!,in a career spanning over 50 years. In 1999, he was appointed with anOBEfor services to music.

Barry received awards including fiveAcademy Awards:two forBorn Freeand one each forThe Lion in Winter(for which he also won the firstBAFTA Award for Best Film Music),Out of AfricaandDances with Wolves(both of which also won himGrammy Awards). He also received tenGolden Globe Awardnominations, winning once forBest Original ScoreforOut of Africain 1986. Barry completed his last film score,Enigma,in 2001 and recorded the successful albumEternal Echoesthe same year. He then concentrated chiefly on live performances and co-wrote the music to the musicalBrighton Rockin 2004 alongsideDon Black.

In 2001, Barry became a Fellow of theBritish Academy of Songwriters, Composers and Authors,and, in 2005, he was made a Fellow of theBritish Academy of Film and Television Arts.Barry was married four times and had four children. He moved to the United States in 1975 and lived there until his death in 2011.

Biography

[edit]

Early life and education

[edit]

Barry was born John Barry Prendergast inYork,the youngest of four children. His mother, a classical pianist, was English; his Irish father, John Xavier "Jack" Prendergast fromCork,was aprojectionistduring the silent film era and later owned a chain of cinemas acrossnorthern England.[5][6][7]As a result of his father's work, Barry was raised in and around cinemas in northern England[5]and he later stated that this childhood background influenced his musical tastes and interests.[6]He had two older brothers and one older sister.[8]Barry was educated atSt Peter's School, York,and received composition lessons fromFrancis Jackson,Organist ofYork Minster.[6]

Career

[edit]

Barry spent hisnational servicein the British Army playing the trumpet, working from a correspondence course withjazzcomposerBill Russo.[9]After national service he worked as anarrangerfor the orchestras ofJack ParnellandTed Heath,[10]forming his own band,the John Barry Seven,[11]in 1957. The John Barry Seven recorded hit records onEMI's Columbialabel including "Hit and Miss", the theme tune he composed for the BBC'sJuke Box Juryprogramme; a cover of theJohnny Smithsong "Walk Don't Run";and a cover of the theme for theUnited ArtistswesternThe Magnificent Seven.

By 1959 Barry was gaining commissions to arrange music for other acts, starting with a young trio on Decca, coincidentally called the Three Barry Sisters, though unrelated both to Barry and American duoThe Barry Sisters.[12]The career breakthrough for Barry was the BBC television seriesDrumbeat,when he appeared with the John Barry Seven. He was employed byEMIfrom 1959 until 1962 arranging orchestral accompaniments for the company's singers, includingAdam Faith.[13]He also composed songs (along withLes Vandyke) and scores for films in which Faith was featured. When Faith made his first film,Beat Girl(1960), Barry composed, arranged and conducted the film score, his first. His music was later released as the UK's first soundtrack album.[14]

Barry also composed the music for another Faith film,Never Let Go(also 1960), orchestrated the score forMix Me a Person(1962), and composed, arranged and conducted the score forThe Amorous Prawn(also 1962). In 1962, Barry transferred toEmber Records,where he produced and arranged albums.[15]

These achievements caught the attention of theproducersof a new film calledDr. No(1962) who were dissatisfied with a theme forJames Bondgiven to them byMonty Norman.Barry was hired and his arrangement of Norman's composition created the "James Bond Theme".When the producers of the Bond series sought to hireLionel Bartto score the next James Bond filmFrom Russia with Love(1963), they learned that Bart could not read or write music. Though Bart wrote a title song for the film, the producers remembered Barry's arrangement of the James Bond Theme and his composing and arranging for several films with Adam Faith. Bart also recommended Barry to producerStanley Bakerfor his 1964 filmZulu.[16]That same year Bart and Barry collaborated on the filmMan in the Middle;and then, in 1965, Barry worked with directorBryan Forbesin scoring the World War II prison-camp dramaKing Rat.

This was the turning point for Barry, and he subsequently won fiveAcademy Awardsand fourGrammy Awards,with scores for, among others,Born Free(1966),The Lion in Winter(1968),Midnight Cowboy(1969) for which he did not receive an on-screen credit, andSomewhere in Time(1980).[2][17]

Barry was often cited as having had a distinct style which concentrated on lush strings and extensive use of brass.[citation needed]He was one of the first to employ synthesizers in a film score (On Her Majesty's Secret Service,also 1969),[18]and to make wide use of pop artists and songs inMidnight Cowboy.[19]Because Barry provided not just the main title theme but the complete soundtrackscore,his music often enhanced the critical reception of a film, notably inMidnight Cowboy,The Tamarind Seed,the first remake ofKing Kong(1976),Out of Africa(1985), andDances with Wolves(1990). Barry would often watch films and would note down with pen and paper what worked or what did not.[7]

Barry composed the theme for the TV seriesThe Persuaders!(1971), also known asThe Unlucky Heroes,in whichTony CurtisandRoger Moorewere paired as rich playboys solving crimes.[20]The instrumental recording features thecimbalom(which Barry also used forThe Ipcress File(1965) and other themes) andMoog synthesizers.The theme was a hit single in many European countries (including France, Germany, and the Benelux states), contributing to the cult status of the series in Europe, and the record featured Barry'sThe Girl with the Sun in Her Hairon the B side, an instrumental piece featured in a long running TV advert forSunsilkshampoo. Barry also wrote the scores to a number of musicals, including the 1965Passion Flower Hotel(lyrics byTrevor Peacock), the successful 1974 West End showBilly(lyrics byDon Black),[21]and two intendedBroadway musicalsthat never opened on Broadway,Lolita, My Love(1971), withAlan Jay Lerneras lyricist, andThe Little Prince and the Aviator(1981), again with lyricist Don Black.[22]Barry also composed the soundtrack for theBruce LeefilmGame of Death(1978).

In 2001, theUniversity of Yorkconferred an honorary degree on Barry, and in 2002 he was named an HonoraryFreemanof the City of York.[23][24]

During 2006, Barry was the executive producer on an album entitledHere's to the Heroesby the Australian ensembleThe Ten Tenors.The album features a number of songs Barry wrote in collaboration with his lyricist friend, Don Black. Barry and Black also composed one of the songs onShirley Bassey's 2009 album,The Performance.The song, entitled "Our Time Is Now", is the first written by the duo for Bassey since "Diamonds Are Forever".[25]

James Bond

[edit]

After the success ofDr. No,Barry was hired to compose and perform eleven of the next fourteenJames Bondfilms.

In his tenure with the film series, Barry's music, variously brassy and moody, achieved very wide appeal. ForFrom Russia with Lovehe composed "007",an alternative James Bond signature theme, which is featured in four other Bond films (Thunderball,You Only Live Twice,Diamonds Are Forever,andMoonraker).The theme "Stalking", for the teaser sequence ofFrom Russia with Love,was covered by colleagueMarvin HamlischforThe Spy Who Loved Me(1977). Barry also contributed indirectly to the soundtrack of the spoof version ofCasino Royale(1967): hisBorn Freetheme appears briefly in the opening sequence.

InGoldfinger(1964), he perfected the "Bond sound", a heady mixture of brass, jazz elements and sensuous melodies. There is even an element of Barry's jazz roots in the big-band track "Into Miami", which follows the title credits and accompanies the film's iconic image of the camera lens zooming toward theFontainebleau HotelinMiami Beach.

Barry's love for the Russian romantic composers is often reflected in his music; in his Bond scores he unites this with brass-heavy jazz writing. His use of strings, lyricism, half-diminished chords and complex key shifting provides melancholy contrast; in his scores this is often heard in variations of the title songs that are used to underscore plot development.[26]

As Barry matured, the Bond scores became more lushly melodic (along with other scores of his such asThe Tamarind SeedandOut of Africa) as inMoonraker(1979) andOctopussy(1983). Barry's score forA View to a Killwas traditional, but his collaboration withDuran Duranfor thetitle songwas contemporary and reached number one in the United States and number two in theUK Singles Chart.BothA View to a KillandThe Living Daylightstheme byA-hablended the pop music style of the bands with Barry's orchestration. In 2006, A-ha'sPal Waaktaarcomplimented Barry's contributions: "I loved the stuff he added to the track, I mean it gave it this really cool string arrangement. That's when for me it started to sound like a Bond thing."[27]

Barry's last score for the Bond series wasThe Living Daylights(1987),Timothy Dalton's first film in the series, with Barry making a cameo appearance as a conductor in the film.[28]Barry was intended to scoreLicence to Kill(1989) but was recovering from throat surgery at the time, and it was considered unsafe to fly him to London to complete the score. The score was completed byMichael Kamen.[29]

David Arnold,a British composer, saw the result of two years' work in 1997 with the release ofShaken and Stirred: The David Arnold James Bond Project,an album of new versions of the themes from various James Bond films. Arnold thanks Barry in the sleeve notes, referring to him as "the Guvnor". Almost all of the tracks were Barry compositions, and the revision of his work met with his approval – he contactedBarbara Broccoli,producer of the then upcomingTomorrow Never Dies,to recommend Arnold as the film's composer.[30]Arnold also went on to score four subsequent Bond films:The World Is Not Enough,Die Another Day,Casino RoyaleandQuantum of Solace.

Monty Norman,who was contracted as composer forDr. No,received sole compositional credit for the "James Bond Theme". Nearly 40 years later, in 2001, the disputed authorship of the theme was examined legally in theHigh Courtin London after Norman suedThe Sunday Timesfor libel for publishing an article in 1997 in which Barry was named as the true composer; Barry testified for the defence.[31][32]

In court, Barry testified that he had been handed a musical manuscript of a work by Norman (meant to become the theme) and that he was to arrange it musically, and that he composed additional music and arranged the "James Bond Theme". He also claimed that Norman received sole credit because of his prior contract with the producers. Barry said that a deal was struck whereby he would receive a flat fee of £250 and Norman would receive the songwriting credit.[33]Barry said that he had accepted the deal with United Artists Head of Music Noel Rogers because it would help his career. Despite these claims, the jury ruled unanimously in favour of Norman.[33]

On 7 September 2006, Barry reiterated his claim of authorship of the theme on theSteve Wrightshow onBBC Radio 2.[34]

Personal life and death

[edit]

Barry was married four times. His first three marriages, to Barbara Pickard (1959–63),Jane Birkin(1965–68) and Jane Sidey (1969–78) all ended in divorce.[10]He was married to his fourth wife, Laurie, from January 1978[10]until his death. The couple had a son, Jonpatrick. Barry had three daughters: Suzanne with his first wife, Barbara;Katewith his second wife, Jane; and Sian, from a relationship with Ulla Larson between the first two marriages.[6]

In 1975, Barry moved to the US. A British judge later accused him of emigrating to avoid paying£134,000 due theInland Revenue.[10]The matter was resolved in the late 1980s, and Barry was able to return to the UK.[10]He subsequently lived for many years in the United States, mainly inOyster Bay,New York, inCentre IslandonLong Island,from 1980.[6][35]

Barry suffered arupture of the esophagusin 1988, following a toxic reaction to a health tonic he had consumed. The incident rendered him unable to work for two years and left him vulnerable topneumonia.[36]

Barry died of a heart attack on 30 January 2011 at his Oyster Bay home, aged 77.[37][38]

A memorial concert took place on 20 June 2011 at theRoyal Albert Hallin London, where theRoyal Philharmonic Orchestra,Shirley Bassey,Rumer,David Arnold,Wynne Evansand others performed Barry's music.[39]Sir George Martin,Sir Michael Parkinson,Don Black,Timothy Daltonand others also contributed to the celebration of his life and work.[37][39][40]The event was sponsored by theRoyal College of Musicthrough a grant by theBroccoliFoundation.[41]

Awards and nominations

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In 1999, Barry was made anOfficer of the Order of the British Empire(OBE) for services to music. He received theBAFTA Academy Fellowship Awardin 2005.[40][42]In 2005, theAmerican Film Instituteranked Barry's score forOut of AfricaNo. 15 ontheir list of the greatest film scores.[43]His scores and original songs for the following films were nominated:[44]

Accolades

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Award Year Project Category Outcome
Academy Awards 1966 Born Free Best Original Music Score Won
"Born Free"(fromBorn Free),withDon Black Best Original Song Won
1968 The Lion in Winter Best Original Music Score – For a Motion Picture (Not a Musical) Won
1971 Mary, Queen of Scots Best Original Dramatic Score Nominated
1985 Out of Africa Best Original Score Won
1990 Dances with Wolves Best Original Score Won
1992 Chaplin Best Original Score Nominated
BAFTA Awards 1968 The Lion in Winter Anthony Asquith Award for Film Music Won
1986 Out of Africa Best Score[45] Nominated
1991 Dances with Wolves Best Original Film Score[46] Nominated
2005 BAFTA Academy Fellowship Award[47] Won
Golden Globe Awards 1966 "Born Free"(fromBorn Free),withDon Black Best Original Song Nominated
1968 The Lion in Winter Best Original Score Nominated
1971 Mary, Queen of Scots Best Original Score Nominated
1974 "Sail the Summer Winds"(fromThe Dove),withDon Black Best Original Song Nominated
1977 "Down Deep Inside"(fromThe Deep),withDonna Summer Best Original Song Nominated
1981 Somewhere in Time Best Original Score Nominated
1985 Out of Africa Best Original Score Won
"A View to a Kill"(fromA View to a Kill),withDuran Duran Best Original Song Nominated
1990 Dances with Wolves Best Original Score Nominated
1992 Chaplin Best Original Score Nominated

Grammy Award

Grammy Awardnominations

Emmy Awardnominations

  • 1964 Outstanding Achievement in Composing Original Music for Television forElizabeth Taylor in London(a 1963 television special)[49]
  • 1977 Outstanding Achievement in Music Composition for a Special (Dramatic Underscore) forEleanor and Franklin: The White House Years[49]

Golden Raspberry Award

Max Steiner Lifetime Achievement Award (presented by the City of Vienna)

Lifetime Achievement Award from World Soundtrack Academy (presented at the Ghent Film Festival)

  • 2010

In 2011, he received theBrit Award for Outstanding Contribution to Music.

Barry was inducted into theSongwriters Hall of Famein 1998.[50] Also wrote the theme for raise the titanic much under rated too

Filmography

[edit]

Bond films

[edit]

Barry worked on the soundtracks for the following James Bond films (title song collaborators in brackets):

In addition, a brief excerpt from the song "Born Free" is heard during a sequence in the non-EON Productions Bond film,Casino Royale(1967).

Film and television work

[edit]
Year Film Directed by Singles Latest CD / Digital Release
1959 Drumbeat
(TV series theme music) 		Stewart Morris
Juke Box Jury
(TV series theme music) 		Peter Potter Hit And Miss EMI / 07243 523073 2 6 / 1997
1960 Never Let Go John Guillermin
Beat Girl Edmond T. Gréville Cherry Red / ACMEM204CD / 2011
1962 Dateline London
(TV series theme music) 		Columbia 45-DB 4806: Cutty Sark EMI / 07243 523073 2 6 / 1997
The Amorous Prawn Anthony Kimmins
The L-Shaped Room Bryan Forbes
1963 Elizabeth Taylor in London Sid Smith Él / ACMEM59CD /???
From Russia with Love (film) Terence Young EMI / 72435-80588-2-6 / 2003
1964 Zulu Cy Endfield UA 743: Zulu Stamp / Big Shield Ember Records / NR 5012 / 2010
Man in the Middle (film) Guy Hamilton
Impromptu
(TV series soundtrack) 		David Croft
A Jolly Bad Fellow Don Chaffey
Séance on a Wet Afternoon Bryan Forbes United Artists Records UP1060: Seance On A Wet Afternoon / Oublie Ca EMI / 07243 523073 2 6 / 1997
Goldfinger Guy Hamilton EMI / 72435-80891-2-7 / 2003
Sophia Loren in Rome Sheldon Reynolds P.E.G. Recordings / PEG023 / 1998
1965 Boy and Bicycle
( "Onward Christian Spacemen" ) 		Ridley Scott
The Ipcress File Sidney J. Furie Silva Screen / FILMCD 605 / 2002
The Party's Over Guy Hamilton EMI / 07243 523073 2 6 / 1997
Mister Moses Ronald Neame
The Knack...and How to Get It Richard Lester Quartet Records / QRSCE024 / 2011
The Passion Flower Hotel Gene Gutowski Sony West End / SMK 66175 /????
The Newcomers (TV series) Colin Morris Fancy Dance
King Rat Bryan Forbes Intrada / ISC 434 / 2019
Thunderball (film) Terence Young EMI / 72435-80589-2-5 / 2003
Four in the Morning Anthony Simmons Ember Records / NR 5029 / 2009
1966 The Chase Arthur Penn Columbia 4-43544: The Chase (2:44) / Saturday Night Philosopher (2:55) Legacy / 515133 2 / 2004
Born Free James Hill Film Score Monthly / FSM Vol.7 No. 10 / 2004
The Wrong Box Bryan Forbes Intrada / Special Collection Volume 191 / 2011
Vendetta CBS 2390: Vendetta (2:01) / The Danny Scipio Theme (2:45)
The Quiller Memorandum Michael Anderson CBS 2451: Theme From "The Quiller Memorandum" – Wednesday's Child / Sleep Well My Darling Intrada / Special Collection Volume 201 / 2012
Dutchman Anthony Harvey
1967 You Only Live Twice (film) Lewis Gilbert EMI / 72435-41418-2-9 / 2003
The Whisperers Bryan Forbes Rykodisc / RCD 10720 / 1998
1968 Boom! Joseph Losey harkit records / HRKCD 8248 / 2008
Petulia Richard Lester Film Score Monthly / FSM Vol. 8 No. 20 / 2005
Deadfall Bryan Forbes Retrograde Records / FSM-80124-2 / 1997
The Lion in Winter Anthony Harvey Legacy / CK 66133 / 1995
1969 The Appointment Sidney Lumet Film Score Monthly / FSM Vol. 6 No. 11 / 2003
Midnight Cowboy John Schlesinger Quartet Records / QR434 / 2021
On Her Majesty's Secret Service (film) Peter R. Hunt EMI / 72435-41419-2-8 / 2003
1970 Monte Walsh (1970 film) William A. Fraker Film Score Monthly / FSM Vol. 2 No. 4 / 1999
1971 Murphy's War Peter Yates
The Last Valley (film) James Clavell Quartet Records / QR257 / 2016
Walkabout Nicolas Roeg The Roundtable / PM001CD / 2016
They Might Be Giants Anthony Harvey
The Persuaders! Val Guest CBS 7469: Theme From 'The Persuaders' (2:10) / The Girl With The Sun In Her Hair (2:55)
Diamonds Are Forever (film) Guy Hamilton EMI / 72435-41420-2-4 / 2003
Mary, Queen of Scots Charles Jarrott Quartet Records / QR504 / 2022
1972 Follow Me! (film) Carol Reed King Records / KICP 1476 / 2010
The Adventurer (TV series) Universal Music Jazz France / 531 340 5 / 2009
Alice's Adventures in Wonderland (1972 film) William Sterling Film Score Monthly / FSM Vol. 8 No. 20 / 2005
1973 A Doll's House Patrick Garland
Orson Welles Great Mysteries Universal Music Jazz France / 531 340 5 / 2009
The Glass Menagerie (1973 film) Anthony Harvey
1974 Billy (musical)
The Tamarind Seed Blake Edwards Silva Screen / SILCD1647 / 2021
Born Free (TV series) Leonard Horn,Paul Krasny,Russ Mayberry
The Dove Charles Jarrott Intrada / ISC 313 / 2015
The Man with the Golden Gun (film) Guy Hamilton EMI / 72435-41424-2-0 / 2003
1975 Love Among the Ruins (film) James Costigan
The Day of the Locust John Schlesinger Intrada / ISC 367 / 2016
1976 Eleanor and Franklin (miniseries) Daniel Petrie
Robin and Marian Richard Lester Prometheus Records / PCR 522 / 2008
King Kong John Guillermin Film Score Monthly / FSM Vol. 15 No. 5 / 2012
1977 Eleanor and Franklin: The White House Years Daniel Petrie
The White Buffalo J. Lee Thompson Quartet Records / QR267 / 2017
The War Between the Tates Lee Philips
The Deep Peter Yates Casablanca Records USA
Pye Records-Precision Tapes UK /1977
Intrada / Special Collection Volume 143 / 2010
Young Joe, the Forgotten Kennedy Richard T. Heffron
First Love (1977 film) Joan Darling La-La Land Records / LLLCD 1243 / 2013
The Gathering (1977 film) Randal Kleiser
1978 The Betsy Daniel Petrie
Game of Death Robert Clouse Silva America / SSD 1154 / 2003
Starcrash Luigi Cozzi BSX Records / BSXCD 8846 / 2008
1979 The Corn Is Green George Cukor
Willa Joan Darling,Claudio Guzmán
Hanover Street Peter Hyams Varèse Sarabande / VCL 0309 1090 / 2009
Moonraker (film) Lewis Gilbert EMI / 7243 5 41425 2 9 / 2003
The Black Hole Gary Nelson Intrada / D001383402 / 2011
1980 Night Games (1980 film) Roger Vadim Silva America / SSD 1154 / 2003
Raise the Titanic (film) Jerry Jameson
Somewhere in Time (film) Jeannot Szwarc La-La Land Records / LLLCD 1550 / 2021
Touched by Love Gus Trikonis
Inside Moves Richard Donner
1981 The Legend of the Lone Ranger William A. Fraker Intrada / ISC 420 / 2018
Body Heat Lawrence Kasdan Film Score Monthly / FSM Vol. 15 No. 4 / 2012
The Little Prince and the Aviator Jerry Adler
1982 Hammett Wim Wenders Silva Screen / SILCD1662 / 2023
Murder by Phone Michael Anderson
Frances Graeme Clifford Label X / LXSACD 1001 / 2005
1983 High Road to China Brian G. Hutton BSX Records / BSXCD 8864 / 2010
Octopussy John Glen EMI / 7243 5 41450 2 5 / 2003
The Golden Seal Frank Zuniga Intrada / Special Collection Volume 89 / 2008
Svengali Anthony Harvey
1984 Mike's Murder James Bridges Prometheus Records / PCR 521 / 2009
Until September Richard Marquand Kritzerland / KR 20018-9 / 2011
The Cotton Club Francis Ford Coppola Geffen Records / CDGEF 70260 / 1984
1985 A View to a Kill John Glen EMI / 72435-41448-2-0 / 2003
Jagged Edge Richard Marquand Varèse Sarabande / VCL 0916 1174 / 2016
Out of Africa Sydney Pollack MCA Records / MCAD-11311 / 1995
1986 A Killing Affair David Saperstein
Howard the Duck Willard Huyck Intrada / ISC 426 / 2019
Peggy Sue Got Married Francis Ford Coppola Varèse Sarabande / VCL 1114 1152 / 2014
The Golden Child Michael Ritchie La-La Land Records / LLLCD 1180 / 2011
1987 The Living Daylights John Glen EMI / 72435-41451-2-4 / 2003
Hearts of Fire Richard Marquand
1988 Masquerade Bob Swaim Quartet Records / QR326 / 2018
USA Today: The Television Show

Television film scores

[edit]

Television themes

[edit]

Musicals

[edit]

Other works

[edit]
  • Stringbeat(1961)
  • Americans(1975)
  • The Beyondness of Things(1999)
  • Eternal Echoes(2001)
  • The Seasons(no release date set)

Singles

[edit]

(Excludes co-composed hits, e.g.Duran Duran's"A View to a Kill")

  • "Hit and Miss" as The John Barry Seven plus Four, UK#10 (first charted 1960)
  • "Beat for Beatniks" as The John Barry Orchestra, UK#40 (1960)
  • "Never Let Go" as The John Barry Orchestra, UK#49 (1960)
  • "Blueberry Hill" as The John Barry Orchestra, UK#34 (1960)
  • "Walk Don't Run"as The John Barry Seven, UK#11 (1960)
  • "Black Stockings" as The John Barry Seven, UK#27 (1960)
  • "The Magnificent Seven"as The John Barry Seven, UK#45 (1961)
  • "Cutty Sark" as The John Barry Seven, UK#35 (1962)
  • "TheJames Bond Theme"as The John Barry Orchestra, UK#13 (1962)
  • "From Russia with Love" as The John Barry Orchestra, UK#39 (1963)
  • "Theme fromThe Persuaders!as John Barry, UK#13 (1971)

His four highest-charting hits all spent more than 10 weeks in the UK top 50.

See also

[edit]

References

[edit]
  1. ^The Sunday Times Magazine(London). 18 December 2011. p. 64.
  2. ^ab"'James Bond Theme' composer John Barry dies of heart attack ".One India. 1 February 2010. Archived fromthe originalon 18 February 2013.Retrieved1 February2010.
  3. ^"The John Barry Resource: Monty Norman's" James Bond Theme "Lawsuit".www.jollinger.com.Retrieved13 April2020.
  4. ^Tweedie, Neil (20 March 2001)."£30,000 damages for composer of 007 theme tune".The Telegraph.Retrieved13 April2020.
  5. ^ab"Film composer Barry dies aged 77".The Irish Times.Dublin. 31 January 2011. Archived fromthe originalon 6 March 2013.Retrieved3 February2020.
  6. ^abcdeSweeting, Adam (31 January 2011)."John Barry Obituary".The Guardian.London.Retrieved3 February2011.WebCitation archive.
  7. ^abHastings, Sheena (31 January 2011)."John Barry Obituary".Yorkshire Post.Leeds.Retrieved3 February2011.
  8. ^"John Barry Biography".musicianguide.com.Retrieved13 February2022.
  9. ^"John Barry: 15 facts about the great composer".Classic FM.Retrieved21 June2015.
  10. ^abcde"John Barry".The Daily Telegraph.London. 31 January 2010..WebCitation archive.
  11. ^"John Barry The Gstaad Memorandum".Film score monthly. November 1996. Archived fromthe originalon 17 October 2006.Retrieved1 February2011.
  12. ^Pete FrameThe restless generation: how rock music changed the face of 1950s Britain0952954079 2007 – Page 414 "Meanwhile, Barry was winning commissions to arrange music for other acts, starting with a young trio on Decca, the unrelated (to him) Barry Sisters. Together, they cut two singles, Tall Paul and Jo Jo The Dog-faced Boy, which had been consecutive American hits for Annette Funicello. Neither excited retail interest – and nor did any of the three singles he made with Larry Page"
  13. ^"John Barry: 15 facts about the great composer".Classic FM.Retrieved21 June2015.
  14. ^Firth, SimonMusic for Pleasure: Essays in the Sociology of PopRoutledge, 1988, p.147
  15. ^Cody, Joshua (3 November 1933)."The Ensemble Sospeso – John Barry".Sospeso.com.Archived fromthe originalon 16 July 2011.Retrieved2 February2011.
  16. ^Hall, Dr SheldonZulu: With Some Guts Behind It: The Making of the Epic Movie2005 Tomahawk Press
  17. ^"Midnight Cowboy (1969)".IMDb.com.Retrieved14 March2014.
  18. ^"John Barry: On Her Majesty's Secret Service".Classic FM.Retrieved21 June2015.
  19. ^"John Barry: 15 facts about the great composer".Classic FM.Retrieved21 June2015.
  20. ^"John Barry: 15 facts about the great composer".Classic FM.Retrieved21 June2015.
  21. ^"John Barry: 15 facts about the great composer".Classic FM.Retrieved21 June2015.
  22. ^Burlingame, Jon (31 January 2011)."John Barry dies at 77".Variety.Retrieved25 September2021.
  23. ^"University of York to award nine honorary degrees".University of York. 21 June 2001. Archived fromthe originalon 5 October 2012.Retrieved21 June2011.
  24. ^"Movie music legend John Barry dies aged 77".Mirror.co.uk.1 February 2010.
  25. ^Shepherd, Fiona."Album review: Dame Shirley Bassey".The Scotsman2 November 2009.WebCitation archive.
  26. ^Madden, Karl."The Melancholy Touch: Romantic Shades of John Barry's Bond"Archived16 December 2013 at theWayback MachineinJames Bond in World and Popular Culture: The Films Are Not Enough.Eds. Robert G. Weiner, B. Lynn Whitfield, and Jack Becker. Newcastle: Cambridge Scholars, 1st Edition 2010, 116–126, 2nd Edition 2011, 121–131. Print.
  27. ^Waaktaar, Pal (interviewee) (2006).James Bond's Greatest Hits(Television). UK: North One Television.
  28. ^"John Barry: 15 facts about the great composer".Classic FM.Retrieved21 June2015.
  29. ^"John Barry – The Man with the Midas Touch".Johnbarry.org.uk.1 February 2011. Archived fromthe originalon 2 November 2011.
  30. ^Macnee, Patrick (Narrator).The Bond Sound: The Music of 007(DVD (Documentary)).
  31. ^"Monty Norman v. The Sunday Times: The" James Bond Theme "Lawsuit".The John Barry Resource.Retrieved24 November2006.
  32. ^Tweedie, Neil."£30,000 damages for composer of 007 theme tune",The Telegraph,20 March 2001.WebCitation archive.
  33. ^ab"Bond theme writer wins damages".BBC News.1 February 2010.
  34. ^"John Barry on the Bond Theme".MI6-HQ.com.9 September 2006.Retrieved24 November2006.
  35. ^"Centre Island – Long Island New York – Long Island Exchange".Longislandexchange.com.Retrieved22 September2014.
  36. ^"John Barry".Turner Classic Movies.Retrieved31 January2011.
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  42. ^Fiegel, Eddi (29 November 2012).John Barry: A Sixties Theme: From James Bond to Midnight Cowboy.Faber & Faber.ISBN9780571299119.
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  51. ^Moriarty (5 November 2004)."AICN Animation Double-Header! Moriarty Interviews Brad Bird!!".Ain't It Cool News.Archived fromthe originalon 18 July 2007.Retrieved27 July2013.Yeah. We worked on it for a little while, and I'm a huge fan of John Barry. But I kind of wanted him to go back to a style that he used in the past, and use that as kind of a starting place. I think he kind of felt like he'd already done that.

Further reading

[edit]
  • Fiegel, Eddi.John Barry: A Sixties Theme: From James Bond to Midnight Cowboy(Faber & Faber: London, UK, 2012)
  • Leonard, Geoff, Pete Walker and Gareth Bramley.John Barry – The Man with the Midas Touch(Redcliffe Press: Bristol, UK, 2008)
[edit]
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