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Lennox Berkeley

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Sir Lennox Randal Francis BerkeleyCBE(12 May 1903 – 26 December 1989) was an English composer.

Biography

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Berkeley was born on 12 May 1903 inOxford,England, the younger child and only son of Aline Carla (1863–1935), daughter ofSir James Charles Harris,former British consul in Monaco, andRoyal NavyCaptain Hastings George FitzHardinge Berkeley (1855–1934), the illegitimate and eldest son of George Lennox Rawdon Berkeley, the 7thEarl of Berkeley(1827–1888).[1]He attended theDragon Schoolin Oxford, going on toGresham's School,inHolt, NorfolkandSt George's SchoolinHarpenden,Hertfordshire. He studied French atMerton College,Oxford, graduating with a fourth class degree in 1926. While at university he coxed the collegerowing eight.He became an honorary fellow of Merton College in 1974.[1][2]

In 1927, he went to Paris to study music withNadia Boulanger,and there became acquainted withFrancis Poulenc,Igor Stravinsky,Darius Milhaud,Arthur HoneggerandAlbert Roussel.Berkeley also studied withMaurice Ravel,often cited as a key influence in Berkeley's technical development as a composer.

In 1936, he metBenjamin Britten,also a former pupil ofGresham's School,at theISCMFestival inBarcelona.Berkeley fell in love with Britten, who appears to have been wary of entering a relationship, writing in his diary, "we have come to an agreement on that subject."[3][4]Nevertheless, the two composers shared a house for a year, living in the Old Mill atSnape,Suffolk, which Britten had acquired in July 1937.[5]They subsequently enjoyed a long friendship and artistic association,collaboratingon a number of works; these included the suite of Catalan dances titledMont Juic,andVariations on an Elizabethan Theme(the latter also with four other composers).

He worked for theBBCduring theSecond World War,where he met his future wife, Elizabeth Freda Bernstein (1923–2016) whom he married on 14 December 1946. Together they had three sons: their eldest sonMichael Berkeley,Baron Berkeley of Knighton, is also a composer, and their youngest son is the photographerNick Berkeley.[1][6][7][8]

He wrote several piano works for the pianistColin Horsley,who commissioned theHorn Trioand some piano pieces, and gave the first performances and/or made the premier recordings of a number of his works, including his third Piano Concerto (1958).[9]

He was Professor of Composition in theRoyal Academy of Musicfrom 1946 to 1968. His students includedRichard Rodney Bennett,David Bedford,Adam Pounds,Richard Stoker,Clive Strutt,John TavenerandBrian Ferneyhough.Ferneyhough felt that he learned nothing from Berkeley because of the gap between their musical conceptions, remembering him as "a notably urbane and well-meaning presence" whose "Nadia Boulenger [sic] influenced gallic aesthetics were completely unable to deal with my compositional needs. "[10]

1954 saw the premiere of his first opera,Nelson,atSadler's Wells.He was knighted in 1974 and from 1977 to 1983 was President of theCheltenham Festival.

He resided at 8 Warwick Avenue, London, from 1947 until his death in 1989. On 20 March 1990 a memorial service was held for him atWestminster Cathedral,London.[1]

Honours

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Musical style

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Berkeley's earlier music is broadlytonal,influenced by theneoclassicalmusic of Stravinsky.[12]Berkeley's contact and friendship with composers such as Ravel and Poulenc and his studies in Paris with Boulanger lend his music a 'French' quality, demonstrated by its "emphasis on melody, the lucid textures and a conciseness of expression".[13]He maintained a negative view ofatonalmusic at least up until 1948, when he wrote:[14]

I have never been able to derive much satisfaction from atonal music. The absence of key makesmodulationan impossibility, and this, to my mind, causes monotony [...] I am not, of course, in favour of rigidly adhering to the old key-system, but some sort of tonal centre seems to me a necessity.

However, from the mid-1950s, Berkeley apparently felt a need to revise his style of composition, later telling the Canadian composer,R. Murray Schaferthat "it's natural for a composer to feel a need to enlarge his idiom."[15]He started includingtone rowsand aspects ofserial techniquein his compositions around the time of the Concertino, Op. 49 (1955) and the operaRuth(1955–56). His shift in opinion was demonstrated in an interview withThe Timesin 1959:[16]

I'm not opposed to serial music; I've benefited from studying it, and I have sometimes found myself writing serial themes – although I don't elaborate on them according to strict serial principles, because I'm quite definitely a tonal composer. And there are some exceptions to the gospel of intellectualisation – I enjoyed listening to the record of Boulez'sLe Marteau sans maîtrevery much, because there the timbres of the music were attractive in themselves.

Works

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Opera

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Orchestral

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  • Mont Juic,suite of Catalan dances, Op. 9 (written jointly withBenjamin Britten)
  • Serenade, for string orchestra (1938–9)
  • Symphony No. 1 (1936–40)
  • Divertimento (1943)
  • Piano Concerto in B-flat major, Op. 29 (1947–8)
  • Concerto for Two Pianos and Orchestra, Op. 30 (1948)
  • Symphony No. 2(1958, revised 1976)
  • Symphony No. 3, in one movement (1968–9)
  • Sinfonia Concertante, for oboe and chamber orchestra (1972–3)
  • Voices of the Night, Op. 86 (1973)
  • Guitar Concerto, Op. 88
  • Symphony No. 4 (1977–78)

Choral

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  • A Festival Anthem,Op. 21, No. 2 (1945)
  • Crux fidelis,Op. 43, No. 1 (1955)
  • I sing of a maiden(1966)
  • Look up, sweet babe,Op. 43, No. 2 (1955)
  • Missa Brevis,Op. 57 (1960)
  • Mass for five voices, Op. 64 (1964)
  • Magnificatfor chorus and orchestra, Op. 71 (1968)
  • Three Latin Motets, Op. 83, No. 1 (1972)
  • The Lord is my shepherd,Op. 91, No. 1 (1975)
  • MagnificatandNunc dimittis( "Chichester service" ), Op. 99 (1980)

Solo vocal

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  • Five Housman Songs, Op. 14, No. 3
  • Four Poems of St Teresa of Ávila, Op. 27, for contralto and string orchestra (1947)
  • Three Greek Songs, Op. 38 (1953)
  • Five Poems by W. H. Auden, Op. 53

Chamber

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  • String Quartet No. 1, Op. 6 (1935)
  • String Quartet No. 2, Op. 15 (1941)
  • String Trio, Op. 19 (1943)
  • Sonata in D minor for viola and piano, Op. 22 (1945)
  • Introduction and Allegro, for solo violin (1949) (edited byIvry Gitlis)[17]
  • Trio for horn, violin and piano,Op. 44 (1952)
  • Sextet for clarinet, horn and string quartet, Op. 47 (1954)[18]
  • String Quartet No. 3, Op. 76 (1970)
  • Introduction and Allegro, for double bass and piano (1972) (forRodney Slatford)
  • Duo for cello and piano
  • Sonata Op. 97 for flute and piano
  • Sonatina Op. 13 for recorder and piano[19]
  • Three Pieces for Solo Viola, WoO (Dedicated to Stephan Deák, discovered 2004.)[20]

Piano

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  • Three Pieces, Op. 2 (1935)
  • Piano Sonata in A major, Op. 20 (1941–5)
  • Six Preludes, Op. 23 (1945)
  • Three Mazurkas, Op. 31 No. 1 (1939–49)

Guitar

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  • Quatre pièces pour la guitare (1928)
  • Sonatina, Op. 52, No. 1 (1957)
  • Theme and Variations, Op. 77 (1970)

Clarinet

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  • Three Pieces for Clarinet, (1939)

Flute

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  • Sonatina for Flute or Treble Recorder and Piano (1940)

Violin

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  • Sonatina for Violin and Piano in A, Op. 17 (1942)
  • Theme and Variations (1950)

Film and radio

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Film Scores:

  • Sword of the Spirit,December 1942
  • Out of Chaos,January 1944, London Symphony orchestra
  • Hotel Reserve,June 1944, BBC Northern orchestra/Muir Mathieson
  • The First Gentleman,April 1948, Royal Philharmonic orchestra/Thomas Beecham, April 1948
  • Youth in Britain,April 1958

Radio Scores:

  • Westminster Abbey, 1941, Section of Northern BBC orchestra, London, BBC, 7 September 1941
  • Yesterday and Today, 1943, Wireless Singers/Father
  • J. B. Mc Elligott, Evesham, BBC, 19 April 1942
  • A Glutton for life, 1946, ad hoc orchestra/Lennox Berkeley, London BBC, 21 November 1946
  • The wall of Troy, 1946, ad hoc orchestra/Lennox Berkeley, London BBC, 21 November 1946
  • The Seraphina, 1956, Sinfonia of London/Lennox Berkeley, London BBC, 4 October 1956
  • Look back to Lyttletoun, 1957, English opera group orchestra, Ambrosian singers/ Norman del Mar, London, BBC, 8 July 1957

See also

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References

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  1. ^abcd"Berkeley, Sir Lennox Randal Francis (1903–1989), composer".Oxford Dictionary of National Biography.Vol. 1 (online ed.). Oxford University Press. 23 September 2004.doi:10.1093/ref:odnb/39902.(Subscription orUK public library membershiprequired.)
  2. ^Levens, R.G.C., ed. (1964).Merton College Register 1900–1964.Oxford: Basil Blackwell. p. 149.
  3. ^Oliver, Michael (1996).Benjamin Britten.University of Michigan: Phaidon. p. 60.ISBN9780714832777.
  4. ^Evans, John (2010).Journeying Boy: The Diaries of the Young Benjamin Britten 1928–1938.Faber and Faber. p. 366.ISBN9780571274642.
  5. ^Evans, John (2010).Journeying Boy: The Diaries of the Young Benjamin Britten 1928–1938.Faber and Faber. p. 494.ISBN9780571274642.
  6. ^Dickinson (2003),p. 77: "Colin Horsley remembered Berkeley's time at the BBC because he was reputed to have kept manuscript paper under his desk and was obviously longing to get more time to compose. Since it was there that he met his wife it is no wonder..."
  7. ^Scotland, Tony."Lennox Berkeley and his Music (biography)".Retrieved7 October2014.
  8. ^Death notice,The Times,London, 25 February 2016, p. 61
  9. ^Musical leader 1958 Page 21 "Lennox Berkeley launched his Third Piano Concerto with Colin Horsley, for whom the work was written, at the Royal Philharmonic Society's Festival Hall series recently"
  10. ^Brian Ferneyhough – An interview with the English composer/professor who now resides in California. "I am always actively thinking of current activities.".Musicguy 247
  11. ^Index biographique des membres et associés de l'Académie royale de Belgique (1769–2005)
  12. ^Stevens, Douglas (2011).Lennox Berkeley: a critical study of his music(PhD). University of Bristol.
  13. ^Rushton, James."Lennox Berkeley – Five Short Pieces (1936)".Music Sales Classical.Retrieved29 September2015.
  14. ^Dickinson, Peter (2003).The Music of Lennox Berkeley(2nd ed.). Woodbridge: The Boydell Press. p. 161.ISBN9780851159362.
  15. ^Dickinson, Peter (2012).Lennox Berkeley and Friends: Writings, Letters and Interviews.Woodbridge: Boydell Press. p. 9.ISBN9781843837855.
  16. ^Dickinson (2012),p. 110.
  17. ^Introduction and Allegro for Solo Violin..21 April 2018.OCLC498148650.
  18. ^Review SextetMay 2008, quote: Berkeley wrote his three movement Sextet for Clarinet, Horn and String Quartet, Op. 47 in 1954 for theMelos Ensemble.
  19. ^Daly, Thomas."Works by Sir Lennox Berkeley (complete listing) (containing the keyword '13')".lennoxberkeley.org.uk.Retrieved21 April2018.
  20. ^Scotland, Tony; Raphael, Terroni."Three Pieces for Solo Viola".Lennox Berkeley Society.Retrieved20 October2018.

Further reading

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  • Scotland, Tony (2010).Lennox & Freda(1. publ ed.). Norwich: Michael Russell.ISBN9780859553193
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