List of paintings by Camille Pissarro
Appearance
![](https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/Les_Hommes_N_366_Camille_Pissaro_cut.jpg/150px-Les_Hommes_N_366_Camille_Pissaro_cut.jpg)
This is an incompletelist of the paintingsby the Danish-FrenchImpressionistartistCamille Pissarro(1830–1903).
The catalog numbers of the listed works are as given in the Catalogue Raisonné of the Wildenstein Institute.[1]
1852–1856 (St Thomas, West Indies)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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Landscape with House in the Woods in Saint Thomas, Antilles | c.1854–55 | 23.5 x 30.5 | Private collection[1] | 8 |
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Village at the Foot of a Hill in Saint Thomas, Antilles | c.1854–55 | 24 x 30.4 | Private collection[2] | 9 |
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Mountain Landscape at Saint Thomas, Antilles(unfinished) | c.1854–55 | 26.2 x 23.5 | Private collection[3] | 10 |
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Woman Carrying a Pitcher on Her Head | 1854–55 | 33 x 24 | Private collection[4] | 15 |
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Creek with Palm Trees | 1856 | 24.5 x 32.2 | National Gallery of Art,Washington D.C.[5] | 16 |
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Antilian Landscape, St. Thomas | 1856 | 32.5 x 46 | Private collection[6] | 19 |
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Two Women Chatting by the Sea | 1856 | 27.9 x 41 | National Gallery of Art,Washington D.C.[7] | 23 |
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A Creek in Saint Thomas, Antilles | 1856 | 35 x 53 | Private collection[8] | 24 |
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Laundress on the Banks of the River | c.1856 | 16.9 x 24 | Private collection[9] | 28 |
1857–1866 (Paris)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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The Harvest | 1857 | 14 x 26.7 | Private collection[10] | 34 |
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Donkey in Front of a Farm, Montmorency | c.1859 | 21.5 x 27.2 | Musée d'Orsay[11] | 37 |
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Forest Path | c.1859 | 41 x 33 | Private collection[12] | 42 |
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The Wood Cart | c.1862 | 16.5 x 25 | Reuben and Edith Hecht Museum,Haifa[13] | 61 |
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The Caravan | c.1862 | 25 x 38 | Private collection[14] | 62 |
The Little Factory | c.1862–65 | 26,5 x 40,2 | Strasbourg Museum of Modern and Contemporary Art | 130 | |
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The Telegraph Tower at Montmartre | 1863 | 40.7 x 32.4 | Private collection[15] | 67 |
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Farmyard | c.1863 | 38.1 x 47.1 | Private collection[16] | 69 |
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Village corner, Women Chatting | 1863 | 40 x 52 | Private collection[17] | 70 |
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Entering a village | c.1863 | 33 x 41 | Private collection[18] | 71 |
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La Varenne-Saint-Hilaire vue de Champigny | 1863 | 49.6 x 74 | Museum of Fine Arts (Budapest)[19] | 74 |
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Barges on the Seine | c.1863 | 46 x 72 | Musée Camille Pissarro, Pontoise, France[20] | 79 |
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River bank and barge | c.1863 | 9.9 x 18.5 | Private collection[21] | 80 |
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In the Woods | 1864 | 26.5 x 21 | Private collection[22] | 84 |
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Road entering a Forest | c.1864 | 28 x 35.3 | Private collection[23] | 86 |
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Meeting on the Village Road | c.1864 | 21.8 x 35 | Private collection[24] | 91 |
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Peasant Woman in a Field, La Varenne-Saint-Hilaire | c.1865 | 18.5 x 35 | Private collection[25] | 99 |
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The Road | c.1865 | 40.7 x 31.8 | Private collection[26] | 100 |
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The Marne at Chennevières | c.1865 | 91.5 x 145.5 | Scottish National Gallery,Edinburgh[27] | 103 |
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Square in La Roche Guyon | c.1865 | 50 x 61 | Alte Nationalgalerie,Berlin[28] | 104 |
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Donkey Ride at La Roche Guyon | c.1865 | 35 x 51.7 | Private collection[29] | 105 |
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Banks of the Marne in Winter | 1866 | 91.8 x 150 | Art Institute of Chicago[30] | 107 |
1866–1868 (Pontoise)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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Pere Gallien's House at Pontoise | 1866 | 40.3 x 55.2 | Ipswich Museum,UK[31] | 111 |
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Still Life with Wine Carafe | 1867 | 81 x 99.6 | Toledo Museum of Art,Ohio[32] | 114 |
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The Garden of Maubuisson | c.1867 | 81.5 x 100 | National Gallery of Prague[33] | 115 |
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Coast of Jalais, Pontoise | 1867 | 87 x 114.9 | Metropolitan Museum of Art,New York[34] | 116 |
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Banks of the Oise at Pontoise | 1867 | 45.7 x 71.1 | Denver Art Museum[35] | 117 |
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The Hermitage at Pontoise | 1867 | 91 x 150.5 | Wallraf-Richartz Museum,Cologne[36] | 119 |
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L'Hermitage at Pontoise | c.1867 | 150.3 x 200 | Solomon R. Guggenheim Museum,New York City[37] | 120 |
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Quay of Pothuis, Pontoise | 1868 | 52 x 81 | Kunsthalle Mannheim[38] | 123 |
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The Banks of the Oise at Pontoise | 1868 | 54 x 65 | Private collection[39] | 124 |
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Apple Trees at Pontoise, the House of Père Gallien | 1868 | 38.3 x 46.4 | Private collection[40] | 128 |
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The Weir at Pontoise | c.1868 | 58.5 x 72 | Private collection[41] | 129 |
1869–1870 (Louveciennes)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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A Village through the Trees | c.1869 | 54 x 44.5 | Private collection[42] | 134 |
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The Versailles Road at Louveciennes | c.1869 | 38.4 x 46.3 | Walters Art Museum,Baltimore[43] | 138 |
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The Route to Versailles, Louveciennes, snow | 1870 | 43.2 x 65 | Foundation E.G. Bührle,Zurich[44] | 142 |
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Grounds of the Chateau du Pont under snow, Louveciennes | c.1870 | 32.3 x 47.5 | Art Institute of Chicago[45] | 143 |
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Entering the Forest of Marly (Snow Effect) | c.1870 | 38 x 46 | Private collection[46] | 144 |
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Chestnut Trees at Louveciennes, Spring | 1870 | 59.5 x 73 | Museum Langmatt, Baden[47] | 148 |
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Road to Versailles, Louveciennes | 1870 | 32.8 x 41.1 | Clark Art Institute,Williamstown, Massachusetts[48] | 151 |
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Stagecoach to Louveciennes | 1870 | 25.5 x 35.7 | Musée d'Orsay,Paris[49] | 152 |
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The Road to Versailles, Louveciennes, after Rain | 1870 | 50 x 61 | Private collection[50] | 153 |
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The Road to Versailles, effect of Rain | 1870 | 40.2 x 56.3 | Clark Art Institute,Williamstown, Massachusetts[51] | 155 |
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Houses at Bougival | 1870 | 89 x 116 | J Paul Getty Museum,Los Angeles[52] | 157 |
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View of the Aqueduct at Louveciennes, Spring | c. 1870 | 52.7 x 81.9 | National Gallery,London[53] | 158 |
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Chemin de Prunay, Blossoming Tree, Louveciennes | 1870 | 46.7 x 56.5 | Private collection[54] | 159 |
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The House of Monsieur Musy, Louveciennes | 1870 | 43.5 x 65 | Private collection[55] | 161 |
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The Conversation, Louveciennes | 1870 | 100.5 x 81 | Foundation E.G. Bührle,Zurich[56] | 163 |
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Strollers on the Road to Versailles, Louveciennes | 1870 | 45.8 x 55.7 | Southampton Art Gallery[57] | 164 |
Route à Louveciennes | A Road in Louveciennes | 1870 | 44 x 30 | Private collection[58] | 167 |
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View of Marly-le-Roi | 1870 | 47 x 71 | Foundation E.G. Bührle,Zurich[59] | 170 |
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The Forest | 1870 | 78.8 x 97.6 | Johannesburg Art Gallery[60] | 172 |
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The Pine Trees at Louveciennes | 1870 | 69 x 78 | Private collection[61] | 173 |
1870–1871 (London)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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Fox Hill, Upper Norwood, effect of Snow | 1870 | 35.3 x 47.5 | National Gallery,London[62] | 180 |
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St Stephen's Church, Dulwich | 1870 | 42.6 x 52.8 | Private collection[63] | 181 |
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Crystal Palace viewed from Fox Hill, Upper Norwood | 1871 | 47 x 73.2 | Art Institute of Chicago[64] | 183 |
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Crystal Palace, Upper Norwood | c.1871 | 40 x 50.8 | Private collection[65] | 184 |
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All Saints' Church, Beulah Hill, Snow | 1871 | 46 x 55 | Private collection[66] | 186 |
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Snowy Landscape at South Norwood | 1871 | 44.5 x 55.5 | Los Angeles County Museum of Art[67] | 187 |
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The Avenue, Sydenham | 1871 | 48 x 73 | National Gallery,London[68] | 188 |
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Lordship Lane Station, East Dulwich | 1871 | 44.5 x 72.5 | Courtauld Institute Galleries,London[69] | 189 |
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View of Alleyn Park, West Dulwich | 1871 | 43.5 x 53.5 | Kimbell Art Museum,Fort Worth, Texas[70] | 190 |
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Dulwich College | 1871 | 50 x 61 | Bemberg Foundation,Toulouse[71] | 191 |
1871–1872 (Louveciennes)[edit]
Image | Name | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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Road to Versailles, Rocquencourt | 1871 | 51.5 x 76.2 | Van Gogh Museum,Amsterdam[72] | 195 |
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Road to Versailles, Louveciennes, Sunlight | 1871 | 45 x 55 | Sammlung Galerie Rosengart,Lucerne[73] | 196 |
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Road to Versailles, Louveciennes | 1871 | 38 x 46 | Private collection[74] | 198 |
La Seine à Bougival | The Seine at Bougival | 1871 | 44 x 60 | Private collection[75] | 200 |
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Banks of the Seine at Bougival | 1871 | 27.5 x 40.5 | Stolen in 1993, recovered damaged in 2009 | 201 |
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Weir on the Seine at Bougival | 1871 | 33 x 46 | Nelson-Atkins Museum of Art,Kansas City, Missouri[76] | 203 |
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Louveciennes | 1871 | 90 x 116.5 | Private collection[77] | 207 |
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Chestnut Trees at Louveciennes | 1872 | 41 x 54 | Musée d'Orsay,Paris[78] | 218 |
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Chestnut Coppice in Winter, Louveciennes | 1872 | 27 x 40.4 | Bemberg Foundation,Toulouse[79] | 220 |
Le relais de post à Louvecienne, effet de neige | The Post-house at Louveciennes, Effect of Snow |
1872 | 45.7 x 55 | Private collection[80] | 221 |
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Road to Versailles, Louveciennes | 1872 | 60 x 73.5 | Musée d'Orsay,Paris[81] | 224 |
Charette sur une route, hiver, environs de Louveciennes | Cart on a road near Louveciennes, Winter | 1872 | 32.4 x 46.3 | Private collection[82] | 226 |
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Chestnut Grove at Louveciennes | 1872 | 40.6 x 54.4 | Nelson-Atkins Museum of Art,Kansas City, Missouri[83] | 233 |
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Entrance to village of Voisins | 1872 | 46 x 55.5 | Musée d'Orsay,Paris[84] | 235 |
Paysage avec une vachère | Landscape with woman herding a cow | c.1872 | 33 x 46.4 | Private collection[85] | 242 |
Le déversoir et l'écluse à Saint-Ouen-l'Aumônt | The Weir and Lock at Saint-Ouen-l'Aumônt | 1872 | 38.1 x 54.6 | Private collection[86] | 244 |
Le repos sous les arbres | Resting under the Trees | 1872 | 73.7 x 92.7 | Private collection[87] | 253 |
1872–1882 (Pontoise)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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White Horse in a Field, l'Hermitage, Pontoise | 1872 | 46 x 55 | Private collection[88] | 261 |
Apples and Pears in a Round Basket | 1872 | 46.2 x 55.8 | Private collection[89] | 269 | |
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Chatagnier Apples and Glazed Earthenware on a Table | c.1872 | 46.4 x 56.5 | Metropolitan Museum of Art,New York City[90] | 270 |
Ruisseau dans la campagne | A Country Stream | 1872 | 47.5 x 56.5 | Private collection[91] | 271 |
Boulevard des Fossés, Pontoise | 1872 | 46.4 x 55.9 | Norton Simon Museum,Pasadena[92] | 277 | |
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Quay of Pothuis, Pontoise | 1872 | 45.1 x 55.2 | Virginia Museum of Fine Arts,Richmond[93] | 280 |
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Jeanne Pissarro, called Minette, with a Bouquet | 1872 | 72.5 x 59.7 | Yale University Art Gallery,New Haven, Connecticut[94] | 281 |
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Portrait of Jeanne Pissarro, called Minette | c.1872 | 46 x 35 | Wadsworth Atheneum,Hartford, Connecticut[95] | 282 |
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The Road to Osny at Pontoise, Hoar Frost | 1873 | 50.5 x 65 | Foundation E.G. Bührle,Zurich[96] | 287 |
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Cabbage Field, Pontoise | 1873 | 60 x 80 | Thyssen-Bornemisza Museum,Madrid[97] | 294 |
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Flood at Saint-Ouen-l'Aumône | 1873 | 64.9 x 81.2 | Wadsworth Atheneum,Hartford, Connecticut[98] | 295 |
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Factory at Saint-Ouen-l'Aumône | 1873 | 45.7 x 54.6 | Michele & Donald D'Amour Museum of Fine Arts,Springfield[99] | 298 |
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Factory on the Banks of the Oise, Saint-Ouen-l'Aumône | 1873 | 38 x 55 | Israel Museum,Jerusalem | 299 |
Usine au bord de l'Oise, Saint-Ouen-l'Aumône | Factory on the Banks of the Oise, Saint-Ouen-l'Aumône | 1873 | 45.3 x 55 | Clark Art Institute,Williamstown, Massachusetts[100] | 300 |
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Route d'Auvers on the Banks of the Oise, Pontoise | 1873 | 38.1 x 57.8 | Indianapolis Museum of Art[101] | 303 |
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The Red House | 1873 | 59.4 x 73.3 | Portland Art Museum,Oregon[102] | 307 |
The Municipal Garden, Pontoise | 1873 | 59.5 x 73.3 | Hermitage Museum,Leningrad[103] | 309 | |
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Open Fields with Haystacks near Pontoise | 1873 | 38 x 55 | National Gallery of Art,Washington D.C.[104] | 319 |
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Jeanne Pissarro. called Minette, holding a fan | c.1874 | 55 x 46 | Ashmolean Museum,Oxford, UK[105] | 325 |
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Portrait of Paul Cézanne | c.1874 | 73 x 59.7 | National Gallery,London[106] | 326 |
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Ploughed Fields | 1874 | 49 x 64 | Pushkin Museum,Moscow[] | |
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Woman Herding a Cow, Auvers-sur-Oise | 1874 | 54.9 x 92.1 | Metropolitan Museum of Art,New York City[107] | 354 |
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The Kitchen in Piette's House, Montfoucault | 1874 | 45.1 x 54.6 | Detroit Institute of Arts[108] | 380 |
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Piette's house at Montfoucault, Effect of Snow | 1874 | 60 x 73.5 | Fitzwilliam Museum,Cambridge[109] | 386 |
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Peasant Woman Carding Wool | 1875 | 56 x 47 | Foundation E.G. Bührle,Zurich[110] | 420 |
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Barges at Pontoise | 1876 | 46 x 54.9 | Metropolitan Museum of Art,New York[111] | 460 |
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Côte des Bœufs, Pontoise | 1877 | 114.9 x 87.6 | National Gallery[112] | 488 |
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The Rabbit Warren, Côte Saint-Denis at Pontoise, Effect of Snow | 1879 | 59.2 x 72.3 | Art Institute of Chicago[113] | 587 |
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Père Melon Sawing Wood | c.1879 | 54 x 65 | Private collection[114] | 610 |
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Mère Larchéveque | 1880 | 73 x 59.1 | Metropolitan Museum of Art,New York City[115] | 640 |
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Peasant Woman Digging, the Jardin de Maubuisson, Pontoise | 1881 | 46 x 55 | Private collection | 646 |
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The Harvest, Pontoise | 1881 | 46.1 x 55.2 | Metropolitan Museum of Art,New York City[116] | 648 |
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Two Young Peasant Girls Chatting Under a Tree | 1881 | 81 x 65 | Private collection[117] | 654 |
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The Goat Girl | 1881 | 81.3 x 65.4 | Private collection[118] | 656 |
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The Conversation | c.1881 | 65.3 x 54 | National Museum of Western Art,Tokyo[119] | 658 |
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Peasant Girl with a Straw Hat | 1881 | 73.4 x 59.6 | National Gallery of Art,Washington D.C.[120] | 661 |
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The Breakfast, Youg Peasant Girl Drinking her Café au Lait | 1881 | 63.9 x 54.4 | Art Institute of Chicago[121] | 662 |
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Felix Pissarro Wearing a Red Beret | 1881 | 55.2 x 46.4 | Tate Gallery,London[122] | 663 |
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Felix Pissarro Wearing a Skirt | c.1882 | 46.5 x 38.5 | Bemberg Foundation,Toulouse | 676 |
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Peasant Woman Digging | 1882 | 65 x 54 | Private collection[123] | 678 |
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The Young Country Servant | 1882 | 63.5 x 53 | Tate Britain,London[124] | 681 |
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Washing up | 1882 | 81.9 x 64.8 | Fitzwilliam Museum,Cambridge, UK[125] | 685 |
1882–1884 (Osny)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
La route de Pontoise, Osny | The Road to Pontoise, Osny | 1883 | 41 x 32 | Private collection | 698 |
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The Farm of Le Friche at Osny | 1883 | 46 x 54 | Private collection | 701 |
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View of the Village of Osny | 1883 | 60 x 73 | Private collection | 703 |
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The Pork Butcher | 1883 | 65.1 x 64.3 | Tate Gallery,London[126] | 706 |
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Place Lafayette, Rouen | 1883 | 46.3 x 55.7 | Courtauld Gallery,London[127] | 724 |
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Quay Napoleon, Rouen | 1883 | 54.3 x 64.4 | Philadelphia Museum of Art[128] | 727 |
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The Pont Corneille and Barges, Rouen | 1883 | 54.3 x 65.2 | Columbus Museum of Art,Ohio[129] | 728 |
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Peasant Girl Warming Herself | 1883 | 73 x 60 | Private collection[130] | 739 |
1884–1901 (Eragny-sur-Epte)[edit]
Image French Title |
English Title | Year | H x W (cm) | Current Location | Cat No |
---|---|---|---|---|---|
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Entrance to the Village of Eragny | 1884 | 50.2 x 61.3 | Pola Museum of Art[131] | 752 |
The Church and the Manor House at Éragny | 1884 | 54.5 x 63 | The Museum of Modern Art, Gunma,Japan[132] | 754 | |
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Vue de Bazincourt | 1884 | 54 x 65 | Private collection | 756 |
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The Church at Éragny | 1884 | 54 x 64.8 | Walters Art Museum,Baltimore[133] | 758 |
La faneuse | The Haymaker | 1884 | 73.5 x 60 | Private collection | 766 |
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Portrait of Eugénie Estruc, called Nini | 1884 | 65 x 54 | Ny Carlsberg Glyptotek,Copenhagen | 767 |
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Old Houses at Éragny | 1884 | 46 x 55.5 | Private collection | 773 |
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Peasant's House at Éragny | 1884 | 46 x 55 | Los Angeles County Museum of Art[134] | 774 |
Vachère à Éragny | Girl Tending Cows at Eragny | 1884 | 59.7 x 73.3 | Museum of Modern Art, Saitama, Japan[135] | 775 |
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View of Bazincourt, effect of snow | 1884 | 46.7 x 55.5 | Fine Arts Museums of San Francisco[136] | 782 |
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The Bell Tower at Bazincourt | 1885 | 64.2 x 54.7 | Saint Louis Art Museum[137] | 787 |
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View of the Village of Éragny | 1885 | 59.7 x 73 | Birmingham Museum of Art,Alabama[138] | 790 |
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Seated Peasant Girl | 1885 | 73 x 59.7 | Yale University Art Gallery[139] | 798 |
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The Delafolie House, Éragny, Sunset | 1885 | 73 x 60.5 | Museum of Grenoble,France | 800 |
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The Delafolie House, Éragny | 1885 | 54.5 x 65 | [140] | 804 |
Le marché de Gisors, Grande-Rue | Market on the Grande Rue, Gisors | 1885 | 46 x 38 | Private collection | 816 |
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Shepherdess Bringing in the Sheep | 1886 | 46 x 38 | Fred Jones Jr. Museum of Art,Norman, Oklahoma[141] | 819 |
The House of the Deaf Woman and the Belfry at Eragny | 1886 | 65 x 81 | Indianapolis Museum of Art[142] | 827 | |
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Peasant's Houses, Eragny | 1887 | 59 x 71.7 | Art Gallery of New South Wales[143] | 844 |
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Haymaking, Éragny | 1887 | 50 x 66 | Van Gogh Museum,Amsterdam[144] | 848 |
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Apple Harvest, Éragny | 1887–88 | 60 x 73 | Dallas Museum of Art[145] | 850 |
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Woman hanging out the Washing, Éragny | 1887 | 41 x 32.5 | Musée d'Orsay[146] | 854 |
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The Seine at Rouen, the Île Lacroix, Effect of Fog | 1888 | 46.7 x 55.9 | Philadelphia Museum of Art[147] | 855 |
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Peasant Girl Making a Fire, Hoar Frost | 1888 | 92.8 x 92.5 | Musée d'Orsay[148] | 857 |
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Peasant Girl Raking Hay at Éragny | 1889 | 73.7 x 60.3 | Private collection | 866 |
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A Flock of Sheep in a Field after the Harvest, Éragny | 1889 | 62 x 76 | Private collection | 867 |
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The Gleaners | 1889 | 65.5 x 81 | Kunstmuseum Basel[149] | 869 |
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The Path, Women Chatting | 1889 | 72.4 x 59.7 | Detroit Institute of Arts[150] | 871 |
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Landscape with a Flock of Sheep | 1889–1902 | 60.3 x 73.7 | Norton Simon Museum,Pasadena[151] | 873 |
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Woman and Goat at ÉragnyorSpring Pasture | 1889 | 60 x 73.7 | Museum of Fine Arts, Boston[152] | 874 |
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Paul-Émile Pissarro | 1890 | 41 x 33 | Private collection | 878 |
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Battersea Bridge, Chelsea, London | 1890 | 59.7 x 72.4 | Smith College Museum of Art,Northampton, Massachusetts[153] | 883 |
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Charing Cross Bridge, London | 1890 | 60 x 90 | National Gallery of Art,Washington D.C.[154] | 884 |
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The ChatorTwo Young Peasant Women | 1891–92 | 89.5 x 116.5 | Metropolitan Museum of Art,New York City[155] | 912 |
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The Marguerite Church at Knocke | 1894 | 54.5 x 65.5 | Musée d'Orsay,Paris[156] | 1035 |
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The Village of Knocke | 1894 | 54 x 65 | 1036 | |
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The Foot-bath | 1895 | 73 x 92 | Art Institute of Chicago[157] | 1061 |
Bather | 1895 | 60.3 x 73 | Metropolitan Museum of Art,New York[158] | 1062 | |
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Peasant Woman Standing Naked | 1895 | 35.3 x 27.3 | National Gallery of Art,Washington D.C.[159] | 1063 |
Femmes dans un clos, printemps, temps gris, Ēragny | Women in a Fenced-in Field, Spring, Overcast, Ēragny | 1895 | 60.2 x 72.3 | Art Gallery of Ontario,Toronto[160] | 1075 |
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The Market at Gisors | 1895 | 46.3 x 38.3 | Nelson-Atkins Museum of Art,Kansas City[161] | 1097 |
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Three Bathers(study) | c.1896 | 65 x 54 | Hiroshima Museum of Art[162] | 1107 |
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Pont Boieldieu in Rouen, Rainy Weather | 1896 | 73.6 x 91.4 | Art Gallery of Ontario,Toronto[163] | 1116 |
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Pont Boieldieu, Rouen, Sunset | 1896 | 74.2 x 92.5 | Birmingham Museum and Art Gallery,UK | 1117 |
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Pont Boieldieu in Rouen, Sunset, Smoke | 1896 | 54 x 65 | Musée d'Orsay,Paris[164] | 1118 |
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The Seine at Rouen, Saint-Sever | 1896 | 65.5 x 92 | Musée d'Orsay,Paris[165] | 1122 |
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The Seine at Rouen, Saint-Sever, Smoke | 1896 | 45.7 x 54.6 | Metropolitan Museum of Art,New York City[166] | 1123 |
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Self-portrait with Palette | c.1896 | 52 x 30.5 | Dallas Museum of Art[167] | 1129 |
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Self-portrait with Beret and Speectacles | c.1896 | 35.5 x 32 | Private collection | 1130 |
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Pont Boieldieu, Rouen, Morning, Rainy Weather | 1896 | 54.3 x 65.1 | Metropolitan Museum of Art,New York City[168] | 1140 |
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Boulevard Montmartre, Mardi Gras afternoon | 1897 | 63.5 x 77.5 | Hammer Museum,Los Angeles | 1163 |
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Boulevard Montmartre, Spring Morning | 1897 | 65 x 81 | Private collection | 1171 |
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Rue St. Honoré, Apres Midi, Effet de Pluie, | 1897 | Museo Thyssen-Bornemisza | ||
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Morning, Spring, Sunlight, Eragny | 1900 | 65.4 x 81 | Tokyo Fuji Art Museum[169] | 1322 |
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The Wash-house at Bazincourt | 1900 | 65.5 x 81 | Musée d'Orsay,Paris[170] | 1323 |
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Still Life, the Coffee Pot | 1900 | 54.5 x 65.3 | Hermitage Museum,St Petersburg[171] | 1326 |
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The Tuileries Gardens, Summer | 1900 | 54.5 x 65.5 | Kreeger Museum,Washington D.C.[172] | 1329 |
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The Church of St Jacques in Dieppe, Sunlight, Morning | 1901 | 54.5 x 65.5 | Musée d'Orsay[173] | 1384 |
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Haymaking at Éragny | 1901 | 53.9 x 64.7 | National Gallery of Canada,Ottawa | 1393 |
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The Louvre, Sunset, Hoar-Frost | 1901 | 73 x 92 | Museo Botero,Bogotá | 1402 |
See also[edit]
- La Petite Fabrique1862–1865
- The Banks of the Oise near Pontoise1873
- A Cowherd at Valhermeil, Auvers-sur-Oise1874
- Côte des Bœufs at L'Hermitage,1877
- The Harvest, Pontoise1881
- The House of the Deaf Woman and the Belfry at Eragny1886
- Shepherdess Bringing in Sheep1886
- Morning, An Overcast Day, Rouen1896
- Pont Boieldieu in Rouen, Rainy Weather,1896
- Steamboats in the Port of Rouen,1896
- Le Boulevard de Montmartre, Matinée de Printemps,1897
- Boulevard Montmartre, Mardi Gras1897
- Rue Saint-Honoré, dans l'après-midi. Effet de pluie1897
- The Garden of the Tuileries on a Winter Afternoon1899
- Hay Harvest at Éragny,1901
References[edit]
- ^Pissarro, Joachim.Pissarro – General Catalogue of Paintings.Vol. II. Wildenstein Institute.