Live! Bootleg
| Live! Bootleg | ||||
|---|---|---|---|---|
 | ||||
| Live albumby | ||||
| Released | October 1978[1] | |||
| Recorded | 1973, 1977, 1978 | |||
| Genre | ||||
| Length | 75:39 | |||
| Label | Columbia | |||
| Producer |
| |||
| Aerosmithchronology | ||||
| ||||
| Aerosmithlive chronology | ||||
| ||||
| SinglesfromLive! Bootleg | ||||
| ||||
Live! Bootlegis a double live album by Americanhard rockbandAerosmith,released in October 1978. While most of the performances were drawn from concerts in 1977 and 1978, "I Ain't Got You" and "Mother Popcorn"were taken from a radio broadcast of a Boston performance on March 20, 1973.
Background
[edit]During their 1978 tour, several of the band's concerts were professionally recorded by producerJack Douglasfor radio broadcast, and subsequently bootlegged. Douglas remembers, "At the same time that we were recording that album [Draw the Line], we were doing live radio broadcasts. Right over the air, man. There were some amazing bootlegs made from those broadcasts. "[2]In an effort to combat the illegal records, the band's management asked Douglas to compile the double live album. The design of the album is intended to imitate the poor production of contemporarybootlegrecords, even going so far as to give an incorrect track listing: the song "Draw the Line" is included on the record but does not appear listed; the track is a hidden track after "Mother Popcorn".
In addition to previously unrecorded covers "I Ain't Got You" and "Mother Popcorn", the album also features a version of "Train Kept A-Rollin'"which inserts an uncredited"Strangers in the Night".The record also features the first record appearance ofRichie Supa's "Chip Away the Stone"(the studio version of this song would later be released on a 1980 reissue of the"Draw the Line"single), and one of their first live performances ofthe Beatles"Come Together",which they recorded for the soundtrack albumSgt. Pepper's Lonely Hearts Club Band.
Release and legacy
[edit]| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Collector's Guide to Heavy Metal | 7/10[4] |
| The Rolling Stone Album Guide | [5] |
The back of the CD cover includes two coffee stains over the picture ofJoe Perryplaying before a live audience. The original LP cover had the coffee stains, but not the picture of Perry, which was part of the gatefold artwork.
In the band memoirWalk this Way,Perry recalls, "I didn't want to do a live album at the time because there were so many perfect live albums coming out, all doctored and fixed and overdubbed. Big deal. Double live album - 'standard of the industry'. I felt like we had to avoid that and do a real live album likeLive at LeedsorGet Yer Ya Ya's Outor that oldKinksalbum."[6]In his own 2014 memoirRocks,Perry said that the idea behind the LP confounded their label Columbia: "We were working onLive! Bootleg!,an album of old shows that we intentionally wanted to sound bootlegged. A couple of those tracks were recorded off air onto a cassette. It had hiss all over it. We left on the hiss because the hiss was real. But I'm not sure Columbia ever understood our concept. They wanted a clean sound, but we wanted to keep it real. That's the thrill of a real bootleg. "[7]Singer Tyler states, "The album is a reflection of the band, as we feel and sound. It features material and experiences taken from all types of concerts we've played. It's really the essence of the whole band."[8]
Guns N’ RosesguitaristSlashhas expressed his affection for the album. He explains,
That was the big one for me.Live! Bootlegis one of the most underrated albums of all time, one of the best live Rock 'n' Roll albums ever made. It started the trend for me to go out and discover new bands by buying their live albums, because that way I could get all the best songs and for me the whole live thing was the most exciting thing in the world. The way thatLive! Bootlegstarts with "Back In The Saddle", that whole intro with the crowd going crazy and the flash-pots going off, that whole build-up, made it so exciting to me.[9]
Track listing
[edit]| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Back in the Saddle"(Indianapolis, IN, July 4, 1977) | Steven Tyler,Joe Perry | 4:25 |
| 2. | "Sweet Emotion"(Chicago, IL, March 23, 1978) | Tyler,Tom Hamilton | 4:42 |
| 3. | "Lord of the Thighs"(Chicago, IL, March 23, 1978) | Tyler | 7:18 |
| 4. | "Toys in the Attic"(Boston Music Hall, Boston, MA, March 28, 1978) | Tyler, Perry | 3:45 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 5. | "Last Child"(The Paradise Club, Boston, MA, August 9, 1978) | Tyler,Brad Whitford | 3:14 |
| 6. | "Come Together"(The Wherehouse, Waltham, MA, August 21, 1978) | John Lennon,Paul McCartney | 4:51 |
| 7. | "Walk This Way"(Detroit, MI, April 2, 1978) | Tyler, Perry | 3:46 |
| 8. | "Sick as a Dog" (Indianapolis, IN, July 4, 1977) | Tyler, Hamilton | 4:42 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Dream On"(Louisville, KY, July 3, 1977) | Tyler | 4:31 |
| 2. | "Chip Away the Stone"(Civic Auditorium, Santa Monica, CA, April 8, 1978) | Richard Supa | 4:12 |
| 3. | "Sight for Sore Eyes" (Columbus, OH, March 24, 1978) | Tyler, Perry,Jack Douglas,David Johansen | 3:18 |
| 4. | "Mama Kin"(Indianapolis, IN, July 4, 1977) | Tyler | 3:43 |
| 5. | "S.O.S. (Too Bad)"(Indianapolis, IN, July 4, 1977) | Tyler | 2:46 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 6. | "I Ain't Got You" (Paul's Mall, Boston, MA, April 23, 1973; WBCN-FM radio simulcast) | Calvin Carter[10] | 3:57 |
| 7. | "Mother Popcorn"/"Draw the Line[*] "(Paul's Mall, Boston, MA, April 23, 1973; WBCN-FM radio simulcast / Tower Theater, Upper Darby, Philadelphia, PA, March 26, 1978) | James Brown,Pee Wee Ellis/ Tyler, Perry | 11:35 |
| 8. | "Train Kept A-Rollin'"/"Strangers in the Night"(Detroit, MI, April 2, 1978) | Tiny Bradshaw,Howard Kay, Lois Mann /Bert Kaempfert,Charlie Singleton,Eddie Snyder | 4:51 |
[*] "Draw the Line"is featured as ahidden trackat the end of "Mother Popcorn"
Personnel
[edit]- Aerosmith
- Steven Tyler– lead vocals, harmonica
- Joe Perry– guitar
- Brad Whitford– guitar
- Tom Hamilton– bass guitar
- Joey Kramer– drums, percussion
- Additional musicians
- Mark Radice– keyboards, backing vocals[11]
- David Woodford – saxophone on "Mother Popcorn"
- Production
- Jack Douglas– producer, engineer
- David Krebs, Steve Leber – executive producers, management
- Jay Messina, Lee DeCarlo – engineers
- Julie Last, Rod O'Brien, Sam Ginsburg – assistant engineers
- David Hewitt – Record Plant Mobile operator (New York)
- Chris Stone – Record Plant Mobile operator (Los Angeles)
- George Marino– mastering atSterling Sound,New York
- John Kosh– art direction, design
- Jimmy Ienner Jr.,Barry Levine, Ron Pownall,Aaron Rapoport,Steve Smith – photography
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications
[edit]| Region | Certification | Certified units/sales |
|---|---|---|
| Canada (Music Canada)[17] | Gold | 50,000^ |
| United States (RIAA)[18] | Platinum | 1,000,000^ |
|
^Shipments figures based on certification alone. | ||
References
[edit]- ^Huxley 2015,eBook, "Live! Bootleg,Columbia, October 1978. "
- ^Bolton, R. Scott Bolton and Lou Moreau. Interview with Producer Jack Douglas. Www.roughedge.com. Accessed January 21, 2024.http://www.roughedge.com/features/jackdouglas.htm.
- ^Prato, Greg."Aerosmith - Live Bootleg review".AllMusic.All Media Network.RetrievedAugust 19,2018.
- ^Popoff, Martin(October 2003).The Collector's Guide to Heavy Metal: Volume 1: The Seventies.Burlington, Ontario,Canada:Collector's Guide Publishing.p. 19.ISBN978-1894959025.
- ^Kot, Greg."Aerosmith - Album Guide".Rolling Stone.Jann S. Wenner. Archived fromthe originalon June 28, 2011.RetrievedNovember 28,2010.
- ^Davis & Aerosmith 1997,p. 335.
- ^Perry & Ritz 2014,p. 186.
- ^Song Hits. 1979.
- ^Elliott, Paul. Drugs and Dysfunction: How Aerosmith Made Draw the Line and Night in the Ruts. Louder. April 7, 2020.https://www.loudersound.com/features/drugs-and-dysfunction-how-aerosmith-made-draw-the-line-and-night-in-the-ruts.
- ^"Vee-Jay: The Early Years".Red Saunders Research Foundation. January 9, 2018.RetrievedAugust 19,2018.
- ^Bienstock, Richard (September 15, 2011),Aerosmith,Voyageur Press,ISBN9781610597692,
...1978...joined by keyboardist and backing vocalist Mark Radice
- ^"Top RPM Albums: Issue 0071a".RPM.Library and Archives Canada.Retrieved 22 April 2018.
- ^"Le Détail des Albums de chaque Artiste – A".Infodisc.fr(in French). Archived fromthe originalon October 22, 2014.RetrievedJune 9,2012.SelectAerosmithfrom the menu, then pressOK.
- ^Oricon Album Chart Book: Complete Edition 1970–2005(in Japanese). Roppongi, Tokyo:Oricon Entertainment.2006.ISBN4-87131-077-9.
- ^"Aerosmith Chart History (Billboard200) ".Billboard.Retrieved 22 April 2018.
- ^"Top Billboard 200 Albums – Year-End 1979".Billboard.RetrievedMarch 4,2021.
- ^"Canadian album certifications – Aerosmith – Live! Bootleg".Music Canada.
- ^"American album certifications – Aerosmith – Live Bootleg".Recording Industry Association of America.
Bibliography
[edit]- Davis, Stephen;Aerosmith (October 1, 1997).Walk This Way: The Autobiography of Aerosmith.New York City:Avon Books.ISBN978-0-380-97594-5.
- Huxley, Martin (2015).Aerosmith: The Fall and the Rise of Rock's Greatest Band.St. Martin's Publishing Group.ISBN978-1250096531.
- Perry, Joe;Ritz, David (October 7, 2014).Rocks: My Life In and Out of Aerosmith.New York City:Simon & Schuster.ISBN978-1-476-71454-7.
