Jump to content

Louis Delluc

From Wikipedia, the free encyclopedia
Louis Delluc
Born(1890-10-14)14 October 1890
Cadouin,France
Died22 March 1924(1924-03-22)(aged 33)
Paris, France
NationalityFrench
Occupation(s)Film director, screenwriter, film critic
Notable workLa Femme de nulle part
Spouse
(m.1918)

Louis Delluc(French:[dɛlyk];14 October 1890 – 22 March 1924) was anImpressionistFrench film director, screenwriter and film critic.[1]

Biography

[edit]

Delluc was born inCadouinin 1890. His family moved to Paris in 1903. After graduating from the university, he became aliterary critic.During the First World War, he was married to the Belgian actressÈve Francis,who acted in many of his films.

In 1917, Delluc began his career in film criticism.[2]He went on to editLe Journal du Ciné-clubandCinéa,establishfilm societies,and direct seven films. He was one of the earlyImpressionistfilmmakers, along withAbel Gance,Germaine Dulac,Marcel L'Herbier,andJean Epstein.His films are notable for their focus on ordinary events and the natural setting rather than on adventures and antics. Many of his early film writings for French newspapers were collected in the volumeCinema et cie(1919). He also wrote one of the first books onCharlie Chaplin(1921; translated into English in 1922).[3]

Delluc directed his seventh film,L'Inondation(The Flood), in 1924. Filming took place in very poor weather conditions and Delluc contracted pneumonia. He died in Paris several weeks later, before the film was released.

ThePrix Louis-Delluc,created in 1937, is named in his honour.

Filmography

[edit]
Fièvre(1921)

References

[edit]
  1. ^Abel, Richard (May 7, 1976)."Louis delluc: The critic as cineaste".Quarterly Review of Film Studies.1(2): 205–244.doi:10.1080/10509207609360948– via CrossRef.
  2. ^Eugene C. McCreary (1976)."Louis Delluc, Film Theorist, Critic, and Prophet".Cinema Journal.16(1): 14–35.doi:10.2307/1225447– via JSTOR.
  3. ^Kornhaber, Donna (2015)."Charlot as Cinema: Louis Delluc and Charlie Chaplin at the Dawn of Film Criticism".Film History.27:140–159.
[edit]