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Mabel McKay

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Mabel McKay
Born(1907-01-12)January 12, 1907
Nice, California,United States
DiedMay 31, 1993(1993-05-31)(aged 86)
NationalityPomo
EducationSpiritual training,self-taught
Known forBasket weaving

Mabel McKay(1907–1993) was a member of the Long Valley Cache CreekPomoIndians and was ofPatwindescent. She was the last dreamer of the Pomo people and was renowned for herbasket weaving.She sat on California's first Native American Heritage Commission.[1]

Life

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McKay was born on January 12, 1907, inNiceinLake County, California.[2]Her father was Yanta Boone (Potter Valley Pomo) and her mother was Daisy Hansen (Lolsel Cache Creek Pomo).[3]She was raised by her maternal grandmother, Sarah Taylor, who taught her the Long Valley Cache Creek language and how to forage for medicinal plants.[2][1]At the age of eight, she was guided by her dreams to weave her first basket.[1][4]She did not attend school past the third grade due to a series of illnesses.[2]

Basket-weaving

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McKay claimed that weaving, for her, was a spiritual path rather than a craft.[5]She claimed she was strictly instructed by Spirit as to how and what to weave.[5]Because of the sacred nature of her weaving, she usually wove in private.[4]In keeping with Pomo tradition, she usedsedgefor her baskets andredbudfor the red designs.[2][5]Some of her baskets also used feathers.[5]Her baskets were featured in many newspapers and she was viewed as a prodigy.[1]

She began giving demonstrations in theState Indian Museumin Sacramento, where she refused to sell the baskets she made and instead gave them as gifts.[1]In the late 1970s she began teaching basket-weaving classes for both native and non-native students.[2]She continued with her baskets until death, and many have been exhibited in museums such as theNational Museum of Natural History.[1]

Academic and advisory work

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In the late 1960s, McKay was on the Native American Advisory Council for a proposed dam inDry Creek,which threatened to disturb an ancestral Pomo village site and long-standing beds of sedge.[2]Although they could not prevent the dam's construction, the council was able to document the site and transplant some of the sedge beds.[2]McKay also spoke at universities and served as a cultural consultant for anthropologists. She spoke atthe New SchoolinNew YorkwithEssie Parrishon March 14, 1972.[6]In 1976 she was appointed to California's first Native American Heritage Commission.[1][7]

Medicine

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McKay also became a well known-healer among those in her community.[4]She was one of the last Pomo dream doctors, and would often travel great distances to tend to her patients.[1]

Personal life

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Prior to the end ofWorld War II,Mabel married Charlie McKay,[8]with whom she had a son, Marshall (1952–2021).[7]After Charlie died in the 1960s, McKay worked at an apple cannery.[9]

Death

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McKay died on May 31, 1993, and was buried next toEssie Parishin the Kashaya Pomo cemetery.[8]

Exhibits

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From 2016 to 2017 theAutry Museum of the American Westexhibited McKay's work in an exhibit titled "The Life and Work of Mabel McKay".[10][11][12]Her son, Marshall McKay, helped put together the exhibit.[7]

Legacy

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Greg Sarrispublished a biography of Mabel in 1997, calledWeaving the Dream(University of California Press). McKay's work has been cited as having inspired other artists, includingDinehartist Leatrice Mikkelsen.[13]

See also

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References

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  1. ^abcdefgh"Mabel McKay".California Museum.Retrieved2023-01-18.
  2. ^abcdefgLaduzinsky, Paige (2016-11-11)."Mabel McKay: She Wove. She Taught. She Healed. She Changed The World".KCET.Retrieved2023-01-18.
  3. ^Luthin, Herbert W. (2002).Surviving through the days: translations of Native California stories and songs: a California Indian reader.Berkeley: University of California Press. p. 324.ISBN978-0-520-93536-5.OCLC55857929.
  4. ^abc"Tending the Wild: Pomo Basket Weaver Mabel McKay Gives a Lesson".PBS.Retrieved18 January2023.
  5. ^abcdHough, Sheridan (2003)."Phenomenology, Pomo Baskets, and the Work of Mabel McKay".Hypatia.18(2): 103–113.doi:10.1111/j.1527-2001.2003.tb00805.x.ISSN0887-5367.JSTOR3811015.S2CID144540902.
  6. ^Rothenburg, Jerome."Outsider Poems, a Mini-Anthology in Progress (52): Essie Parish in New York".Jerome Rothenburg Poems and Poetics.Retrieved2013-04-08.
  7. ^abc"Marshall McKay, Indigenous leader who helped steer Autry Museum, dies of COVID-19 at 68".Los Angeles Times.2021-01-03.Retrieved2023-01-18.
  8. ^abGreg, Sarris (1997).Mable McKay: Weaving the Dream.University of California Press. pp. 98, 100, 166.ISBN0-520-20968-0.OCLC611771090.
  9. ^Autry Museum of the American West (10 July 2020)."The Story of Mabel McKay".YouTube.Retrieved18 January2023.
  10. ^"The Life and Work of Mabel McKay".Independent Exhibitions.Retrieved2023-01-18.
  11. ^"New Autry Museum project celebrates Native people and the environment".Daily News.2016-10-09.Retrieved2023-01-18.
  12. ^Jao, Carren (2016-10-14)."A new garden at the Autry Museum offers a glimpse of the past and the future".Los Angeles Times.Retrieved2023-01-18.
  13. ^"New at Piante: Contemporary Native American artists".Times-Standard.2013-10-25.Retrieved2023-01-18.

Further reading

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  • Ludwig, David. 1994.Pomo Basketweavers: A Tribute To Three Elders.Creative Light Production. Video.
  • Farris, Phoebe (1999).Women Artists of Color: A Bio-Critical Sourcebook to 20th Century Artists in the Americas.Westport, Conn.: Greenwood Press. p. 62.ISBN0-313-30374-6.OCLC40193578.
  • Matuz, R. (1998).St. James Guide to Native North American Artists.Detroit: St. James Press. pp. 369–370.ISBN978-1-558-62221-0.
  • Sarris, Greg. 1993.Keeping Slug Woman Alive: A Holistic Approach to American Indian Texts.Berkeley: University of California Press.ISBN978-0-520-08007-2.