Marva (thaat)
| Hindustani classical music |
|---|
| Concepts |
| Genres |
| Thaats |
MarvaorMarwa(IAST:Mārvā) is one of the ten basicthaatsofHindustani musicfrom theIndian subcontinent.It is also the name of aragawithin thisthaat.[1][2][page needed]
Description
[edit]Marva thaat is obtained by adding a komal Rishabh to theKalyan thaat.The mood of the Marva family of ragas is strongly and easily recognisable.
Ragas
[edit]Other ragas in Marva thaat:[3]
- Marva
- Puriya
- Sohni
- Lalit(although it is sometimes placed inPurvithaat)
- Bibhas(two other types of Bibhas are placed inBhairavthaat orPurvithaat)
- Pancham(Hindol Pancham)
- Maligaura
- Purba(Purbya)
- Purvakalyan
- Jait(Jayat) (not to be confused withJait Kalyan
- Varati (raga)
- Bhatiyar
- Bhankar
- Lalita Gauri(sometimes placed inPurvithaat)
- Sazgiri
According to O. Thakur[4]Pūrvā Kalyāṇais Marwa with Pa and less emphasis on komal Re. R. Jha[5][full citation needed]treatsBhaṭiyaas a mixture of Marwa andMaand.[6]There is only one Author (B. Subba Rao) mentioning a raga Māravā Gaurī, thus Moutal does not consider this an own form.[7]Aspects of Marwa are also incorporated in Mali Gaura.[8]
Notes
[edit]- ^Bor & Rao 1999,p. 3.
- ^Jairazbhoy 1995.
- ^Kaufmann p 315ff
- ^Moutal p.77
- ^Vol 1 p 116
- ^Moutal p. 207
- ^Moutal p. 257
- ^Moutal p.493
References
[edit]- Jairazbhoy, N.A.(1995).The Rags of North Indian Music: Their Structure & Evolution.Bombay: Popular Prakashan.
- Bor, Joep; Rao, Suvarnalata (1999).The Raga Guide: A Survey of 74 Hindustani Ragas.Nimbus Records with Rotterdam Conservatory of Music.ISBN9780954397609.
- Moutal, Patrick (1991).A Comparative Study of Selected Hindustāni Rāga-s.New Delhi: Munshiram Manoharlal Publishers Pvt Ltd.ISBN81-215-0526-7.