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Momčilo Nastasijević

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Momčilo Nastasijević(23 September 1894 – 13 February 1938)[1]was a Serbian poet, novelist and dramatist born inGornji MilanovacinSerbia,and whose work was issued during theinterwar period.He spent most of his adult life, however, teaching at a BelgradeGymnasium.During his lifetime Momčilo Nastasijević was less well known than some of his contemporaries, such asMiloš CrnjanskiandRastko Petrović,but lately, however, his work has begun to be noticed again. His literary output was not large, and it gained immediate appreciation only in a narrow circle of intimate friends. Poetry with its close affinity to music brought about a successful team-effort between poet Momčilo Nastasijević and his brother Svetomir Nastasijević the music composer.

Biography

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Momčilo Nastasijević was born inGornji MilanovacinSerbiain 1894. He studied French and Comparative Literature at theUniversity of Belgradeand spent most of his life in Belgrade working as a French teacher at a high school. Besides poetry, Nastasijević also wrote essays, fiction, and drama. He was also notably the sole friend of Gavrilo Princip - the assassinator of Archduke Franz Ferdinand.

Although he publishedpoemsregularly in leading literaryperiodicalssuch asMisao(Thought) andSrpski književni glasnik(Serbian Literary Herald), he remained relatively unnoticed. He privately published his one volume of poetry,Pet lirskih krugova(Five Lyrical Cycles, 1932). One reason for this lack of recognition was that—with his individual views ofpoetryandliteratureand the problems of the development of theSerbianliterary language—he was outside the trends ofexpressionismand surrealistMarxismdominant inBelgradeat the time. Another reason was that his compression of style and his individual imagery make him an extraordinarily difficult poet, especially for those who seek a paraphrasable meaning in poetry. For this reason, according to Vasa Mihajlović, Nastasijević has been accused of beinghermeticby some critics.He also attempted to formulate through his works a national and religious philosophy whose roots, again, he found in the dark recesses of the soul of his nation.[2]

He died in Belgrade in 1938.[3]

Works

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In 1922 Momčilo Nastasijević's poems were first published, and in 1923 his first prose appeared in leading Belgrade reviews and periodicals, particularlySrpski Knjižani GlasnikandMisao.

The dramatic opus of Momčilo Nastasijević consists of three "lyrical dramas"Nedozvani(The Unevoked),Gospodar Mladenova čer(Master Mladen's Daughter),Kod 'Večite slavine'(At 'The Eternal Tap'), two musical dramas,Medjuluško blago(The Treasure of Medjulužje),Djuradj Branković,and a "ballet drama"Zivi ognaj(Live Fire). This small but varied repertoire reflects, in concentrated form, the Serbian offering to the new European turn-of-the-centurySymbolistdrama running parallel with, but forming a separate stream to, the mainstream Naturalist theatre. The "lyric drama" as theatre medium has its immediate antecedents in the "musical dramas" (Musikdramen), composed byRichard Wagneras libretti for his own innovative operas. The widespread popularity of the lyrical drama in the 20th-turn-of-the-century European theatre, and its close affinity to music, brought about successful team-efforts between poets and composers, such asHugo von HofmannsthalandRichard Strauss,Alexander BlokandMikhail Kuzmin,Milutin BojićandMiloje Milojević,Milorad M. Petrović SeljančicaandBožidar Joksimović,and Momčilo Nastasijević and his brotherSvetomir Nastasijević.

References

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  1. ^IMDb
  2. ^JAVANOVIC, Aleksandar. Caracol estrelado: poesia sérvia contemporânea da segunda metade do século XX. Poesia sempre – Sérvia. Fundação Biblioteca Nacional. Ministério da Educação. Brasil. Rio de Janeiro. N 29. Ano 15. 2008.
  3. ^Momčilo Nastasijević: Serbo-Croatian poetry translation. Slavica Publishers. 2004.
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