Nathalie Magnan

Nathalie Magnan in the 90s

Nathalie Magnan(November 29, 1956 – October 15, 2016) was a media theoretician and activist, acyber-feminist,and a film director. She taught at both universities and art schools, and is known for initiating projects linkingInternet activismand sailing with theSailing for Geeksproject. She also co-organised theLos Angeles Gay and Lesbian Film Festivalin 1984. She died at home ofbreast cancer.

Education

After graduating with a Bachelor of Art degree at theUniversity of Nanterre,Paris X, she continued her studies in the United States and obtained a Master of Fine Arts at theVisual Studies Workshopin Rochester, New York, where she metCatherine Lord,Mario Biagioli,Skuta Helgason andLisa Bloom.She obtained a Qualifying Exam at theUniversity of California,Santa Cruz,where she metTeresa de Lauretis,who was working in theWomen Studies department.InHistory of Consciousness,she metJames CliffordandDonna Haraway,who took her as her assistant.

Teaching

She started her teaching career aslecturerat theUniversity of California,Northridge andChapman Universityin Orange, where she taught an introductory class onphotographyduring the 1984–85 school year. She wasassistant professorat theUniversity of California,Santa Cruz from 1986 to 1990, where she taughtmedia studies,cultural studiesand the history of photography.

Upon returning to France, she sought to share her American experiences in her teachings, films, publications and events that she organised and participated in.

University of Paris VIII.In 1998 she became a full professor at the École nationale supérieure d'art inDijon.In 2007,Paul Devautourinvited herto come teach at the École nationale supérieure d'art inBourges,where she taught until 2012. One of her classes entitled,Genre,which she gave in association with Giovanna Zapperi, was thought of as a space for pedagogical innovations within which she organised a lecture series with C. Lord,Paul Preciado,Shu Lea Chang,Yann Beauvais, Patrick Cardon.... In 2012, she invited A-LI-CE6 (Claire Fristot)to give aVJingworkshop. She established links and exchanges withLuang Prabang(Entr'écoles, 2008 and 2010)and with theUniversity of Californiain Irvine (CRUde1 in the US and CRUde2 in France). InBourges,she created collaborations with Emmetrop and also with Bandits Mages. Her teachings focus on the analysis and critique of media on a feminist, queer and postcolonial point of view. More than transmitting knowledge, she wants to create a method, a trans-disciplinary processthat leads to the conquest of autonomy.

Media theory

A media theorist and activist, she published two books translated from English and German into French:La Vidéo: entre art et communication,followed byConnexions: arts, réseaux, médias,with Annick Bureaud.She managed the French distribution lists Nettime and CEDAR, the coordination of all French art schools.

Nathalie Magnan took part in a number of events of all kind, related to several parts of her expertise. In 2000, Isea, the international symposium on electronic arts, was organized in Paris.Not a single woman was invited. A hundred women met at Ensba on Nathalie Magnan's initiative and were welcomed by Mathilde Ferrer - together, they held an Isea counter-event. Every woman had 5 minutes to talk about her work. This is the first time that these women gained some public notoriety.

Activism

Public access television

In the US, she took part inpublic access televisionsandtactical media.She made several movies with the collectivesPaper Tiger TelevisionandDeep Dish TV,includingThe Gringo in Mañanaland.

Cyberfeminism

Magnan is one of the French pioneers ofcyberfeminism.She created the website Cyberféminismes.org. In 1999, she was invited to the Canalweb showLes Pénélopes,to talk about cyberfeminism. In 2000, she organised the ISEA off event in Paris.The same year, she took part in the creation of a women's TV show for the localAubervillierstelevision, called SixSex, as well as a show on the dangers oftamponson women.

In 2001, she was part of theVery Cyberfeminist Internationalfestival inHamburg.In 2002, she translated and published theCyborg ManifestobyDonna Haraway,which she then published in 2007.She organized a presentation of women artists active in the digital world, Openmic cyberfem, at the Maison des Métallos, and organized Gender Changer Academyworkshops for ZELIG:a week of workshops, demos, meetings, and debates on the subject of communication, networks,open source softwareand Internet activism. She created theChiennes de Gardewebsite and managed this feminist online forum until June 21, 2003.

In 2008, she organized the Femmes et Réseaux (Women and Networks) meeting in Paris with Isabelle Arvers and Anne Roquigny. She talked about Feminism and Cyberfem at the Master of Advanced Studies of theZurich University of the Artsin 2009, and in March 2010 in Paris.

On March 7–8, 2015, she was part of the WikipediaArt+FeminismEditathon,in Paris.On June 6, she talked about tactical media duringPerforming Oppositionin Aubervilliers.

Sailing for Geeks

Nathalie Magnan invented the concept ofSailing for geeks,combining cybertechnologies and the rigorous logic of sailing.Sailing for geeks 1is held inFinland,at Isea 2004, andSailing for geeks 2,in 2005, lead people to explore sailing conditions in theGibraltar detroit,to meet people trying to escape theMoroccancoast and come to Europe.

Her last public interventions are held in 2015. On November 21, 2015, she talked aboutBlackmarket for Useful knowledge and Non Knowledgeat theMusée de l'Homme.

Gay and lesbian activism

Nathalie Magnan was a co-organiser of theLos Angeles Gay and Lesbian Film Festivalin 1984.In the 1990s, she took part in theNew Queer Cinemafestival at the Paris American Center. In 1994, she co-founded theParis Gay and Lesbian Film Festival,and she was its president in 2001 and 2002. In December 1995, she joined Lesborama to come to theLillefestivalQuestions de genre – 100 ans de cinéma gai et lesbien – 10 ans de prévention,which is the first Gay Night atCanal+.

In 1992, she wrote for the periodicalGai Pied.

Productions

Publications

• La vidéo: entre art et communication,Paris, Ensba, 1997
• Connexion, art, réseaux, médias,Paris, Ensba, 2002, 642p.(ISBN2-84056-079-8),with Annick Bureaud
• Donna Haraway,Manifeste cyborg et autres essais: Sciences - Fictions - Féminismes; anthologie établie par Laurence Allard,Delphine Gardeyet Nathalie Magnan,Paris, Exils, 2007, 333p.
• Donna Haraway (trad.Marie Héléne Dumas, Charlotte Gould, Nathalie Magnan), « MANIFESTE CYBORG: SCIENCE, TECHNOLOGIE ET FÉMINISME SOCIALISTE À LA FIN DU XXe SIÈCLE »,www.cyberfeminisme.org,2002

Articles in collaborative books and scientific periodicals

• Art, Hack, Hacktivisme, culture jamming, médias tactiquesinART++,David-Olivier Lartigaud, ed. HYX and Laboratoire des arts et des médias, Paris, France, 2011
• 15 ans de création artistique sur internet, WJ-Spots #1inMusiques et cultures digitales, hors série #3,Anne Roquigny ed., September 2009
• Pour une pratique politique du codedansArts numériques, Tendances, Artistes, Lieux et Festivals,Anne-Cécile Worms ed., M21 édition, September 2008
• Al Jazeera English: An Interview with Hassan Ibrahim,inTactics in Hard Times: Space and Practice of New Media,MIT Press, 2008
• Second Life, un genre de gouvernance,inSecond Life, un autre monde possible,Agnès de Cayeux and Cécile Guibert eds., Les Petits matins, 2007
• Présentation du Manifeste CyborginMouvements No. 45/4,May–August 2006
• Au commencement était le réseau,inPower,Villette numérique, 2004
• Cinéma pornographique lesbien,inDictionnaire des cultures gays et lesbiennes,Didier Eribon ed., Larousse, 2003
• Cultural Jamming / Media TacticsinThrough the 'net studies in Johen Gerz' Anthologie of Art,Salon Verlag, 2003
• La Télévision comme moyen artistique et outil démocratique de participation,with Jean-Christophe Royoux, Radiotemporaire, École du Magasin, 2002
• Rethinking Female Experience(s),coll, inn.paradoxa, international feminist art journal,KT publication, vol 10, London, July 2002
• Not working Chiennes de garde,inVery Cyberfeminist International, a reader on OBN (Old boys network) Conference,Helene Von Oldenburg, Claudia Reiche eds., b_books, Berlin, 2002
• Groupes tendances mouvements de l'art contemporain,Mathilde Ferrer, Marie-Hélène Colas-Adler, Jeanne Lambert Cabrejo eds, ENSb-a, 2001
• Cartographie subjective et momentanée des cyberféministes,inFemmes & Art au XXe siècle: le temps des défis,Lunes, special issue No. 2, 2000
• Cartographie subjective et momentanée des cyberféministes,inSynesthésie No. 9
• A personal map of the resistance movement in France,inNext 5 Minutes 3: The Art of Campaigning,Amsterdam, 1999,
• Tactiques media et Cyber guerilla,inBlocnotes,April–May 1996,
• Access for Others: Alter (Native) Media Practice,withDeeDee Halleck,inVisual anthropology Review,University of California, Berkeley, Spring 1993,
• The Same difference: On Lesbian Representation,with Martha Gever, inStolen Glances: Lesbians takephotographs,Tessa Boffin and Jean Fraser eds, Pandora, Londons, 1991
• Don't just watch it, Make it,orStratégies de représentation telles que les pratiquent les collectifs vidéo US dans les années 1990,inDénonciation,catalogue for a collection by Béatrice Simonot and Liliana Albertazzi, eds. La Différence / GNAC-Usine Fromage, Rouen, 1991
• Vidéo résistance à l'heure des satellites,inLe Monde diplomatique,mai 1991,republished inCartes sur Câble,Belgium, and inMédia Mensonges et Démocratie,May 1991, and in the minutes of the CRAC Valence symposium Guerres et Télévision, Collection 25 Images secondes, 1991
• Deconstructing Difference,with Martha Gever, Screen, Londres, Winter 1987
• Sciences humaines et faits de société,catalogue for the Cnc,Images de la culture,co-writer.

Filmography

• Il n'y a pas de fumée sans feu, et en plus c'est vrai,Canal+, 24', 1996
• Un homme sur deux est une femme,La Huit, 5', 1996
• Internautes,Canal+, 13', 1995
• Lesborama,Canal+, 30', 1995
• Dee Dee Halleck,El Gringo in Mañanaland,1994, with Dee Dee Halleck
• High Tech Baby,Deep Dish TV, 30', Spring season 1994, with Kathy High. She is the director for French scenes.
• L'Eprouvante éprouvette,G. Production, 34', 1991
• Avez-vous vu la guerre?,45', 1991, with Canal déchaîné
• Martha Rosler reads the case of Baby SM, or, Born to be sold,27', 1988, with Paper Tiger TV, New York
• Donna Haraway reads the National Geographic of Primates,27', 1987, with Paper Tiger TV, New York

External links

• Official website
• Website on cyberfeminism that Nathalie Magnan created