Night Ripper
Night Ripper | ||||
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Studio albumby | ||||
Released | May 9, 2006 | |||
Genre | Mashup | |||
Length | 42:05 | |||
Label | Illegal Art | |||
Producer | Gregg Gillis | |||
Girl Talkchronology | ||||
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Night Ripperis the thirdstudio albumby American musician Gregg Gillis, released under hisstage nameGirl Talkon May 9, 2006 byIllegal Art.It is amashupalbum primarily composed ofsamplestaken from other artists' music, while also incorporating minor amounts of original instrumentation recorded by Gillis himself. Produced as one seamless piece of music before subsequently being broken into individual tracks,Night Ripperwas composed by Gillis in a period of around eight months, during which he divided time between production of the album and his work as a biomedical engineer.
Illegal Art initially releasedNight Ripperas a digital download on their website, later making the album available on other sites and shipping the album to select record stores due to strong demand. None of the samples used on the album was cleared prior to release, causing several online retailers to pull the album from their listings.Night Ripperwas later re-released for download on the Illegal Art website through a new "pay what you want"pricing system.
Night Ripperreceived generally positive reviews from critics, who commended Gillis' choice of samples and his efficiency at layering them together to create new tracks. It appeared in numerous publications' year-end lists of the best albums of 2006. The album has been described as Gillis' breakthrough album, helping boost his reputation and leading several artists to commission him for remix work.
Background and production
[edit]![A Caucasian man wearing a tie performs music using a laptop. Several people dance around him.](https://upload.wikimedia.org/wikipedia/commons/thumb/6/66/Girl_Talk_and_dancing_girls.jpg/225px-Girl_Talk_and_dancing_girls.jpg)
The second studio album by Girl Talk,Unstoppable,marked a shift away from theglitchstyle of his debutSecret Diary.[1]While still retaining thesample-based nature ofSecret Diary,Unstoppablefocused more on beatwork as well asstructuringand layering samples into full tracks.[2]The album's stylistic change was brought about by Gillis' experiences performing live, which influenced him to "make the music more accessible and push the party vibe."[2]Following the release ofUnstoppable,he spent an additional two years touring before beginning work on his third studio album.[2]
Described by Gillis as "a record that reflects [his] own personal music tastes,"Night Ripperfeatures over 300 samples of other artists' songs, spanning several decades and genres.[3][4]Commenting on the process of choosing samples to use, he explained: "I'll just hear something on the radio or at a party and go ahead and sample it off a CD or record or download it. I sample loops and breaks and vocal clips all the time. So I've been cataloguing samples for years, I have this massive library. Songs come out everyday so it's never ending."[5]
The entirety ofNight Ripperwas produced using aWAVdigital audio editor,with Gillis manipulating samples bychopping,layering and transitioning them.[5]He also recorded original synthesizer and keyboard instrumentation for certain tracks.[7]The album was created by Gillis as one long piece of music, which he subsequently split into individual tracks.[7]He was also working as abiomedical engineerat the time, obliging him to divide his time between his day job and his music career, including production of the album;[2][8]production of the album took around eight months to complete.[9]Subsequentaudio masteringwas done by Jonathan Schenke.[10]
Release
[edit]Illegal ArtreleasedNight Ripperon May 9, 2006 as a digital download on their website.[3]Strong demand prompted the label to produce physicalCDandLPcopies of the album for shipping to select record stores,[3]as well as make it available for purchase on several online retailers.[11]Illegal Art did not clear any of the samples used onNight Ripper,leading to several problems in the album's distribution and release.[12]At least one CD manufacturing plant refused to press the album,[13]and the head of another plant asked Gillis and his label to justify the use of two specifically chosen samples.[5]Online music storeseMusicandiTunesboth pulledNight Ripperfrom sale due to sample clearance concerns.[2][14]Anticipating lawsuits, Illegal Art prepared a defense citing thefair usetrademark law as a legal backbone for the album's use of samples.[11]The label also went over the possibility of a royalty system, but ultimately scrapped it when they decided that it would only weaken their fair use argument.[12]When asked about the possibility of suing Gillis and Illegal Art, however, one major-label executive stated his belief that filing a lawsuit against a minor independent label – especially for an album which, at that point, had barely sold 10,000 copies – would only bring bad publicity.[15]Ultimately, no lawsuits materialized in wake of the album's success, which Gillis described as "liberating."[16]
The album's positive reception boosted Gillis' popularity and reputation, andNight Ripperhas been described as his breakthrough album.[17]Following the album's release, American musicianBeckasked Gillis to open for him at a concert inLondon.[9]Blenderalso invited him to perform at theirMTV Video Music Awardsafter-party.[9]Several artists commissioned Gillis to produce remixes of their tracks, including Beck,Good Charlotte,Grizzly BearandPeter Bjorn and John.[9]Night Ripperhas sold over 20,000 copies in the United States, according toNielsen SoundScan.[12]Recalling in a 2016 interview, almost ten years after the release of the album, Gillis said, "Night Ripperwas clearly the album that took off for me and definitely changed my life. "[18]
Critical reception
[edit]Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The A.V. Club | A−[19] |
Blender | ![]() ![]() ![]() ![]() ![]() |
MSN Music(Consumer Guide) | A−[21] |
NME | 5/10[22] |
Pitchfork | 8.4/10[23] |
PopMatters | 7/10[24] |
Q | ![]() ![]() ![]() ![]() ![]() |
Tiny Mix Tapes | 5/5[26] |
Uncut | ![]() ![]() ![]() ![]() ![]() |
Night Ripperwas generally well received by contemporary music critics.[28]In a rave review, Cam Lindsay ofExclaim!praised the album's "extraordinary" cohesion and wrote: "Gillis is a rigorous craftsman, and his assembling skill is near perfect down to the second, introducing the next song at the most opportune moment."[29]Pitchfork's Sean Fennessey also responded favorably, commending the "pure precision" of Girl Talk's sampling and naming the album the "soundtrack of the summer" for 2006.[23]Robert Christgau,in his "Consumer Guide" column forMSN Music,calledNight Ripper"the best mash-up album since 2002'sThe Best Bootlegs in the World Ever"and compared Girl Talk to prominent samplersDJ ShadowandThe Avalanches,"only with obvious samples rather than obscure ones".[21]
While stating that the album's reliance on samples of popular music makes it "lose its appeal after a few spins", Marisa Brown ofAllMusicwrote that Girl Talk's "ability to draw from a myriad of musical sources" allowsNight Ripperto "appeal to anyone who's heard the radio... in the past few years."[6]Similarly, Nate Dorr ofPopMattersremarked that the album "holds undeniable appeal, both for sample trainspotters and music geeks... as well as, more importantly perhaps, for the much broader cross-section of listeners who just want to put on a consistently catchy, entertaining record."[24]
Dan Silver ofNMEsaid that while the "sheer scope" of Girl Talk's sampling sets him apart from other mash-up artists,Night Ripper"begins to feel much less than the sum of its samples," ultimately describing it as "not so much a work of art, then, as the basis for a 21st century parlour game."[22]Cameron Macdonald ofStylus Magazinedismissed the album as "nothing more than a DJ mix with escapist fun so thick that it is unlikely that listeners will pause the record after every minute to discuss how Gillis battles tentacles of the corporate record industry's squid."[30]While writing that the album "isn't exactly high art", Noel Murray ofThe A.V. ClubdescribedNight Ripperas "one of the most purely fun albums to come along sinceThe Go! Team'sdebut"and advised readers to obtain the record" before it gets sued out of existence. "[19]
Accolades
[edit]
Publication lists
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Awards
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Track listing
[edit]All songs composed by Gregg Gillis (Girl Talk).
- "Once Again" – 2:40
- "That's My DJ" – 2:08
- "Hold Up" – 2:50
- "Too Deep" – 2:29
- "Smash Your Head" – 3:01
- "Minute by Minute" – 3:12
- "Ask About Me" – 2:26
- "Summer Smoke" – 2:17
- "Friday Night" – 3:12
- "Hand Clap" – 1:53
- "Give and Go" – 2:53
- "Bounce That" – 3:24
- "Warm It Up" – 2:15
- "Double Pump" – 1:45
- "Overtime" – 2:15
- "Peak Out" – 3:20
Personnel
[edit]Credits forNight Ripperadapted from album notes.[10]
Production
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Design
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In addition, 164 artists sampled onNight Ripperare thanked in the liner notes of the album.[42]
References
[edit]- ^Mason, Stewart."Girl Talk".AllMusic.RetrievedApril 22,2013.
- ^abcdeEyl, Eryc (October 4, 2007)."Ripper Offer".The Pitch.Kansas City.RetrievedApril 22,2013.
- ^abcMonrgomery, James (August 2, 2006)."Waiting For A Ying Yang Twins/ ABBA Collabo? Girl Talk Has Your Record".MTV News.Archived fromthe originalon May 14, 2011.RetrievedApril 23,2013.
- ^Klinge, Steve (January 19, 2007)."Mashing it up with Girl Talk Worlds merge at the hands of the 'Night Ripper' creator".The Philadelphia Inquirer.Archived fromthe originalon September 1, 2015.RetrievedApril 23,2013.
- ^abcDombal, Ryan (August 30, 2006)."Interviews: Girl Talk".Pitchfork.RetrievedApril 23,2013.
- ^abcBrown, Marisa."Night Ripper – Girl Talk".AllMusic.RetrievedApril 22,2013.
- ^ab"Girl Talk/Gregg Gillis On New Album, Music Industry".The Washington Post.Washington, D.C. July 29, 2008.RetrievedApril 23,2013.
- ^Bilton, Nick (February 28, 2011)."One on One: Girl Talk, Computer Musician".The New York Times.RetrievedApril 22,2013.
- ^abcdMervis, Scott (December 21, 2006)."Q&A with Girl Talk".Pittsburgh Post-Gazette.RetrievedApril 23,2013.
- ^abNight Ripper(back cover). Girl Talk.Illegal Art.2006. IA113.
{{cite AV media notes}}
:CS1 maint: others in cite AV media (notes) (link) - ^abAnderson, Kyle (October 2006)."The Monster Mash-Up".Spin.22(10). New York: 32.ISSN0886-3032.RetrievedApril 23,2013.
- ^abcAyers, Michael D. (June 14, 2008)."White Noise".Billboard.New York. p. 29.ISSN0006-2510.RetrievedApril 23,2013.
- ^Otterbein, Holly (September 4, 2007)."Interview: Girl Talk's Greg Gillis".The Temple News.Philadelphia. Archived fromthe originalon June 30, 2013.RetrievedApril 23,2013.
- ^McLeod & DiCola 2011,p.183.
- ^Kot 2009,p. 166.
- ^Newton, Matthew (September 22, 2008)."The Inquisition: Girl Talk".Spin.New York.RetrievedApril 23,2013.
- ^Kosner, Anthony Wing (October 7, 2012)."Girl Talk's Gregg Gillis On Copyright, Curation and Making Mashups Rhyme".Forbes.New York.RetrievedApril 23,2013.
- ^Lipshutz, Jason (January 29, 2016)."Girl Talk on How His 'Night Ripper' Album" Changed My Life ": Class of 2006 Interview".Fuse.RetrievedJune 27,2016.
- ^abMurray, Noel (July 5, 2006)."Girl Talk / Nino Moschella: Night Ripper / The Fix".The A.V. Club.Chicago. Archived fromthe originalon January 14, 2009.RetrievedApril 22,2013.
- ^Weiner, Jonah."Girl Talk: Night Ripper".Blender.New York. Archived fromthe originalon November 17, 2007.RetrievedSeptember 24,2016.
- ^abChristgau, Robert(June 2007)."Consumer Guide".MSN Music.RetrievedDecember 28,2015.
- ^abSilver, Dan (February 21, 2008)."Girl Talk: Night Ripper".NME.London. Archived fromthe originalon March 3, 2016.RetrievedApril 22,2013.
- ^abFennessey, Sean (July 17, 2006)."Girl Talk: Night Ripper".Pitchfork.RetrievedApril 22,2013.
- ^abDorr, Nate (June 21, 2006)."Girl Talk: Night Ripper".PopMatters.RetrievedApril 22,2013.
- ^"Girl Talk: Night Ripper".Q.London: 107.
Pennsylvania laptop whizzkid Gregg Gillis takes DJ mash-ups to a new level.
- ^Tamec."Girl Talk − Night Ripper".Tiny Mix Tapes.RetrievedApril 22,2013.
- ^"Girl Talk: Night Ripper".Uncut(110). London: 87. July 2006.
- ^Ayers, Michael D. (June 6, 2008)."Girl Talk Prepares To Unleash 'Animals'".Billboard.New York.RetrievedApril 22,2013.
- ^Lindsay, Cam (September 2006)."Girl Talk − Night Ripper".Exclaim!.Toronto.RetrievedApril 22,2013.
- ^Macdonald, Cameron (June 5, 2006)."Girl Talk – Night Ripper – Review".Stylus Magazine.Archived fromthe originalon March 3, 2016.RetrievedApril 22,2013.
- ^"Paste's Top 100 Albums of 2006".Paste.Wolfgang's Vault.Retrieved June 27, 2016.
- ^"Top 50 Albums of 2006".Pitchfork Media. December 18, 2016. Retrieved June 27, 2016.
- ^"20/20".Refinery29.December 12, 2006. Retrieved June 27, 2016.
- ^"Rolling Stone’s Best Albums Of ’06".Stereogum.SpinMedia. Retrieved June 27, 2016.
- ^"40 Best Albums of 2006".Spin.SpinMedia. p. 15. Retrieved June 27, 2016.
- ^"The best music of the decade".The A.V. Club.November 19, 2009. Retrieved June 27, 2016.
- ^"The Top 200 Albums of the 2000s: 200-151".Pitchfork Media. September 27, 2009. p. 5. Retrieved June 27, 2016.
- ^Cinquemani, Sal (February 6, 2010)."Rest of the Best of the Aughts: Albums & Singles (#101 - 250)".Slant Magazine.Retrieved June 27, 2016.
- ^"The Stylus Decade / Top Albums 100–81".Stylus Magazine. January 2010. Archived from theoriginalArchivedAugust 31, 2014, at theWayback Machineon January 11, 2010. Retrieved June 27, 2016.
- ^"Top 10 Mashup Albums Of All Time".Vibe.SpinMedia. June 14, 2013. Retrieved June 27, 2016.
- ^Watercutter, Angela (April 24, 2007)."The 2007 Rave Awards".Wired.San Francisco.RetrievedApril 23,2013.
- ^Night Ripper(liner notes). Girl Talk.Illegal Art.2006. IA113.
{{cite AV media notes}}
:CS1 maint: others in cite AV media (notes) (link)
Bibliography
[edit]- Kot, Greg(2009).Ripped: How the Wired Generation Revolutionized Music.Scribner.ISBN978-1-4165-4731-0.
- McLeod, Kembrew;DiCola, Peter (2011).Creative License: The Law and Culture of Digital Sampling.Duke University Press.ISBN978-0-8223-4875-7.
External links
[edit]- Night RipperatIllegal Art
- Night RipperatDiscogs(list of releases)
- Night RipperatMusicBrainz(list of releases)