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Paul Richter

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Paul Richter
Born
Paul Martin Eduard Richter

(1895-04-01)1 April 1895
Died30 December 1961(1961-12-30)(aged 66)
Other namesPaul Martin
Edward Richter
Years active1914–1959
Spouse
(m.1924;div.1931)

Paul Richter(1 April 1895 – 30 December 1961) was an Austrianfilm actor.[1]He owed his great popularity in German films of the silent era largely to the directorsJoe MayandFritz Lang.[citation needed]

Biography

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Richter made his film debut right beforeWorld War IinDer Sterbewalzer(1914), directed by Fritz Freund.[citation needed]With the outbreak of the war, his film activity ceased temporarily, and he joined the AustrianKaiserjäger,serving as an infantryman in theCarpathian Mountains,from which he was later detached to a mountain guide course. His strong feeling for nature, acquired at that time, became a feature of his life, and later, of his movies.[citation needed]

With Joe May'sThe Indian Tomb(1921) Richter became famous to a wide public for the first time, but it was only with the advent ofDr. Mabuse the Gambler(1922), and especially withDie Nibelungen(1924) – both directed by Fritz Lang – that he became a sex symbol for the 1920s: Germany's answer to male stars of American films such asRamon NovarroandRudolph Valentino.[citation needed]

During the turbulent shooting ofDie Nibelungen,Richter often had arguments with his director. This reached a climax when Richter refused to appear nude in a scene where the character of Siegfried bathes in the blood of a dragon he has slain. Lang deemed it important to emphasize Richter's body, because the dragon blood is supposed to render Siegfried invulnerable everywhere but one spot on his upper back where a linden leaf happens to adhere to him. When Richter remained adamant, Lang asked fellow playerRudolf Klein-Roggeto double him in this key scene. Richter still objected, on the grounds that the audience would simply suppose Klein-Rogge's bare backside was his own. Eventually, Lang did prevail, and the scene contains both a close shot of Richter's back where the linden leaf lands and a long shot of the nude Klein-Rogge.[citation needed]The success of his Siegfried performance led to offers of other heroic parts for Richter inPeter the Pirate(1925) andDagfin(1926).[citation needed]

At the beginning of the 1930s he began to be hired more and more for films with regional backgrounds, suchThe Forester's Daughter(1931) andHubertus Castle(1934), usually playing huntsmen, foresters or landowners, and often in adaptations of the novels ofLudwig Ganghofer.Thanks to Richter's deep love of nature, and mountaineering experience, he was able to give such performances a reality that contrasted favorably toRudolf Prack’s similar performances in the 1950s.[citation needed]At the end of the 1950s, a difficult eye operation ended Richter's film career.[citation needed]

He was married to the actressAud Egede-Nissenfrom 1924 to 1931 and was stepfather toGeorg Richter.

Selected filmography

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References

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  1. ^"Paul Richter".BFI.Archived fromthe originalon 2012-10-21.Retrieved2010-09-20.
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