Pigs in a Polka

Pigs in a Polka
Directed by	I. Freleng
Story by	Michael Maltese
Produced by	Leon Schlesinger
Starring	Mel Blanc Sara Berner
Music by	Carl W. Stalling
Animation by	Richard Bickenbach
Color process	Technicolor
Production company	Leon Schlesinger Studios
Distributed by	Warner Bros.
Release date	February 6, 1943(1943-02-06)
Running time	7 minutes
Language	English

Pigs in a Polkais a 1943Warner Bros.Merrie Melodiescartoon series directed byFriz Freleng.The short was released on February 6, 1943.

The film is a parody of twoWalt Disney Productionsfilms: 1933'sThree Little Pigsand 1940'sFantasia.The familiar story ofThe Three Little Pigsis set in this film to several ofBrahms' "Hungarian Dances",specifically No. 5, No. 7, No. 6 and No. 17 which appear in that order. It is also part of a light-hearted,culturally subversiveMerrie Melodiesrunning joke, which would later be re-emphasized with anotherFantasiaparody, 1943'sA Corny Concerto.There is very little dialogue in the cartoon aside from the Big Bad Wolf's introduction of the story and the Three Little Pigs introducing themselves.

It was nominated for the 1942Academy Award for Best Short Subject: Cartoons.

Plot

After an introduction by the wolf, the plot loosely follows the traditional story of the three little pigs. The first pig, using aprefabricated homekit, erects a wire structure, then quickly covers it with straw. The second pig uses hundreds of matches to make up his house, though when he puts the last match in place on the roof, the entire building collapses. The third pig goes through the tedious task of laying bricks for his house.

Satisfied with their homes, the first two pigs dance around, act silly, and laugh with each other; the first pig plays a violin, and the second pig a flute. The wolf arrives dressed as agypsy,and sets about, through dance, trying to lure the first two pigs into a position to be captured. The pigs are suspicious and, when the wolf thinks he has them, the pigs instead rough him up and emerge each wearing parts of his costume; they briefly dance until the wolf approaches threateningly. He chases them to the straw house, which he incinerates in seconds with a lit match. The pigs flee to the match house. Though it has a front door, it is still in a state of collapse; the pigs speedily pile the matches up to form a house, then the wolf drops one last match onto the roof and it all falls apart. The pigs race to the brick house. The wolf attempts to bash in the front door, then resorts to huffing and puffing to blow the house down (to which the pigs respond by offeringLusterine mouthwash), but he fails. The wolf sets up to run at the front door; the three pigs work together to squelch this effort.

The third pig is not thrilled to have the other two in his house, especially when they again begin dancing around with their instruments, acting silly and laughing. Then, they notice an apparently homeless woman (the wolf) outside the window, playing a violin in the snow. The 'snow' is actually talcum powder held on a stick above the wolf's head. The first two pigs take pity and push the third pig (who realizes it is the wolf) away from the door to let the despondent person in. The wolf continues the deception and continues playing the violin. The third pig, upon peeking under the clothing and seeing that the wolf has a record player on his back, flips the record over. Fast-paced music begins and the wolf dances to it, resulting in him being exposed when his costume falls off piece-by-piece. The wolf then chases the pigs up to the second floor of the house. The pigs make their escape in an elevator, but when the wolf tries to use it he drops into an empty shaft. The wolf is unaware that he is falling, but rather thinks he is riding the elevator down. He politely doffs his hat as gentlemen in an elevator did back in the 1940s and just stands there politely looking up. After a long fall, the doors open and he falls at the feet of the pigs as the cartoon irises out.

Throughout the short, the pigs'motions are synchronized to the music.

Reception

Animation historianGreg Fordwrites, "Friz Freleng invadedDisneyterritory withPigs in a Polka,an irreverent reworking of Disney's breakthroughThe Three Little Pigs(1933), here reimagined and propelled in its entirety by Brahms'Hungarian Dances.From the obligatory scene-setting rigamarole of the three pigs slapping together their three separate houses of straw, matchsticks and bricks, it's abundantly clear that Friz means to reapply the same tweaked synchronization of classical music to animated action that he achieved in theFranz Liszt-drivenRhapsody in Rivets(1941). The music-action symbiosis is, if anything, more accentuated than before. "

Home media

This film can be found in theLooney Tunes Golden Collection: Volume 3disc 3,Warner Bros. Home Entertainment Academy Awards Animation Collectionand several low-budget home video and DVD releases.

This is one of the 61 pre-1948 WB cartoons to fall into thepublic domainasUnited Artistsdid not renew the copyright in time.

In other media

Short clips from this cartoon can be seen in the opening credits of theFuturamaepisodes "Mars University"and"Brannigan, Begin Again",theEverybody Hates Chrisepisode "Everybody Hates Gretzky", theBuffy the Vampire Slayerepisode "Prophecy Girl", "Season 1 Episode 2" ofThe Man in the High Castleand in the moviesTraining DayandGracie's Choice.

External links

• WatchPigs in a Polkaon YouTube now, in fully restored HD
• Pigs in a PolkaatIMDb
• The short filmCartoonTheater 1930s and 1950s 1is available for free viewing and download at theInternet Archive.