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Prana pratishtha

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Prana pratishtha(IAST:prāṇa pratiṣṭhā) is theriteorceremonyby which amurti(devotional image of a deity) is consecrated in aHindu temple.The Sanskrit termspranameans "life" andpratishthameans "to be established." Following detailed steps outlined in the Vedic scriptures, verses (mantras)are recited to invite the deity to reside in the idol.[1]Practised in the temples ofHinduismandJainism,the ritual is considered to infuse life into the Hindu temple, and bring to it the numinous presence of divinity and spirituality.[1][2]

Etymology

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The wordprāna pratishthāis a compound Sanskrit term combiningprānaandpratishthā.Prana,which comes from the root "pra",meaning" to breathe ". This term refers to life or vital energy, the essence for living beings.[3]

Pratishtha,derived from the root verb "stha",which means" to be established ", and the prefix"prati",which means" toward ".Pratishthasignifies the act of consecrating, installation, or establishing in a permanent position. This term typically used in the context of installing a deity in the temples.[4]

When the two terms are combined, it refers to the ritual of establishing life force into the idol becoming the sacred embodiment of such deity.[5]

In Hinduism

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Philosophical significance

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The origins ofprāna pratishthāare rooted in ancient Vedic traditions, where rituals were performed to invoke the divine into objects.[6][7]The understanding is that God can be both intrinsic and transcendent and accessible through physical symbols (murtis).[8]Throughpran pratishtha,devotees can interact with the divine in a personal manner.[9]These practices were meticulously documented in the scriptures such as theAgamasandTantraswith guidelines on how to perform such rituals.[10]

This ritual is most common with temple installations, however, household deities are also consecrated for worship.[11]

Key elements

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Theprana pratishthaceremony involves several steps from purification rites to the invocation of the deity through the steps outlines in the scriptures.[12]

  1. Purification (Shuddhi) - the idol is cleansed and purified to remove impurities.[13]
  2. Invocation (Avahana) - the deity is invoked into the idol through specific mantras and rituals prescribed in the scriptures.[14]
  3. Infusion of life (Prana pratishtha) - this is the core of the ritual wherepranis put into the idol through various mantras.[7]
  4. Offerings (Upachara) - they deity is offered items such as flowers, fruits, and incense, symbolizing sustenance for the divine in the idol.[15]

In Jainism

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Concept

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In Jainism, performingprana pratishthain Jain temples is symbolic of the ideal qualities of the Tirthankaras rather than a divine presence.[16]Pranarefers to the vital energy in all living beings emphasizing the principle of non-violence (ahimsa) towards all life forms.[17]Thus, the focus ofprana pratishthais invoking a spiritual presence to inspire devotees.[11]

Philosophical significance

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The philosophical foundation ofprana pratishthain Jainism is rooted inanekantavada.Depending on theh observer's spiritual views, the physical idol can represent multiple meanings.[17]

The focus of the ritual is solely on mental and physical purity derived from the non-violence principle.[11]

Ritual process

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The ritual begins where the idol is bathed, purified, and adorned with sacred items. Following this, verses are recited and other ritual invocations occur.[18]The ritual of consecrating an image to bring "life to temple" is attested in medieval Jain documents.[18]

References

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  1. ^abHeather Elgood (2000), Hinduism and the Religious Arts, Bloomsbury Academic,ISBN978-0304707393,pages 14–15, 32–36
  2. ^V Bharne and K Krusche (2012), Rediscovering the Hindu Temple, Cambridge Scholars Publishing,ISBN978-1443841375,page 53
  3. ^Monier-Williams, Monier; Leumann, Ernst; Capeller, Carl (1994).Sanskrit-English dictionary: etymologically and philologically arranged with special reference to cognate Indo-European languages(New ed., greatly enl. and improved ed.). New Delhi: Munshiram Manoharlal. p. 654.ISBN978-81-215-0200-9.
  4. ^Apte, Vaman Shivaram (1989).The practical Sanskrit-English dictionary: containing appendices on Sanskrit prosody and important literary and geographical names of ancient India(4., rev. & enlarged ed., repr ed.). Delhi: Motilal Banarsidass. p. 1079.ISBN978-81-208-0567-5.
  5. ^Gonda, Jan (1985).The ritual functions and significance of grasses in the religion of the Veda.Verhandelingen / Koninklijke Nederlandse Akademie van Wetenschappen, Afd. Letterkunde. Amsterdam: North-Holland Publ. Co. p. 45.ISBN978-0-444-85634-0.
  6. ^Burrow, T."Vedic Ritual: the nonsolemn rites".Bulletin of the School of Oriental and African Studies.45(1): 187–188.doi:10.1017/S0041977X0005477X.ISSN1474-0699.
  7. ^abGonda, J. (1980).Vedic ritual: the non-solemn rites.Handbuch der Orientalistik. Zweite Abteilung, Indien; Religionen. Leiden: E.J. Brill.ISBN978-90-04-06210-8.
  8. ^Flood, Gavin (2011).An introduction to Hinduism(15. print ed.). Cambridge: Cambridge Univ. Press.ISBN978-0-521-43878-0.
  9. ^Shulman, Daṿid (2014).Tamil temple myths: sacrifice and divine marriage in the South Indian Śaiva tradition.Princeton legacy library ([Repr. d. Ausg.] Princeton, Princeton University Press, 1980 ed.). Princeton, N.J: Princeton University Press.ISBN978-0-691-61607-0.
  10. ^Davis, Richard H. (1992).Ritual in an oscillating universe: worshiping Śiva in medieval India.Princeton, NJ: Princeton Univ. Press.ISBN978-0-691-07386-6.
  11. ^abcCort, John E. (2001).Jains in the world: religious values and ideology in India.New York: Oxford University Press.ISBN978-0-19-513234-2.
  12. ^Goudriaan, Teun; Gupta, Sanjukta (2024).Hindu Tantric and Śākta literature.A history of Indian literature / Series editor Jan Gonda Vol. 2, Epics and Sanskrit religious literature (Reprint 2021 ed.). New Delhi: Manohar.ISBN978-93-88540-38-4.
  13. ^Bühnemann, Gudrun (1988).Pūjā: a study in Smārta ritual.Publications of the De Nobili Research Library. Vienna: Inst. f. Indologie d. Univ. Wien, Sammlung De Nobili.ISBN978-3-900271-18-3.
  14. ^Padoux, André (1990).Vāc: the concept of the word in selected Hindu Tantras.The SUNY series in the Shaiva traditions of Kashmir. Albany: State University of New York Press.ISBN978-0-7914-0257-3.
  15. ^Michaels, Axel; Harshav, Barbara; Michaels, Axel; Michaels, Axel (2004).Hinduism: past and present.Princeton, N.J. Oxford: Princeton University Press.ISBN978-0-691-08953-9.
  16. ^Shah, Umakant Premanand (1987).Jaina-rūpa-maṇḍana =: Jaina iconography.New Delhi: Abhinav Publications.ISBN978-81-7017-218-5.
  17. ^abDundas, Paul (2002).The Jains.Library of religious beliefs and practices (2nd ed.). London; New York: Routledge.ISBN978-0-415-26605-5.
  18. ^abLisa Owen (2012), Carving Devotion in the Jain Caves at Ellora, BRILL,ISBN978-9004206298,pages 44, 146–147, 184–186