Rhine romanticism

Burg RheinsteininTrechtingshausenwas the first castle to be rebuilt in the 19th century

TheRhine romanticismwas the interpretation of the landscape conditions and history of the Rhine Valley in the cultural-historical period of theromanticism,by the end of the 18th century until the late 19th century and was continued in all forms of art expression.

Schlegel's travel notes as a significant contribution

In response to the nascent industrialization with their perceived negative side effects, artists and writers turned to nature and the past.Friedrich Schlegeldescribes his impressions of a journey along the Rhine in 1806: "For me only those areas are beautiful, which are usually called the rough and wild, since only these are exalted, only exalted areas can be beautiful, only these excite the thoughts of nature. [...] But nothing is able to embellish and to increase the impression as much as the traces of human courage in the ruins of nature, bold castles atop wild rocks – monuments of the time of human heroes harking back to those higher heroic days of nature.^[1]

Lord Byronmade the Rhine area enormously popular in England in 1818 with his verse narrative,Childe Harold's Pilgrimage.The German poetAdelheid of Stolterfothcreated numerous Rhine poems. In the visual artsWilliam Turnerdrew attention to the Rhine, especially in England, with his paintings, which were the result of several cruises on the river. The most popular romantic Rhine views, the reproductions in varying formats, such aspostcardsspreads were derived fromNikolai von Astudin.

From a tourist stopover to a tourist destination

TheRhine Gorgewas depicted by late 18th century travellers like the ItalianAurelio de' Giorgi Bertola(first travelogue in the romantic style) in 1795 and the British John Gardnor (etchings), who both traveled the gorge in 1787. In 1802,Clemens BrentanoandLudwig Achim von Arnimtoured the valley, which was developing from a region one passed through on theGrand Tourto Italy into a first rank tourist destination in its own right.

After Switzerland, with its rugged mountain valleys, the rockyUpper Middle Rhine Valleywith its many ruins became a "must" for tourists. Many princes and wealthy individuals began to rebuild the castles; foremost among these was thePrussian royal house,which was building at multiple locations simultaneously. The most outstanding work of the Romantic Rhine isStolzenfels Castle,built by KingFrederick William IV of PrussiainKoblenz.Even absolutely secular constructions, such as tunnel entrances, were built in Gothic style during the Romantic and neo-Romantic periods.

Printing popular imagery

The popular image of the romantic Rhine in the first half of the 19th century was not derived from paintings, but almost exclusively from theprints.Aquatints,lithographsand engravings illustrated travel books and were published as series of postcards. Between 1820 and 1830 at least 12 companies published their own series of postcards, each with separately produced imagery.

The British were leaders in the field, with theirsteel engravingprocess, which was patented in London in 1826, which replaced the oldercopper engravingtechnology and enabled accurate representations and long print runs. At the time,William Tomblesonprovided the best templates, and 50 engravers turned these into 68 representations of the Middle Rhine in "Views of the Rhine", first published in 1832.

A year later "Traveling Sketches" byClarkson Stanfieldwas published. The steel engraving with a view onBingenand the Rhine-Nahe corner from the other side of the Rhine first appeared in this publication. The English artist skillfully reinforces the effect of the view on the city with the backlitBasilicaand the reflecting surface of the water. The geographic reality was, however, largely sacrificed on the altar of the Rhine romanticism. The viewer is looking due south and at this latitude, one rarely sees a low sun or a sunset in this direction. Despite these flaws, this attractive view is one of the best known and most copied vistas of Bingen in the 19th century.

Among the artistically and technically very sophisticated publications of this time is theVerduteseries, depicted the whole course of the Rhine, published by the Swiss publisher and painterJohann Ludwig Bleuleraround 1827. Bleuler's major work, "Voyage aux bords du Rhin pittoresque et de la Suisse", appeared in 1845.

In 2002, UNESCO declared theUpper Middle Rhine ValleyaWorld Heritage Site.

"Views of the Rhine" byWilliam Tombleson(1840), ruins ofWerner Chapelat Bacharach
Bingen, engraving by Abresch after Clarkson Stanfield
St. Goar withBurg Katz,engraving by Ward after Tombleson
Ruins ofHeimburg in Niederheimbach
WellmichwithBurg Maus
Ruins of the Castle atAndernach
Schloss Arenfels,Bad Hönningen
Stolzenfels Castlein 1836 shortly before the conversion to a palace

The pictures 4–7 are old colored engravings byChristian Meicheltbased on works byJohann Adolf von Lasinsky.

References and sources

Carl Trog:Rheinlands Wunderhorn. Sagen Geschichten und Legenden, auch Ränke und Schwänke aus den alten Ritterburgen, Klöstern und Städten der Rheinufer und des Rheingebietes, von den Quellen bis zur Mündung des Stromes,dedicated to the German People by Carl Trog, 15 vols, Alfred Silbermann, Essen and Leipzig, 1882–83, reprinted: Mikado, Atzbach 1980,ISBN 3-8124-0011-1(vol 1)
Karsten Keune (Hrsg.):Sehnsucht Rhein. Rheinlandschaften in der Malerei,with contributions from Irene Haberland and Elmar Scheure,. Bouvier Verlag, Bonn, 2007,ISBN 3-416-03096-6
Michael Schmitt:Die illustrierten Rhein-Beschreibungen. Dokumentation der Werke und Ansichten von der Romantik bis zum Ende des 19. Jahrhunderts,Cologne, 1996,ISBN 3-412-15695-7
Matthias Schmandt:Rheinromantik, Begleitpublikation zur Ausstellung im Historischen Museum am Strom – Hildegard von Bingen,Binger Museumshefte, vol. 2, Bad Kreuznach, 2002,ISSN 1617-0415
Der Rhein. Ein literarischer Reiseführer.Edited by Gertrude Cepl-Kaufmann and Hella S. Lange, Wissenschaftliche Buchgesellschaft, Darmstadt, 2006,ISBN 978-3-534-18919-9
Klaus-Peter Hausberg:"Rheinische Sagen & Geschichten",companion guide to the Rhine Legends Route, with the famous and beautiful legends and stories of the Rhine, Moselle, Lahn and Nahe, supplemented with tourist information, J.P. Bachem Verlag, Cologne, 2005,ISBN 978-3-7616-1986-5
Elisabeth Mick:Mit der Maus auf Rheinreise – 2000 Jahre Geschichte von Düsseldorf bis Mainz,J.P. Bachem Verlag, Cologne, 2007.ISBN 978-3-7616-2069-4
Bertola de' Giorgi, Aurelio:Viaggio sul Reno e ne' suoi contorni,Rimini, Albertini, 1795.
Helga Arend:Konkurrierende Frauenbilder in den Rheinsagen,in:Rheinreise 2002. Romantik, Reisen, Realitäten. Frauenleben am Rhein,edited by Bettina Bab and Marianne Pitzen, Edition Lempertz, Bonn, 2002, p. 70–75,ISBN 3-933070-29-5
Hans Joachim Bodenbach:Christian Meichelt, Kupferstecher und Maler in Basel, Lehrer in Lörrach, tätig auch für den Koblenzer Verlag Karl Bädeker (Baedeker),in:Badische Heimat,issue 4/2000, Freiburg im Breisgau, 2000, p. 700–713, with 7 illustrations,ISSN 0930-7001,published by: Landesverein Badische Heimat e.V., Freiburg.
Hans Joachim Bodenbach:200 Jahre Rheinromantik – Vues du bords du Rhin – Rheinansichten aus dem Verlag Karl Bädeker (Baedeker) in Koblenz,in:Beiträge zur Rheinkunde (Rhein-Museum Koblenz),issue 54/2002, Koblenz 2002, p. 26–55, with 30 illustrations
Hans Joachim Bodenbach:200 Jahre Rheinromantik – Vues du bords du Rhin – Ein Rheinalbum des frühen 19. Jahrhunderts mit Aquatintastichen aus den Koblenzer Verlagen Fr. Röhling und K. Bädeker (Baedeker) in einem Band – Die bei Röhling verlegten Ansichten,in:Bonner Geschichtsblätter,vol. 49/50, Bonn, 1999/2000 (2001), p. 285–304, with 20 illustrations

External links

Footnotes

^in: Ernst Behler:Friedrich Schlegel in Selbstzeugnissen und Bilddokumenten,5th ed., Rowohlt Taschenbuchverlag, Reinbek bei Hamburg, 1988,ISBN 3-499-50123-6,p. 100 ff

[1] : Ernst Behler:Friedrich Schlegel in Selbstzeugnissen und Bilddokumenten,5th ed., Rowohlt Taschenbuchverlag, Reinbek bei Hamburg, 1988,ISBN 3-499-50123-6,p. 100 ff

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