Robert Ballagh

Robert Ballagh
Ballagh in 2014
Born	(1943-09-22)22 September 1943 Dublin, Ireland
Education	Bolton Street College of Technology
Known for	Painting, design
Notable work	More than 70 Irish postage stamps, "Series C"Irish banknotes
Spouse	Elizabeth Carabini ​ ​ (m.1967; died 2011)​
Children	2, includingRachel
Awards	Aosdánamembership

Robert Ballagh(/bæləx/;born 22 September 1943) is anIrishartist, painter and designer. Born in suburbanDublin,Ballagh's initial painting style was strongly influenced bypop art.He is also known for his hyperrealistic renderings of Irish literary, historical and establishment figures,or designing more than 70 Irish postage stamps and a series of banknotes, and for work on theatrical sets, including for works bySamuel BeckettandOscar Wilde,and forRiverdancein multiple locations. Ballagh's work has been exhibited at many solo and group shows since 1967, in Dublin, Cork, Brussels, Moscow, Sofia, Florence, Lund and others, as well as touring in Ireland and the US. His work is held in a range of museum and gallery collections. He was chosen to represent Ireland at the 1969Biennale de Paris.

A lifelong resident of Dublin, he was made a member of Ireland's academy of artists,AosdánaHe became the founding chairperson of the Irish Visual Artists Rights Organisation. He has received a number of awards, including an honorary doctorate fromUCD.He has published a book of photography of Dublin, and a volume of memoirs.

Early life and education

Born 22 September 1943,Ballagh grew on Elgin Road inBallsbridge,the only child of aCatholicmother, Nancy (maiden name Bennett), and aPresbyterianfather, Bobbie (also Robert), who converted to Catholicism.Both parents had played sport for Ireland, his mother hockey, his father tennis and cricket.His father was the manager of the shirt department of a drapery shop on South William Street; his mother, who came from a comfortable middle-class background, stopped working when she married. Robert attended a private primary school, Miss Meredith's School for Young Ladies on Pembroke Road,and then the fee-payingSt Michael's CollegeandBlackrock College.He became anatheistduring his secondary education.His parents were members of theRoyal Dublin Society,one of Ireland's most active learned societies, and he spent time in its library and looking at its collection of art books, while also collecting American comics and frequenting the local cinema, not just to watch films but also observing for hours the sign painter at work.He began to work on art seriously in 1959, and some of his early works, including a self-portrait, were later exhibited as part of a retrospective show at the Gorry Gallery.

After passing his Leaving Certificate, Ballagh attended Bolton Street College of Technology for three years, studying architecture, including with Robin Walker, who had worked with Le Corbusier; he concluded that this was not the career for him, and that it conflicted with his musical career ambitions, while his tutors found him excessively interested in designs beyond his briefs.

Career

Before turning to art as a profession, Ballagh was a professional musician for about three years, initially with theshowbandConcord,then, on a full-time basis, as bass guitarist withThe Chessmen,managed by Noel Pearson.Having toured Ireland and England extensively with the latter band, reaching a weekly income of 100 pounds, he concluded that a career in music, especially with a lot of time on the road, was not for him, sold his guitar, to rising musicianPhil Lynottand did not play music again.

Painting and other plastic arts

Ballagh worked in both Dublin and for a few months, London, as a draughtsman, a postman and a designer. Having decided to return to Ireland, he started on a dedicated artistic career after he met an artist friend,Micheal Farrell,freshly returned from the New York art scene, in a pub, and Farrell recruited him for 5 pounds a week to assist with a large muralcommission.The piece, for the National Bank branch on Suffolk Street (part ofBank of Ireland),was painted atArdmore Studiosdue to its massive scale.Two early pieces of three-dimensional art, an erotic torso and a pinball machine, were selected to appear at theIrish Exhibition of Living Artin 1967, and Ballagh has appeared in a range of group exhibitions since. Around the same time, Ireland's Arts Council purchased an acrylic of a razor blade on canvas, inspired by a theory of criticClement Greenberg.Largely self-taught, his early work took inspiration from the pop art movement, and he worked on two early series of paintings, thePackageseries andMapseries, the latter using a mix of acrylic and day-glo paints in inkblots.He next turned to political themes, notably connected to Northern Irelandbut also with elements inspired by the Civil Rights movement in the US and the reaction to the Vietnam War.He started to combine elements of social realism with US advertising forms after readingChe Guevara's essayMan and Socialism in Cuba.He also produced three early works which have remained critically recognised ever since, inspired byLiberty at the Barricades(Delacroix),Third of May(Goya) andRape of the Sabines(David).In 1972, he commemorated the victims ofBloody Sundayin Derry with an installation at the Irish Exhibition of Living Art at the Project Arts Centre in Dublin; it consisted of thirteen rough figures in sand on the floor, sprinkled with (animal) blood, recorded as a series of photoprints.

He was selected to represent Ireland at the 1969Biennale de Paris,and his work has been shown in solo exhibitions from that year onwards.He was commissioned by his former tutor, Robin Walker, to produce abstract designs for screens in the new restaurant building of University College Dublin.

Ballagh started to work on portraiture with Irish contemporary art collectorGordon Lambertin 1971. As he was at the time still not fully content with his skills in painting faces and hands, he merged his own canvas with a silkscreen headshot of Lambert, over which he worked with sepia ink, and he added the hands in detached three-dimensional representations, which sculptorBrian Kingmade for him from castings of Ballagh's own hands.Over the following years, he painted a series of people looking at contemporary paintings, which proved very popular, with some international exhibitions selling out.Using the same concept, in his first major public commission, for the Five-Star supermarket chain's new shop inClonmel,he painted a large-scale (c.80 foot) mural on 18 panels. He usedformica,and included himself, his wife and his daughter in the mural, entitledPeople and aFrank Stella.He also, drawing on scenes fromThe Life and Opinions of Tristram Shandy, Gentlemanby locally-bornLawrence Sterne,painted a series of panels for a local restaurant. Other work included a series of six paintings and a silkscreen print linked toFlann O'Brien'sThe Third Policeman.

He later painted fellow artistLouis le Brocquy,writersJ.P. Donleavy(2006),James Joyce(2011, commissioned by UCD),Sheridan Le Fanu,Oscar Wilde,Brendan BehanandSamuel Beckett,as well as poetFrancis Ledwidge,singerBernadette Greevy,politicianCarmencita Hedermanand a rendering ofFidel Castro.The Ledwidge, commissioned by the Inchicore Ledwidge Society, is a triptych, with the poet primarily on the central panel, but his arms crossing to the outer panels, which feature a scene from his home village of Slane and a World War I scene.He had earlier painted Joyce in a scene on O'Connell Street, Dublin's main street, with himself alongside.Some years after buying Ballagh'sThe History Lesson,the scientistJames D Watsonvisited Ballagh in Dublin to discuss a portrait commission, and the Ballaghs visited the Watsons atCold Spring Harbor Laboratoryon Long Island, with Ballagh commenting on the new insights into the world of science he gained from the visit.Ballagh worked on a portrait of Watson over an extended period; it hangs in the Genetics Institute of Trinity College Dublin. At Watson's request, Ballagh painted Watson's colleagueFrancis Crickfor a major institution in London, and at the unveiling was one of just two people to meet the Queen, who commented that the portrait was "interesting".Other commissions includedDublin City Universitypurchasing a portrait of former Minister for EducationMary O'Rourke.By 2010, Ballagh had painted 91 non-family portraits, featuring 82 men and 9 women.

Works of self-portraiture and paintings of his family have also been created over time. One of these,Inside Number 3,described by Eamonn Ceannt as moving on from "the conventional architectural perspective of his previous paintings" and marking "a turning round of his own approach to painting", featured his wife as a nude figure on a spiral staircase in their home.That work was preceded byNo. 3,with his family portrayed conventionally outside their house, and was followed byUpstairs No. 3.This was a second intimate portrait, with a mostly nude Ballagh ascending a spiral stairway, seen from the perspective of his wife on their bed with a book of Japanese erotica; he commented that he really felt thatInside Number 3called for a response, and that the needed male nude had to be himself.Later still he paintedInside No. 3 After Modernization(with multiple types of painting included in the background),Upstairs No. 4,and others. In a very different setting, he also painted his family on an extended 1978 holiday near Malaga, inWinter in Ronda(1979).He also used himself and family members as models for generic characters, and, for example, painted two pictures of his daughter in homage toMarilyn Monroe,Rachel as MarilynI and II.

After many years, and one painting looking out to an exterior scene in the mid-1980s, Ballagh started to paint landscape work seriously in the late 1990s, and his 2002 exhibition,Tir is Teanga/Land and Languageconsisted of 10 landscapes, albeit not of specific places, but typical of some Irish scenes.Another commission was to paint theFastnet Lighthousefor theCommissioners of Irish Lights.

Ballagh has served as a judge for a number of artistic competitions, including one for murals in West Belfast.He has also led community arts work in both Dublin and Belfast,and taught art in prisons.One community art project in Dublin, to make a massive mural placed in front of the Custom House, was the subject of an RTE television documentary.

Studio

For many years, Ballagh rented an attic-level studio on Parliament Street in Dublin, overlookingCity Hall;this studio had previously been leased by other artists, such asPatrick Collins.After he lost the lease on that in the mid-1980s (it was repurposed as part of the development of Temple Bar and eventually hosted theWalt Disney Company's Irish office), he worked from home. Finding home working difficult with two growing children, in the early 1990s he used an inheritance to buy a house and former piggery on Arbour Hill, less than 10 minutes walk from his home. He renovated the building, and it now hosts his studio and a small flat.The artist has mentioned that he sometimes works slowly and in great detail; in 1982, for example, he produced just two paintings, spending about 6 months on each.His work has sold well at auction.One painting,My Studio 1969,sold for 96,000 euro in 2004.

Postage stamp and banknote design

Main article:Robert Ballagh postage stamp designs

Irish stamp (1973), commemorating the World Meteorological Organisation

Ballagh has designed over 70 Irish postage stamps, as well as a series ofIrish banknotes,"Series C",the last series before the introduction of theeuro.Ballagh's first postage stamp design was released on 4 September 1973. It commemorated the centenary of theWorld Meteorological Organizationand depicted a weather map of northwestern Europe. His portrayal of Ireland did not showthe border with Northern Ireland,provoking the unionist politicianIan Paisleyto demand in theBritish House of Commonsthat the British government should make a formal objection, even though no other international borders were shown either.Later design contracts included the centenaries of theUniversal Postal Unionand the first telephone transmission, the golden jubilee of Ireland's national electricity utility, theElectricity Supply Board,the centenaries of the births ofPatrick PearseandÉamon de Valeraand commemorations of various other Irish statesmen, issues related to Scouting, Guiding and theBoys' Brigade,Irish festivals, theIrish lighthouse authorityand one of Ireland's annual "love stamps".One stamp design was rejected by the government, after stamps had already been printed, possibly due to interference byTaoiseachCharlie Haughey;the stamps and plates were destroyed.A version of the stamp was eventually released more than 15 years later.On another occasion, in 1994, he was commissioned to produce stamps commemorating five Irish Nobel Prize winners; four were released but the fifth was cancelled whenAn Postbelatedly realised that the subject, physicistErnest Walton,was still alive.

Theatre set and other design work

Ballagh has worked on set design for both travelling shows and plays and events based in Ireland. He was approached to try this type of work by the director of Dublin's Gate Theatre, Michael Colgan. Among the theatrical sets he has designed are ones forRiverdanceon international tour,and later in Dublin too,the one-man showI'll Go On(Gate Theatre(1985), based onSamuel Beckett's novels,Beckett'sEndgame(1991),Oscar Wilde'sThe Importance of Being Earnest(1987) andSalomé(1998),Chekhov'sThree Sisters,Hamlet,and Michael Harding'sMisogynist.He also did set work for theDublin Theatre Festival.

ForRiverdance,impresario Moya Doherty, co-creator of the show, asked Ballagh to use a hand-made approach, and he produced around 50 small images, which were then projected to form backdrops. A further complication is that while Ballagh started by designing for the London part of theRiverdancetour, he later had to rework his designs to accommodate different venues, with varying technical capabilities, such as projection only from the front, from front and back, or from different directions along with moving objects crossing them.

Ballagh was also designer for the opening ceremonies for two major sporting events hosted in Ireland, the2003 Special Olympics World Summer Gamesand the2006 Ryder Cup.Many years later, he was commissioned to produce atableau vivantfor a promotional event at the Royal Hibernian Academy's Gallagher Gallery, a living artwork inspired by a famous painting – he chose to work withThe Girl with a Pearl Earring.

In other domains of work, he designed a masthead for theIrish Examiner,and a cover for a musical single.

Exhibitions

Solo exhibitions

Ballagh has had solo shows in Dublin on several occasions, as well as inBrussels,Paris,Lundin Sweden,Warsaw,MoscowandSofia.His first exhibition was in 1969, at the Little Theatre in the originalBrown Thomasshop on Grafton Street; it was opened byConor Cruise O'Brien,who described him as "an exceptionally gifted, thoughtful young artist."

Later shows of original work in Ireland included a 1971 case at the Cork Art Society,and in years including 1970,1971, 1972 and 1983, exhibitions at the gallery of his dealer, David Hendricks, in Dublin.After Hendricks died and his gallery closed, Ballagh decided to work without a Dublin dealer and primary gallery, and his next exhibition of new work in Dublin only came after a 26-year gap, in 2009, with "Tir is Teanga" ( "Land and Language" ). This show consisted of paintings with natural materials such as stones, sand, and metals, added, and with Irish language texts.There was a show of some of his 1970s material at the Orchard Gallery in Derry, organised by Patrick T Murphy andDeclan McGonagle.

In 1982, Ballagh was invited to put on a "mid-term retrospective" show in Lund in southern Sweden, which proceeded in 1983.He exhibited at West Cork Arts in 1986.

In 1989, he was invited to put on a major retrospective at the Gallery of the Central House of Artists (of the Soviet Union) in Moscow (later theNew Tretyakov Gallery),only the second Irish person and third Westerner to be so invited, afterFrancis Baconand Robert Rauschenberg.He afterwards gifted samples of his work to the USSR's ambassador to Ireland and toMikhail Gorbachev.

Ballagh had his first major retrospective show in Ireland,Robert Ballagh – The Complete Works,in the top-floor exhibition space atArnottsdepartment store onHenry Street,in February 1992,launched byHugh Leonard.The exhibition included 100 examples of his work, consisting of paintings, including portraits, designs for stamps, book illustrations and theatrical sets, limited edition books, and photography.The show was centred on a selection of 33 paintings from his 25-year career to date,26 commissioned illustrations and limited edition prints, books forGallery Pressand Black Cat Press, 12 photographs, 12 stamps, models and photographs from theatrical work, and three stationery designs. The exhibition catalogue included three essays on his painting, and one each on his limited edition prints, stamp design work, photo-essay book and stage design.

Further retrospectives followed, the next, and most significant, being at the Gallagher Gallery of theRoyal Hibernian Academy,with a gallery-within-a-gallery format,– with a display of his stamps at the General Post Office in parallel. The retrospective was nearly cancelled due to lack of funding for the elaborate gallery setup but rescued by sponsorship byDermot Desmond.There was also a show at the Gorry Gallery (Works from the Studio, 1959-2006).

An exhibition of seven portraits of political and cultural people of note, and seven self-portraits,Seven,was held at Cork's Crawford Art Gallery in 2013,and a selection of works related to the 1916 Easter Rising were exhibited at the Kevin Kavanagh Gallery in 2016.

Major group exhibitions

Having had works displayed at theIrish Exhibition of Living Art(IELA) in 1967, Ballagh was invited to show at the 1968 edition. He was also invited to the 1969 IELA, which had to move from the College of Art on Merrion Square to venues in Cork and Belfast. Having submitted a painting for consideration in 1969, after discussion with other artists' wives, his wife was also invited. After an outbreak of violence in Northern Ireland, 9 artists, including the Ballaghs, refused to allow their works to be sent there; they were instead displayed in an alternative exhibition,Art and Conscience,at 43 Kildare Street (and in the end, the exhibition never did go to Belfast). Sometime after, he exhibited three works commenting on the Northern Irish situation atCeltic Triangle,a joint exhibition of the Arts Councils of Ireland, Northern Ireland, Scotland and Wales.

Having featured at the Irish Exhibition of Living Art, and been inspired by earlier editions of the exhibition, Ballagh was invited to show atRoscin 1980. He was also invited, in 1987, to participate in a peace forum and associated major exhibition in the Soviet Union, at theCosmos Hotelin northeastern Moscow, a rare invitation for an Irish artist. At the event he breakfasted withGregory Peck,lunched withYoko Onoand chaired a panel consisting ofNorman Mailer,Gore VidalandGraham Greene.

Ballagh has been included in exhibitions in Florence and Tokyo, and has also had work on tour in the US in the period 1985–1987, as part of the "Divisions, Crossroads, Turns of Mind: Some New Irish Art" exhibition.One of his works also featured in30 years, artists, places,a travelling exhibition of work acquired by Irish local authorities.

Recognition and leadership roles

Ballagh received the Carroll Prize at IELA 1969,and the Alice Berger Hammerschlag Award, an all-island award for practitioners of the "plastic arts", at the Arts Council of Northern Ireland in 1971.

He was a founding member of Ireland's national academy or "affiliation" of artists,Aosdána,in 1981, and its first chairperson (the leader of its presiding body, the Toscaireacht).He ceased active participation in the body in the early 1990s, after what he felt was undue pressure to declare his personal views in a debate about censorship.;he eventually resigned membership, one of only four artists to do so in the more than 40 years of the academy's existence. He was also made a fellow of the World Academy of Art and Science, one of only two Irish fellows.He was awarded an honorary doctorate of letters in 2013 byUniversity College Dublin.In 2016, he received a Lord Mayor's Award in Dublin.

Two of his works won the Douglas Hyde Gold Medal at editions of theOireachtas Exhibition.Another piece, 'Northern Ireland, The 1,500th Victim(1976) was selected as one of the "Modern Ireland in 100 Artworks" series of theRoyal Irish Academy.

Ballagh was the first chairperson of the Artists Association of Ireland,and the founding chairperson of the Irish Visual Artists Rights Organisation.

Collections

Ballagh's paintings are held in several public collections of Irish painting including those of theNational Gallery of Ireland,theHugh Lane Galleryin Dublin, theUlster Museum,theIrish Museum of Modern Art,theCrawford Art GalleryinCork,along with the collections ofTrinity College Dublin,the Musée des beaux-arts de La Chaux-de-Fonds and Nuremberg'sAlbrecht Dürer House.Reproductions of three of his works are among the most-borrowed items in the Trinity College Dublin collection.

Approach and critical commentary

Ballagh has said of his work: "You hope that your paintings will transcend their time but they must be of their time as well" and of a potential inspiration: "...the master of the 20th century, Picasso. He did so many different things, had so many styles and approaches. That seems to me the way, the model. "

Some commentators have made observations about what might motivate Ballagh, withDeclan Kiberdsaying: "Robert Ballagh is the major current example of the Irish artist as activist. He has espoused the causes of socialism, republicanism, workers' rights and nuclear disarmament... Yet his own painting is free of all propaganda. "and Brian O'Doherty: "his is not so much political art as art made by an intensely political person."Roderic Knowles noted his move from "abstraction to figuration" and "his social commitment, which shows itself in his humour and wit, parody and pastiche and social comment, and his quite shameless literary and artistic allusions", while Cyril Barrett referenced his changing approach, with "the figure first as a silhouette or 'cut-out', then as a painted figure (as in his pastiches of Goya, Delacroix, Poussin or Ingres)".

The former director of the Irish Museum of Modern Art (IMMA) once characterised Ballagh as more of an illustrator than an artist; nonetheless, IMMA holds a range of his works. Dorothy Walker'sModern Art in Irelandmade almost no mention of Ballagh and his body of work.

Political and cultural interests

Artists' representation and rights

Ballagh has long campaigned for artists' rights, notably in regard to resale, and for better funding for the arts. He pursued the question ofresale rights,assured by EU law but late to be implemented in Ireland, threatening, and later pursuing, legal action; the right was eventually established.He has pursued this aim individually and in his roles in the Artists Association of Ireland,and the Irish Visual Artists Rights Organisation (IVARO).He also worked with the UNESCO-associated body of artists, the International Association of Art, to the executive committee of which he was elected, and on which he served as treasurer for three years; this work involved considerable travel and his work on the representational bodies made him so busy in 1987 that he painted nothing at all.Ballagh has commented that Ireland's funding of the arts is poor by EU and OECD standards.

Politics and republicanism

In an interview withThe Irish Times,Ballagh ascribes his "political awakening" to hearing news ofcivil rights protestorsinDerry,Northern Ireland,being attacked by theRoyal Ulster Constabulary(RUC) in 1968.In 1988 he contributed to the West BelfastFéile an Phobailarts festival. In 1989 he was a founder member of theIrish National Congressand chaired it for 10 years.In 1991, he co-ordinated the 75th-anniversary commemoration of the 1916Easter Rising,during which he claimed he had been harassed by theSpecial Branchof theGarda Síochána.He has commented that the Easter Rising was "led by poets, actors, writers, musicians, social reformers, Irish language activists – a truly remarkable gathering of people... "

He is the president of the Ireland Institute for Historical and Cultural Studies,which promotes studies of republicanism in an international context. It is based at the Pearse Centre at 27 Pearse Street, Dublin, once home toPádraig Pearse.

Ballagh was on the committee of a major group campaigning for a "No" vote in Ireland's referendum on the Lisbon Treaty.

2011 presidential run rumours

In July 2011 it was reported that he might consider running for the2011 Irish Presidential electionwith the backing ofSinn Féinand theUnited Left Alliance.A Sinn Féin source stated there had been "very informal discussions" and that Ballagh's nomination was "a possibility" but "very loose at this stage".On 25 July, Ballagh ruled out running in the election, saying that he had never considered being a candidate; his discussions with the parties had been about the election "in general" and he had no ambitions to run for political office.

Palestine

Also in July 2011, Ballagh broke ranks with his colleagues involved with the travelling production ofRiverdanceover their decision to perform in Israel. He is an active member of the IrelandPalestine Solidarity Campaign,which has asked that artists and academics participate in boycotts of Israeli businesses and cultural institutions.

Closure of Irish galleries and museums

In July 2012, Ballagh said he was "ashamed and profoundly depressed" at theen masseclosure of Irish galleries and museums. He cited an example of some Americans and Canadians on holiday in Ireland. "They described most of the National Gallery as being closed along with several rooms in the Hugh Lane Gallery. I'm glad they didn't bother going out to the Museum of Modern Art in Kilmainham because that's closed too. At the point I met them, they were returning from Galway where they had found the Nora Barnacle Museum closed too." Ballagh condemned the hypocrisy of political leaders, saying: "I know arts funding is not a big issue for people struggling to put food on the table but we are talking about the soul of the nation."

Publications and appearances

Ballagh published a book of Dublin photography, taken over a year on aRolleiflexcamera, accompanied by quotations from James Joyce, in the 1980s. The book focused on less-well-known or disappearing sights of the city.ARobert Ballagh Monographwas published in a limited edition in 2010, with a set of giclee prints.He published an academic paper, "Who fears to speak of the Republic?" in the journalÉtudes irlandaises.He released anautobiographical volume,A Reluctant Memoir,in 2018; it is not written as a chronological summary of his life but consists of a range of short pieces around major events.

Documentaries were produced about Ballagh, by the BBC (directed byPaul Muldoon), and in Irish, by Igloo Films, in 2001 (directed by Anthony Byrne).In 2019, he appeared as a contestant onRTÉ'sCelebrity Home of the Year,where his house finished in second place.He was the guest speaker at the 2012 Ledwidge Day commemoration at Islandbridge.

Personal life

Ballagh House (aka 3-5 Temple Cottages), Dublin 7, home of the artist

Ballagh met his future wife Betty (Elizabeth Carabini, from a Dublin family of Italian descent) in 1965, when she was 16 and he was playing a musical gig.They had two children,Rachel,born 1968, who also became an artist, and Robert Bruce, born late 1974 or early 1975.During his early years as a self-employed artist, Ballagh sometimes signed on for unemployment benefits while seeking paid work;even much later he remarked on the instability of artistic income, noting that he earned no money at all in the first half of 2019, for example.

The couple originally purchased one artisan's dwelling,then a row of them which they merged into a single architect-designed dwelling, with Ballagh participating in the design. The finished building, Ballagh House, was later profiled inArchitecture Ireland,the official journal of architects in Ireland,and featured on a TV show.

Betty Ballagh fell and received a brain injury in 1986, falling into a coma and requiring an operation to remove a clot; it took her years to fully recover.Robert's parents died within three months of each other in 1990.Betty died at St Joseph's Hospital, Raheny, in 2011, after a couple of months awaiting treatment fordiverticulitis.He later sued on grounds of negligence by theHealth Service Executiveand members of its staff, and received a settlement.

By the mid-2000s, he had two grandchildren.He hadchemotherapytreatment for chronic lymphocytic leukaemia, and recovered fully; he subsequently received a diagnosis of type II diabetes.As of 2021, Ballagh still lived in Broadstone and kept his studio in nearby Arbour Hill.