Roz Cowman

Roz Cowman
Roz Cowman
Born	1942; County Cork

Roz Cowman(born 1942), is an Irish poet and critic.

Biography

Roz Cowman was born in Cork in 1942. She got her education in the Loreto Convent inClonmelbefore going on to study inUniversity College Cork.She worked as a teacher and writes poetry. In 1982 Cowman won the Arlen House/Maxwell House award and an Art's Council Bursary. Cowman won thePatrick Kavanagh Poetry Awardin 1985. She has been published in Ireland, Britain and America. Her work is collected into a single anthology,The Goose Herd.Eavan Bolandsaid 'These are poems which have a consistent authority.'^[1]^[2]^[3]^[4]^[5]^[6]^[7]

Bibliography

The Goose Herd(1989)
The Empty Quarter(1995)
The Salmon Poets(1996)
Women Creating Women: Contemporary Irish Women Poets(1997)
Nobody Else Remembers, but I Remember(1999)

References and sources

^"The Goose Herd".Johns Bookshop.Retrieved11 October2019.
^Deane, S.; Bourke, A.; Carpenter, A.; Williams, J. (2002).The Field Day Anthology of Irish Writing.The Field Day Anthology of Irish Writing. New York University Press. p. 632.ISBN 978-0-8147-9906-2.Retrieved11 October2019.
^Sage, L.; Sage, P.E.L.L.; Lorna, S.; Greer, G.; Showalter, E.; Thomson Gale (Firm) (1999).The Cambridge Guide to Women's Writing in English.Gale virtual reference library. Cambridge University Press. p.156.ISBN 978-0-521-66813-2.Retrieved11 October2019.
^Witemeyer, H. (1997).The Future of Modernism.University of Michigan Press. p. 109.ISBN 978-0-472-10835-0.Retrieved11 October2019.
^Greene, Nicole Pepinster (2016). "Demystifying and Resituating the Somerville and Ross Writing Partnership, 1889-1915".The Canadian Journal of Irish Studies.39(2): 196–217.JSTOR 44160366.
^"Why Cork can't be bottled".The Irish Times.21 March 2013.Retrieved11 October2019.
^Ehnenn, J.R. (2008).Women's Literary Collaboration, Queerness, and Late-Victorian Culture.Nineteenth century. Ashgate. p. 165.ISBN 978-0-7546-5294-6.Retrieved11 October2019.

[1] "The Goose Herd".Johns Bookshop.Retrieved11 October2019.

[Deane_Bourke_Carpenter_Williams_2002-2] Deane, S.; Bourke, A.; Carpenter, A.; Williams, J. (2002).The Field Day Anthology of Irish Writing.The Field Day Anthology of Irish Writing. New York University Press. p. 632.ISBN 978-0-8147-9906-2.Retrieved11 October2019.

[Sage_Sage_Lorna_Greer_1999-3] Sage, L.; Sage, P.E.L.L.; Lorna, S.; Greer, G.; Showalter, E.; Thomson Gale (Firm) (1999).The Cambridge Guide to Women's Writing in English.Gale virtual reference library. Cambridge University Press. p.156.ISBN 978-0-521-66813-2.Retrieved11 October2019.

[Witemeyer_1997-4] Witemeyer, H. (1997).The Future of Modernism.University of Michigan Press. p. 109.ISBN 978-0-472-10835-0.Retrieved11 October2019.

[5] Greene, Nicole Pepinster (2016). "Demystifying and Resituating the Somerville and Ross Writing Partnership, 1889-1915".The Canadian Journal of Irish Studies.39(2): 196–217.JSTOR 44160366.

[The_Irish_Times_2013-6] "Why Cork can't be bottled".The Irish Times.21 March 2013.Retrieved11 October2019.

[Ehnenn_2008-7] Ehnenn, J.R. (2008).Women's Literary Collaboration, Queerness, and Late-Victorian Culture.Nineteenth century. Ashgate. p. 165.ISBN 978-0-7546-5294-6.Retrieved11 October2019.

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