TV Guide
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Industry | Media,information |
---|---|
Founded | 1948 |
Founder | Walter Annenberg |
Headquarters | , U.S. |
Services | Television programlistings information |
Parent | Fandom, Inc.(2022–present)[1] |
Website | tvguide |
TV Guideis an Americandigital mediacompany that providestelevision programlistings informationas well as entertainment and television-related news.[2][3]
The company sold its print magazine division,TV Guide Magazine LLC,in 2008.[4]
Corporate history
[edit]Prototype
[edit]The prototype of what would becomeTV Guide Magazinewas developed by Lee Wagner (1910–1993),[5]who was the circulation director ofMacFadden PublicationsinNew York Cityin the 1930s – and later, by the time of the predecessor publication's creation, forCowles Media Company– distributing magazines focusing on movie celebrities.[6]
In 1948, Wagner printed New York City area listings magazineThe TeleVision Guide,which was first released on local newsstands on June 14 of that year. Silent film starGloria Swanson,who then starred in the short-livedvariety seriesThe Gloria Swanson Hour,appeared on the cover of the first issue. Wagner later began publishing regional editions ofThe TeleVision GuideforNew Englandand theBaltimore–Washingtonarea. Five years later, he sold the editions toWalter Annenberg,who folded it into his publishing and broadcasting companyTriangle Publications,but remained as a consultant for the magazine until 1963.[7]
Annenberg/Triangle era
[edit]This sectionneeds additional citations forverification.(August 2018) |
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The nationalTV Guide's first issue was released on April 3, 1953, accumulating a total circulation of 1,560,000 copies that were sold in the ten U.S. cities where it was distributed. The inaugural cover featured a photograph ofLucille Ball's newborn sonDesi Arnaz Jr.,with a downscaled inset photo of Ball placed in the top corner under the issue's headline: "Lucy's $50,000,000 baby".[8]The magazine was published indigest size,which remained its printed format for 52 years. From its first issue until the July 2–8, 1954, issue, listings within each edition ofTV Guidebegan on Friday and ended on Thursday; the July 9–16, 1954, issue began on a Friday and ended on the following Friday. Then, beginning with the July 17–23, 1954, issue, the listings in each week's issue changed to start on Saturday and end on Friday, which remained the listings format for all local editions until April 2004.[citation needed]The formation ofTV Guideas a national publication resulted from Triangle Publications' purchase of numerous regional television listing publications such asTV Forecast(which was circulated in theChicagoarea and, upon its first publication on May 9, 1948, was the first continuously published television listings magazine),TV Digest(which was distributed inPhiladelphiaandPittsburgh,and was originally distributed under the title, theLocal Televiser,when it was first released on November 7, 1948), and the New York-basedTelevision Guide(which had its title abbreviated toTV Guideon March 18, 1950).[9][10]Each of the cities that had their own local TV listings magazine folded intoTV Guidewere among the initial cities where the magazine conducted its national launch.
The launch as a national magazine with local listings in April 1953 became an almost instant success.[11]However, the circulation decreased over subsequent weeks, even as the magazine's distribution expanded to five additional cities (Pittsburgh,Rochester,Detroit,ClevelandandSan Francisco) throughout the summer of 1953. By mid-August of that year, sales of the magazine had dropped 200,000 copies below that of the first issue.TV Guide's fortunes began to turn around with the September 4–10, 1953, issue – the magazine's first "Fall Preview" issue – when circulation hit 1,746,327 copies; circulation levels increased steadily over time, to the point whereTV Guideeventually became the most read and circulated magazine in the United States by the 1960s.[12]The initial cost of each issue was 15¢ per copy (equivalent to $1.71 in 2023. The price per issue has gradually risen over the years, selling for $4.99 per copy as of 2024). In addition tosubscriptions,TV Guidewas sold at the checkout counters ofgrocery storesnationwide. Until the 1980s, the feature pieces included in each issue were promoted in atelevision commercial.Under Triangle,TV Guidecontinued to grow not only in circulation, but also in recognition as the authority on television programming with articles – the majority of which typically appear in the color section – from both staff and contributing writers.
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Over the decades, the shape of theTV Guidelogo has changed to reflect the modernization of thetelevision screen,eventually adopting awidescreenappearance in September 2003, and then to its current flatscreen appearance in September 2016 (different versions of the logo – the only cosmetic difference being the utilization of different typefaces – are currently used respectively for the magazine and the separately owned, CBS-managed digital properties). At first, the logo had various colored backgrounds (usually black, white, blue or green) until the familiar red background became the standard in the 1960s with occasional customizations being utilized for special editions.
The magazine was first based in a small office in downtown Philadelphia, before moving to more spacious national headquarters inRadnor,Pennsylvania,in the late 1950s. The new facility had a large lightedTV Guidelogo at the building's entrance. It housed management, editors, production personnel and subscription processors as well as a vast computer system holding data on every television show and movie available for listing in the popular weekly publication. Printing of the national color section ofTV Guide– which incorporates television-related stories, and select feature columns such as program reviews – took place at Triangle's Gravure Division plant – which was known for performing some of the highest quality printing in the industry, with almost always perfect registration – located adjacent to the company's landmarkInquirer Buildingon NorthBroad Streetin Philadelphia. The color section was then sent to regional printers to be wrapped around the local listing sections.
In addition toTV Guideand its flagship newspaperThe Philadelphia Inquirer,Triangle Publications also owned thePhiladelphia Daily News;ten radio and six television stations (WFIL AM-FM-TVin Philadelphia, WNHCAM-FM-TVinNew Haven, Connecticut,KFREAM-FM-TVinFresno, California,WNBF AM-FM-TVinBinghamton, New York,WFBG AM-FM-TVinAltoona, PennsylvaniaandWLYH-TVinLancaster–Lebanon, Pennsylvania), as well asThe Daily Racing Form;The Morning Telegraph;Seventeen;and variouscable televisioninterests. (It was under Triangle's ownership of WFIL-TV thatAmerican Bandstandcame to popularity, which, in turn, led to hostDick Clarkascending to become a major television personality.) Triangle Publications sold its Philadelphia newspapers toKnight Newspapersin 1969, its radio and television stations during the early 1970s toCapital Cities Communications(the television stations that are now known as KFSN-TV and WPVI-TV were subsequently acquired byABCthrough its 1986 merger with Capital Cities) and various other interests, retaining onlyTV Guide,SeventeenandThe Daily Racing Form.
For the magazine's first 52 years of publication, listings information was displayed in a "log" format, a mainly text-based list of programs organized by both start time and channel, which was the sole method – eventually, primary onceprime timegridswere incorporated, and later secondary for the final two years of its inclusion of local listings – of displaying program information inTV Guideuntil the switch to national listings in 2005. This allowed for the display of full titles for each program as well as the inclusion of synopses for movies and most programs. Most listing entries in the log included program genres (and for national news programs,anchors) after the program's title, while its running time (which was mentioned only if a program lasted a minimum of one hour – later 35 minutes – in length) was listed (in hours and minutes) in the synopses.
Channel numbers were set in a tiny round icon (known as a "bullet" ) at the beginning of the listing. This bullet was soon modified to be the shape of a TV screen, similar to the shape of theTV Guidelogo. In most editions, stations serving a particular edition's immediate local coverage area were denoted with a white numeral for its channel number set inside a black TV-shaped bullet. Stations serving neighboring communities outside the immediate area, but which could also be viewed in the primary local area, were denoted with a black numeral inside a white TV-shaped bullet outlined in black (for example, in theSan Franciscoedition, stations based in San Francisco or Oakland had their channel numbers listed as white-on-black TV-shaped bullets, while stations serving neighboringSacramentoorSalinas/Monterey(but could still be viewed in parts of San Francisco or Oakland, including their suburbs, as fringe reception) had their channel numbers listed as black-on-white icons). A particular listing could begin with as many as three or more channel bullets depending upon the number of stations in the immediate and surrounding areas broadcasting the same program at that particular time (usually different affiliates of the same network, based in the primary city as well as in neighboring areas). See the subsection "Listings section",in the" Editions "section below, for a detailed explanation.
Originally, the majority of programs listed in the log each issue featured brief synopses, except for local and national newscasts, and programs airing on certain stations in various timeslots. As otherbroadcasttelevision stationsandcable channelswere added, due to set space requirements for the local listings section, detailed synopses were gradually restricted to series andspecials– usually those airing in evening "prime time"timeslots – as well as movies airing on broadcast television, while shorter synopses were used for programs seen on broadcast stations outside of the edition's home market and select cable channels; and only the title along with basic supplementary information (such as genre and/or program length) for most other broadcast and cable programs. In addition, black-and-white ads for programs scheduled to air on broadcast stations – and later, cable channels – during prime time (with local airtimes, and for broadcast stations, information fornetwork-affiliated stationsfeatured in the edition which were scheduled to air the advertised show) were included within the listings. Ads for major network programs were generally produced by the networks themselves (and often, the networks would run a full-page or even adouble-truckad for an entire night of programming, or for a major movie or special, or for the season premiere of aSaturday morning cartoonlineup); ads for locally produced programs, including local newscasts, were produced by individual stations (network affiliates as well as independent stations). Such locally provided ads almost always used the distinctive logos used by particular stations (for example, the "Circle 7" logo used for many years primarily by stations either owned by, or affiliated with, ABC). (Black-and-white ads for general products, services and special offers, similar to those seen in other national magazines, were also placed in the listings section.)
A regular feature of the listings section was "Close-Up", usually a half-page segment, which provided expanded reviews of select programs airing each day (various editions of "Close-Up" were eventually used for different types of programs, from premieres of new series to shows airing on cable). Over time, other regular and recurring features (most of them television-related) were included alongside the listings including "Insider" (a television news and interview section in the lead pages of the color section); "Cheers and Jeers" (a critique page about various aspects of television programming); "Hits and Misses" (featuring brief reviews of select programs in the coming week, rated on a score from 0 to 10); "Guidelines" (a half-page daily section featuring highlights of five or six programs of interest); horoscopes; recaps of the previous week's storylines on network daytimesoap operas;a page reviewing newhome video(and later,DVD) releases; dedicated pages that respectively listed select sporting events, children's programs and "four-star" movies being broadcast during that week; and crossword puzzles. Although its issues usually focus on different television-related stories week to week,TV Guidealso incorporates recurring issues that appear a few times each year, most notably the "Fall Preview" (an issue featured since the magazine's inaugural year in 1953, which features reviews of new series premiering during the fall television season), "Returning Favorites" (first published in 1996, featuring previews of series renewed from the previous television season returning for the upcoming fall schedule), "Winter Preview" (first published in 1994 and later known as the "(year) TV Preview" from 2006 to 2009, featuring previews ofmidseasonseries) and "The Best Children's Shows on TV" (first published in 1989 and later renamed the "Parents' Guide to Children's Television" in 1990, and finally as the "Parent's Guide to Kids' TV" in 1993, featuring stories and reviews on family-oriented programs).
Icons used for other means than identifying listed stations were first added to the magazine around 1956, using the words "SPECIAL" and "COLOR", each set in capital letters inside a rectangular bar, to denotetelevision specialsand programs broadcast incolor,respectively.TV Guidemodified all icons incorporated into the local listings section in May 1969, changing the font for the TV-shaped bullets identifying local stations fromFuturato the standardHelveticaand using similarly TV-shaped bullets marked with the abbreviation "C" to denote color programs (replacing the bar/text icons that had been previously used). As color programming became more ubiquitous, in August 1972, the magazine opted to identify programs originating inblack and white(marked under the abbreviation "BW" ) within the listings section. In September 1981, listings began to identify programs presented withclosed or open captionsor with on-screensign languageinterpretation.
Being an era when program episodes tended to be faithfully recurring from week to week, TV Guide listings would make note of alterations from the routine or a change in status: "[Gunsmoke is pre-empted]"; "(last episode of the series)", "Debut:", "Special". Until the 1970s, double-feature or triple-feature movie presentations by a station would be listed at the starting time of the first feature: "MOVIE--Double Feature", then list the movies with numeric bullets in front of each title and synopsis; subsequent to 1970, the magazine listed each movie in its own time entry.
A day's listings continued well past midnight until the last station signed off following prime time programs of the calendar day before, possibly as late as 4:00 a.m. The next day's listings could begin as early as 5:00 a.m., or earlier.
Addition of cable listings
[edit]The advent of cable television would pose challenges toTV Guide.Cable channels began to be listed in the magazine in 1980 or 1981, depending on the edition; the channels listed also differed with the corresponding edition. Regional and nationalsuperstationsavailable on cable systems in the designated market of many editions were the only cable channels listed initially as well as, in certain markets, over-the-air subscription services transmitted over localindependent stations(such asONTV); local subscription television services were often listed as "STV Programming" or "Subscription Television" for the channel carrying the service, with the service listed separately or, in some editions, not at all. Cable-originated channels – such asHBO,CNN(both of which the magazine originally promoted mainly in full-page advertisements), the CBN Cable Network (nowFreeform), theAlpha Repertory Television Service(ARTS, later succeeded byA&Ethrough its 1984 merger with The Entertainment Channel) andNickelodeon– were added gradually between the winter of late 1981 and the first half of 1982, depending on the edition.
To save page space,TV Guideincorporated a grid (a rowed display of listings for programs scheduled to air during the evening hours each night, primarily organized by channel) into the listings between 1979 and 1981, which was slotted at a random page within each day's afternoon listings. The grid originated as a single-page feature that provided a summary of programs airing during prime time (from 7:00 to 10:00 p.m. or 8:00 to 11:00 p.m. depending on the start of prime time within a giventime zone) on the stations mentioned in the corresponding edition; by 1983, it was expanded to a two-page section – which began to take up roughly three-quarters of the two adjoining pages on which it was placed – that included programs airing during theearly access and late fringeperiods (from 5:00 to 11:00 p.m. or 6:00 p.m. to 12:00 a.m. local time), with the beginning and end of the magazine-defined prime time daypart (between 7:30 and 11:00 p.m. or between 6:30 and 10:00 p.m. local time on Monday through Saturdays, and between 7:00 and 11:00 p.m. or between 6:00 and 10:00 p.m. local time on Sundays) delineated by a thicker border. Channels listed in the grid were organized by broadcast stations, basic cable channels, and premium channels.
In 1983, depending on the edition, a new feature was added, the "Pay-TV Movie Guide" (renamed the "Premium Channels Movie Guide" in 1997), initially preceded the listings before being moved to the pages immediately following the Friday listings in January 1989, resulting in the national section – which had been cordoned into two sections, both preceding and following the local section – being consolidated into the first half of the pages comprising each issue. Preceding this addition, some editions carried The "Movie Guide", which also preceded the listings, provided summaries of films scheduled to air over the next one to two weeks on the cable channels included in both the logandgrid listings (excluding those featured exclusively in the grids) as well as a first-page summary of the films scheduled to premiere that week (arranged by channel and sub-categorized by title). As the years went on, more cable channels were added into the listings of each edition. To help offset this, the May 11–17, 1985, issue introduced a smaller Helvetica font for the log, along with some other cosmetic changes; in particular, a show's length began to be listed after the show's title instead of at the end of its synopsis. That issue also saw advertising for local stations featured in the corresponding edition be restricted to certain special events, with most program promotions being restricted to those for national broadcast and cable networks.
News Corporation and Gemstar eras
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On August 7, 1988, Triangle Publications was sold to the News America Corporation arm ofNews Corporationfor $3 billion,[13][14]one of the largest media acquisitions of the time and the most expensive publication transaction at the time. The November 3–9, 1990, issue saw the addition ofVCR Plus+codes in some of the magazine's regional editions, for users with devices incorporating the technology – which was developed by eventualTV Guideparent Gemstar International Group Ltd. – to input into their VCRs to automatically record television programs. (Two-digit PlusCodes corresponding to the channel airing the program that a user wished to record were listed after each channel in the channel directory page; one- to eight-digit codes for individual programs were listed in the log listings section following the title of each program.) The PlusCodes expanded to all local editions beginning with the September 14–20, 1991, issue.[15][16][17]The September 12–18, 1992, issue saw the addition of bullet icons identifyingcolorized versionsof older feature films.
On March 7, 1996,TV Guidelaunched the iGuide, originally developed by the News Corporation-MCIjoint ventureDelphi Internet Service Corp. as aweb portal,which featured more comprehensive television listings data than those offered by the magazine (with information running two weeks in advance of the present date), as well as news content,TV Guideeditorial content and a search feature called CineBooks, which allowed users to access detailed information on about 30,000 film titles. Later that year, content from the print publication was added to iGuide as well as content from News Corporation's other media properties.[18][19]On January 13, 1997, shortly before MCI bowed out of the venture, iGuide was relaunched as the TV Guide Entertainment Network (TVGEN), which was renamed TV Guide Online in 2002. The refocused site covered television, music, movies and sports (with content concerning the latter sourced fromFox Sports), along with wire news and features fromReuters,Daily Varietyand theNew York Post,free e-mail updates for registered users, and a chat room that was developed to accommodate 5,000 users simultaneously.[20][21][22]
Additional changes to the listings took place with the September 14–20, 1996 edition of the print publication. Starting with that issue, program titles switched from being displayed in all-uppercase to being shown in a mixed case,Franklin Gothictypeface, film titles – which had previously been displayed within the film description – began appearing before a film's synopsis in an italicized format (replacing the generic "MOVIE" header that had been used to identify films since the magazine's inception), and children's programs that were compliant with theChildren's Television Act of 1990began to be designated by a circular "E/I"icon. In addition,infomercials(which had been designated under the boilerplate title "COMMERCIAL PROGRAM[S]" until 1994, and "INFORMERCIAL[S]" thereafter) ceased being listed in the magazine during time periods in which stations aired them. (Time-brokered programs continued to be listed in the magazine, but were primarily restricted to religious programming.) Replacing the text identifiers that had been included within the film synopses, theatrically released films also began to be identified by a black-and-white boxed "M" symbol, accompanied depending on the film by itsstar rating(a formula, on a scale of one [for "poor" ] to four [for "excellent" ], based on a consensus of reviews from leading film critics, the quality of the film's cast and director, and the film's box office revenue and award wins). Movie icons also were appropriated to identify direct-to-video (marked as "M→V" ) or made-for-TV (marked as "M→T" ) releases, which were not assigned star ratings. Beginning with the January 25–31, 1997, issue, the log listings began incorporating content ratings for programs assigned through the newly implementedTV Parental Guidelinessystem (the system's content ratings were subsequently added upon their introduction in October 1998).
News Corporation soldTV Guideto the United Video Satellite Group, parent company ofPrevue Networks,on June 11, 1998, for $800 million and 60 million shares of stock worth an additional $1.2 billion (this followed an earlier merger attempt between the two companies in 1996 that eventually fell apart).[23][24]Following the sale, reports suggested thatTV Guidewould remove program listings from the magazine, shifting them entirely to its new sister cable network Prevue Channel, which would be rebranded as a result of United Video's purchase ofTV Guide Magazine;News Corporation executives later stated that listings information would remain part of the magazine.[25]That year, United Video acquired TVSM Inc. (publishers of competing listings guidesTotal TVandThe Cable Guide) in a $75 million all-cash acquisition; as a result,TV Guidemerged withTotal TV,and began printing a version of the magazine in the latter magazine's full-size format (while retaining the original digest size version) effective with the July 11, 1998, issue.[26][27]
Because most cable systems published their own listing magazine reflecting their channel lineup, and now had a separate guide channel or anelectronic program guidethat can be activated by remote and provide the same information in a more detailed manner – with additional competition coming in the late 1990s from websites that also specialize in providing detailed television program information (such as TVGuide.com, then jointly operated withTV Guide Magazine,andZap2It), a printed listing of programming in a separate magazine became less valuable. The sheer amount and diversity of cable television programming made it hard forTV Guideto provide listings of the extensive array of programming that came directly over the cable system.TV Guidealso could not match the ability of thecable boxto store personalized listings. Nevertheless, beginning with the September 12–18, 1998, issue, the magazine added several new channels to many of its editions, including those that had previously been mentioned only in a foreword on the channel lineup page as well as those that were available mainly ondigital cableand satellite; although most of these newly added channels were placed within the prime time grids, only a few (such asAnimal PlanetandMSNBC) were also incorporated into the log listings.
Features in the magazine were also revamped with the additions of "The Robins Report" (a review column by writer J. Max Robins), "Family Page" (featuring reviews of family-oriented programs) and picks of select classic films airing that week, as well as the removal of the "Guidelines" feature in the listings section in favor of the new highlight page "Don't Miss" (listing choice programs selected by the magazine's staff for the coming week) in the national color section. Listings for movies within the log also began identifyingmade-for-TVanddirect-to-videofilms, as well as quality ratings on a scale of one to four stars (signifying movies that have received "poor" to "excellent" reviews).
In 1999, the magazine began hosting theTV Guide Awards,an awards show (which was telecast on Fox) honoring television programs and actors, with the winners being chosen byTV Guidesubscribers through a nominee ballot inserted in the magazine. The telecast was discontinued after the 2001 event. The July 17–23, 1999, edition saw the evening grids scaled down to the designated prime time hours, 8:00 to 11:00 p.m. (or 7:00 to 10:00 p.m.) Monday through Saturdays and 7:00 to 11:00 p.m. (or 6:00 to 10:00 p.m.) on Sundays, to complement the descriptive log listings for those time periods; this also allowed the grids to be contained to a single page in certain editions that provided listings for more than 20 cable channels.
On October 5, 1999,Gemstar International Group Ltd.,the maker of theVCR Plus+device and schedule system (whose channel and program codes forVCRsusing the system for timed recordings were incorporated into the magazine's listings in 1988), and which incidentally was partially owned by News Corporation, purchased United Video Satellite Group. The two companies were previously involved in a legal battle over theintellectual propertyrights for their respective interactive program guide systems, VCR Plus+ andTV Guide On Screen,that began in 1994.[28][29]That month,TV Guidedebuted a 16-page insert into editions in 22 markets with largeHispanicpopulations titledTV Guide en Español,which provided programming information from nationalSpanish languagenetworks (such asUnivisionandTelemundo) as well as special sections with reviews of the week's notable programs. The magazine discontinued the insert in March 2000 due to difficulties resulting from confusion by advertisers over its marketing as "the first weekly Spanish-language magazine", despite its structure as an insert within the mainTV Guidepublication.[30]
To commemorate the 50th anniversary ofTV Guideas a national magazine, in 2002, the magazine published six special issues:
- "TV We'll Always Remember" (April 6–12): Our Favorite Stars Share Fifty Years of Memories, Moments and Magic "
- "50 Greatest Shows of All Time"(May 4–10): The Ultimate List of the 50 Best TV Series. (Just Try to Guess What's No. 1!)"
- Note:This was the only one to be presented on television itself (in the form of a two-hour special) and referenced in the bookTV Guide: Fifty Years of Television,considering the magazine's purpose to present weekly listings of regularly scheduled series.
- "Our 50 Greatest Covers of All Time (June 15–21): Fabulous Photos of Your Favorite Shows and Stars Plus: Amazing Behind-the-Scenes Stories"
- "50 Worst Shows of All Time (July 20–26): Not Just Bad! Really Awful – And We Love Them That Way!"
- "50 Greatest Cartoon Characters of All Time (August 3–9): Funny! Clever! Drawn to perfection! They're the tops in toons!"
- "50 Sexiest Stars of All Time (September 28–October 4): Charisma, Curves, Confidence, Charm! Could We Be Having Any More Fun?"
By 2003, the number of cable channels that were only listed in the grids expanded, with the addition of channels such as BBC America,Soapnetand theNational Geographic Channel(some editions also featured a limited number of broadcast stations – either in-market, out-of-market or both – exclusively in the grids). Conversely, sister cable networkTV Guide Channel(whose listings were added to the magazine after the Gemstar purchase) was relegated from the log listings to the grids in most editions. From its inception until 2003,TV Guidehad offered listings for the entire week, 24 hours a day. Numerous changes to the local listings took place beginning with the June 21, 2003 issue – in just a few select markets, when the 5:00 a.m. to 5:00 p.m. Monday through Friday listings were condensed down to four grids: these ran from 5:00 to 8:00 a.m., 8:00 to 11:00 a.m., 11:00 a.m. to 2:00 p.m., and 2:00 to 5:00 p.m. If programming differed from one weekday to the next, the generic descriptor "Various Programs" was listed. The weekday grid maintained day-to-day listings for certain cable channels (primarilymovie channelsas well as a limited number of basic cable channels such asLifetime,The History ChannelandUSA Network), which were organized separately from the other channels. These changes became permanent in allTV Guideeditions beginning with the September 13, 2003, "Fall Preview" issue.
Other changes were made to the magazine beginning with the June 21 issue in select markets and the 2003 "Fall Preview" issue elsewhere. A half-page daily prime time highlights section featuring the evening's notable shows, movies and sports events – similar to the former "Guidelines" feature – was re-added to the listings section; a full-page "Weekday Highlights" page was also added featuring guest and topical information for the week'sdaytimetalkandmorning showsas well as picks for movies airing during the day on broadcast and cable channels. In addition, while log listings continued in use for prime time listings, program synopses were added to the grids and log, as well as a "NEW"indicator for first-run episodes, replacing the" (Repeat) "indicator in the log's synopses. The" Premium Channels Movie Guide "was also restructured as" The Big Movie Guide ", with film listings being expanded to include those airing on all broadcast networks and cable channels featured in each edition (as well as some that were not listed in a particular local edition), as well as movies that were available onpay-per-view(page references to the films included in this section were also incorporated into the prime time grids and log listings). Beginning in January 2004, the midnight to 5:00 a.m. listings (as well as the Saturday and Sunday 5:00 to 8:00 a.m. listings) ceased to include any broadcast stations outside of the edition's home market, leaving only program information for stations within the home market and for cable channels.
The magazine's format was changed beginning with the April 11, 2004, issue to start the week's listings in each issue on Sunday (the day in which television listings magazines supplemented innewspaperstraditionally began each week's listings information), rather than Saturday. In July 2004, the overnight listings were removed entirely, replaced by a grid that ran from 11:00 p.m. to 2:00 a.m. that included only the broadcast stations in each edition's home market and a handful of cable channels. It also listed a small selection of late-night movies airing on certain channels. The time period of the listings in the daytime grids also shifted from starting at 5:00 a.m. and ending at 5:00 p.m. to running from 7:00 a.m. to 7:00 p.m. By this point, the log listings were restricted to programs airing from 7:00 to 11:00 p.m. In early 2005, more channels were added to the prime time and late-night grids.
Format overhaul and conversion to national listings
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On July 26, 2005, Gemstar-TV Guide announced thatTV Guidewould abandon its longtime digest size format and begin printing as a larger full-size national magazine that would offer more stories and fewer program listings.[31]All 140 local editions were eliminated, being replaced by two editions covering the time zones within thecontiguous United States:one for theEasternandCentraltime zones, and one for thePacificandMountaintime zones (which had existed separately from the local editions prior to the change, although their distribution was primarily limited tohotels). The change in format was attributed to the increase in theinternet,cable television channels (like TV Guide Network), electronic program guides anddigital video recordersas the sources of choice for viewers' program listings. The new version ofTV Guidewent on sale on October 17, 2005, and featuredExtreme Makeover: Home EditionhostTy Penningtonon the cover. The listings format, now consisting entirely of grids, also changed to start the listings in each week's issue on Monday rather than Sunday. As a result of the elimination of the local editions, broadcast stations were replaced by broadcast network schedules with the description "Local Programming"being used to denote time periods in whichsyndicated,locally produced orpaidprograms would air instead of network shows.
In September 2006,TV Guidelaunched a redesignedwebsite,with expanded original editorial and user-generated content not included in the print magazine. On December 22, 2006,TV Guideintroduced the magazine's first ever two-week edition. The edition, which featuredRachael Rayon the cover, was issued for the period fromDecember 25,2006 to January 7, 2007. In early 2008, the Monday through Friday daytime and daily late night grids were eliminated from the listings section, and the television highlights section was compressed into a six-page review of the week, rather than the previous two pages for each night. By 2007,TV Guide's circulation had decreased to less than three million copies from a peak of almost 20 million in 1970.
With the $2.8 billion acquisition of Gemstar-TV Guide byMacrovisionon May 2, 2008,[32]that company, which purchased the former mostly to take advantage of their lucrative and profitable VCR Plus and electronic program guidepatents,stated it wanted to sell both the magazine and TV Guide Network, along with the company'shorse racingchannelTVG Networkto other parties.
TV Guide Talk
[edit]On May 18, 2005,TV Guide Talk,a weeklypodcastthat was available to download for free, was launched. The podcast was headlined byTV Guidereporter/personalityMichael Ausiello,and was co-hosted by his colleagues at the magazine, Matt Webb Mitovich,[33]Angel Cohn, Daniel Manu andMaitland McDonagh.Each episode featured commentary from TV Guide staff on the week's entertainment news stories, television programs, and film releases, as well as occasional interviews with actors, producers, and executives. On April 4, 2008 (following Ausiello's move toEntertainment Weekly), it was announced that the podcast would be ending,[34]and the final episode (Episode No. 139) was released on April 10, 2008.[35]
TV Guide Talkpodcasts were released every Friday afternoon and averaged an hour in length. They featured the participants discussing and commenting on the past week in television and the entertainment industry in general. The beginning of each podcast was devoted to in-depth discussion on the week's biggest new story in the entertainment industry, whether it be a television program or something outside the scope of television show or movie (such as theAcademy Awardsor theEmmys). The middle part was devoted to discussion and commentary on individual shows. The podcast emphasized programs that tend to have a large online following even if that following is not necessarily reflected in the programs' Nielsen rating. Examples includeAmerican Idol,Heroes,Lost,Survivor,Gilmore Girls,Veronica Mars,andProject Runway(the latter three being examples a low-rated shows which nevertheless have sizable online followings). Each podcast also ended with a weekly review of that weekend's new theatrical releases.
OpenGate Capital era
[edit]On October 13, 2008, Macrovision sold the money-losing magazine (which was reportedly posting revenue losses of $20 million per year by that point) toBeverly Hills-based equity fundOpenGate Capitalfor $1, and a $9.5 million loan at 3% interest.[36]As part of the sale, however, Macrovision retained ownership of the companion website[37]– which was then sold to equity firmOne Equity Partnersfor $300 million –[38][39]which severed all editorial connections between the magazine and website, including the end of critic Matt Roush's presence on TVGuide.com.[40]The editorial content of the magazine was launched on a new site, TVGuideMagazine.com, which did not featureTV Guide's listings in any form. TVGuideMagazine.com was later shut down on June 1, 2010;TV Guide Magazineand TVGuide.com then entered into a deal to restore content from the magazine to the latter website,[41]whichLionsgate Entertainmenthad bought along with the TV Guide Network in January 2009.[42]
CBS Interactive/CNET era
[edit]In March 2013,CBS Corporationacquired One Equity Partners' stake of their TV Guide assets.[43]The CBS acquisition was finalized later that month for $100 million.[3]On May 31, 2013, CBS bought Lionsgate's share of TV Guide Digital, which includes the website andmobile apps.[3]On January 31, 2014, OpenGate Capital andCBS Interactiveannounced a deal to cross-promoteTV Guide Magazinewith TVGuide.com and CBS Interactive's other internet properties (includingTV.com,MetacriticandCNET).[44]
Sales to Red Ventures and Fandom Inc.
[edit]In 2020,Red Venturesacquired the assets of CNET Media Group, including TV Guide, from ViacomCBS.[45][46][47]
On October 3, 2022, Red Ventures sold TV Guide and other entertainment websites toFandom Inc.[1]
Related services
[edit]Television and digital services
[edit]TV Guide Channel/Network
[edit]In June 1998, theTV Guidebrand and magazine were acquired byUnited Video Satellite Group,[23]the parent company of the Prevue Channel – a channel first launched in 1981 as the Electronic Program Guide network, that was carried by cable and some satellite television providers and was originally formatted to feature ascrolling program guide,short segments featuring previews of upcoming programs, andpromosand short-formfilm trailersfor programs airing on various channels. Its new owners promptly rebranded Prevue as theTV Guide Channelon February 1, 1999. With the rebranding, some of the hourly segments featured on the channel at that point were renamed after features in the magazine, includingTV Guide Close-Up,TV Guide Sportsview(which was formatted more similarly to the listings section's sports guide than the color column of that name) andTV Guide Insider.After Gemstar's acquisition ofTV Guide,the channel began to shift toward airing full-length programs featuring celebrity gossip and movie-focused talk shows alongside the program listings. The channel was rebranded as theTV Guide Networkin 2007.
Following the respective sales of TV Guide's magazine and cable channel by Macrovision to OpenGate Capital and Lionsgate,[36][42]the magazine and TV Guide Network became operationally separate, although the two properties still collaborated on content for TVGuide.com. After CBS Corporation bought stakes in TV Guide's properties in March 2013,[3]TV Guide Network was rebranded under the abbreviated name TVGN that April to de-emphasize its ties toTV Guide Magazine,as part of a transition into a general entertainment format while the channel gradually decommissioned its scrolling listings grid. The network was relaunched as Pop on January 14, 2015,[48]with its programming focus shifting towards shows aboutpop cultureand itsfandom.[49][50]
TV Insider
[edit]TV Insideris a website promoted internally as an online "guide to...TV" published byTV Guide's parent holding company TVGM Holdings, LLC,[51]which launched in January 2015. The website features reviews and interviews from critics and columnists (such as Matt Roush) who write for the print magazine.[52]TV Insider launched an identically titled print magazine dedicated to streaming services in February 2023,[53]but the magazine ceased publication in April 2024,[54]with some of the content incorporated into an expanded section of the regular TV Guide magazine.[55]
TV Weekly
[edit]TV Weeklyis a weekly magazine that offers television listings for viewers in the local markets, featuring the local channels and regional cable networks alongside the major network and cable outlets. The settings are similar toTV Guide'snational listings.
Publications
[edit]TV Guide Crosswords
[edit]TV Guide Crosswordswas a spin-off publication, first published in the late 1980s,[specify]based on the crossword puzzle feature in the penultimate page of each issue. The puzzles featured inTV Guideand the standalone magazine featured answers related to television programs, films, actors, entertainment history and other entertainment-related trivia. In addition to the regular magazine,TV Guide Crosswordsalso published special editions as well as books.
Parents' Guide to Children's Entertainment
[edit]TV Guide's Parents' Guide to Children's Entertainmentwas a quarterly spin-off publication which was first released on newsstands on May 27, 1993. The magazine featured reviews on television shows, home videos, music, books and toys marketed to children ages 2 to 12, as well as behind-the-scenes features centering on children's television shows and films. To limit confusion among readers, theParents' Guideissues were printed as a standard-size magazine instead of the digest scale then applied by the parentTV Guide Magazine.[56][57]The magazine ceased publication following the Spring 1996 issue, with some content covered by the spin-off magazine continuing to be featured inTV Guide's annual "Parents' Guide to Kids TV" issue.
ReMIND Magazine
[edit]ReMIND Magazineis a monthly publication dedicated topopular culturenostalgia,[58]specifically in relation to the 1950s–1990s.ReMIND,likeTV Guide Magazine,is published by NTVB Media, and its issues contain themed features, puzzles, and trivia quizzes.[59]
Interactive program guides
[edit]TV Guide Interactive
[edit]TV Guide Interactiveis the former name of an interactive electronic program guide software system incorporated intodigital set-top boxesprovided by cable providers. The program listings grid rendered by the software was similar to the late-2000s look of the listings of TV Guide Network/TVGN. Macrovision/Rovi later renamed the product asi-Guideafter the spin-off of the TV Guide publications.
TV Guide On Screen
[edit]A separate IPG system,TV Guide On Screen,was a brand name forGuide Plus+,a build of software featured in products such as televisions,DVDanddigital video recorders,and otherdigital televisiondevicesproviding on-screen program listings. First marketed in the mid-1990s, it was originally owned by Gemstar-TV Guide International before being acquired by theRovi Corporationon December 7, 2007, in a $2.8 billion cash and stock deal.[60][61]From November 2012 to April 2013, Rovi gradually discontinued broadcast transmission of the Guide Plus+ service.[62]
Other usage of theTV Guidename
[edit]- ACanadian editionofTV Guide,which followed the same format as the U.S. magazine but published editorial content directed from Canada, was launched in 1977 (prior to this, beginning in 1953, the U.S. edition was published in Canada with appropriate localized television listings). It continued as a print publication until November 2006 (with only special editions being printed thereafter), after which it was replaced by the website tvguide.ca, which operated until December 2012, when it was incorporated into the entertainment and lifestyle website The Loop by Sympatico. The Canadian publication's ownerTranscontinental MediadiscontinuedTV Guide's online editorial content on July 2, 2014, ceasing the Canadian edition's existence after 61 years. Its listings department, which distributes programming schedules to newspapers and The Loop ownerBell Canada's pay television services (Bell Satellite TV,Bell Aliant TV andBell Fibe TV) remains operational.[63][64]In 2017, the U.S. edition ofTV Guidewas distributed in Canada for a time.
- The term "TV guide" has partly become agenericized trademarkto describe other television listings appearing on the internet and in newspapers.[65]Read/Write Web published "Your Guide to Online TV Guides: 10 Services Compared."[66]Techcrunch in 2006 offered "Overview: The End of Paper TV Guides".[67]
- TV Guidesis also the name of an interactive video and sound installation produced in 1995 with assistance from theCanada Council,and was presented atSIGGRAPH1999.[68]
National television listings magazines using theTV Guidename (verbatim or translated into the magazine's language of origin) are also published in other countries, but none of these are believed to be affiliated with theNorth Americanpublication:
- InAustralia,during the 1970s, a version ofTV Guidewas published under license by Southdown Press. In 1980, that version merged with competitor publicationTV Week,which uses a very similar logo to that used byTV Guide.
- New Zealandhas a digest-sized paper calledTV Guide,which is not associated with the United States or Canadian publications. As of 2003[update],it had the largest circulation of any national magazine, and is published by Fairfax Media.[69]
- InMexico,a digest-sized publication calledTV Guíawas founded in 1952 by the Amador brothers (Editorial Televisión, S.A.), who sold it in the eighties toEditorial Televisa.It is unrelated to the U.S. publication.
- InItaly,a digest-sizeGuida TVhas been published since September 1976 byMondadori.
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External links
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