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"Take On Me"
First release (1984)
Singlebya-ha
from the albumHunting High and Low
B-side
Released
  • 19 October 1984(1984-10-19)(1st release)
  • 5 April 1985(1985-04-05)(2nd release)
  • 16 September 1985(1985-09-16)(3rd UK release)
Recorded1984–85
StudioRG Jones,London[1]
Genre
Length3:44(1985 7 "single version)
3:48 (album version)
4:48 (1985 12 "version)
3:18 (1984 7 "single version)
3:46 (1984 12 "version)
3:49 (instrumental version)
LabelWarner Bros.
Songwriter(s)
Producer(s)
A-hasingles chronology
"Take On Me"
(1984) 		"Love Is Reason"
(1985)
Music videos
"Take On Me" (original version)onYouTube
"Take On Me" (second version)onYouTube

"Take On Me"is a song by the Norwegiansynth-popbanda-ha.The original version, recorded in 1984 and released in October of that same year, was produced byTony Mansfieldand remixed byJohn Ratcliff.The 1985 international hit version was produced byAlan Tarneyfor the group's debut studio album,Hunting High and Low(1985). The recording combinessynth-popwith a varied instrumentation, including acoustic guitars, keyboards, and drums.

The original 1984 version "Take On Me" failed to chart in the United Kingdom, as did the second version in the first of its two 1985 releases. The second of those 1985 releases charted in September 1985, reaching number two on theUK Singles Chartin October. In the United States in October 1985, the single toppedBillboard's Hot 100,bolstered by the wide exposure onMTVof directorSteve Barron's innovativemusic videofeaturing the band in a live-action pencil-sketch animation sequence. The video won six awards and was nominated for two others at the1986 MTV Video Music Awards.

Background

[edit]

"Take On Me" originated fromPål Waaktaar's andMagne Furuholmen's previous bandBridges,who first composed a number called "Miss Eerie" when they were 15 and 16 years old, but felt too much like a bubblegum ad.[3][4][5]Initially the band felt the riff was too pop-oriented for their band, thus the first version of the song was more "punky" in an attempt to offset the riff.[6]The first take of the song was inspired in part byDoorsmemberRay Manzarekand his "almost mathematical but very melodic, structured way of playing".[7]Waaktaar considered the song too poppy for their intended dark style, but Furuholmen recalled thinking it was "quite catchy".[6]

Soon after, Bridges disbanded. Waaktaar and Furuholmen relocated to London to try their hand in the music industry there, but returned to Norway after six months of disappointment.[3]They were joined by their school friend, singerMorten Harket,who heard the song and said the keyboard riff had the character of a universal hit sound. The three began working on demos, including a new version of the song, which was renamed "Lesson One" before it evolved into "Take On Me". In January 1983, the band returned to London in search of a recording contract.[3]They intended the song to show off Harket's vocal range, which led to his vocals "doing this spiralling thing".[7]

Recording and production

[edit]

The band moved into an apartment in London and began contacting record companies and publishing houses. After a few meetings with variousA&Rpersonnel, they signed with the publishing house Lionheart. A-ha returned to Norway to earn some money; when they returned to London, they left Lionheart out of frustration.[8]They decided to record new demos, and chose the studio of musician and producerJohn Ratcliff,intending to re-record five songs. The band signed with Ratcliff, who introduced them to manager Terry Slater. With this encouragement, the band managed to complete some songs, including "Take On Me". After a few meetings, Slater signed them withWarner Bros. RecordsUK.[8]

The band met with producer Tony Mansfield, an expert in the use of theFairlight CMI,who mixed the demos with electronic instrumentation. The sound was not what A-ha had hoped to achieve, and the album was remixed again. The band rushed to release "Take On Me" as a single in the United Kingdom but the single only charted at 137, the lowest-charted of all A-ha songs. After this, Warner Brothers' main office in the United States decided to invest in the band, and gave them the opportunity to re-record the song.[8]

The instrumentation included aYamaha DX7andPPG Wave,with Furuholmen playing the main melody on aRoland Juno-60.ALinnDrumdrum machinewas used on the second and third releases, with acousticcymbalsandhi-hatoverdubbed. Harket sang the lead vocal using aNeumann U 47microphone as well as aNevemicrophone pre-amp and Neve equaliser.[1]

In 2020, former Warner Brothers UK and Reprise executiveAndrew Wickhamappeared in A-ha's official anniversary documentaryA-ha: The Making of Take On Me,to explain how the song's success was due to several parties realising the band's true value. He detailed how the song finally became the worldwide smash hit still widely recognised today. In 1984, he was the international vice-president for Warner Bros Records America, and their A&R man in London. He said, "I got a call from Terry Slater... I couldn't believe my ears (at the band's audition) when I heard Morten Harket sing. I thought, how can somebody who looks like a film star sound likeRoy Orbison?I thought, this is unbelievable. "

Wickham immediately signed A-ha to Warner Brothers America, after learning several previous attempts had failed to make "Take On Me" a commercial success. The next release was not successful either and featured a very ordinary performance video. He authorised considerable investment in the band: on Slater's recommendation, renowned producer Alan Tarney was commissioned to refine the song. The new recording achieved a cleaner and more soaring sound and acodasection instead of the earlier quick fade-out; the song was soon completed and re-released in the UK, but the record label's office in London gave them little support, and the single flopped for the second time.[8]

Wickham placed the band on high priority and applied a lateral strategy with further investment.Steve Barrondirected a revolutionaryrotoscopinganimationmusic videowhich took six months to create, using professional artists. The single was released in the US one month after the music video, and immediately appeared in theBillboardHot 100[8]and was a worldwide smash, reaching No. 1 in numerous countries.

AllMusicjournalist Tim DiGravina described "Take On Me" as "anew waveclassic laced with rushing keyboards, made emotionally resonant thanks to Morten Harket's touching vocal delicacy. "[2]

Composition

[edit]
"Take On Me"
A 23-second sample from "Take On Me", featuring Harket's high-pitched falsetto, with a backing track that mixes acoustic and electric guitars and electronic instrumentation
Problems playing this file? Seemedia help.

"Take On Me" is asynth-popsong that includes acoustic and electric guitars and keyboards,[9][10]written at atempoof 169 beats per minute.[11]The lyrics are a plea for love[12]and constructed in averse–chorus formwith abridgebefore the final chorus. The song is written in thekeyofA majorwith achord progressionof Bm7–E–A–D–E in the verse, A–C♯m7/G♯–F♯m–D in the chorus, and C♯m–G–C♯m–G–Bm–E in the bridge. Harket demonstrates avocal rangeof over two and a halfoctaves.[11]He sings the lowestpitchin the song, A2(the tonic), at the beginning of the chorus, on the first syllable of the phrase "Take On Me".[11]As the chorus progresses, Harket's voice hits ever higher notes, reaching afalsetto[9][13][14]and hitting the song's highest note, E5,(the dominant) at the end.[11]Rolling Stonehas thus noted the song as "having one of the hardest-to-sing choruses in pop history".[7]A mix of a drum machine, theLinnDrum,[15][16]acoustic guitars, and electronic instrumentation serves as the song'sbacking track.[9]

Music videos

[edit]

First video

[edit]

The first release of "Take On Me" in 1984 includes a completely different recording; this mix was featured in the first video, which shows the band singing with a blue background.

Second video

[edit]
Lead singer Morten Harket and actressBunty Baileyin a scene from the music video, which features them in a pencil-sketch animation / live-action combination (rotoscoping).

The second video, directed by film directorSteve Barron,is the far more widely recognised video for the song. It was filmed in 1985 at Kim'sCafe(now called Turkish Chef Mediterranean Restaurant) (corner of Wandsworth Road and Pensbury Place, London SW8), and on a sound stage in London.[17]The video used a pencil-sketch animation and live-action combination calledrotoscoping,in which the live-action footage is traced using a frame-by-frame process to give the characters realistic movements.[18][19]Approximately 3,000 frames were rotoscoped, which took 16 weeks to complete.[20][21]The idea of the video was suggested byWarner BrosexecutiveJeff Ayeroff,who was pivotal in making "Take on Me" a globally recognised music hit.[22]

The music video was remastered to2160p(4K) in 2019 from the original35mm filmand released on YouTube, while retaining its original URL and upload date of 6 January 2010. The remaster also contains new sound effects (revving motorbikes etc.) not featured on the original clip.[23]On 17 February 2020, the music video reached one billion views onYouTube.Prior to that date, only four songs from the 20th century had reached that mark ( "November Rain"and"Sweet Child o' Mine"byGuns N' Roses,"Smells Like Teen Spirit"byNirvana,and "Bohemian Rhapsody"byQueen)—making "Take On Me" the fifth video from that time period to do so, and the firstScandinavianact to achieve this.[24][25][26]

Plot

[edit]

The video's main theme is a romantic fantasy narrative.[27]It begins with a montage of pencil drawings in a comic-book style representing motorcyclesidecarracing, in which the hero (Morten Harket) is pursued by two opponents (Philip JacksonandAlfie Curtis). It then cuts to a scene in a cafe, in which a young woman (Bunty Bailey) is reading the comic book. As the woman reads, the waitress brings her coffee and the bill. The comic's hero, after winning the race, seemingly winks at the woman from the page. His pencil-drawn hand suddenly reaches out of the comic book, inviting the woman into it. Once inside, she, too, appears in the pencil-drawn form as he sings to her and introduces her to his black-and-white world which features a sort of looking-glass portal where people and objects look real on one side and pencil-drawn on the other.

Back in the cafe, the waitress returns to find the woman missing. Believing the customerleft without paying the bill,she angrily crumples the comic book and throws it into a bin. This causes the hero's two opposing racers to reappear as villains, one of them armed with a largepipe wrench.The racers smash the looking glass with the pipe wrench, trapping the woman in the comic book. The hero punches one of the thugs aside and retreats with the woman into a maze of paper. Arriving at a dead end, he tears a hole in the paper wall so that the woman can escape as the menacing opposing racers close in on him and they raise their pipe wrench to his face while he pulls out a pipe wrench of his own. The woman, now back in the real world and found lying beside the trash bin to the surprise of cafe guests and staff, retrieves the comic from the bin and runs home where she attempts to smooth out the creases of the crumpled pages in order to read what happens next.

The next panel shows the hero, lying seemingly lifeless, and the woman begins to cry. However, he then wakes up and tries to break out of his comic-book frames. At the same time, his image appears in the woman's hallway, seemingly torn between real and comic form, hurling himself repeatedly left-and-right against the walls, eventually falling to the floor in his attempts to shatter his two-dimensional barrier. (This scene is largely patterned after a climactic scene in the 1980 filmAltered States.[17]) He escapes from the comic book by becoming human, and as he stands up he breaks into a smile. The woman also smiles as she rushes towards him.

The story is concluded in the opening of "The Sun Always Shines on T.V."music video.[28]

Awards

[edit]

At the1986 MTV Video Music Awards,the video for "Take On Me" won six awards—Best New Artist in a Video,Best Concept Video,Most Experimental Video,Best Direction in a Video,Best Special Effects in a Video,andViewer's Choice—and was nominated for two others,Best Group VideoandVideo of the Year.[29]It was also nominated for Favorite Pop/Rock Video at the13th American Music Awardsin 1986.[30]

The second music video was produced by Limelight Productions.[20]The crew of the video were directorSteve Barron,[20]producer Simon Fields,[20]cinematographerOliver Stapleton,[31]editor Richard Simpson from Rushes Film Editing,[32]and animatorsMichael Pattersonand Candace Reckinger.[32]

Influence

[edit]

The music video and song have often been referred to in cover versions, films, TV programmes and video games. TheFamily Guyepisode "Breaking Out Is Hard to Do"includes a licensed, re-edited version of the video.[33]Volkswagencreated a television advertisement inspired by the video.[34]The video was also one of the first to be made into a so-calledliteral music video.[35]The visuals of the video were used as an homage forParamore's music video for "Caught in the Middle".[36]

Rolling Stonelisted "Take On Me" at number 14 on their list of the 100 greatest music videos in 2021.[37]To celebrate 65 years of theHot 100,in 2023Billboardstaff ranked the 500 Best Pop Songs that graced the chart since 1958, placing the song at number 26.[38]

Chart performance

[edit]
A-Ha performing in New York City
A-Ha performing in New York City

"Take On Me" was originally released in 1984, mixed by Tony Mansfield, but failed to make an impact in the United Kingdom.[8]This release peaked at no. 3 in Norway[39]but failed to reach audiences abroad.[8][40][41]The group re-recorded the song with the help of producer Alan Tarney,[8][17]releasing the new version in 1985.

In the United States, Warner Bros. invested in the revolutionary second video for "Take On Me", which used Tarney's version of the song. The new video was released to dance clubs and television a month before the record was available in stores or played on the radio.[42]Wide exposure onMTV[40]helped propel the single to the top ofBillboard's Hot 100,reaching number one in the issue dated 19 October 1985 (its fifteenth week on the chart).[43]It remained on the chart for twenty-seven weeks,[44]and ranked ten in the 1985 year-end chart.[45]As of June 2014, the song has sold 1,463,000 digital copies in the US after it became available for download in the digital era.[46]

"Take On Me" was released for the third time in the United Kingdom in September 1985.[40]The record debuted on theUK Singles Chartat no. 55 and in late October reached no. 2, where it remained for three consecutive weeks, held off the top spot by Britain's biggest single of the year,Jennifer Rush's "The Power of Love".On 14 August 2020 it was certifiedgoldby theBritish Phonographic Industry(BPI).[47]

In Norway, A-ha's native country, "Take On Me" re-entered theVG-listasingles chart, reaching number one a year after it was first released.[48]The single was largely successful elsewhere, reaching the top of theEurochart Hot 100for nine weeks, topping the singles charts in 26 countries,[citation needed]including Austria, Belgium, Germany, Italy, the Netherlands, Sweden, and Switzerland,[49][50][51][52][53]and reaching the top three in France and number two in Ireland.[54][55]

Track listings

[edit]

7 ": MCA / MCA-9146 United Kingdom (1984)

  1. "Take On Me" (Original version) – 3:18
  2. "And You Tell Me" – 1:48
  • Track 1 is produced by Tony Mansfield and remixed by John Ratcliff with A-ha.

12 ": MCA / MCA-9146T United Kingdom (1984)

  1. "Take On Me" (Long version) – 3:46
  2. "And You Tell Me" – 1:48
  3. "Stop! And Make Your Mind Up" – 2:57
  • Track 1 is produced by Tony Mansfield and remixed by John Ratcliff.

7 ": MCA / MCA-9006 United Kingdom (1985)

  1. "Take On Me" (Single version) – 3:49
  2. "Love Is Reason" – 3:04
  • Track 1 is produced by Alan Tarney.
  • Track 1 is the same version as the album version.

12 ": MCA / MCA-9006T United Kingdom (1985)

  1. "Take On Me" (Extended version) – 4:50
  2. "Love Is Reason" (LP version) – 3:04
  3. "Take On Me" (Single version) – 3:49
  • Track 1 & 3 are produced by Alan Tarney.
  • Track 3 is the same version as the album version.

7 ": MCA. / MCA-29011 United States (1985)

  1. "Take On Me" – 3:46
  2. "Love Is Reason" – 3:04
  • Track 1 is produced by Alan Tarney.
  • Track 2 is produced by John Ratcliff with A-ha.

12 ": Warner Bros. / PRO-A-2291 (Promo) United States (1985)

  1. "Take On Me" (Long version) – 4:47(a.k.a. "Extended Version" )
  2. "Take On Me" (Single version) – 3:46
  • Track 1 & 2 are produced by Alan Tarney.

Credits and personnel

[edit]

(PerSound On Sound)[1]

Charts

[edit]

Certifications

[edit]
Certifications for "Take On Me"
Region Certification Certified units/sales
Belgium (BEA)[85] Gold 100,000[85]
Brazil (Pro-Música Brasil)[86] Gold 30,000‡
Denmark (IFPI Danmark)[87] 2× Platinum 180,000‡
France (SNEP)[85] Gold 500,000*
Germany (BVMI)[88] Gold 500,000^
Italy (FIMI)[85]
1985–1986 sales 		Gold 300,000[85]
Italy (FIMI)[89]
since 2009 sales 		2× Platinum 200,000‡
Japan (RIAJ)[90] Gold 100,000*
Portugal (AFP)[91] 3× Platinum 30,000‡
Spain (PROMUSICAE)[92] 2× Platinum 120,000‡
United Kingdom (BPI)[93]
Physical 		Gold 500,000^
United Kingdom (BPI)[47]
Digital 		4× Platinum 2,400,000‡
United States
Digital 		— 1,463,000[46]

*Sales figures based on certification alone.
^Shipments figures based on certification alone.
‡Sales+streaming figures based on certification alone.

MTV Unpluggedappearance

[edit]

In 2017, A-ha appeared on the television seriesMTV Unpluggedand played and recordedacousticversions of many of their popular songs for the albumMTV Unplugged – Summer SolsticeinGiske,Norway, including "Take On Me".[94]

Cover versions, samples, and remixes

[edit]

Reel Big Fish version

[edit]
"Take On Me"
SinglebyReel Big Fish
from the albumBASEketballandWhy Do They Rock So Hard?
Released1998(1998)
Recorded1998
GenreSka punk
Length3:14
LabelMojo
Songwriter(s)
  • Magne Furuholmen
  • Morten Harket
  • Pål Waaktaar
Reel Big Fishsingles chronology
"Sell Out"
(1997) 		"Take On Me"
(1998) 		"Where Have You Been?"
(2002)
Music video
"Take On Me"onYouTube

In 1998,ska punkbandReel Big Fishcovered "Take On Me" for the filmBASEketball.The song was later released on theBASEketballsoundtrack and the international version of their albumWhy Do They Rock So Hard?[95][96]The band also performs the song at concerts.[97]Reel Big Fish released a video clip for "Take On Me", directed by Jeff Moore,[98]and features the band playing the song while walking down an aisle in the stadium, and playing a game of BASEketball interlaced with clips from the film. An alternative video for the song's international release that contained only the stadium aisle footage was also released. Reel Big Fish also included a live version of the song in their live albumOur Live Album Is Better than Your Live Albumand live DVD'sYou're All in This TogetherandReel Big Fish Live! In Concert![99]

Track listing

[edit]
  • CD single
  1. "Take On Me" – 3:02
  2. "Alternative Baby" – 2:56
  3. "Why Do All the Girls Think They're Fat?" – 2:22

Personnel

[edit]

A1 version

[edit]
"Take On Me"
SinglebyA1
from the albumThe A List
B-side"I Got Sunshine"
Released28 August 2000(2000-08-28)
Length3:46
LabelColumbia
Songwriter(s)
  • Magne Furuholmen
  • Morten Harket
  • Pål Waaktaar
A1singles chronology
"Like a Rose"
(2000) 		"Take On Me"
(2000) 		"Same Old Brand New You"
(2000)
Music video
"Take On Me"onYouTube

On 28 August 2000,[100]British-Norwegian boy bandA1released a cover of "Take On Me" for their second studio album,The A List.[101]Despite being panned by music critics, who called it a "lame cover version"[102]and a "note for note copy" that seems like "a re-release of the original";[103]it was commercially successful, topping the charts in the United Kingdom and Norway.[104][105]

Music video

[edit]

The music video was directed by Stuart Gosling. It features A1 entering a computer world by putting onvirtual realityglasses after finding out about a deadlycomputer virus.After flying for a distance, they find the virus and destroy it, saving humanity.[106]The video was inspired by the 1982 live-actionscience fiction filmTron.[107]

Track listings

[edit]
  1. "Take On Me" – 3:31
  2. "BeatlesMedley (I Feel Fine/She Loves You) "– 3:20
  3. "I Got Sunshine" – 3:41
  4. A1 multimedia trailers
  1. "Take On Me" (UK 2K Mix) – 3:25
  2. "Take On Me" (Metro extended club mix) – 6:02
  3. "Take On Me" (D-Bop Saturday Night Mix) – 7:52
  4. "Take On Me" (video)
  1. "Take On Me" – 3:31
  2. "I Got Sunshine" – 3:41

Charts

[edit]

Certifications

[edit]
Certifications for "Take On Me"
Region Certification Certified units/sales
Norway (IFPINorway)[124] Gold
United Kingdom (BPI)[125] Silver 200,000^

^Shipments figures based on certification alone.

Others

[edit]

On 27 August 2015, fellow Norwegian musicianKygoreleased a remixed version viaiTunesto help promote the rollout of theApple Musicstreaming service. His version foregoes the iconic keyboard riffs and instead features a new one.[126]The style of his version has been described astropical house.[127]As of April 2021, the song has amassed more than 15 million listens on YouTube and 36 million listens on Spotify. The remix preserves Harket's original vocals (albeit with processing effects and a different arrangement).

In the 2015 video gameMetal Gear Solid V: The Phantom Pain,a cassette ofTake On Mecan be obtained as a secret collectible.

A version of this song was performed on the series finale,Chuck vs. The Goodbye,of the television show “Chuck”which aired on 27 January 2012. The song was performed byScott KrinskyandVik Sahayof “Jeffster” —a fictional band consisting of their characters Jeffrey Barnes ( “Jeff-,” for Jeffrey), portrayed by Krinsky, and Lester Patel ( “-ster,” for Lester), portrayed by Sahay.

A cover byD. A. Wallachwas featured in the filmLa La Land.Wallach makes an appearance as the lead singer of a 1980s pop cover band that features Sebastian Wilder, one of the film's two protagonists.[128]The cover was released as part of the albumLa La Land: The Complete Musical Experience.[129]

American rock bandWeezerincluded a cover version of the song in their 2019 covers compilationThe Teal Album.An accompanying music video was released on 12 February 2019, in which rock bandCalpurnia—led by frontmanFinn Wolfhard( "Mike" in theNetflixoriginal seriesStranger Things) here, playing a younger version of Weezer's own frontman,Rivers Cuomo.The video, set in 1985 in the "Cuomo Residence", shows Wolfhard (as Cuomo) and the rest of Calpurnia, lip-syncing to the song while "rehearsing" it in the residence's living room. Near the end of the video, Wolfhard is shown sitting at a desk in his bedroom, scribbling possible names for his new band on a page of a notebook (the nameWeezeris shown as option No.3). He then turns the page to draw what would become Weezer's band logo. The video also features some scenes of Calpurnia playing, filmed with the rotoscoping technique that made the original A-ha video famous.[130]The cover version, set a semitone lower than the original version (i.e.A-flat major), was also used in the closing scene ofThe SpongeBob Movie: Sponge on the Run,whereinBikini Bottomwas turned into a "sea snail refuge".

On 11 October 2019, the Dutch DJsLucas & Stevereleased "Perfect", a single that greatly adopts on the music of "Take On Me". The single features on the vocals of the DutchX Factorfifth season winnerHaris Alagicknown by the mononym Haris. Released onSpinnin' Recordsin the EDM and deephouse style, it was accompanied by an official music video.[131]The song was greatly successful on the Dutch Singles Chart as well as on the Polish Airplay Chart and also appeared on theTipparadeof the Belgian charts. There was a successful "Perfect (LUM!X Remix)" released.

The song "Feel This Moment",performed by American rapperPitbullfeaturing American singerChristina Aguilera,samples the instrumental riff of "Take On Me".[132]

The debut single ofK-pop boygroupZerobaseone,"In Bloom", samples "Take On Me".[133]

Upon release, the songBlinding Lightsbythe Weekndwas frequently compared to "Take On Me"[134]including by both The Weeknd[135]and Morton Harket himself[136]though the song contains no direct samples or cover elements.

[edit]

References

[edit]
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Bibliography

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