Thalía(2002 album)
Thalía | ||||
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Studio albumby | ||||
Released | 21 May 2002 | |||
Recorded | 2001–2002 | |||
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Label | EMI Latin | |||
Producer |
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Thalíachronology | ||||
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Alternative cover | ||||
SinglesfromThalía | ||||
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Thalíais the eighthstudio albumand secondeponymousalbum by Mexican singerThalía,released on 21 May 2002, byEMI Latin.The follow-up to her successful sixth studio album,Arrasando(2000), the album sees Thalía collaborating with previous producersEmilio Estéfan, Jr.andCory Rooney,while working for the first time withEstéfano,Julio C. Reyes and Steve Morales.Thalíaincorporates strong elements ofpop rock,while also havingLatin popinfluences. Lyrically, the album touches on themes ofself-empowermentandindividuality.It also features twocoversand a new version of an old Latin classic.
The album received generally positive reviews from music critics, who praised the album and indicating that Thalía has found her sound. Four singles were released from the album: the lead single "Tú y Yo"became a hit in Thalía's music career peaking at number-one on theBillboard'sHot Latin Tracks.The second single "No me enseñaste"was another success on the Hot Latin Tracks chart, while the third single"¿A Quién le Importa?"was another top-ten hit on the same chart. The album went straight to number one, spending six consecutive weeks onBillboard'sTop Latin Album ChartandTop Latin Pop Albums.It also reached the top of the Mexican chart and was certified Gold.
Background and recording
[edit]In January 2002, Mexican local press reported that Thalía was immersed on the recording process of a new album, which was announced as a "millionaire production" and that it would be released by mid-year. Thalía recorded the album inMiamiandNew York City,and according to Thalía's spokesperson, the album was going to include pop songs, ballads and some rhythmic parts as well. He claimed: "There will be some surprises. The producers are taking care of every single detail so the album can be perfect. Obviously,Tommy (Mottola)gave her a few orientations, but Thalía has a lot of experience in her job. "[1]
In an interview for the newspaperClarin,Thalía declared that the album was the start of a new phase of expansion that the singer found herself "very productive, evolving, wanting to enjoy it." She also announced that the album was going to have three songs in English, becoming her first to have "a crossover appeal", and that it would be her second self-titled album, the first since herself titled debut album(1990).[2]It was also announced that she was working for the first time withCory Rooney(who worked withJennifer LopezandDestiny's Child), Steve Morales (who produced forEnrique Iglesias) andEstéfano.The singer also worked with previous collaboratorEmilio Estéfan, Jr.,who launched her into the international market onAmor a la Mexicana(1997).[2]
Estéfano, one of the album's main songwriters, revealed that when the project came into his hands, he was told to write songs in a fresher, more aggressive vein, and he developed a strong rapport with the singer.[3]He claimed: "She surprised me from the beginning. [...] She is far cooler than her TV roles, far nicer and more relaxed, and that's what I wanted to project. I found she had much more of an edge. She's an extremely talented, hard-working girl, and she works with love. I think this will be the most important album of her career. It's a great album."[3]EMI Latin USApresident Jorge Pino claimed that Thalía "has such a star quality, and with this album she's found her match. This a deep album - it has five or six singles - the marketing plan is comprehensive, and she's eager to support it to the max."[3]
Composition
[edit]"It's been a marvelous personal encounter where it was about simply letting things flow and taking them as they came, without so much starch and fuss. It's not that I'm not doing pop anymore, but the tendency of everyone who worked on the album was to go toward [more rock-oriented] sounds, and it feels incredible."
Thalía on the album's direction.[3]
Thalíais a collection of ten tracks in Spanish, mostly penned by Colombian songwriterEstéfano,who co-wrote and co-produced several of them with collaborator Julio C. Reyes, and three others in English, which was envisioned as her introduction to that language's market.[3]As noted byLeila CoboofBillboard,the album "has far more aggressive rock undertones than its namesake's previous material, edgier arrangements that often rely on crunchy guitars, and a generally relaxed feel that belies the nine months of work that went into it."[3]She also stated thatThalía"is a gutsy album, flush with personality and hooks."[3]Joey Guerra noted that lyrically, the album "has a lock onindependent-womananthems, "which he said that" [i]t's a familiar ground for Thalia, who explored similar themes on 1997'sAmor a la Mexicanaand 1999'sArrasando."The opening track," Tú y Yo ", was considered a" guitar-basedpop rocktrack, "[3]while "Así Es el Destino" talks aboutdestinyand how two people are meant to be. "En la Fiesta Mando Yo" was considered a dance andska-tinged track, withaccordionaccompaniment,[4]aboutgirl-power,while "No me enseñaste"was defined as asentimental rock balladthat "highlights a voice with range and pathos."[4]
The fifth track, "Y Seguir", is another ballad, and was conceived after a long conversation in which Thalía told Estéfano that in love, one leaves pieces of oneself behind, only to have to turn around, pick those pieces up, and go on. "[3]The sixth track"¿A Quién le Importa?"is a cover ofAlaska y Dinarama's 1986 hit and lyrically is "a devil-may-care ode to individuality." Thalía commented that the song reflected what she was going through at the time and called it "an anthem of freedom."[5]"Vueltas en el Aire" was named a "glittering [song] destined to fill dance floors," while "Heridas en el Alma" talks about the fear of not overcoming someone. "La Loca" is a "smorgasbord ofrock,cumbia,andraprhythms, havingLos Rabaneslead singer Emilio Regueira rapping.[4]The album also features two versions of the song "The Mexican 2002", a remake of the song "The Mexican",one in Spanish and other in English, with the former featuring background vocals byMarc Anthony.It also features a "yearning ballad" in English, "Closer to You", and another cover: a dance version ofDead or Alive's hit "You Spin Me Round (Like a Record)",which was noted for Thalía" purring like a sex kitten. "In some editions, agruperaversion of "Tú y Yo" featuringKumbia Kingswas included, as well as an acoustic version.[3]
Promotion
[edit]Singles
[edit]"Tú y Yo"was released on 12 March 2002 as the album's lead single.[3]It became a huge success on the USHot Latin Songs,reaching number-one, and also reached number four on theLatin Pop Songs.[6]It also reached number-one in Argentina and Colombia.[7]The song was also Thalía's first song to enter theSwiss Music Chartsat number 63.[8]She heavily promoted the song in a number of places, including the2002 LatinBillboardMusic Awards.The second single, "No Me Enseñaste",was released in July 2002, and it was also another success, reaching the top of theHot Latin Songs[6]and number three on the Latin Pop Songs.[9]Thalía performed the song on theLatin Grammy Awards of 2002.The third single, "¿A Quién Le Importa?",was released in November 2002, and it was another top-ten on the Hot Latin Songs and Latin Pop Songs.[6]She performed the song on the2003 LatinBillboardMusic Awardsand theLatin Grammy Awards of 2003."Dance Dance (The Mexican)"was released to US club stations in February 2003 as the album's fourth single and reached number six on theDance Music/Club Play Singles.[6]
Critical reception
[edit]Review scores | |
---|---|
Source | Rating |
AllMusic | [10] |
Billboard | (positive)[4] |
Joey Guerra (Amazon) | (favorable)[11] |
Thalíareceived generally positive reviews from music critics.AllMusiceditor Jason Birchmeier gave the album a four-out-of-five-stars rating, calling it "a buffet of delights -- finely prepared pop songs of all types, each with its own flavor and appeal, some tastier than others, sure, but practically all of them delectable. [...] It's an album that's as much the result of Estéfano's songwriting genius as it is Thalía's unmatched appeal. It does sound a little dated in hindsight -- closely tied to the production trends of its time, too closely perhaps -- but not nearly to the extent of Arrasando. A touchstone Latin pop album, no question, Thalia is also one of Estéfano's crowning achievements."[10]Billboard'sLeila Cobowas also positive, noting that on the album, "Thalía brings forth a new sound that aims to be earthier, edgier, and far more rock-driven than her previous, more dulcified pop. That said, Thalía is pop, but of the most satisfactory kind, aided by excellent songs (most written by Estéfano); interesting, organic arrangements; and Thalía's distinctive (if sometimes affected) vocals." Cobo also declared that "she's found her voice and her material."[4]Joey Guerra wrote that "[t]his new set is not as instantly addictive, but it showcases Thalia's continued evolution as an artist. [...] If she keeps it up, we'll all soon be a slave for a new kind of diva."[11]
Commercial performance
[edit]According toBillboard,Thalía received multiplecertificationsfor its sales in the United States and Latin American.[12]In the United States,Thalíadebuted at number 126 on theBillboard200,[13]while it reached the top of theTop Latin Albums[14]and theLatin Pop Albums.[15]It fell to number 148 the following week on theBillboard200,[16]but it remained at the top of the Top Latin Albums and the Latin Pop Albums for further five weeks.[17][18]As of January 2004, the album had sales of 179,000 units according toNielsen SoundScan.[19]
Elsewhere, the album peaked the number one in Thalía's home country.[20]It was certified with a Gold award byAMPROFON,denoting sales of 70,000 copies.[21]Actual sales of the album stand at 170,000 units as of November 2002.[22]Across Europe, the album also peaked at number one in Greece,[23][24]the number 9 on Czech Albums chart,[25]and 22nd spot on Spanish charts.[26]In Switzerland,Thalíawas her second record to chart in the country, becoming her highest charting album, peaking at number thirty, and spending ten weeks on the chart.[8]
Accolades
[edit]Thalíawon the2003 LatinBillboardMusic Awardsfor "Best Female Latin Pop Album".[27]She was also nominated for Best Female Latin Pop Airplay Track for "No Me Enseñaste" and Best Female Tropical/Salsa Airplay Track for the tropical version of "No Me Esenãste".[28]The album was also nominated for Best Female Pop Vocal Album on theLatin Grammy Awards of 2003.[29]In 2004, "¿A Quién Le Importa?" was nominated for Best Female Latin Pop Airplay Track on the2004 Latin Billboard Music Awards,while "Dance Dance (The Mexican)" won theInternational Dance Music Awardson the category "Best Latin Dance Track".[30]InAbout.com's list of her "Ten Best Songs", "Tú y Yo", "No Me Ensenãste" and "¿A Quién Le Importa?" were included, with Carlos Quintana acknowledging that the album is "one of the most celebrated works of her discography." [...] "That said, if you want to get an album from the Mexican singer, this is definitely the title you need to get."[31]
Track listing
[edit]No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
1. | "Tú y Yo" | Estéfano |
| Estéfano | 3:43 |
2. | "Así Es El Destino" | Estéfano |
| Estéfano | 4:02 |
3. | "En la Fiesta Mando Yo" | Estéfano |
| Estéfano | 4:18 |
4. | "No me enseñaste" | Estéfano |
| Estéfano | 4:29 |
5. | "Y Seguir" | Estéfano |
| Estéfano | 4:04 |
6. | "¿A Quién le Importa?" |
| Estéfano | 3:45 | |
7. | "Vueltas En El Aire" | Estéfano |
| Estéfano | 5:02 |
8. | "Heridas En El Alma" | Estéfano |
|
| 3:46 |
9. | "La Loca" |
|
|
| 3:50 |
10. | "The Mexican 2002"(Spanish version) (featuringMarc Anthony) | Thalía |
|
| 3:53 |
11. | "The Mexican 2002"(English version) | Rooney |
|
| 3:52 |
12. | "Closer To You" |
| Morales | Morales | 3:48 |
13. | "You Spin Me 'Round" |
|
|
| 4:33 |
No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
1. | "Tú y Yo" | Estéfano |
| Estéfano | 3:43 |
2. | "Así Es El Destino" | Estéfano |
| Estéfano | 4:02 |
3. | "En la Fiesta Mando Yo" | Estéfano |
| Estéfano | 4:18 |
4. | "No me enseñaste" | Estéfano |
| Estéfano | 4:29 |
5. | "Y Seguir" | Estéfano |
| Estéfano | 4:04 |
6. | "¿A Quién le Importa?" |
| Estéfano | 3:45 | |
7. | "Vueltas En El Aire" | Estéfano |
| Estéfano | 5:02 |
8. | "Heridas En El Alma" | Estéfano |
|
| 3:46 |
9. | "La Loca" |
|
|
| 3:50 |
10. | "Tú y Yo" (Cumbia Remix) (featuringA.B. Quintanilla&Kumbia Kings) | Estéfano |
| Estéfano | 3:51 |
11. | "The Mexican 2002" (Spanish version) (featuringMarc Anthony) | Thalía |
|
| 3:53 |
12. | "The Mexican 2002" (English version) | Rooney |
|
| 3:52 |
13. | "Closer To You" |
| Morales | Morales | 3:48 |
14. | "You Spin Me 'Round" |
|
|
| 4:33 |
15. | "Message (Hidden Track)" | 0:15 |
No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
1. | "Tú y Yo" | Estéfano |
| Estéfano | 3:43 |
2. | "Así Es El Destino" | Estéfano |
| Estéfano | 4:02 |
3. | "En la Fiesta Mando Yo" | Estéfano |
| Estéfano | 4:18 |
4. | "No me enseñaste" | Estéfano |
| Estéfano | 4:29 |
5. | "Y Seguir" | Estéfano |
| Estéfano | 4:04 |
6. | "¿A Quién le Importa?" |
| Estéfano | 3:45 | |
7. | "Vueltas En El Aire" | Estéfano |
| Estéfano | 5:02 |
8. | "Heridas En El Alma" | Estéfano |
|
| 3:46 |
9. | "La Loca" |
|
|
| 3:50 |
10. | "The Mexican 2002"(Spanish version) (featuringMarc Anthony) | Thalía |
|
| 3:53 |
11. | "The Mexican 2002"(English version) | Rooney |
|
| 3:52 |
12. | "Closer To You" |
| Morales | Morales | 3:48 |
13. | "You Spin Me 'Round" |
|
|
| 4:33 |
14. | "Message (Hidden Track)" | 0:15 |
No. | Title | Lyrics | Music | Production | Length |
---|---|---|---|---|---|
1. | "Tú y Yo" | Estéfano |
| Estéfano | 3:43 |
2. | "Así Es El Destino" | Estéfano |
| Estéfano | 4:02 |
3. | "En la Fiesta Mando Yo" | Estéfano |
| Estéfano | 4:18 |
4. | "No me enseñaste" | Estéfano |
| Estéfano | 4:29 |
5. | "Y Seguir" | Estéfano |
| Estéfano | 4:04 |
6. | "¿A Quién le Importa?" |
| Estéfano | 3:45 | |
7. | "Vueltas En El Aire" | Estéfano |
| Estéfano | 5:02 |
8. | "Heridas En El Alma" | Estéfano |
|
| 3:46 |
9. | "La Loca" |
|
|
| 3:50 |
10. | "Tú y Yo" (Cumbia Remix) (featuringA.B. Quintanilla&Kumbia Kings) | Estéfano |
| Estéfano | 3:51 |
11. | "The Mexican 2002" (Spanish version) (featuringMarc Anthony) | Thalía |
|
| 3:53 |
12. | "The Mexican 2002" (English version) | Rooney |
|
| 3:52 |
13. | "Closer To You" |
| Morales | Morales | 3:48 |
14. | "You Spin Me 'Round" |
|
|
| 4:33 |
15. | "No Me Enseñaste" (Salsa Remix) | Estéfano |
| Estéfano | 4:31 |
16. | "Tú Y Yo" (Ballad Version) | Estéfano |
| Estéfano | 3:30 |
17. | "The Mexican (Dance Dance)" (Hex Hector& Mac Quayle Radio Remix) | Thalía |
|
| 3:27 |
18. | "No Me Enseñaste" (Estéfano Remix) | Estéfano |
| Estéfano | 4:15 |
- ^asignifies an additionalproducer
- "¿A Quién Le Importa?" is a cover of the song of the same name byAlaska y Dinarama.
- "The Mexican 2002" samples the song "The Mexican"byJellybean.
- "You Spin Me 'Round" is a cover of the song "You Spin Me Round (Like a Record)"byDead or Alive.
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
|
Certifications and sales
[edit]Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF)[39] | Gold | 20,000^ |
Mexico (AMPROFON)[21] | Gold | 170,000[22] |
Puerto Rico[40] | Platinum | |
Spain (PROMUSICAE)[26] | Gold | 50,000^ |
United States (RIAA)[41] | 2× Platinum (Latin) | 200,000^ |
^Shipments figures based on certification alone. |
Release history
[edit]Country | Date | Version | Format | Label | Ref. |
---|---|---|---|---|---|
United States | 21 May 2002 |
|
EMI Latin | [42] | |
Mexico | [43] | ||||
Brazil | [44] | ||||
United Kingdom | [45] | ||||
Germany | 1 July 2002 | New version | EMI | [46] | |
Japan | 10 July 2002 | Standard | [47] | ||
France | 29 July 2002 | New version | Virgin | [48] | |
Worldwide | 3 March 2003 | EMI Latin | [49][50][51] | ||
United States | 27 September 2005 | Reissue | [52] |
References
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{{cite magazine}}
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