The Adventures of Tintin: Breaking Free

Breaking Free
Cover of the January 1, 1999 Attack International paperback edition.
Date	1999 (paperback edition)
Main characters	Tintinand "the Captain"
Page count	176 pages
Publisher	Attack International
Creative team
Writers	J. Daniels (pseudonym)
Original publication
Date of publication	1988
Language	English
ISBN	0-9514261-0-9

The Adventures of Tintin: Breaking Freeis ananarchistparodyof the popularThe Adventures of Tintinseries ofcomics.An exercise indétournement,the book was written under the pseudonym "J. Daniels" and published byAttack Internationalin April of1988and then republished in1999.It has recently been re-printed by anarchist publishers Freedom Press which includes for the first time Tintin’s earlier adventures during theWapping disputeas told in The Scum, a 1986 pamphlet which was produced in solidarity with the printworkers.

The story features a number of characters based on those from the original series byHergé,notablyTintinhimself andCaptain Haddock(referred to only as 'the Captain' and depicted here as being Tintin's uncle), but not the original themes or plot.Snowyis featured on the cover—being especially visible on the first edition's cover—but not in the narrative. The story tracks Tintin's development from a disaffected,shopliftingyouth to arevolutionaryleader.

Plot summary

The comic opens with Tintin arriving at the Captain'sflatin a fictionalestatesomewhere in England. Tintin has recently been sacked for losing his temper and punching his boss and expresses frustration about being "pushed around" and "kicked around like a lump of dogshit." The Captain offers to get Tintin a job on a localbuilding sitewhere he works. As the story progresses, Tintin meets the local residents and his workmates and issues faced by the area, such asracism,gentrificationand general apathy from local government, are introduced.

A portion of the final page ofBreaking Free,featuring a mass demonstration escalating towards revolution. Each panel of the novel was copied from works of Tintin creator,Hergé,with edited dialogue.

The anger felt by the working-class people of this town boils over when a construction worker, Joe Hill (apparently named after theanarcho-syndicalistlabour organiserof the same name) falls to his death due to poor safety standards at the local building site. Faced with insensitivity from their manager ( "Had he been drinking?" ), as well as apathy and condescension from theirtrade unionofficial, the construction workers stage an unofficial,wildcat strike.The builders demand better safety standards, improved wages, a change of management for the site and a large sum of money for the family of their dead workmate.

The strike escalates, with management refusing to concede any of the demands, doing under the table deals with union officials to bring instrikebreakers.Meanwhile, the strike begins to spread to other local workplaces, becoming a symbol of class struggle, as well as a struggle for better short-term conditions. The workers become increasingly militant, turning to violent tactics and eventually firebombing the original building site. The strike begins to spread to other areas of the country without any official union involvement. Panicked, the UK government deals with strikers with increasing violence and repression,demonstrationsturn intoriots,and the Captain is arrested on false charges ofconspiracy.

As the story closes, there is a demonstration of half a million people in the town in which the events of the book unfold, several people have brought rifles and references are made to "strike committees" taking power in other areas of the country, the army being sent into Liverpool to "restore order," and similar unrest taking place around the world. The last page features the Captain, Tintin and the Captain's wife Mary in silhouette. Tintin holds an assault rifle above his head, while the others raise their fists. Below is written: "This Is Not The End / Only the beginning…"

Reception

Its initial release in 1989 caused a furor in thetabloid newspapersin theUnited Kingdom,who excoriated the comic for characterizing Tintin as a "picketyob ".In a 1990 review,The Timescalled the book "a naive and brutish strip-cartoon book for juniorDave Sparts".In 1994,The Guardianwrote: "The interesting things about it are the way each frame is adapted from Hergé's originals, and the touching belief in the possibility of an upsurge in grassroots socialist radicalism".That same year,Martin Rowson,writing inThe Independent,described the work as a "sad little publication" and called the book's approach to copyright "another acute observation in what I take to be a brilliant post-modern parody of a situationist canard produced during a sit-in atHornsey School of Artcirca 1972. "Gabriel Coxhead, writing inThe Guardianin 2007, referred to the comic as "entertaining enough, if rather didactic", arguing that the "real interest is the artwork: each figure, every pose, has been assiduously copied from Hergé's own drawings, and recontextualised".Zoheb Mashiur, writing inThe Daily Starin 2021, wrote, "In the best traditions of Tintin stories, J Daniels took the character and placed him at the heart of contemporary issues. [...] He's not fighting for the perpetuation of a status quo, or inserting himself into the business of hapless foreigners; Daniels' Tintin is protecting his own people at home and trying to carve out a better world for them."

Publication history

• Daniels, J. (1989).Breaking Free.London: Attack.ISBN0-9514261-0-9.OCLC23606178.
• Daniels, J. (1999).Breaking Free.London: Attack.ISBN978-0-9514261-0-4.
• Daniels, J. (2011).Breaking Free.London: Freedom Press/EM Books.ISBN978-1-904491-17-0.

See also

• Anarchism and the arts
• Satire

External links

• tintinrevolution.free.fr,online versions of the comic in French and English