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The Afghan Whigs

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The Afghan Whigs
The Afghan Whigs at Haldern Pop Festival in 2017.
The Afghan Whigs atHaldern PopFestival in 2017.
Background information
OriginCincinnati,Ohio, U.S.
Genres
Years active1986–2001, 2006, 2011–present
Labels
Spinoff ofThe Black Republicans
MembersGreg Dulli
John Curley
Rick G. Nelson
Patrick Keeler
Christopher Thorn
Past membersDave Rosser
Rick McCollum
Steve Earle
Jon Skibic
Paul Buchignani
Michael Horrigan
Cully Symington
Mark McGuire
Websitetheafghanwhigs.com

The Afghan Whigsare an Americanrockband fromCincinnati,Ohio. They were active from 1986 to 2001 and have since reformed as a band. The group – with core membersGreg Dulli(vocals, rhythm guitar), Rick McCollum (lead guitar), andJohn Curley(bass) – rose up around thegrungemovement, evolving from agarage bandin the vein of theReplacementsto incorporate moreR&Band soul influences into their sound and image. After releasing their first album independently in 1988, the band signed to the Seattle-based labelSub Pop.They released their major-label debut and fourth album,Gentlemen,in 1993.Pitchforkdescribed them as "one of the few alt-bands to flourish on a major label" in the 1990s.[5]

Dulli frequently claimed in interviews that the band would never get back together following their dissolution in 2001;[6]however the group reunited in 2012.[7]

Band history[edit]

Early years andBig Top Halloween(1986-1988)[edit]

Greg Dulli(vocals, rhythm guitar), Rick McCollum (lead guitar),John Curley(bass), and Steve Earle (drums) formed the band in Cincinnati late in 1986.[8]The Afghan Whigs had evolved out of Dulli's previous band, The Black Republicans, a band that Curley later joined. Curley attended a number of Black Republicans shows and approached Dulli and "made it a point to tell the vocalist he was a better bassist than the one in the Black Republicans."[9]Curley would introduce Dulli to McCollum, a frequent jam partner who was famed on the local Cincinnati scene for his innovative use of effects pedals. McCollum and Dulli would bond over their shared love of R&B, in fact the first song The Afghan Whigs ever rehearsed was a cover ofThe Temptations' "Psychedelic Shack."[10]Dulli later described the intent behind The Afghan Whigs was to exist as "a cross betweenthe Band,theTemptations,andNeil Youngplaying withCrazy Horse."[11]The name The Afghan Whigs was coined by Curley "as a play on the Black Republicans."[12]

In the wake of The Black Republicans' breakup Dulli had decamped to Arizona, where he composed half the material for what would become The Afghan Whigs' debut albumBig Top Halloween(1988), self-released on the band's own Ultrasuede label.[13]"We were running through what were the first songs I'd ever written to do some demos, so we were playing really loose," Dulli recalls. "And then all of a sudden, I found out John was having covers made." While only a thousand copies ofBig Top Halloweenwould be pressed initially,[14]one of them managed to capture the attention ofJonathan Poneman,[15]the co-founder of influential Seattle-based indie labelSub Pop,which signed The Afghan Whigs in 1989.[14]Initially Sub Pop planned for the Whigs to release only a one-off single, but that soon led to a full-blown record contract with the label.[3]

Signing to Sub Pop andUp in It(1989–1990)[edit]

Upon signing toSub Pop,The Afghan Whigs became the second non-Pacific-Northwestern United States band to record for the Sub Pop label.[16][17]In 1990, Sub Pop put out The Afghan Whigs' second albumUp in It.Largely recorded byNirvanaproducerJack Endinoand featuring the college-radio hit "Retarded,"Up in Itreceived a favorable reception with music critics upon release.[15]

To support the album's release, The Afghan Whigs went on a package tour with grunge originatorsMudhoneyand Boston underground bandBullet LaVolta.[18][19]Up in Itwas followed by a limited edition single released byNo.6 Recordsunder the name "Ornament," which included vocals byScrawlsinger Marcy Mays (who would later contribute lead vocals to the band's song "My Curse" off the albumGentlemen).

CongregationandUptown Avondale(1992)[edit]

With the 1992 albumCongregationand coversEP,Uptown Avondale,the band developed what would become their signature sound, blending soul with psychedelic sprawl and punk abandon.[20]Critics noted the combination ofStaxandMotowninfluences with indie-rock sonics on the band's material.[5]Uptown Avondalefeatured covers of hits by soul acts such asThe Supremes.

Videos for notableCongregationsongs like "Conjure Me" and "Turn on the Water" would receive airplay on MTV, which began to regularly cover The Afghan Whigs as a new band to watch.[21]The Afghan Whigs would also tour extensively during this period, including a U.S. jaunt with Scottish indie rockersTeenage Fanclub.[22]

Signing to Elektra andGentlemen(1993)[edit]

Building on the buzz that welcomedCongregation,The Afghan Whigs soon signed to a major label,Elektra Records,following a bidding war that resulted in a contract so lucrative, it featured a clause that allowed for the funding of a Dulli-scripted feature film that ultimately was never made.[23]For their major label debut, The Afghan Whigs ensconced themselves inArdent Studiosin Memphis, whereBig Star,Bob Dylan,Led Zeppelin,andZZ Tophad recorded.[24]The result of those sessions was the 1993 albumGentlemen.[8]

Gentlemenreceived a positive review fromRolling Stone.Critics would go on to praise it for its unflinching, self-flagellating lyrics, and a decisive stylistic break with the grunge-style epitomized byNirvanaandMudhoney.[25][26]Gentlemenwould place at No. 17 on TheVillage Voice's "Pazz & Jop" critic's poll for 1993.[27]

Gentlemenproved to be The Afghan Whigs' most commercially successful release, and by 1996 it had sold 130,000 copies in the United States.[28]The singles "Debonair" (a Modern Rock Top 20 hit) and "Gentlemen" received regular airplay onMTVandcollege radio.Another album track, "Fountain and Fairfax" appeared on the television seriesMy So-Called Lifein 1994.[3]The lead vocals on "My Curse" were sung not by Dulli, but by singer Marcy Mays ofScrawl– allegedly because the lyrics documenting the violent dissolution of a relationship were so personal, Dulli couldn't sing it.[5][23]

Black Loveera (1996)[edit]

Following the promotion ofGentlemen,The Afghan Whigs further expanded into the public eye. In 1996, Dulli served as executive producer for the soundtrack for theTed DemmefilmBeautiful Girls.The Afghan Whigs appeared in the film as a bar band and contributed two songs to the soundtrack:Frederick Knight's "Be For Real" andBarry White's "Can't Get Enough of Your Love, Babe."[29]Dulli also was the only musician other thanDave Grohlto appear on the debut album fromFoo Fighters.[30]

Eventually, work began on The Afghan Whigs' fifth full-length album, which would be calledBlack Loveupon its release in 1996. The band started writing demos in March 1995; the recording took place in both Seattle and Memphis-based studios featuring new drummerPaul Buchignani,who had replaced Steve Earle.

Although previous releases explored liquor-drenched obsession, secrets and misery,Black Lovestepped into a darker, seedier and complex side of Dulli's persona, passionately taking his obsession with murder and paranoia to their logical ends.[31][32]Dulli himself noted that the songs had a conceptual framework that reflected the structure of a film, influenced by noir-influenced writerJames Ellroyand violent neo-noir films likeBlood Simple.[33]Other influences included pulp fiction novels, Kenneth Anger'sHollywood Babylonand the crime photographs ofWeegee.[34][15]Other lyrical inspirations included the troubled life of Temptations singerDavid Ruffinfor the song "Blame, Etc."[35]The album opener, "Crime Scene Part One", was allegedly influenced by the story of then-unproduced screenplay for the filmThe Million Dollar Hotel.[35]

Commercially,Black Lovepeaked at No. 79 on theBillboardTop 200 chart.The album also received critical praise for capturing the power of the Whigs' live show in a studio recording;[36]its lush yet funky musicality garnered comparisons to theRolling Stonesin their 1970s-era prime and standing out once again from the day's more conventional alternative rock in its distinctive embrace of black-music idioms.[37][38][39]The Whigs promotedBlack Lovewith extensive touring, including a jaunt of large venues opening for aNeil Youngtour that also featuredJewel.[40][41]

Legal dispute with Elektra and signing to Sony/Columbia for1965(1998)[edit]

In the wake ofBlack Love's commercial disappointment, The Afghan Whigs said they suffered neglect and dishonest business dealings with their label, Elektra.[42][40]Eventually, the two parted ways and the Whigs signed to Columbia Records for their next album,1965.The unamicable parting resulted in Dulli being treated for depression, providing subject matter for songs like "Neglekted" which was featured on the band's next full-length effort.[43][40]The song had originally been named "Sylvia" as a swipe against then-Elektra head,Sylvia Rhone.[40]

After a year's hiatus during which Dulli began another project known asThe Twilight Singers,The Afghan Whig's went toDaniel Lanois' famed studio in New Orleans to record1965,named after the year both Dulli and Curley were born.[42][44][45][40]Influenced again by film noir, as well as the urban wordplay of rappers likeNas,1965received positive reviews in the press, praising, in particular, the band's continued flair for blending soul styles with rock.[46][47]In addition to their headlining dates, The Afghan Whigs went on tour withAerosmithas the classic-rock group's opening act.[41]During the live dates for1965,Dulli got in an altercation with a stagehand following anAustin, Texasconcert date and suffered a head injury that left him in a coma.[48]Two months after Dulli's recovery, however, the group returned to the road.[48]

Break up (2001)[edit]

In 2001, The Afghan Whigs broke up by circulating a press release announcement which was picked up by the major music press.[49][50]In it, the band claimed their geographic disparity and family obligations of its core members made it impossible for them to create new material together. In further interviews, Dulli clarified that theirs was an amicable split, and did not necessarily represent an "official breakup."[42]

Reunion (2006, 2011–present)[edit]

Greg Dulli(left) and bassist John Curley (right), 2012

In 2006, The Afghan Whigs temporarily reunited.[51]The lineup recorded two new tracks ( "I'm A Soldier" and "Magazine" ) featured on their retrospective titledUnbreakable: A Retrospective 1990–2006,released on June 5, 2007, throughRhino Records,[52]which critics noted rated on a par with the band's material released during its prime.[5]

The band would not perform again until a December 7, 2011, press release from the promoters of All Tomorrow's Parties announced that The Afghan Whigs would reunite and play at their I'll Be Your Mirror events on May 27, 2012, in London, followed by an appearance at Asbury Park, New Jersey on September 22, 2012.[53]A week later it was announced that the band would also be performing at bothPrimavera Soundfestivals in 2012.[54]In April of that year, it was revealed that the revitalized The Afghan Whigs would be playing the 2012 edition ofLollapalooza.[55][56]Dulli clarified in interviews that playing The Afghan Whigs with Curley on a 2010 solo tour and meeting with McCollum anew during that period directly led to plans of reforming for live performance.[7]

On May 22, 2012, the reunited The Afghan Whigs (minus drummer Steve Earle) made their debut performance onLate Night with Jimmy Fallon,playing one new song, the soul cover "See and Don't See," and old favorite "I'm Her Slave" fromCongregation.[57]The reunited Whigs played their first full concert the next night at Manhattan venue TheBowery Ballroom,receiving critical accolades from the major media. "Regardless of how the surprising reunion of The Afghan Whigs turns out, their show last night at the Bowery Ballroom will go down as the '90s alt-rock heroes' greatest concert ever," Glenn Gamboa wrote in Newsday;[58]meanwhile, Steve Kandell noted in aSPINreview that "their first show together since then, at New York's Bowery Ballroom last night, felt less like an easy nostalgia trip than a reminder of problems we, perhaps selectively, forgot we ever had.…Leader Greg Dulli was leaner, meaner, fitter, and in better voice at 47 than even during the band's heyday… From the opening strains of" Crime Scene, Part One, "all the old drama and menace and hurt feelings and failings were right there, palpable and visceral, all couched in the equally palpable sense of relief that none of us are that fucked up anymore."[59]The Afghan Whigs' first new recording released during the 2012 reformation, "See and Don't See," also received considerable airplay on influential stations such asSiriusXMU, KEXP, XPN, and KCRW.[60]On July 16, the band released their second new recording, a cover ofFrank Ocean's "Lovecrimes." Like the previous release, the song was made available as a free download from the band's website.

In 2013 atSouth by Southwest(SXSW), The Afghan Whigs headlined The FADER FORT and played a collaborative set with surprise guest Usher. John Curly claims that moment solidified the probability that the band would record together again and that following their SXSW performance they began compiling ideas for new material.[61]

On January 27, 2014, the band's official mailing list announced an April release date for the first album of new The Afghan Whigs material in 16 years, a return to the Sub Pop roster titledDo to the Beast.

On February 18, 2014, the band announced that Rick McCollum was no longer a member of the group. Guitar parts onDo to the Beastwere performed by numerous musicians includingDave Rosser,Jon Skibic, and Mark McGuire among others.[62]The band added drummerPatrick KeelerofThe RaconteursandThe Greenhornesin 2014.

The band released its eighth album,In Spadeson May 5, 2017.

Guitarist Dave Rosser, a band member since 2014 who played on both of their reunion albums, died on June 28, 2017, following a long battle with colon cancer.[63]

In February 2022, the band released their first single in five years, "'I'll Make You See God," which was featured on theGran Turismo 7soundtrack.[64][65]How Do You Burn?their ninth studio album, was released Sept. 9, 2022, throughBMG Rights Management,their first album since 1998's1965to not be released underSub Pop.

Legacy[edit]

The influence of The Afghan Whigs has been acknowledged by a number of musicians spanning genres and formats, includingThe National,[66][67]The Gaslight Anthem,[68]The Horrible Crowes,[69]Interpol,[70]The Hold Steady,[71]My Chemical Romance[72]andJimmy Eat World.[73] Also, Italian indie rock bandAfterhours,who extensively toured the US between 2006 and 2011, under the auspice of Greg Dulli cites The Afghan Whigs as their influence[citation needed].

On June 23, 2009, a The Afghan Whigs tribute album was released, featuring contributions fromMark Lanegan,Joseph Arthur,and 11 other artists influenced by the band.[74]

Lyrical themes[edit]

Since the band's formation, certain themes have been noted as developing Dulli's songwriting for The Afghan Whigs and beyond – in particular, his mixing ofblack humorwith topics such asdrug addiction,sexual deviancy and suicidal thoughts,[11]which often seem more personal and provocative due to their frequent embrace of the first person.[75]Many notable The Afghan Whigs' songs are rooted in exploring power battles in romantic relationships.[76]Gentlemenin particular has been cited for its frank and uncomfortable exploration of masculine tropes and expectations,[77]including elements of sadomasochism and alienation.[23]Black Lovemeanwhile, contains lyrics about revenge and honesty.[78]

Dulli's songs with The Afghan Whigs also betray a fascination with and sympathy for theanti-hero,which he attributed to an influential conversation with his grandfather during childhood: "I remember as a kid watching a cowboys-and-Indians movie and I was rooting for the cowboys… My grandfather asked me why, and I said, `Because they're the good guys.' And my grandfather explained to me that the Indians were fighting for their land and that the cowboys were trying to steal it from them. Then he said something to me that I never forgot, which was, `Good people aren't good all the time and bad people aren't bad all the time.' I've been exploring that gray area ever since the idea that saints can fall and sinners can transcend."[10]

Covers[edit]

The Afghan Whigs are known for their cover songs as well as their original material – in particular, freely reinterpreted songs from the soul music and R&B canon[33]that they were exposed to in their youth.[10]However, The Afghan Whigs have never restricted their choices in covers by genre; even from their earliest concerts they have been known to cover songs likeThe Rolling Stones' "Cocksucker Blues"and Neil Young's"Like A Hurricane,"[79]as well as tracks made famous by The Supremes,[36]Prince,[80]PJ Harvey,The Fugees,andTLC.[31]Congregationincludes a version of "The Temple" from the soundtrack ofJesus Christ Superstar[81]and they were also known to performPink Floyd's albumThe Wallin its entirety.[82][83]The Whigs have covered a rare 1970 soul song by Marie "Queenie" Lyons, "See and Don't See,"[84]although the band continues to explore contemporary material as well, such as "Love Crimes" by current R&B iconoclastFrank Ocean,which was debuted on the band's 2012 reunion tour.[85]The band also recorded a cover of theLou Reedsong "I Love You, Suzanne" for the albumThe Power of The Heart: A Tribute To Lou Reed.It was released by Light In The Attic Records on April 20, 2024.

Other projects[edit]

  • Dulli has recorded and performed with Mark Lanegan asThe Gutter Twins
  • Dulli continues to record and tour with his evolving collectiveThe Twilight Singersand as a solo artist
  • Dulli also has been executive producer on several works by Italian indie-rock bandAfterhourson top of acting as their sponsor for several US tours between 2006 and 2011.
  • Curley is the bassist of Fists of Love[86]
  • McCollum is the guitarist, vocalist, and songwriter forMoon Maan[87]
  • Horrigan is the bassist forBrendan Benson
  • Steve Earle is the drummer for the rock band Moonbow, featuring Dave McElfresh (also guitar and fiddle for Hank Williams III) and lead singer Matt Bischoff (also known for his role as a contestant on the television seriesSurvivor)
  • Earle is the songwriter, lead singer, and rhythm guitarist of Earle Grey. Additionally, he is the current drummer for the Santa Rosa, California, based band the Fizz Fuzz featuring Dandy Brown (Hermano, Orquesta del Desierto).
  • Dulli does most of the lead vocals on the soundtrack toBackbeat,a 1994 film about the beginning days of the Beatles. Dave Grohl (Nirvana), Don Fleming (Gumball), Mike Mills (R.E.M.), Thurston Moore (Sonic Youth), and Dave Pirner (Soul Asylum) accompany Dulli as a "supergroup" playing the Beatles' early live staples (none of which are written by the Beatles).

Members[edit]

Current members

  • Greg Dulli– lead vocals, guitar, keyboards (1986–2001, 2006, 2011–present)
  • John Curley- bass guitar (1986–2001, 2006, 2011–present)
  • Rick G. Nelson - keyboards, strings, guitar, backing vocals (2011–present)
  • Patrick Keeler - drums (2014–present)
  • Christopher Thorn- guitar (2021–present)

Former members

  • Rick McCollum- guitar (1986–2001, 2006, 2011–2012)
  • Steve Earle - drums (1986–1995)
  • Jon Skibic - guitar, backing vocals (2013–2021)
  • Paul Buchignani- drums (1995–1996)
  • Michael Horrigan - drums (1997–2001, 2006)
  • Cully Symington - drums (2011–2014)
  • Dave Rosser- guitar, backing vocals (2011–2017)
  • Mark McGuire- guitar (2013–2014)

Touring musicians

  • Doug Falsetti - percussion, backing vocals (1996–1998, 1999)
  • Barbara Hunter - cello (1996)
  • Harold "Happy" Chichester- keyboards, backing vocals (1996, 1999)
  • Susan Marshall - backing vocals (1997–1999)
  • Steve Myers - backing vocals (1997–1999)
  • Josh Paxton - keyboards (1998, 1999)

Timeline[edit]

Discography[edit]

Studio albums

References[edit]

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