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The Misunderstood

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The Misunderstood
The Misunderstood in London – 1966
The Misunderstood in London – 1966
Background information
OriginRiverside, California,US
GenresPsychedelic rock,blues rock,garage rock,freakbeat
Years active1963–1969, sporadically thereafter
LabelsFontana(UK),Cherry Red(UK),Ugly Things(US)
MembersRick Brown
Glenn Ross Campbell
Tony Hill
Rick Moe
Greg Treadway
Steve Whiting
George Phelps
--1969 lineup--
Glenn Campbell
Steve Hoard
David O'List
Chris Mercer
Guy Evans
Nic Potter
Ray Owen
Websitethemisunderstood.com

The Misunderstoodwere an Americanpsychedelic rockband originating fromRiverside, Californiain the mid-1960s.[1]The band moved to London early in their career, and although they recorded only a handful of songs before being forced to disband, they are considered highly influential in the then-emerging genre.[2][3]

Creem,in their September 2004 review, wrote, "The saga of the Misunderstood is one of the most unbelievable, heartbreaking, and unlikely stories in the entire history of rock."

Classic Rock's June 2010 issue stated, "The truth is that this band (the Misunderstood) were so far out on their own, so individual and innovative that you can only wonder at the set of circumstances that conspired to prevent them from becoming the iconic name that was surely their destiny."[4]

History

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The band began in 1963 as one of many garage bands formed in the US in the wake of theBritish Invasion.They moved to London in 1966, with the assistance of their manager,John Peel,who would later gain fame as an influentialBBC RadioDJ.[1]In the UK, they recruited Englishman Tony Hill on rhythm guitar.[5]Hill and singerRick Brownformed a songwriting team.[6]Bass player Steve Whiting was also involved in developing material for the band.[1]

The band was influenced by and often compared tothe Yardbirds,and in 2004 were called "the American Yardbirds" byRolling Stone.[7]Distinctive features of the band's sound included thesteel guitarofGlenn Ross Campbelland the innovative style of Whiting, known for his use ofslide,fuzz tone and distortion.

Fontana Recordsintroduced the band with a four-song live performance in London's Philips Studios. British media response was positive,[6]but at this juncture it was decided that Campbell, Whiting, and Moe should sort out their UK visas and work permits, while Brown returned to California for hisdraft.

In London they released their second single, "I Can Take You to the Sun",before being forced to disband. They had only recorded six tracks in London.[1]

In spite of their relatively small output, many musicians consider them to be influential pioneers of theacidstyle of rock music.[8]Head Heritagein a 2006 review wrote, "The Misunderstood's material extended far beyond the reach of the period in which it was conceived. The extraordinarily advanced tracks on side one from 1966 reveal them as one of the earliest and most original probes intopsychedelic rock."[9]

John Peel

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British DJJohn Peelchampioned the Misunderstood's music throughout his entire career. Shortly before his death, in an interview withIndex Magazine,Peel stated, "If I had to list the ten greatest performances I've seen in my life, one would be the Misunderstood atPandora's Box,Hollywood, 1966. My god, they were a great band! "[10][11]

Visual feedback

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The Misunderstood are known for having pioneered the live light show. Campbell initially soldered a guitar jack to a car light bulb and plugged this into the extension output behind each amp. This simple idea produced visual music, as the response between the guitars and the lights plugged into the amps was identical. They first showed this feature at the Hi Ho Club in Riverside in early 1966. They also played with lights at theMarquee Clubin London in mid 1966. An advanced, multicolored, large scale version of this "light show" or "visual sound" system was being planned in London when the band were forced to retire. Another feature of their visuals was getting all three guitarsfeeding backusing different tremolo settings, thereby leaving the stage flashing with musical lights.[12]

Later period

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Glenn Ross Campbell went on toJuicy Lucy,[1]while Tony Hill formedHigh Tideand recorded a solo album titledInexactness.

In 1982, Glenn Ross Campbell and Rick Brown reunited as "Influence", and in 1983 recorded two self-penned tracks, "No Survivors" and "Queen of Madness", for UK'sRough Trade Records.They disbanded in 1985 when Campbell moved to New Zealand and Brown moved to Thailand.[13][14]

Cherry Red Records(UK) released three albums of the Misunderstood's music, viz.,Before the Dream Faded(BRED 32) in 1982,The Legendary Goldstar Album(CDM RED 142) in 1997, and a full album of the Misunderstood's later material under the name ofThe Misunderstood: Broken Road(CDM RED 147) in 1998.[15]

In 2004,Ugly ThingsRecords (USA) issued another full album of previously unreleased tracks namedThe Lost Acetates 1965–1966,that received international media coverage.[16][5]

A novel:Like, Misunderstoodby rock historian Mike Stax, based on his own unproduced screenplay, was published in October 2007.[17][18]

Musical recognition

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  • In his "Peelenium"(Greatest Songs of the 20th Century)John Peellists the band's song, "I Can Take You to the Sun" for 1966.
  • "I Can Take You to the Sun" appears as number 6 inRecord Collector's book, "100 Greatest Psychedelic Records", a list in chronological order.[19][20][21][22]
  • MojoApril 2009 – "I Can See For Miles: A-Z" lists the Misunderstood for "M".[23]
  • June 11, 2010,Classic Rocknamed the Misunderstood as No. 18 in their list of "Cult Heroes".[24]

Discography

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References

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  1. ^abcdeColin Larkin,ed. (1997).The Virgin Encyclopedia of Popular Music(Concise ed.).Virgin Books.p. 854.ISBN1-85227-745-9.
  2. ^"Review by Terrascope Online".Terrascope.co.uk.January 2008.RetrievedSeptember 3,2008.
  3. ^""Unknown Legends of Rock'n'Roll" Weblink ".Rickieunterberger.com.RetrievedFebruary 18,2007.
  4. ^Classic Rockhonoring the Misunderstood at No. 18 in their June 2010 list of "Cult Heroes"
  5. ^abDavid Fricke (September 2, 2004). "The Misunderstood The Lost Acetates 1965–66".Rolling Stone.No. 956.
  6. ^abUgly Thingsby Mike Stax No. 21.2003.
  7. ^Rolling Stone,September 2004
  8. ^"Juicy Lucy".Surgemusic.com.RetrievedOctober 6,2019.
  9. ^"Seth Man, 24th November 2006 Weblink".Headheritage.co.uk.RetrievedMarch 14,2007.
  10. ^"Index Magazine 2003 – Interview with John Peel Weblink".Indexmagazine.com.RetrievedMarch 8,2007.
  11. ^"The records that John Peel loved the Most!".Rocklistmusic.co.uk.RetrievedApril 9,2007.
  12. ^Ugly Thingsby Mike Stax Nos. 20–21.2002–2003.
  13. ^Ugly ThingsNo. 22 by Mike Stax.2004.
  14. ^"Influence".Rateyourmusic.com.RetrievedApril 9,2007.
  15. ^"Amazon.com: Broken Road: Misunderstood: Music".Amazon.Archived fromthe originalon February 21, 2012.RetrievedSeptember 16,2017.
  16. ^Entertainment-Reuters (Yahoo News) (June 18, 2004). "New Label Sheds Light on the Misunderstood".Billboard.{{cite magazine}}:|last=has generic name (help)
  17. ^"Like, Misunderstood web page".Themisunderstood.com.RetrievedSeptember 3,2007.
  18. ^Stax, Mike (October 2007).Like, Misunderstood.UT Publications.ISBN978-0-9778166-1-3.
  19. ^"Record Collector Magazine's 100 Greatest Psychedelic Records: Web link".Rateyourmusic.com.RetrievedJanuary 6,2008.
  20. ^Unterberger, Richie (May 1998).Unknown Legends of Rock n Roll.Backbeat Books.ISBN978-0-87930-534-5.
  21. ^Record Collector Magazine; et al. (2004). "100 Greatest Psychedelic Records".Record Collector Magazine.
  22. ^"John Peel Quote".Top Gear (BBC Radio).November 8, 1968.
  23. ^Mojo Magazine (April 2009). "I Can See For Miles: A-Z".{{cite journal}}:Cite journal requires|journal=(help)
  24. ^"Classic Rock | Louder".Classic Rock Magazine.Archived fromthe originalon June 17, 2010.
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