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This Nation's Saving Grace

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This Nation's Saving Grace
Album cover showing a black-and-white view of a Manchester cityscape, with an illustration of billowing clouds and a chariot drawn into the sky
Studio albumby
The Fall
Released23 September 1985(1985-09-23)[1]
RecordedJune–July 1985
Studio
The Music Works, London

The Workhouse,Old Kent Road,London

Genre
Length47:17
LabelBeggars Banquet
ProducerJohn Leckie
The Fallchronology
The Wonderful and Frightening World Of...
(1984) 		This Nation's Saving Grace
(1985) 		Bend Sinister
(1986)

This Nation's Saving Graceis the eighth studio album by the Englishpost-punkbandthe Fall,released in 1985 byBeggars Banquet.In contrast to the band's earlier albums,This Nation's...is noted for its pop sensibilities and guitar hooks, andJohn Leckie's accessibleproduction.[2]This Nation's...was recorded in London between June and July 1985, and is the second of the three consecutive Fall albumsproducedbyJohn Leckie.The album was accompanied by the singles "Couldn't Get Ahead" and "Cruiser's Creek",and tours of Europe and America.

GuitaristBrix Smithand bassistSteve HanleyconsiderThis Nation's Saving Graceto be one of the band's best albums, an opinion widely shared by critics. According toThe Guardian,it shows the band "operating just on the edge of the mainstream and at the peak of their accessibility and yet strangeness".[3]In 2002,Pitchforkplaced it as their 13th best album of the 1980s.

Background and line-up

[edit]
Steve HanleyandBrix Smithperforming live, 1984

The Fall's line-up had been relatively stable for a number of years until the late 1984 promotional tour of their preceding album "The Wonderful and Frightening World of...", when long-time members and brothers drummer Paul Hanley and bassistSteve Hanleyboth quit the band in November 1984. Their departures were triggered by an incident on the first of that month when the band's equipment was stolen from a van left parked after a gig in Cardiff's New Ocean Hotel. Although replacement equipment was arranged, Smith blamed the musicians for the loss and the following night, while hitting their tour-bus headrests with a stick, shouted "You fuckers...what were you thinking? Who the fuck would be stupid enough to leave a fucking van outside a hotel with all the fucking gear in it." After this, both brothers decided to leave the band.[4]Paul Hanley's departure became permanent, leavingKarl Burnsthe band's sole drummer, while Steve Hanley was eventually persuaded by Smith to come back after taking a paternity leave for several months.[5]According to Brix, the bassist's exit left Smith "chastened...for probably the only time I have ever seen".[4]Hanley was replaced in the interim bySimon Rogers,a classically trained musician whom Smith knew from an earlier collaboration with the dancer-choreographerMichael Clark.[4][6]The self-taught Hanley has since admitted to being disillusioned by being replaced by a multi-instrumentalist, composer ofballetswho had scored the 1982 top 20 hit "Cacharpaya" with folk music groupIncantation.[4]After Hanley's return in the midst of recording sessions for the new album, Rogers remained in the band but switched to guitar and keyboards.[7]Smith marked Hanley's rejoining the band with the words "S Hanley! He's Back" etched into the run-out groove on Side 1.

The Fall recorded their eighthPeel sessionon 14 May 1985. The recordings contain early versions of three songs fromThis Nation's...( "Couldn't Get Ahead", "Spoilt Victorian Child" and "Gut of the Quantifier" ) as well as a version of "Cruiser's Creek".[8] Their ninth session, recorded on 29 September, includes recordings of "L.A." and "What You Need" that writer Steve Pringle describes as "brighter and sharper" than the album versions.[9]

Recording

[edit]

The album was recorded between June and July 1985 at the London studios the Music Works and the Workhouse onOld Kent Road.[10][11]John Leckiehad produced the band's 1984 albumThe Wonderful and Frightening World Of...and had built a strong working relationship with Smith. Leckie's approach to the project was to both retain the Fall's rough edges and solid rhythm section, while emphasising Brix's more pop orientated guitar parts. His production created a heavierwall of soundthan their earlier releases and Smith praised his ability to bring forward the drum and bass parts. Smith later said that what he and Leckie were trying to achieve was a "well produced bedroom sound".[12]

Music and lyrics

[edit]

Steve Hanley had often been the group's mainriffwriter on earlier albums, but due to his absence in the lead up to the album,[4]Brix and rhythm guitaristCraig Scanlonwrote most of the song's foundation riffs. Hanley later said that on earlier recordings the whole group had contributed music, but forThis Nation'smost of the work was done by Brix and Scanlon, in a 60/40 ratio by his estimation. As Brix had begun her career as a bass player, most of her musical ideas were simple one-string riffs played on lead guitar but closely resembling bass lines. Although in awe of his playing when she had joined the band in 1983; on his return she told Hanley "I'll show you the bass line on my guitar and you Steve Hanley it up."[13]

Smith's lyrics are typically caustic throughout; the music critic John Mulvey wrote that at times the "vile is positivelyphantasmagoric".[2]

Side one

[edit]

The album opens with "Mansion", one of the Fall's few instrumentals, which the band often opened their live sets with.[14]It is built around a guitar riff from Brix that evokes earlyhorrorand sci-fi film music and is clearly influenced byThe Deviants' 1969 song "Billy the Monster".[15][16]The following track "Bombast" is again dominated by Hanley's bass. Smith's vocals promise to "bring wrath" to "bastard idiots" (includingLloyd Cole,whom Smith described in the September Peel session version of "Crusier's Creek" as having a "brain and face...made out of cowpat. We all know that)",[17]and are at times sung through a megaphone.[3][16]

"What You Need" is built around Scanlon's circular guitar riff. The line "slippery shoes for your horrible feet" and song title are taken froman episodeofThe Twilight Zone.[16]"Spoilt Victorian Child" incorporates unused lyrics intended for the Fall's 1979 debut albumLive at the Witch Trials,but had been held back until the band found suitable "daft English music".[16]The jerky and stuttering guitar riff written by Rogiers is in6/4 time,a signature Brix initially found difficult to master. Smith's lyrics contain a number ofVictorian erareference points, includingPop-up books,aqueducts,poxesand theCottingley Fairies.[18]

The 1985 cassette version contains the bonus track "Vixen", a melodicsurf musicsong written and sung by Brix, which although well-regarded by fans, is described by Pringle as "rather slight". It was never played live.[19]

Side one ends with Brix's "L.A.", written while the Smiths spent an extended stay in the city. Mark had a poor impression of the city and said that he "Hated it...Horrible town. If you like a beer, you are regarded as a tramp."[14]The track was described in 2011 as an "electro-goth groove" by critic Martin Aston.[7]It contains prominent keyboards by Simon Rogers. While the lead vocals are sung by Brix, Smith added backings which he said reflect his impression of the city as "more haunted than any old place".[12]Dave Haslamranked it as "the sexiest song of 1985" inCity Life,an assessment Smith disagreed with yet claimed to understand; he credited its sex appeal to Brix's contribution and noted how the song was popular among women— "Except," he clarified, "that the Fall are probably the most unpopular group among womenever.We've never had a good review from a woman journalist in the whole world. "[20]

Side two

[edit]

Side two opens with "Gut of the Quantifier", whose central bassline is reminiscent ofthe Doors'sThe Changeling.[21]"My New House" details the Smiths' purchase of asemi-detachedinSedgley Park,Prestwich,close to Mark's childhood home where his parents still lived. A number of visitors remarked how unusual the house was, in particular the blue/grey colour scheme used each room.[14]Although credited to Mark Smith alone, the track originates from a riff by guitarist Scanlon.[22]The lyrics are humorous and sardonic[12]with lines such as "no rabbit house about it, I bought it off theBaptists,I get the bills, and I get miffed ".[23]Although a fan favourite, and described by theDaily News'David Hinkley as "near-hypnotic",[24]it was dropped from their live set after 1986.[22]

"Paint Work"is widely considered the album's highpoint. It consists of a semi-acoustic tape collage,stream of consciousnesslyrics, Karl Burns' cymbal crashes and "meandering"lead guitar line provided by Scanlon.[25]Credited to Smith, Scanlon and Rogers, it blends studio recordings with sections recorded on afour trackin Rogers' flat and audio from Smith'sdictaphone.During the mixing, Smith took themaster tapehome and accidentally erased part of the track with a section from anOpen Universitydocumentary lecture by the astronomerPatrick Mooreon "red giants stars".[12]The sudden jump betweenlo-fihome taped and studio recordings fitted the mood of the track, and he and Leckie decided to include on the finished version.[3]The lyrics are mostly series of "enigmatic" and often disconnected lines and phrases, with the central hook "Hey Mark! You're spoiling all the paintwork" based on a complaint made by a decorator just after the Smiths had moved into the "new house" detailed in the preceding track.[22]The track was described in 2019 as "absolutely sublime" byVulture,[2][26]as "mildlypsychedelic"in 2011 by critic Mick Middles, and as" a thing of true wonder "by writer Steve Pringle in 2022.[22]

The drum heavy "I Am Damo Suzuki"is a tribute to the Japaneseex-patvocalistDamo Suzukiof theKrautrockgroupCan,[27]who Smith has often described as an early and major influence.[12][28]The lyrics describe and evoke Suzuki's stage presence and singing style and are accompanied by Brix's descending chords and Burns' metronomic drums. The music is heavily influenced by the 1971 Can song "Oh Yeah",but also contains elements (especially the descending chords, which are similar to their earlier track" Elves "(also written by Brix) and based on the Stooges"I Wanna Be Your Dog") of other Can tracks such as" Bel Air "(1973)," Gomorrah "(1974) and" Midnight Men "(1977). The song was described in 2022 as a" hypnotic art-rock anthem befitting of [Can's] name ",[29]while in 2019 Suzuki biographer Paul Woods wrote that "MES took the 'Oh Yeah' riff and overrode it with aspeed-freak surrealist tribute to Can and Damo himself while throwing in an oblique reference toFritz Leiber,one of a number of supernatural horror authors who also obsessed him. "[30]

The word "Yarbles" in the title of "To NK Roachment: Yarbles" is borrowed from the novelA Clockwork OrangeasNadsatfortesticles.[7]The track is a reprise of "Mansion", but according Pringle has a "softer and gentler tone."[18]Both the vocal melody and lyrics "Every day you have to die some / Every day you have to cry some / All the good times are past and gone" are based on the 1963Arthur Alexandersong "Every Day I Have To Cry".[18]

1988 bonus tracks

[edit]

Four bonus tracks were included on the 1988, 1990 and 1997CDreleases. The music for the album's second single "Cruiser's Creek"is built around another circular and twangy guitar riff by Brix, while the lyrics detail a debauched office-party.[12]Writing forThe Guardianin 2014, critic Dave Simpson described the song as "leftfield andoutsiderly,yet the insistent tune is surely as catchy as anything bythe Beatles."[31]For Hinkley, the song is reminiscent ofDire Straits.[24]It was released on 11 October 1985,[32]and was accompanied by a music video directed by both Mark andCerith Wyn Evans,[33]and starsLeigh Boweryin a role Smith described as resembling "a clerk on acid, like he was from some alternative world".[34]

The other two bonus tracks are a cover ofGene Vincent's rockabilly song "Rollin' Dany",[35]and the original "Couldn't Get Ahead", which was recorded before Steve Hanley rejoined and has Rogers playing bass.[36]

Release

[edit]

This Nation's Saving Gracewas released on 23 September 1985 byBeggars Banquet Records.[1]The label took out full-page adverts in the UK Music press, showing the album's bleak city-scape of Manchester's centre drawn by Michael Pollard with a horse-pulled chariot in the clouds above the city buildings drawn by Claus Castenskiold. A full-page advert inMelody Makershows the album cover and includes details of their October and November 1985 UK tour, and mention of the cassette version of the album, that featured bonus tracks.[37]This Nation's Saving Gracereached number 54 on theUK Albums Chart.[38]After tours of the north of England and the US, the Fall recorded the doubleA-sidedsingle "Couldn't Get Ahead" / "Rollin' Dany" and subsequent single "Cruiser's Creek" with Rogers standing in on bass guitar.[39]

Reception

[edit]
Professional ratings
Contemporaneous reviews (1985–86)
Review scores
SourceRating
Calgary HeraldA[40]
Daily News[24]
Music Week[41]
The Sault Star[42]
Sounds[43]
Times Colonist[44]
The Village VoiceB+[45]

This Nation's Saving Gracewas highly praised by the UK music press on release. TheNME'sDavid Quantickwrote the Fall had managed to create "one of their most accessible LPs yet" which was yet "infinitely more peculiar than almost anything else released this year."[46]In a very positive review forSounds,Chris Roberts wrote "Oh, to be thirteen again and have this be the first record one heard".[43]In contrast to the prevailing view of the Fall's development after recruiting Brix,Music Weeksuggested the album offered more of the same but lacked potential for mainstream crossover.[41]

Critics generally praised Brix's direction and songwriting.Robert ChristgauofThe Village Voicenoted how the "Yank guitarist...righted husband Mark E.'s feckless avant-gardishness" and said that the record was "cunningly sloppy, minimally catchyHawkwind/Stoogeswith eachthree-chorddrone long enough to make an avant-gardish statement but stopping short of actual boredom. "[45]In a 1986 article on the band inCreem,Renaldo Migaldi said "The Fall have been around since 1977, but only in the last couple of years have they achieved their fullest creative flowering" onThis Nation's Saving Graceand their preceding album, noting that her contributions had been "integral to how the band sounds now. Namely, better."[47]Conversely, a blurb on the album inCashboxwas dismissive: "This is post wave rock 'n' roll for the depressed teenager."[48]

NMEranked "TNSG" as the sixth best album of 1985.[49]Listeners of John Peel'sBBC Radio 1show voted six songs fromThis Nation's Saving Graceto the annualFestive Fiftylist: "Cruiser's Creek" (no. 3), "Spoilt Victorian Child" (no. 23), "Gut of the Quantifier" (no. 33), "Couldn't Get Ahead" (no. 39), "L.A." (no. 42), and "Rollin' Dany" (no. 55).[50]Jim Sullivan ofThe Boston GlobeandKristine McKennaof theLos Angeles Timesalso ranked the album in their top ten best albums of the year.[51][52]

Retrospective evaluation

[edit]
Professional ratings
Retrospective reviews
Review scores
SourceRating
AllMusic[53]
The Guardian[3]
Mojo[54]
Pitchfork10/10[55]
Q[56]
The Rolling Stone Album Guide(1992)[57](2001)[58]
Spin Alternative Record Guide10/10[59]
Uncut9/10[60]

Bruce Tiffee ofPitchforkdescribed the album as "one of the strongest" Fall releases and "perhaps the best record to emerge from the Beggars Banquet Fall era".[55]In 2011 Dave Simpson ofThe Guardianwrote that the album showcased the Fall "thrillingly subverting the notion of what pop music is",[3]while John Mulvey ofUncutwrote that it contained the band's strongest configuration "in all their menacing and utilitarian finery".[17]

In 2002,This Nation's...was listed byPitchforkas the 13th best album of the 1980s,[61]while it appeared at number 46 onSpin's list of the 100 greatest albums from 1985 to 2005,[62]and as number 93 onSlant Magazine's 2012 list of the best albums of the 1980s.[63]NMEplaced the album as number 400 on their 2013 list of the500 greatest albums of all time.[64]

The record was ranked number 441 in the third edition of writerColin Larkin'sAll Time Top 1000 Albums(2000), a list based on a poll of more than 200,000 people.[65]According to Larkin'sThe Encyclopedia of Popular Music,Brix's "partly melodious sheen... brought an air of 60s subculture to the group's post-industrial rattle", without compromising the band's "stubbornly maverick" roots, as the album "shows the Fall extending stylistic barriers without sacrificing their individuality."[66]

In his 2022 book "You Must Get Them All: The Fall on Record", Steve Pringle describes the album as the "perfect marriage of The Fall's increasing accessibility and their more challenging qualities". According to Pringle "it contains a flawless balance of everything the group did exceptionally well: aural barrage and grinding repetition, off-kilter pop-hooks, sonic experimentation and audacious weirdness."[67]

Legacy

[edit]

James Murphy—best known as the frontman of New Yorkdance-punkbandLCD Soundsystem—purchasedThis Nation's Saving Gracethe year of its release and said its aesthetic initially "terrified" him.[68]He later said it was a formative influence:

I was completely blown away. At the time, all I could hear on the radio wassynth popand then here comes this band that sound broken and wrong. I'd never heard anything like it—the idea of someone taking the time to go into a studio and record a singer [who] may or may not be in tune. It opened a lot of abstract paths to me because before that I was looking at abstract art and saying, 'This is garbage! What's the point?' But I started to get into abstract art because of the Fall... I started to realise that people's aesthetic goals were not necessarily to achieve perfection.[69]

Murphy said the album inspired him to take greater risks in his music and, more specifically, noted its impact on the lo-fi intro to "Yr City's a Sucker" from LCD Soundsystem's2005 self-titled debut album,akin to the tape experimentation of "Paint Work".[70]On the band's 2017 albumAmerican Dream,the song "Other Voices" alludes to "L.A." with the line, "This is what's happening and it's freaking you out".[71]

Reissue

[edit]

An extended version of the album was issue in 2011 on the Beggars Banquet reissue imprint "Beggars Archive". The 42-track box-set was accompanied by a 48-page colour booklet and two discs of rough studio mixes andPeel sessions.[14][72]

Track listings

[edit]

Original UK LP

[edit]
Side A
No.TitleWriter(s)Length
1."Mansion"Brix Smith1:21
2."Bombast"Steve Hanley,Mark E. Smith3:08
3."Barmy[n 1]"M. Smith5:21
4."What You Need"Craig Scanlon,M. Smith4:50
5."Spoilt Victorian Child"Simon Rogers,M. Smith4:13
6."L.A."B. Smith, M. Smith4:10
Side B
No.TitleWriter(s)Length
7."Gut of the Quantifier"Karl Burns,Rogers, B. Smith, M. Smith5:16
8."My New House"M. Smith5:16
9."Paint Work"Rogers, Scanlon, M. Smith6:38
10."I Am Damo Suzuki"Burns, B. Smith, M. Smith5:41
11."To Nkroachment: Yarbles"B. Smith, M. Smith1:23
Total length:47:17

Cassette and CD

[edit]
1985 cassette
No.TitleWriter(s)Length
1."Mansion"B. Smith1:21
2."Bombast"Hanley, M. Smith3:07
3."Barmy"M. Smith5:20
4."What You Need"Scanlon, M. Smith4:49
5."Spoilt Victorian Child"Rogers, M. Smith4:12
6."L.A."B. Smith, M. Smith4:09
7."Vixen"B. Smith, M. Smith4:01
8."Couldn't Get Ahead"B. Smith, M. Smith2:35
9."Gut of the Quantifier"Burns, Rogers, B. Smith, M. Smith5:15
10."My New House"M. Smith5:16
11."Paint Work"Rogers, Scanlon, M. Smith6:38
12."I Am Damo Suzuki"Burns, B. Smith, M. Smith5:40
13."To Nkroachment: Yarbles"B. Smith, M. Smith1:23
14."Petty (Thief) Lout"Scanlon, M. Smith5:20
Total length:59:06
1988, 1990 and 1997 CD bonus tracks
No.TitleWriter(s)Length
15."Rollin' Dany" (single A-side)Joe Steen, Paul Edwards2:23
16."Cruisers Creek"(edit) (single A-side)B. Smith, M. Smith4:16
Total length:65:56[10]

2011 Omnibus Edition

[edit]

Disc 1 –This Nation's Saving Grace

  • As per original UK LP
Disc 2 – Rough Mixes and Out-takes
No.TitleWriter(s)Length
1."Demo Suzuki" (rough mix)Burns, B. Smith, M. Smith5:54
2."Wonderful and Frightened Pt 1" (rough mix)B. Smith1:22
3."Wonderful and Frightened Pt 2" (rough mix)B. Smith, M. Smith1:46
4."Gut of the Quantifier" (rough mix)Burns, Rogers, B. Smith, M. Smith5:31
5."Bombast" (rough mix)Hanley, M. Smith2:48
6."Barmy" (rough mix)M. Smith4:51
7."My New House (Mark's Mix)" (rough mix)M. Smith5:52
8."Paintwork" (rough mix)Rogers, Scanlon, M. Smith7:08
9."Ma Riley" (rough mix)M. Smith3:48
10."Spoilt Victorian Child" (rough mix)Rogers, M. Smith4:26
11."L.A." (rough mix)B. Smith, M. Smith5:16
12."What You Need" (rough mix)Scanlon, M. Smith4:57
13."Edie" (rough mix; backing track) (feat.The Adult Net)B. Smith4:00
14."Cruiser's Creek" (extended version)B. Smith, M. Smith7:35
15."L.A." (take 2)B. Smith, M. Smith4:24
16."Bombast" (Blackwingversion)Hanley, M. Smith3:05
17."Paintwork" (gloss)Rogers, Scanlon, M. Smith7:03
Total length:79:49
Disc 3 – Singles and Sessions
No.TitleWriter(s)Length
1."Couldn't Get Ahead" (single A-side)B. Smith, M. Smith2:37
2."Rollin' Dany" (single A-side)Steen, Edwards2:26
3."Petty (Thief) Lout" (single B-side)Scanlon, M. Smith5:23
4."Cruiser's Creek" (single A-side)B. Smith, M. Smith6:08
5."Vixen" (single B-side)B. Smith, M. Smith4:03
6."Ma Riley" (previously unreleased)M. Smith3:28
7."Barmy" (long version) (previously unreleased)M. Smith6:02
8."Cruiser's Creek" (edit version)B. Smith, M. Smith4:20
9."Spoilt Victorian Child" (Peel session;recorded 14 May 1985)Rogers, M. Smith4:58
10."Gut of the Quantifier" (Peel session; recorded 14 May 1985)Burns, Rogers, B. Smith, M. Smith4:44
11."L.A." (Peel session; recorded 29 September 1985)B. Smith, M. Smith2:36
12."What You Need" (Peel session; recorded 29 September 1985)Scanlon, M. Smith5:53
13."Couldn't Get Ahead" (Peel session; recorded 14 May 1985)B. Smith, M. Smith4:36
14."Cruiser's Creek" (Peel session; recorded 14 May 1985)B. Smith, M. Smith5:53
Total length:63:09

Personnel

[edit]
The Fall[10]
Technical
  • John Leckie– production, engineering
  • Joe Gillingham – engineering
  • Michael Pollard – cover[15]
  • Claus Castenskiold – cover[15]

Notes

[edit]
  1. ^The original US LP follows the UK LP track listing, but swaps "Barmy" for "Cruisers Creek"

References

[edit]

Citations

[edit]
  1. ^ab"The Fall: This Nation's Saving Grace".Beggars Banquet. Retrieved 25 April 2022
  2. ^abcBerman, Stuart. "Hey, Student! It’s a Beginner’s Guide to the Fall".Vulture,3 January 2018. Retrieved 25 April 2022
  3. ^abcdeSimpson, Dave. "The Fall: This Nation's Saving Grace Omnibus Edition – review".The Guardian,15 December 2011. Retrieved 24 April 2022
  4. ^abcdePringle (2022), p. 162
  5. ^Ford (2002), p. 142
  6. ^Ford (2002), pp. 142–143
  7. ^abcAston, Martin. "The Fall This Nation's Saving Grace Review".BBC,2014. Retrieved 24 April 2022
  8. ^Pringle (2022), p. 163
  9. ^Pringle (2022), p. 164
  10. ^abcIrvin (2007), p. 495
  11. ^Pringle (2022), p. 160
  12. ^abcdefFord (2002), p. 147
  13. ^Hanley (2014), p. 250
  14. ^abcdMiddles, Mick. "The Fall: This Nation's Saving Grace Omnibus Edition – review".The Quietus,26 January 2011. Retrieved 25 April 2022
  15. ^abcPringle (2022), p. 166
  16. ^abcdFord (2002), p. 146
  17. ^abMulvey, John. "The Fall: This Nation's Saving Grace: Omnibus Edition".Uncut,11 January 2011. Retrieved 25 April 2022
  18. ^abcPringle (2022), p. 172
  19. ^Pringle (2022), p. 165
  20. ^Haslam, Dave(18 July 1986)."Hip, Hip, Hip, Hip Priest".City Life.No. 58. Manchester. pp. 22–23.Archivedfrom the original on 5 June 2021.Retrieved2 May2022– via TheFall.org.
  21. ^Pringle (2022), p. 169
  22. ^abcdPringle (2003), p. 170
  23. ^Start Smith (2017), 1985−1986
  24. ^abcHinckley, David (3 January 1986)."Record Reviews".Daily News.p. 14.Retrieved16 May2022– viaNewspapers.com.(subscription required)
  25. ^Pilley, Max. "The Fangasm: The Fall".Drowned in Sound,26 January 2018. Retrieved 29 April 2022
  26. ^Dora John. "Messing Up The Paintwork: This Nation’s Saving Grace Revisited".The Quietus,24 January 2018. Retrieved 25 April 2022
  27. ^Johnson, Craig. "Damo Suzuki: HollyAris: I Am Damo Suzuki".Spiked,1 February 2005. Retrieved 1 May 2022
  28. ^Hanley (2014), p. 251
  29. ^Terich, Jeff. "Beginner's Guide: The Best The Fall albums to start with".Treble Magazine,23 March 2022. Retrieved 1 May 2022
  30. ^Suzuki; Woods (2019), pp. 155–156
  31. ^Simpson, Dave. "The Fall: 10 of their best songs".The Guardian,11 June 2014. Retrieved 24 April 2022
  32. ^"Cruiser's Creek".AllMusic. Retrieved 24 April 2022
  33. ^Edge (1989), p. 83
  34. ^Ford (2002), pp. 147–148
  35. ^Riley, Tim."The praxis of punk".The Boston Phoenix,7 April 1989. p. 13. Retrieved 25 April 2022.
  36. ^Edge (1989), p. 82
  37. ^"The Fall – This Nation's Saving Grace (advertisement)".Melody Maker.Vol. 60, no. 39. 28 September 1985. p. 37.
  38. ^"The Fall".Official Charts Company.Retrieved25 March2015.
  39. ^Easlea, Daryl. "Interview with Paul Hanley".The Fall Box Set 1976 – 2007accompanying booklet. Castle Music/Sanctuary, 2007
  40. ^Muretich, James (2 November 1985)."Primal rock group dives headlong into anarchy".Calgary Herald.p. C7.Retrieved26 April2022– viaNewspapers.com.(subscription required)
  41. ^abAnon. (28 September 1985)."The Fall:This Nation's Saving Grace.Beggars Banquet. BEGA 67 "(PDF).LP Reviews.Music Week.London: Morgan–Grampian Publications. p. 19.Archived(PDF)from the original on 31 December 2021.Retrieved2 May2022– via WorldRadioHistory.com.
  42. ^Halverson, Jim (9 November 1985)."Grace from the Fall".The Sault Star.p. 8.Retrieved28 April2022– viaNewspapers.com.(subscription required)
  43. ^abRoberts, Chris (28 September 1985). "Nationwide".Sounds.p. 30.
  44. ^Belton, Brian (30 November 1985)."On Track".Times Colonist.p. C7.Retrieved1 May2022– viaNewspapers.com.(subscription required)
  45. ^abChristgau, Robert(7 January 1986)."Christgau's Consumer Guide".The Village Voice.New York.Archivedfrom the original on 1 March 2022.Retrieved3 May2022– via RobertChristgau.com.
  46. ^Quantick, David (28 September 1985). "Fall In!".NME.p. 39.
  47. ^Migaldi, Renaldo (August 1986)."Falling into Place".Creem.Vol. 17, no. 12.Birmingham, Michigan:Cambray Publishing, Inc. p. 69 – via theInternet Archive.
  48. ^Anon. (7 December 1985)."This Nation's Saving Grace– The Fall – PVC 8940 – Producer: John Leckie – List: 8.98 ".Album Releases.Cashbox.Vol. 49, no. 26. New York. p. 8.Retrieved3 May2022– via theInternet Archive.
  49. ^"NME's best albums and tracks of 1985".NME.10 October 2016.Retrieved30 August2018.
  50. ^Anon. (1985)."Festive 50s – 1985".Keeping It Peel.BBC Online.Archivedfrom the original on 11 December 2005.Retrieved2 May2022.
  51. ^Sullivan, Jim (19 December 1985)."1985's Top 10 Records".The Boston Globe.p. 16.Retrieved4 May2022– via Newspapers.com.(subscription required)
  52. ^McKenna, Kristine(29 December 1985)."Critics' Top-10 Album Poll: Activism and Americanism".Los Angeles Times.p. 64.Retrieved4 May2022– via Newspapers.com.(subscription required)
  53. ^Mills, Ted. "This Nation's Saving Grace – The Fall".AllMusic.Retrieved 24 April 2022
  54. ^Harrison, Ian (October 2016). "Rebellious Jukebox".Mojo.No. 275. pp. 62–67.
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