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Todd Haynes

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Todd Haynes
Haynes in 2023
Born(1961-01-02)January 2, 1961(age 63)
Los Angeles, California, U.S.
Alma materBrown University(BA)
Bard College(MFA)
OccupationFilmmaker
Years active1985–present

Todd Haynes(/heɪnz/;born January 2, 1961) is an American film director, screenwriter, and producer. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles.

Haynes first gained public attention with his controversial short filmSuperstar: The Karen Carpenter Story(1987), which chronicles singerKaren Carpenter's life and death using Barbie dolls as actors.[a]Superstarbecame acult classic.[1][2]His feature directorial debut,Poison(1991), a provocative exploration of AIDS-eraqueerperceptions and subversions, established him as a figure of a new transgressive cinema.Poisonwon theSundance Film Festival's Grand Jury Prize and is regarded as a seminal work ofNew Queer Cinema.

Haynes received further acclaim for his second feature film,Safe(1995), a symbolic portrait of a housewife who developsmultiple chemical sensitivity.Safewas later voted the best film of the 1990s byThe Village VoiceFilm Poll.His next feature,Velvet Goldmine(1998), is a tribute to the 1970sglam rockera. The film received the Special Jury Prize for Best Artistic Contribution at the1998 Cannes Film Festival.

Haynes gained acclaim and a measure of mainstream success withFar from Heaven(2002), receiving his firstAcademy Awardnomination forBest Original Screenplay.He continued to direct critically lauded films such asI'm Not There(2007),Carol(2015),Wonderstruck(2017),Dark Waters(2019), andMay December(2023), as well as the documentary filmThe Velvet Underground(2021). Haynes also directed and co-wrote theHBOmini-seriesMildred Pierce(2011), for which he received threePrimetime Emmy Awardnominations.

Early life and education[edit]

Haynes was born January 2, 1961, in Los Angeles, and grew up in the city'sEncinoneighborhood.[3][4]His father, Allen E. Haynes, was a cosmetics importer, and his mother, Sherry Lynne (née Semler), studied acting. Haynes is Jewish on his mother's side.[5][6]His younger sister is Gwynneth Haynes of the bandSophe Lux.[7]

Haynes developed an interest in film at an early age, and produced a short film,The Suicide(1978), while still in high school. He studied art andsemioticsatBrown University,where he directed his first short filmAssassins: A Film Concerning Rimbaud(1985), inspired by the French poetArthur Rimbaud(a personality Haynes would later reference in his filmI'm Not There). At Brown, he metChristine Vachon,who would go on to produce all of his feature films. After graduating from Brown, Haynes moved to New York City and became involved in the independent film scene, launching Apparatus Productions, a non-profit organization for the support of independent film.[1]

According toCinematic/Sexual: An Interview with Todd Haynes,in response to whether his academic background affected his film-making practice, Haynes stated that his high school teacher taught him a valuable lesson: "Reality can't be a criterion for judging the success or failure of a film, or its effect on you. It was a simple, but eye-opening, way of approaching film."[8]

Career[edit]

1987–1993: Early work and feature debut[edit]

Haynes directed his first short based onKaren CarpentercalledSuperstar: The Karen Carpenter Story(1987)

In 1987, while an MFA student atBard College,Haynes made a short,Superstar: The Karen Carpenter Story,which chronicles the life of American pop singerKaren Carpenter,using Barbie dolls as actors.[1]The film presents Carpenter's struggle with anorexia and bulimia, featuring several close-ups ofIpecac(the nonprescription drug Carpenter was reputed to have used to make herself vomit during her illness). Carpenter's chronic weight loss was portrayed by using a "Karen" Barbie doll with the face and body whittled away with a knife, leaving the doll looking skeletonized.

Superstarfeatured extensive use of Carpenter songs, showcasing Haynes's love of popular music (which would be a recurring feature of later films). Haynes failed to obtain proper licensing to use the music, prompting a lawsuit from Karen's brotherRichardfor copyright infringement. Carpenter was reportedly also offended by Haynes's unflattering portrayal of him as a narcissistic bully, along with several broadly dropped suggestions that he was gay andin the closet.Carpenter won his lawsuit, andSuperstarwas removed from public distribution; to date, it may not be viewed publicly.[1]Bootlegged versions of the film are still circulated, and the film is sporadically made available on YouTube.[9][10]

Haynes's 1991 feature film debut,Poison,garnered him further acclaim and controversy.[1]Drawing on the writings of gay writerJean Genet,the film is a triptych ofqueer-themed narratives, each adopting a different cinematic genre: vox-pop documentary ( "Hero" ), 50s sci-fi horror ( "Horror" ) and gay prisoner romantic drama ( "Homo" ). The film explores traditional perceptions of homosexuality as an unnatural and deviant force, and presents Genet's vision ofsado-masochisticgay relations as a subversion of heterosexual norms, culminating with a marriage ceremony between two gay male convicts.Poisonmarked Haynes's first collaboration with his longtime producerChristine Vachon.

Poisonwas partially funded with a grant from theNational Endowment for the Arts(NEA),[1]"at a time when the agency was under attack from conservative groups for using public funds to support sexually explicit works".[11]This, along with the film's sexual themes, was a source of controversy.[11][1]The film subsequently became the center of a public attack byReverend Donald Wildmon,head of theAmerican Family Association,who criticized the NEA for fundingPoisonand other works by gay and lesbian artists and filmmakers. Wildmon, who had not viewed the film before making his comments publicly,[12]condemned the film's "explicit porno scenes of homosexuals involved in anal sex", despite no such scenes appearing in the film.[13]Poisonwent on to win the 1991Sundance Film Festival's Grand Jury Prize, establishing Haynes as an emerging talent and the voice of a new transgressive generation.[1][14][15]The film writerB. Ruby RichcitedPoisonas one of the defining films of the emergingNew Queer Cinemamovement, with its focus on maverick sexuality as an anti-establishment social force.[16][17]

Haynes's next short film,Dottie Gets Spanked(1993), explored the experiences of a quiet and gentle six-year-old boy in the early 1960s who has various indirect encounters with spanking, most significantly involving his idol, a TV sitcom star named Dottie. The film was aired onPBS.[1]

1995–1998: Rise to prominence[edit]

Haynes andJulianne Moorefirst collaborated together withSafe.She would go on to act in his filmsFar from Heaven(2002) andMay December(2023)

Haynes's second feature film,Safe(1995), was a critically acclaimed portrait of Carol White, a San Fernando Valley housewife (played byJulianne Moore) who develops violent allergies to her middle-class suburban existence.[1]After a series of extreme allergic reactions and hospitalization, Carol diagnoses herself with acute environmental illness, and moves to aNew Agecommune in theNew Mexicodesert run by anHIV positive"guru" who preaches both that the real world is toxic and unsafe for Carol, and that she is responsible for her illness and recovery. The film ends with Carol retreating to her antiseptic, prison-like "safe room", looking at herself in the mirror and whispering "I love you" to her reflection.

The film is notable for its critical (though not entirely unsympathetic) treatment of its main character. Julie Grossman argues in her article "The Trouble With Carol" that Haynes concludes the film as a challenge to traditional Hollywood film narratives of the heroine taking charge of her life, and that Haynes sets Carol up as the victim both of a repressive male-dominated society, and also of an equally debilitatingself-helpculture that encourages patients to take sole responsibility for their illness and recovery.[18]Carol's illness, although unidentified, has been read as an analogy for the AIDS crisis of the mid-1980s, as a similarly uncomfortable and largely unspoken "threat" in 1980s Reaganist America.[1][19]Safewas critically acclaimed, giving Moore her first leading role in a feature film, and gave Haynes a measure of mainstream critical recognition.[1]It was voted the best film of the 1990s by the Village Voice's Critic Poll.[20]The film historianDavid Thomsonlater described it as "one of the most arresting, original and accomplished films of the 1990s".[21]

Haynes took a radical shift in direction for his next feature,Velvet Goldmine(1998), starringChristian Bale,Ewan McGregor,Jonathan Rhys-MeyersandToni Collette.The film's title takes its name fromDavid Bowie's song "Velvet Goldmine".[22]Filmed and set mostly in England, the film was an intentionally chaotic tribute to the 1970s glam rock era, drawing heavily on the rock histories and mythologies of glam rockersDavid Bowie,Iggy PopandLou Reed.Starting withOscar Wildeas the spiritual godfather of glam rock, the film revels in the gender and identity experimentation and fashionable bisexuality of the era, and acknowledges the transformative power of glam rock as an escape and a form of self-expression for gay teenagers.[citation needed]

Haynes at theTribeca Film Festivalin 2009

The film follows the character of Arthur (Bale) an English journalist once enraptured by glam rock as a 1970s teenager, who returns a decade later to hunt down his former heroes: Brian Slade (Rhys Meyers), a feather boa-wearingandrogynewith an alter ego, "Maxwell Demon", who resembles Bowie in hisZiggy Stardustincarnation, and Curt Wild (McGregor), an Iggy Pop-style rocker. The narrative playfully rewrites glam rock myths which in some cases sail unnervingly close to the truth.[citation needed]Slade flirts with bisexuality and decadence before staging his own death in a live performance and disappearing from the scene, echoing Bowie's own disavowal of glam rock in the late 1970s and his subsequent re-creation as an avowedly heterosexual pop star. The film features a love affair between Slade and Wild's characters, recalling rumors about Bowie and Reed's supposed sexual relationship. Curt Wild's character has a flashback to enforcedelectric shock treatmentas a teenager to attempt to cure his homosexuality, echoing Reed's teenage experiences as a victim of the homophobic medical profession.

Haynes was keen to use original music from the glam rock period, and (learning his lesson fromSuperstar)[citation needed]approached David Bowie before making the film for permission to use his music in the soundtrack. Bowie declined, leaving Haynes to use a combination of original songs from other artists and glam-rock inspired music written by contemporary rock bands for the film, includingSuede.[citation needed]Velvet Goldminepremiered in main competition at the1998 Cannes Film Festival,winning a special jury award for Best Artistic Contribution.[23]Despite the initial critical praise, the film received mixed reviews from critics.[citation needed]Costume designerSandy Powellreceived anAcademy Awardnomination for her costume design and won the Oscar in the same year for her work onShakespeare In Love.[24]

2002–2014: Career progression and acclaim[edit]

Haynes achieved his greatest critical and commercial success to date withFar from Heaven(2002), a 1950s-set drama inspired by the films ofDouglas Sirkabout a Connecticut housewife Cathy Whittaker (Julianne Moore) who discovers that her husband (Dennis Quaid) is secretly gay, and subsequently falls in love with Raymond, her African-American gardener (Dennis Haysbert). The film works as a mostly reverential and unironic tribute to Sirk's filmmaking, lovingly re-creating the stylizedmise-en-scene,colors, costumes, cinematography and lighting of Sirkianmelodrama.Cathy and Raymond's relationship resemblesJane WymanandRock Hudson's inter-class love affair inAll That Heaven Allows,and Cathy's relationship with Sybil, her African-American housekeeper (Viola Davis) recallsLana TurnerandJuanita Moore's friendship inImitation of Life.While staying within the cinematic language of the period, Haynes updates the sexual and racial politics, showing scenarios (an inter-racial love affair and gay relationships) that would not have been permissible in Sirk's era. Haynes also resists a Sirkian happy ending, allowing the film to finish on a melancholy note closer in tone to the "weepy" melodramas of the 1940s and 1950s cinema such asMildred Pierce.

Todd Haynes and actors of his 2007 film,I'm Not There,posing at the 64thVenice Film Festivalin 2007

Far from Heavendebuted at theVenice Film Festivalto widespread critical acclaim and garnered a slew of film awards, including theVolpi Cupfor Moore, and four Academy Award nominations: lead actress for Moore, Haynes's original screenplay,Elmer Bernstein's score, andEdward Lachman's cinematography.Far from Heavenlost in all four categories, but the film's success was hailed as a breakthrough for independent film achieving mainstream recognition and brought Haynes to the attention of a wider mainstream audience.[1]

In another radical shift in direction, Haynes's next filmI'm Not There(2007) returned to the mythology of popular music, portraying the life and legend ofBob Dylanthrough seven fictional characters played by six actors:Richard Gere,Cate Blanchett,Marcus Carl Franklin,Heath Ledger,Ben WhishawandChristian Bale.Haynes obtained Dylan's approval to proceed with the film, and the rights to use his music in the soundtrack, after presenting a one-page summary of the film's concept to Jeff Rosen, Dylan's long-time manager.[25]I'm Not Therepremiered at theVenice Film Festivalto critical acclaim, where Haynes won theGrand Jury Prizeand Blanchett won the Volpi Cup, eventually receiving an Academy Award nomination forBest Supporting Actress.[26][27]

Haynes's next project wasMildred Pierce,a five-hour miniseries forHBObased on the novel byJames M. Cainand the 1945 film starringJoan Crawford.The series starredKate Winsletin the title role and featuredGuy Pearce,Evan Rachel Wood,Melissa Leo,James LeGrosandHope Davis.Filming was completed in mid-2010 and the series began airing on HBO on 27 March 2011. It received 21Primetime Emmy Awardnominations, winning five, and Winslet won aGolden Globe Awardfor her performance.[28][29]

2015–2019: Established career[edit]

Haynes's sixth feature film,Carol,is an adaptation of the 1952 novelThe Price of SaltbyPatricia Highsmith.The cast featuresCate Blanchett,Rooney Mara,Sarah PaulsonandKyle Chandler.The film premiered in competition at the2015 Cannes Film Festival,where it won theQueer Palmand a shared Best Actress prize for Mara.[30][31]Carolreceived critical acclaim[32]and was nominated for six Academy Awards, five Golden Globe Awards, nineBAFTA Awards,and sixIndependent Spirit Awards.[33][34][35][36]Geoffrey McNab ofThe Independentpraised the film praising Haynes writing "In sly and subversive fashion, Haynes is laying bare the tensions in a society that refuses to acknowledge" difference "of any sort". McNabb added, "They are both helped that in Todd Haynes, they have a director who is sensitive to every last nuance in their performances".[37]

On October 20, 2017, Haynes'sWonderstruckwas released, having premiered at the 2017 Cannes Film Festival on May 18, 2017. The film is an adaptation ofBrian Selznick's children's bookof the same name.WonderstruckstarsJulianne Mooreand is produced by Haynes's collaboratorChristine VachonandAmazon Studios,which is also distributing the film.[38][39]The movie describes two deaf children, one in 1927 and the other in 1977, who embark on separate quests to find themselves. When asked why he'd made a children's movie, in his October 15, 2017, NPR interview, Haynes explained, "I felt like it spoke to something indomitable about the nature of kids and the ability for kids to be confronted with challenges and the unknown and to keep muscling through those challenges."[40]The film received mixed reviews but earned praise forEdward Lachman'sblack-and-whitecinematography.

Haynes directed a film titledDark WatersforParticipant Media.[41][42]The film is based onNathaniel Rich'sNew York Times Magazinearticle “The Lawyer Who Became DuPont's Worst Nightmare,” which is about corporate defense attorneyRobert Bilottand his environmental lawsuit against the American conglomerateDuPont.[43]Mark RuffaloandAnne Hathawaystar,[44]and principal photography began in January 2019, inCincinnati.[45]The film was released on November 22, 2019.[46]

2021–present[edit]

Natalie Portman,Haynes, andJulianne Mooreat the2023 Cannes Film FestivalpromotingMay December

Haynes's premiered his first documentary feature,The Velvet Underground,at theCannes Film Festivalon July 7, 2021, and it went on to be released on October 15, 2021, in theaters and onApple TV+,to critical acclaim. The film rejects documentary biopic tropes, evoking a place and time through extensive use of montage. “What montage can do is always more sophisticated than we give it credit for,” Haynes says. “I wanted the audience to fill in the holes themselves and make their own discoveries and feel like these ideas are alive again, because they’re coming through you, and they’re not just being told to us like in a lecture.”[47]Haynes was nominated for theCritics' Choice Documentary Award for Best First Documentary Feature.[48]

Haynes's latest film,May December,reunites him with frequent collaborator Julianne Moore and co-starsNatalie PortmanandCharles Melton.The film, loosely based aroundthe Mary Kay Letourneau scandal,revolves around a married couple whose relationship is put through a test after an actress arrives to do research for a film about their past. From a script by Samy Burch, with a story by Burch and Alex Mechanik.[49][50]The film was shot in Savannah, Georgia, and wrapped filming in December 2022.[51]The film received positive reviews[52]with Peter Debruge ofVarietywriting, "Todd Haynes unpacks America’s obsession with scandal and the impossibility of ever truly knowing what motivates others in this layered look at the actor’s process."[53]The film went on to receive nominations for fourGolden Globe AwardsincludingBest Motion Picture – Musical or Comedy.[54]Haynes himself was nominated for theIndependent Spirit Award for Best Director.[55]

In 2023, Todd Haynes was given a Moving Image Award by theMuseum of the Moving Image(MOMI) in New York City. MOMI also curated a retrospective of his work, and published a book,Todd Haynes: Rapturous Process.[56]

Upcoming projects[edit]

In 2015 he was reported to be developing a TV series based on the 2012 documentaryThe Source FamilyforHBO.[38][57]

Haynes is set to direct aPeggy Leebiopic, titledFever,based on a screenplay originally drafted byNora Ephronbefore her death in 2012, starringMichelle Williamsin the title role afterReese Witherspoonbacked out of the role to produce instead.Billie Eilishis in early talks to executive produce. The primary screenwriter is nowDoug Wright.[58]

Haynes said in September 2023 that he has been working on a sexually explicit film about a "love story between two men set in the 30s", starringJoaquin Phoenix.[59]Haynes is reportedly set to direct the HBO seriesTrust,based on Hernan Diaz'snovel of the same name,withKate Winsletas the lead after working together onMildred Pierce.[60][61]

Style and themes[edit]

AllMoviewrites that "Haynes is known for making provocative films that subvert narrative structure and resound with transgressive, complexeroticism.... Although he doesn't characterize himself as a gay filmmaker who makes gay films… Haynes' name has become synonymous with theNew Queer Cinemamovement and its work to both explore and redefine the contours of queer culture in America and beyond. "[62]

Haynes's work is preoccupied withpostmodernistideas of identity and sexuality as socially constructed concepts and personal identity as a fluid and changeable state. His protagonists are invariably social outsiders whose "subversive" identity and sexuality put them at odds with the received norms of their society. In the Haynes universe, sexuality (especially "deviant" or unconventional sexuality) is a subversive and dangerous force that disrupts social norms and is often repressed brutally by dominant power structures. Haynes presents artists as the ultimate subversive force since they must necessarily stand outside of societal norms, with an artist's creative output representing the greatest opportunity for personal and social freedom. Many of his films are unconventional portraits of popular artists and musicians (Karen CarpenterinSuperstar,David BowieinVelvet GoldmineandBob DylaninI'm Not There).[citation needed]

Haynes's films often feature formal cinematic or narrative devices that challenge received notions of identity and sexuality and remind the audience of the artificiality of film as a medium. Examples include usingBarbie dollsinstead of actors inSuperstaror having multiple actors portray the protagonist inI'm Not There.Stylistically, Haynes favors formalism over naturalism, often appropriating and reinventing cinematic styles, including the documentary form inPoison,Velvet GoldmineandI'm Not There,the reinvention of theDouglas SirkmelodramainFar from Heavenand extensive referencing of 1960s art cinema inI'm Not There.[citation needed]

Personal life[edit]

Haynes is openly gay,[63][64][65]and identifies asirreligious.[66]After living in New York City for more than a decade, Haynes moved toPortland, Oregon,in 2002.[4][67]He has been in a relationship with Bryan O'Keefe, an archival producer, since 2002.[68]

An edited book of personal interviews was published in 2014, titledTodd Haynes: Interviews.[69]

Filmography[edit]

Short films[edit]

Year Title Director Writer Producer Actor Role
1978 The Suicide Yes Yes No No
1985 Assassins: A Film Concerning Rimbaud Yes Yes No Yes Himself
1987 Superstar: The Karen Carpenter Story Yes Yes Yes Yes Todd Donovan, Disc Jockey
1989 La Divina No No Yes No
He Was Once No No Yes Yes Randy

Feature films[edit]

Year Title Director Writer Producer
1991 Poison Yes Yes No
1995 Safe Yes Yes No
1998 Velvet Goldmine Yes Yes No
2002 Far from Heaven Yes Yes No
2007 I'm Not There Yes Yes No
2015 Carol Yes No No
2017 Wonderstruck Yes No No
2019 Dark Waters Yes No No
2021 The Velvet Underground Yes Yes Yes
2023 May December Yes No No

Executive producer

Television[edit]

Year Title Director Writer Executive
Producer 		Notes
1993 Dottie Gets Spanked Yes Yes No TV short
2011 Mildred Pierce Yes Yes Yes Miniseries[70]
2013 Enlightened Yes No No Episode: "All I Ever Wanted"
Six by Sondheim Yes No No Segment: "I'm Still Here"

Commercials[edit]

Year Title Subject
2008 "Share the Good"[71] Heineken Premium Light

Awards and nominations[edit]

Main article:List of awards and nominations received by Todd Haynes

Directed Academy Award performances

Year Performer Film Result
Academy Award for Best Actress
2003 Julianne Moore Far from Heaven Nominated
2016 Cate Blanchett Carol Nominated
Academy Award for Best Supporting Actress
2008 Cate Blanchett I'm Not There Nominated
2016 Rooney Mara Carol Nominated

See also[edit]

Notes[edit]

  1. ^Haynes had not obtained proper licensing to use the Carpenters' music, prompting a lawsuit fromRichard Carpenter,whom the film portrayed in an unflattering light, banning the film's distribution.

References[edit]

  1. ^abcdefghijklmRebecca Flint Marx (2016)."Todd Haynes – Biography".Movies & TV Dept.The New York Times.Archived fromthe originalon March 4, 2016.RetrievedJuly 11,2015.
  2. ^Davis, Glyn (2008).Superstar: the Karen Carpenter story.Wallflower Press.ISBN9781905674886.
  3. ^"UPI Almanac for Wednesday, Jan. 2, 2019".United Press International.January 2, 2019.Archivedfrom the original on September 2, 2019.RetrievedSeptember 2,2019.filmmaker Todd Haynes in 1961 (age 58)
  4. ^abRothkoph, Joshua (August 30, 2023)."Todd Haynes on his new 'May December,' a 'corrupt, twisted kind of fairy tale'".Los Angeles Times.RetrievedDecember 27,2023.
  5. ^Pfefferman, Naomi (March 6, 2003)."Heavenly Friendship".The Jewish Journal of Greater Los Angeles.Archived fromthe originalon July 13, 2015.RetrievedJuly 11,2015.
  6. ^Pfefferman, Naomi (March 29, 2011).""Mildred Pierce," Todd Haynes and Me ".The Jewish Journal of Greater Los Angeles.RetrievedJuly 11,2015.
  7. ^Scott, Aaron (March 15, 2011)."The Ladies' Man".Portland Monthly.RetrievedJuly 11,2015.
  8. ^Leyda, Julia."Todd Haynes: Interviews".University Press of Mississippi.
  9. ^Turner, Kyle (November 24, 2015)."The Films of Todd Haynes: Performance, Desire, and Identity".The Film Stage.RetrievedMarch 6,2016.
  10. ^Matheson, Whitney (February 4, 2013)."Today in history: Karen Carpenter died 30 years ago".USA Today.RetrievedMarch 6,2016.
  11. ^ab"Todd Haynes".Encyclopædia Britannica Online.Encyclopædia Britannica, Inc.October 23, 2017.
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  14. ^Lim, Dennis (November 5, 2010)."When 'Poison' Was a Cinematic Antidote".The New York Times.RetrievedJuly 11,2015.
  15. ^Brunick, Paul (November 12, 2010)."Todd Haynes's Poison".Slant Magazine.RetrievedJuly 11,2015.
  16. ^Levy, Emanuel(June 27, 2015)."Gay Pride 2015: Celebrating Todd Haynes' Poison".EmmanuelLevy.Archived fromthe originalon July 13, 2015.RetrievedJuly 11,2015.
  17. ^Dillard, Clayton (April 3, 2013)."Hearth of Darkness: Rob White's Todd Haynes".Slant Magazine.RetrievedJuly 11,2015.
  18. ^Grossman, Julie (January 2005)."The Trouble with Carol: The Costs of Feeling Good in Todd Haynes's [Safe] and the American Cultural Landscape".Other Voices.University of Pennsylvania.Archived fromthe originalon January 4, 2010.RetrievedJuly 11,2015.
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  29. ^"Golden Globes 2012: The Winners List".The Hollywood Reporter.January 15, 2012.RetrievedAugust 18,2015.
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  36. ^"'Carol,' 'Spotlight,' 'Beasts of No Nation' Lead Spirit Awards Nominations ".Variety.November 24, 2015.RetrievedNovember 24,2015.
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  42. ^Kroll, Justin (September 21, 2018)."Todd Haynes to Direct Drama 'Dry Run' (EXCLUSIVE)".Variety.RetrievedJanuary 9,2019.
  43. ^Sharf, Zack (September 21, 2018)."Todd Haynes Sets 'Dry Run' as Next Film, Eyes Mark Ruffalo to Star in Du Pont Family-Inspired Drama".IndieWire.RetrievedJanuary 9,2019.
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  51. ^"Natalie Portman on Instagram:" And we've wrapped May December. I couldn't believe my luck to work with one of my all-time favorite directors, Todd Haynes, one of the greatest actresses and humans ever, @juliannemoore, and the brilliant Charles Melton in dreamy Savannah, Georgia. Can't wait for you all to see it next year! 📷: Charles Melton "".
  52. ^"May December (2023)".Rotten Tomatoes.RetrievedDecember 4,2023.
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  55. ^"'American Fiction,' 'May December,' 'Past Lives' Lead 2024 Indie Spirits Noms ".IndieWire.December 5, 2023.RetrievedMarch 16,2024.
  56. ^Lattanzio, Ryan (October 2, 2023)."Todd Haynes Retrospective and Exhibit Set for New York's Museum of the Moving Image".IndieWire.RetrievedJuly 12,2024.
  57. ^Tedder, Michael (November 23, 2015)."Todd Haynes Talks Carol, His Potential New HBO Show and Keeping It Semiotic After All These Years".Paper.RetrievedMay 8,2016.
  58. ^Kroll, Justin (February 4, 2021)."Michelle Williams To Play Peggy Lee In Todd Haynes Directed Biopic 'Fever'; MGM In Talks To Acquire, Billie Eilish In Early Discussions To Exec Produce".Deadline.RetrievedOctober 23,2021.
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  65. ^Karin Badt."Todd Haynes at Cannes: New Film 'Carol' Stuns with Elegance".Huffington Post.RetrievedJanuary 11,2018.I asked Todd why he, a gay male director, so often privileged the disempowered woman as the main character in his films, from his Barbie Doll Karen Carpenter to the paranoid allergic housewife in Safe.
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Further reading[edit]

Books

External links[edit]

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