Tommy Potts
Tommie Potts | |
|---|---|
 Portrait drawing of Potts | |
| Background information | |
| Born | 1912 The Liberties, Dublin,Ireland |
| Died | 1988 |
| Genres | Traditional Irish |
| Occupations |
|
| Instrument | Fiddle |
| Years active | 1930s–1980s |
| Labels | Claddagh Records |
| Parents |
|
Tommie Potts(1912–1988) was anIrishfiddleplayer and composer fromDublinwho gained iconic status in traditional Irish music circles for his virtuoso musicianship. Potts' given name is also frequently spelledTommie.[1][2]His music has influences from jazz and classical music, making it a highly individualistic take on the Irish music tradition.
Only one commercial recording of his playing,The Liffey Banks,(Claddagh Records, 1972) was made during his lifetime. In 2012,Tommie Potts – Traditional Fiddle Music from Dublin(Raidió Teilifís Éireann, 2012) was released. The album was compiled and produced by fiddle player Paddy Glackin and consisted of digitally re-mastered tapes held by the RTÉ Sound Archives. Recordings were sourced from three collections: tapes made by Potts for flute and fiddle-player Peadar O’Loughlin in 1962–3; studio and outside broadcast recordings made by producer Tony MacMahon in 1975 and 1977 for his RTÉ Radio programme The Long Note; and tapes made by Potts in c. 1982 that are in the possession of his nephew and former Chieftains whistle player Seán Potts.[3]
Although Potts never received formal training, he was able to read and write music, giving his works structure and purposeful variation, rather than simply inventing them as he went along.[1]One of the most notable aspects of Potts's style is the treatment of traditional Irish music as a creative art form rather than as music for dancing. This is particularly evident in his version of the hop jig "Top it Off", in which he deliberately adds occasional extra beats and slight pauses between phrases, taking away the rhythm needed for dance. The addition of occasional extra beats can also be found in the Donegal fiddle tradition, though it is rare, for instance in the playing ofJohn Doherty.
Potts was a firefighter with Dublin Corporation. Based at Tara Street fire station, he was injured in thePearse Streetfire of October 6, 1936, during which three firefighters died.
Legacy
[edit]Despite his controversial approach, Potts is today acknowledged as a figure of vital importance to the evolution of Irish folk music. Many classical and folk music performers acknowledge him as an influence on their music, includingMartin Hayes,Liam O'Connor,Danú,Frankie Gavin,andPaddy Glackin.Potts was the subject of a 2009TG4documentary,Tommy Potts - Cérbh É?,in which a series of major figures in contemporary traditional music trace his life and pay homage to Potts and his mastery of their craft.[4]
Discography
[edit]- The Liffey Banks(1972)
- Tommie Potts - Traditional Fiddle Music from Dublin(2012)
References
[edit]- ^abÓ Súilleabháin, Mícheál (1987).Innovation and Tradition in the music of Tommy Potts(Ph.D. thesis). Queen's University Belfast.
- ^Neff, Eogan (2012).At The Vanguard of Antiquity: Seeking the Avant-Garde of the Irish Fiddle in C20th Performance Practices(Ph.D. thesis). Cardiff University.
- ^"New Tommie Potts CD".
- ^"Tommy Potts".Journal of Music. October 2009.Retrieved11 July2014.
Further reading
[edit]- Cranitch, Matt,The Irish Fiddle Book,Ossian, 1988.
- Feldman, Allen and O'Doherty, Eamonn,The Northern Fiddler,Oak Publications, 1979.
- MacAoidh, Caoimhin,Between the Jigs and the Reels,Drumlin Publications, 1995.
- Vallely, Fintan (ed.),The Companion to Traditional Irish Music.Cork University Press, Cork, 1999.
- Ó Súilleabháin, Mícheál - 'Innovation and Tradition in the music of Tommy Potts', Ph.D. Thesis, Queen's University Belfast, 1987.
