Vietnamese literature
Vietnamese literature(Vietnamese:Văn học Việt Nam;chữ Hán:Văn học việt nam ) is theliterature,both oral and written, created largely by theVietnamese.Early Vietnamese literature has been greatly influenced by Chinese literature. AsLiterary Chinesewas the formal written language for government documents, a majority of literary works were composed in Hán văn or as văn ngôn.[1]From the 10th century, a minority of literary works were composed inchữ Nôm,the former writing system for theVietnamese language.The Nôm script better represented Vietnamese literature as it led to the creation of different poetic forms likeLục bátandSong thất lục bát.It also allowed for Vietnamesereduplicationto be used inVietnamese poetry.
History
[edit]For a millennium before the tenth century, Vietnam wasunder the ruleof variousChinese dynastiesand as a result much of the written work during this period was inchữ Hán(Chinese characters), works written in chữ Hán were either called Hán văn or văn ngôn.Chữ Nôm,created around the tenth century, allowed writers to compose in Vietnamese using native characters that were coined by usingChinese radicals.It flourished in the 18th century when many notable Vietnamese writers and poets composed their works in chữ Nôm and when it briefly became the official written script during theHồ dynastyand theTây Sơn dynasty.
While theVietnamese alphabetwas created in 1631 byFrancisco de Pina,it did not become popular outside of missionary groups until the early 20th century, when the French colonial administration mandated its use inFrench Indochina.By the mid-20th century, virtually all Vietnamese works of literature were composed inVietnamese alphabet.Today, Francophone Vietnamese and English-speaking Vietnamese are counted by many critics as contributors to the ongoing history of Vietnamese literature.
Types
[edit]Folk literature
[edit]Unlike written literature, early oral literature was composed in Vietnamese and is still accessible to ordinary Vietnamese today. Vietnamese folk literature is an intermingling of many forms. It is not only an oral tradition, but a mixing of three media: hidden (only retained in the memory of folk authors), fixed (written), and shown (performed). Folk literature usually exist in many versions, passed down orally, and have unknown authors.
Myths consist of stories about supernatural beings, heroes, creator gods, and reflect the viewpoint of ancient people about human life. They consist of creation stories, stories about their origins (Lạc Long Quân,Âu Cơ),culture heroes(Sơn Tinh or Mountain Spirit - Thủy Tinh or Water Spirit).
Medieval literature
[edit]Hán văn
[edit]The earliest surviving literature by Vietnamese writers is written inchữ Hán(Chinese characters). Almost all of the official documents in Vietnamese history were written in chữ Hán, as were the first poems.[2]Not only is theChinese scriptforeign to modern Vietnamese speakers, these works are mostly unintelligible even when directly transliterated from Classical Chinese into the modernVietnamese alphabetdue to their Chinese grammar and vocabulary. As a result, these works must be translated into Vietnamese in order to be understood by the general public. These works include official proclamations by Vietnamese emperors, imperial histories, and declarations of independence from China, as well asVietnamese poetry.In chronological order notable works include:
- Thiên đô chiếu(Thiên đô chiếu) 1010, Edict on transfer the capital ofĐại Cồ ViệtfromHoa Lư(modern Ninh Bình) toĐại La(modern Hanoi).
- Nam quốc sơn hà(Nam quốc sơn hà) 1077, Mountains and rivers of the Southern country, poem byLý Thường Kiệt
- Đại Việt sử ký(Đại việt sử ký), Annals of Đại Việt byLê Văn Hưu,1272
- Dụ chư tì tướng hịch văn(Dụ chư bì tương hịch văn), Proclamation to the Officers, GeneralTrần Hưng Đạo,1284
- An Nam chí lược(An nam chí lược), Abbreviated Records of Annam, anon. 1335
- Gia huấn ca(Gia huấn ca), The Family Training Ode, a 976-line Confucian morality poem attributed toNguyễn Trãi1420s
- Lĩnh Nam chích quái(Lĩnh nam trích quái), "The wonderful tales ofLĩnh Nam"14th Century, editedVũ Quỳnh(1452-1516)
- Đại Việt sử lược(Đại việt sử lược), Abbreviated History of Đại Việt, anon. 1377
- Việt điện u linh tập(Việt điện u linh tập), Spirits of the Departed in the Viet Realm,Lý Tế Xuyên1400
- Bình Ngô đại cáo(Bình ngô đại cáo), Great Proclamation upon the Pacification of the Wu Forces,Nguyễn Trãi1428
- Đại Việt sử ký toàn thư(Đại việt sử ký toàn thư), Complete Annals ofĐại Việt,Ngô Sĩ Liên1479.
- Truyền kỳ mạn lục(Truyện kỳ mạn lục,Collection of Strange Tales, partly byNguyễn Dữ,16th century
- Hoàng Lê nhất thống chí(Hoàng lê nhất thống chí), Unification Records of the Le Emperor, historical novel ending with Gia Long. anon.
- Chinh phụ ngâm(Chinh phụ ngâm), "Lament of the soldier's wife", the original Chinese version byĐặng Trần Cônd.1745
- Đại Việt thông sử(Đại việt thông sử), history byLê Quý Đôn1749
- Vân đài loại ngữ(Vân đài loại ngữ), encyclopedia by Lê Quý Đôn 1773
- Phủ biên tạp lục(Phủ biên tạp lục), Frontier Chronicles by Lê Quý Đôn 1776
- Việt Nam vong quốc sử(Việt nam vong quốc sử), byPhan Bội Châuin Japan in 1905
Some of these Literary Chinese texts are still taught in school. For example, the poemNam quốc sơn hà(Nam quốc sơn hà) byLý Thường Kiệt,is in the textbook used by schools in Vietnam.[3]The texts are generally and commonly is divided into three sections.
Phiên âm(Phonetic transliteration) - this section contains the original text transliterated into the Vietnamese alphabet. This section is not understood by any Vietnamese, as the text is in Literary Chinese which uses Classical Chinese syntax and vocabulary not used in Vietnamese.
Classical Chinese | Vietnamese transliteration |
---|---|
Nam quốc sơn hà nam đế cư | Nam quốc sơn hà nam đế cư |
Tiệt nhiên định phân tại thiên thư | Tiệt nhiên định phận tại thiên thư |
Như hà nghịch lỗ lai xâm phạm | Như hà nghịch lỗ lai xâm phạm |
Nhữ đẳng hành khán thủ bại hư | Nhữ đẳng hành khan thủ bại hư |
Dịch nghĩa(Translated meaning) - this section contains the translation of the poem, it is understood by Vietnamese speakers. It is often just a direct translation rather than a full fledged translated poem.
Vietnamese translation |
---|
Sông núi nước Nam, vua Nam ở |
Giới phận đó đã được định rõ ràng ở sách trời |
Cớ sao kẻ thù lại dám đến xâm phạm |
Chúng mày nhất định sẽ nhìn thấy việc chuốc lấy bại vong |
Dịch thơ(Translated poem) - this section contains the translation version of the poem. It is understood by Vietnamese speakers and is a full fledged translated poem.
Vietnamese translated poem |
---|
Sông núi nước Nam vua Nam ở |
Vằng vặc sách trời chia xứ sở |
Giặc dữ cớ sao phạm đến đây |
Chúng mày nhất định phải tan vỡ |
Nôm
[edit]Works written inchữ Nôm- a locally invented demotic script based on chữ Hán - was developed for writing the spoken Vietnamese language from the 13th Century onwards. For the most part, these chữ Nôm texts can be directly transliterated into the modern chữ Quốc ngữ and be readily understood by modern Vietnamese speakers. However, since chữ Nôm was never standardized, there are ambiguities as to which words are meant when a writer used certain characters. This resulted in many variations when transliterating works in chữ Nôm intoVietnamese alphabet.Some highly regarded works in Vietnamese literature were written in chữ Nôm, includingNguyễn Du'sTruyện Kiều( truyện kiều ),Đoàn Thị Điểm's chữ nôm translation of the poemChinh Phụ Ngâm Khúc(Chinh phụ ngâm khúc- Song of the Soldier's Wife) from the Classical Chinese poem composed by her friendĐặng Trần Côn(famous in its own right), and poems by the renowned poetHồ Xuân Hương.
Other notable works include:
- Chinh phụ ngâm(Chinh phụ ngâm), "Lament of the soldier's wife", translations from Chinese into vernacular chữ Nôm by several translators includingPhan Huy ÍchandĐoàn Thị Điểm
- Cung oán ngâm khúc(Cung oán ngâm khúc), "Song of the Sorrowful Concubine" byNguyễn Gia Thiều,d.1798
- Hạnh Thục ca(Hành thục ca), "Song of Exile to Thục"Nguyễn Thị Bích,1885
- Lục súc tranh công(Lục súc tranh công), "The Quarrel of the Six Beasts"
- Lục Vân Tiên(Liễu vân tiên truyện), epic poem by the blind poetNguyễn Đình Chiểu,d.1888
- Nhị độ mai(Nhị độ mai), "The Plum Tree Blossoms Twice"
- Phạm Công – Cúc Hoa(Phạm công cúc hoa), Tale of Phạm Công and Cúc Hoa
- Phạm Tải – Ngọc Hoa(Phạm tử ngọc hoa), Tale of the orphan Phạm Tải and princess Ngọc Hoa
- Phan Trần(Phan trần), The clan of Phan and the clan of Trần
- Quốc âm thi tập(Quốc âm thi tập), "National pronunciation poetry collection" attributed toNguyễn Trãiafter retirement
- Thạch Sanh tân truyện (Thạch sinh tân truyện), anon. 18th century
- Tống Trân and Cúc Hoa(Tống trân cúc hoa), Tale of Tống Trân and his wife Cúc Hoa
- Trinh thử (Trinh thử), "The Virgin Mouse", Hò̂ Huyè̂n Qui, 15th century
- Hoa tiên(Hoa tiên), The Flowered Letter, based on the late 17th century Chinese poem,Faazin Gei.
- Tự Đức thánh chế tự học giải nghĩa ca( tự đức thánh chế tự học giải nghĩa ca ) - a bilingual Literary Chinese - Vietnamese character dictionary.
- Tam thiên tự( tam thiên tự ) - Used to teach beginners Chinese characters and chữ Nôm.
-
Chinh Phụ Ngâm Khúc
-
Bánh Trôi Nước
-
Quả Mít
-
Lục Vân Tiên
-
Truyện Kiều
-
Qua đèo Ngang
Modern literature
[edit]Modern Asian literature |
---|
While created in the seventeenth century, theVietnamese alphabetwas not widely used outside of missionary circles until the early 20th century, when the French colonial government mandated its use inFrench Indochina.During the early years of the twentieth century, many periodicals inVietnamese alphabetflourished and their popularity helped popularizeVietnamese alphabet.TheSelf-Reliant Literary Associationwith its two weekliesPhong HóaandNgày Naywere among the most read newspapers at the time, and these two papers brought fame to many writers, includingKhái Hưng,Nhất Linh,Xuân Diệu,Thế Lữ,Thạch LamandHuy Cận.The success of The Self-Reliant Literary Association also inspired the development of modern literature during the 30s, a thriving period marked by the debuts of important writers, such asNguyễn Tuân,Vũ Trọng Phụng,andTô Hoài.
While some leaders resisted the popularity ofVietnamese alphabetas an imposition from the French, others embraced it as a convenient tool to boost literacy. After declaring independence from France in 1945,Empire of Vietnam's provisional government adopted a policy of increasing literacy withVietnamese alphabet.Their efforts were hugely successful, as the literacy rate jumped overnight.
In those early years, there were many variations inorthographyand there was no consensus on how to write certain words. After some conferences, the issues were mostly settled, but some still linger to this day. By the mid-20th century, all Vietnamese works of literature are written inVietnamese alphabet,while works written in earlier scripts are transliterated intoVietnamese alphabetfor accessibility to modern Vietnamese speakers. The use of the earlier scripts is now limited to historical references.
After the1954 Geneva Conference,Vietnam was divided intoNorth VietnamandSouth Vietnam,and the literature of these two regions also developed in different directions. In the North, which hitherto formed an alliance with theSoviet Union,writers were under the control of the Communist Party, although there were some periods of turmoil among Northern writers when the government launched the land reform campaign or whenKhrushchevcame to power and denounced the legacy of Stalin. The most well-known writers in North Vietnam of this period wereTố Hữu,Nguyễn Đình Thi,Trần Dần,andHoàng Cầm.In the South, which welcomed a wave of Northerners during the 1954–1955 Great Migration, the writers had more freedom in expressing their political beliefs. They gathered and discussed new styles and different philosophical viewpoints about writing through certain periodicals, one of which was Sáng Tạo magazine, founded byThanh Tâm TuyềnandMai Thảo.There was also one group called Quan Điểm, assemblingVũ Khắc Khoan,Mặc ĐỗandNghiêm Xuân Hồng.South Vietnam's literature went through different ups and downs under the ruling ofNgô Đình DiệmandNguyễn Văn Thiệu.Although it existed for only 20 years (1955-1975), South Vietnam literature witnessed the emergence of various great writers and novels.
Works in modern Vietnamese include:
- Việt Nam sử lược(Việt nam sử lược) byTrần Trọng Kim,1921
- Số đỏbyVũ Trọng Phụng,1936
- Mechanics and Crafts of the People of Annam,1908 (Vietnamese is written in chữ Nôm.)
See also
[edit]References
[edit]- ^Nguyễn, Tri Tài (2002).Giáo trình tiếng Hán. Tập 1: Cơ sở.Nhà xuất bản Đại học Quốc gia Thành phố Hồ Chí Minh. p. 5.
- ^George CœdèsThe Making of South East Asia1966- Page 87 "No work of literature from the brush of a Vietnamese survives from the period of Chinese rule prior to the rise of the first national dynasties; and from the Dinh, Former Le, and Ly dynasties, all that remains are some poems by Lac Thuan (end of the tenth century), Khuong Viet (same period), and Ly Thuong Kiet (last quarter of the eleventh century). Those competent to judge consider these works to be quite up to the best standards of Chinese literature.
- ^Nguyễn, Khắc Phi.Sách Giáo Khoa Ngữ Văn Lớp 7 Tập 1.Nhà Xuất Bản Giáo Dục Việt Nam.
- Viettouch.This site is dedicated to the promotion of Vietnamese history and culture; seereviewsof the site.
- Culture of Vietnam encyclopedia
- Việt-Học Thư-Quán - Institute of Vietnamese Studies - Viện Việt HọcMany pdfs of Vietnamese literature books
- https://web.archive.org/web/20121112121058/http://thanglong.ece.jhu.edu/vhvn.html
- Translating Vietnamese poetry
- Vietnamese Poetry Collection