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Get Back

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This article is about the song by the Beatles. For other uses, seeGet Back (disambiguation).
For the 2021 television documentary, seeThe Beatles: Get Back.

"Get Back"
Picture sleeve for 1989 UK reissue
Singlebythe BeatleswithBilly Preston
from the albumLet It Be
B-side"Don't Let Me Down"
Released11 April 1969(1969-04-11)
Recorded27–28 January 1969
StudioApple,London
Genre
Length3:09(album version)
3:13(single version)
LabelApple
Songwriter(s)Lennon–McCartney
Producer(s)Glyn JohnsandGeorge Martin(single version)
Phil Spector(album version)
The Beatlessingles chronology
"Hey Jude"
(1968) 		"Get Back"
(1969) 		"The Ballad of John and Yoko"
(1969)
Billy Prestonsingles chronology
"Hey Brother"
(1968) 		"Get Back"
(1969) 		"That's the Way God Planned It"
(1969)
Audio sample
"Get Back"

"Get Back"is a song recorded by the English rock bandthe BeatlesandBilly Preston,written byPaul McCartney,and credited to theLennon–McCartneypartnership. It was originally released as a single on 11 April 1969 and credited to "The Beatles with Billy Preston".[4]The song is one of the few examples ofJohn Lennonfeaturing prominently aslead guitarist.The album version of this song contains a different mix that features a studio chat between Paul McCartney andJohn Lennonat the beginning, which lasts for 20 seconds before the song begins, also omitting the coda featured in the single version, and with a final dialogue taken fromthe Beatles' rooftop concert.This version became the closing track ofLet It Be(1970), which was released just after the group split up. The single version was later issued on the compilation albums1967–1970,20 Greatest Hits,Past Masters,and1.

The single reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, the Netherlands, Australia, France, West Germany, Mexico, Norway, Switzerland, Austria, and Belgium. It was the Beatles' only single that credited another artist at their request. "Get Back" was the Beatles' first single release in truestereoin the US. In the UK, the Beatles' singles remainedmonauraluntil the following release, "The Ballad of John and Yoko".It was also the only Beatles single to debut on the UK singles charts at number one.

Composition

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Musical development

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"Get Back" is unusual in the Beatles' canon in that almost every moment of the song's evolution has been documented, from its beginning as an offhand riff to its final mi xing in several versions. That is covered inbootleg recordings,books,[5]the 1970 documentaryLet It Be,and the 2021Peter Jackson-directed documentaryThe Beatles: Get Back.

The song's melody grew out of some unstructured jamming on 7 January 1969 during rehearsal sessions on the sound stage atTwickenham Studios.[5]After working out the rhythm and harmony of the primary riff on hisHöfner bass,McCartney introduced some of the lyrics, reworking "Get back to the place you should be" fromGeorge Harrison's "Sour Milk Sea"into" Get back to where you once belonged ".[6]McCartney had played bass onJackie Lomax's recording of "Sour Milk Sea" a few months earlier. On 9 January, McCartney brought a more developed version of "Get Back" to the group, with the "Sweet Loretta" verse close to its finished version. For the press release to promote the "Get Back" single, McCartney wrote, "We were sitting in the studio, and we made it up out of thin air... we started to write words there and then... when we finished it, we recorded it atApple Studiosand made it into a song to roller-coast by. "[7]

At the beginning of theLet It Beversion of the song, Lennon can be heard jokingly saying "Sweet Loretta Fart (often misheard as" fat ", due to Lennon's pronunciation),[8]she thought she was a cleaner, but she was a frying pan. "The album version of the song also ends with Lennon famously quipping," I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition ".[9](He had said that at the end of their 30 January 1969rooftop concerton the roof of Apple Studios, butPhil Spectoredited it into the studio version of "Get Back" that was released on theLet It Bealbum.)[9]

In an interview inPlayboymagazine in 1980, Lennon described "Get Back" as "... a better version of 'Lady Madonna'. You know, a potboiler rewrite ". Lennon also said that" there's some underlying thing about Yoko in there ", saying that McCartney looked atYoko Onoin the studio every time he sang "Get back to where you once belonged."[10]

Early protest lyrics

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When McCartney introduced the song to the group during the Twickenham rehearsals, the lyrics were mostly incomplete except for the "Get Back" chorus. McCartney improvised various temporary lyrics leading to what has become known in Beatles' folklore as the "No Pakistanis" version. This version parodied theanti-immigrantviews ofEnoch Powell,aMember of Parliament(MP) whose racially charged speeches, particularly theRivers of Bloodspeech, had recently gained much media attention.[11]The lyrics addressed attitudes toward immigrants in the United States and the United Kingdom: "... don't need noPuerto Ricansliving in the USA "; and" don't dig noPakistanistaking all the people's jobs ", though these lyrics were meant to be a parody and a criticism of those prejudiced against immigrants.[12]Later during the same session, the subject of immigration came up again in an improvisedjamthat has become known as "Commonwealth". The lyrics included a line, "You'd better get back to yourCommonwealthhomes ".[13]

Recordings and post-production work

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Billy Preston,an old friend of the Beatles, was in England for some television appearances. He joined the Beatles on keyboards on 22 January. The group, with Preston playingFender Rhodeselectric piano, recorded about ten takes on 23 January. They made a concerted effort to perfect "Get Back" on 27 January, recording about 14 takes. By this time, the song had the addition of afalse endingand reprisecoda.After numerous takes, the band jammed some old numbers and then returned to "Get Back" one last time in an attempt to record the master take. This performance (Take 11) was considered to be the best yet: it was musically tight and punchy without mistakes, though the song finishes without the restart. On the session tape, George Harrison comments, "[W]e missed that end"; this is the version heard on theLet It Be... Nakedalbum. On 28 January[5]the group attempted to recapture the previous day's performance and recorded several new takes, each including the coda. Whilst these takes were good, they did not quite achieve the quality of the best take from the previous day. The line-up for the released versions of "Get Back" was Paul McCartney, lead vocal and bass; John Lennon, lead guitar and backing vocal; George Harrison, rhythm guitar; Ringo Starr, drums; and Billy Preston, electric piano. Harrison, the usual lead guitarist, had temporarily quit the group on 10 January, so Lennon worked out the lead guitar part and played it on the recordings.

The Beatles hadEMIproduce a mono remix of the track on 4 April,[14]completed by Jeff Jarrett. The Beatles were unhappy with the mix, and on 7 April, McCartney andGlyn Johnsworked at Olympic Studios to produce new remixes for the single release.[4]They made an edited version using the best take of the main part of the song (Take 11) from 27 January and the 'best coda' ending from 28 January. The edit is so precise that it appears to be a continuous take, achieving the ending the Beatles had desired all along. This was a divergence from the concept of a straight live performance without studio trickery, but a relatively minor one, and avoids the somewhat abrupt ending of the version used on theLet It Be... Nakedalbum.[citation needed]

The Beatles performed "Get Back" (along with other songs from the album) as part of The Beatles' rooftop performance, which took place on the roof of Apple Studios inSavile Row,London on 30 January 1969, an edited version of which was included in theLet It Befilm. "Get Back" was performed in full three times. During the third, which marked the end of the rooftop performance, the Beatles were interrupted by the police, who had received complaints from office workers nearby. After the police spoke toMal Evans,he turned off Lennon and Harrison's amplifiers only for Harrison to switch them back on, insisting that they finish the song. McCartney said, "You've been playing on the roofs again, and that's no good, and you know your Mummy doesn't like that... she gets angry... she's gonna have you arrested! Get back!" The third rooftop performance of "Get Back" is available onAnthology 3:the last song of the Beatles' final live performance.

At the end of the last rooftop performance of "Get Back", the audience applauds, and McCartney says, "Thanks, Mo", in reply toMaureen Starkey's cheering. Lennon adds: "I'd like to say thank you on behalf of the group and ourselves and I hope we've passed the audition".[9]Spector used some of the talk preceding the master take of 27 January and edited on these comments to make the album version sound different from the single.[9]

The stereo single version and that of the B-side, "Don't Let Me Down", were the first Beatles recordings to feature Starr's drum kit in true stereo, mixed across the left and right channels. This utilised the then-fairly new8-trackrecording technology and was a result of the growing popularity of stereo over mono. The only other Beatles' track to employ this recording method was "The End"onAbbey Road.

Releases

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Single version

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On 11 April 1969,Apple Recordsreleased "Get Back" as a single in the UK, paired with "Don't Let Me Down" on the B-side. The single began its 17-week stay in the charts on 23 April at No. 1, a position it held for six weeks. It was the first Beatles single to enter the official UK singles chart at the top.[15]In the US, "Get Back" began its first of 12 weeks on theBillboardHot 100chart the week ending 10 May. Two weeks after the song's chart debut, it hit No. 1, where it stayed for five weeks. "Get Back" became the band's 17th No. 1 song onBillboard,matchingElvis Presley's previous record of 17 number ones.

In both the UK and US, the single was released by Apple, although EMI retained the rights to the song as part of their contract. It was the only Beatles single to include an accompanying artist's name, crediting "Get Back/Don't Let Me Down" to "The Beatles with Billy Preston". Neither Apple norCapitol Recordscreated a picture sleeve for the single—it was modestly packaged in a black sleeve with a cursive-style font simply stating "The Beatles on Apple".[16]Apple launched a print ad campaign for the song concurrent with its release showing a photo of the band with the sloganThe Beatles as Nature Intended,indicating that the sound of "Get Back" harked to the group's earlier days.[17]

The single version of the song contains a chamber reverb effect throughout and a coda after a false ending, with the lyrics "Get back Loretta / Your mommy's waiting for you / Wearing her high-heel shoes / And her low-neck sweater / Get back home, Loretta." This does not appear on the album version; the single version's first LP appearance would come three years later on the1967–1970compilation. This version also appeared in the albums20 Greatest Hits,Past Mastersand1.It was also included in the original line-up of the proposedGet Backalbum, which was scheduled to be released in the fall of 1969.

In the UK and Europe, "Get Back/Don't Let Me Down" was the Beatles' last single to be released inmono,but in the US, the single was released in stereo. It was the Beatles' first single to be released in true stereo instead of mono as part of the "stereo only" movement gaining force in 1969. In both versions, the lead guitar played by Lennon is in the left channel, and the rhythm guitar played by Harrison is in the right channel. The single was also released in the experimentalPocketDiscformat by Americom in conjunction with Apple and Capitol in the late 1960s.

Let It Beversion

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When Phil Spector came to remix "Get Back," he wanted to make it seem different from the version released as the single, though both versions were essentially the same take. The unreleasedGet Backalbums included elements of studio chatter to add to the live feel of the recordings. In this spirit, Spector included part of the studio chatter recorded immediately before a take recorded on 27 January, slightly crossfaded it onto the beginning of the master take (also recorded on January 27), and omitted the coda recorded on January 28, instead adding McCartney and Lennon's remarks after the close of the rooftop performance. This created the impression that the single and album versions are different takes. The single's reverb effect was also omitted from this remix.

Let It Be... Nakedversion

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In 2003, "Get Back" was re-released on theLet It Be... Nakedalbum, remixed by independent producers with the sanction of surviving Beatles Paul McCartney and Ringo Starr, with John Lennon's and George Harrison's widows. The "Naked" version of "Get Back" is a remix of the take recorded on 27 January 1969 used for both the single and album versions, without the coda recorded the following day or the framing dialogue from the studio and rooftop concert added to the album version.[18]The single's reverb effect was also omitted from this remix, and the song fades immediately before the final "whoo". Apple also prepared a specially-created music video of theLet It Be... Nakedrelease of the song to promote that album in 2003. This video is edited together using stock footage of the band, along with Billy Preston, George Martin and others.

Loveversion

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In 2006, a newly mixed version of "Get Back" produced byGeorge Martinand his sonGileswas included on the albumLove.This version incorporates elements of "A Hard Day's Night"(the introchord), "A Day in the Life"(the improvised orchestralcrescendo), "The End"(Ringo Starr's drum solo, Paul McCartney's second guitar solo, and John Lennon's last guitar solo), and"Sgt. Pepper's Lonely Hearts Club Band (Reprise)"(Take 1's drum count-off intro).[19]However, this piece has several edits, including an extended intro, and the second verse is removed completely.

The Beatles: Get Backversions

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Universal Music released take 8 from the recording sessions to promote the 50th-anniversary edition ofLet It Beand the2021Get Backdocumentary miniseries.This version has McCartney ad-libbing a different spoken word section over the bridge, beginning with "It's five o'clock... your mother's got your tea on."[20]As the band performed the song three times during their impromptu rooftop concert on 30 January 1969, all three of those versions also appear in the final episode of the mini-series, as the concert is shown in its entirety. Take 3 of the rooftop concert was released onAnthology 3in 1996, while the first two were released in January 2022.

McCartney live performances

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McCartney performed "Get Back" on theLate Show with David Lettermanon 15 July 2009. Letterman's show was taped in theEd Sullivan Theater,the same theatre that hosted the Beatles' performances onThe Ed Sullivan Showin 1964 and 1965. McCartney's performance was not on the stage, however. Instead, he performed atop the theatre's marquee overlookingBroadway.In the interview preceding the performance, Letterman asked McCartney if he had ever played on a marquee before. "I've done a roof", McCartney replied, referring to the Beatles' 1969 performance atop the Apple Corps building in London.[21][22]

McCartney also performed the song as a kind of encore onSaturday Night Liveon 11 December 2010. The performance was unusual for the show because McCartney had played the two standard songs that musical guests play, then had played a third song ( "A Day in the Life" / "Give Peace a Chance"). At the normal conclusion of the show, when hostPaul Ruddthanked the cast, McCartney retook the stage for "Get Back", the broadcast of which was partially cut off due to time constraints.

McCartney performed this live during his 1989/1990World Tour,and it was released on both the full-length and highlight versions of the subsequent live albumTripping the Live Fantastic(1990). In 2009, a performance was included on theGood Evening New York Cityalbum.

In 2005, the song was part of his Super Bowl halftime show.

McCartney and theFoo Fightersperformed the song at the 2021Rock and Roll Hall of FameInduction Ceremony.[23]

Personnel

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Notable cover versions

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Cultural references

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Charts

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Certifications and sales

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Certifications and sales for "Get Back"
Region Certification Certified units/sales
Mexico — 198,000[52]
United Kingdom (BPI)[54] Silver 530,000[53]
United States (RIAA)[55] 2× Platinum 2,000,000^
Summaries
Worldwide — 4,500,000[53]

^Shipments figures based on certification alone.

Notes

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  1. ^Kutner, Jon; Leigh, Spencer (2010).1,000 UK Number One Hits.Omnibus Press.ISBN9780857123602.
  2. ^Alan W. Pollack'sNotes on"Get Back"
  3. ^"All 214 Beatles Songs, Ranked from Worst to Best".2 November 2023.
  4. ^abLewisohn 1988,p. 172.
  5. ^abcSulpy & Schweighardt 2003,p. 84.
  6. ^Sulpy & Schweighardt 2003,p. 152.
  7. ^The Beatles 2000,p. 319.
  8. ^The Mike Douglas Show.7 February 1972.
  9. ^abcdLewisohn 1988,p. 169.
  10. ^Sheff 2000,pp. 201–202.
  11. ^Whatley, Jack (14 October 2020)."The controversial racist lyrics removed from The Beatles classic track".Far Out Magazine.Retrieved31 December2021.
  12. ^Sulpy & Schweighardt 2003,p. 153.
  13. ^Sulpy & Schweighardt 2003,p. 158.
  14. ^Lewisohn 1996a.
  15. ^"Number One Hits: Facts & Feats: Straight In At Number One".Retrieved13 December2013.(On the NME chart, eight earlier Beatles singles had entered at the top.)
  16. ^Spizer, Bruce(2003).The Beatles on Apple Records.498 Productions. p. 47.
  17. ^"The Beatles as nature intended"(PDF).Billboard.New York City. 26 April 1969.Retrieved30 January2018.
  18. ^Winn, John C. (2009).That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966-1970.New York City: Three Rivers Press. pp. 256–257.ISBN978-0-307-45239-9.
  19. ^Miami Herald2006.
  20. ^Kreps, Daniel."Hear the Beatles' Unreleased 'Get Back (Take 8)' From Upcoming 'Let It Be' Reissue".Rolling Stone.Retrieved19 September2021.
  21. ^"Paul McCartney Stuns Manhattan With Set on Letterman's Marquee".Rolling Stone.16 July 2009.Retrieved28 November2014.
  22. ^"McCartney Rocks the 'Late Show'".CBS News.15 July 2009.Retrieved28 November2014.
  23. ^Zaleski, Anne (31 October 2021)."Foo Fighters Jam With Paul McCartney, Blaze Through 'Everlong' at Rock Hall Induction".Rolling Stone.
  24. ^"All This and World War II".AllMusic.Retrieved4 December2011.
  25. ^"Rod Stewart".The Official Charts Company.
  26. ^"Billy Preston".Billboard.Retrieved25 March2023.
  27. ^Whitburn, Joel (2013).Hot Country Songs 1944–2012.Record Research, Inc. p. 358.ISBN978-0-89820-203-8.
  28. ^Holden 2007.
  29. ^McKenzie 2010.
  30. ^"Go-Set National Top 40".Go-Set charts.7 June 1969.
  31. ^"The Beatles with Billy Preston – Get Back "(in German).Ö3 Austria Top 40.Retrieved 16 May 2016.
  32. ^"The Beatles with Billy Preston – Get Back "(in Dutch).Ultratop 50.Retrieved 16 May 2016.
  33. ^"Top RPM Singles: Issue 6006."RPM.Library and Archives Canada.Retrieved 16 May 2016.
  34. ^Nyman, Jake (2005).Suomi soi 4: Suuri suomalainen listakirja(in Finnish) (1st ed.). Helsinki: Tammi.ISBN951-31-2503-3.
  35. ^ab"Hits of the World".Billboard.81(23): 63. 7 June 1969.ISSN0006-2510.Retrieved13 November2021– via Google Books.
  36. ^ab"The Irish Charts – Search Results – Get Back ".Irish Singles Chart.Retrieved 16 May 2016.
  37. ^"The Beatles with Billy Preston – Get Back "(in Dutch).Single Top 100.Retrieved 16 May 2016.
  38. ^"flavour of new zealand - search listener".flavourofnz.co.nz.Retrieved2 May2019.
  39. ^"The Beatles with Billy Preston – Get Back ".VG-lista.Retrieved 16 May 2016.
  40. ^Hallberg, Eric (1993).Eric Hallberg presenterar Kvällstoppen i P 3: Sveriges radios topplista över veckans 20 mest sålda skivor 10. 7. 1962 - 19. 8. 1975.Drift Musik. p. 130.ISBN9163021404.
  41. ^Hallberg, Eric; Henningsson, Ulf (1998).Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961 - 74.Premium Publishing. p. 53.ISBN919727125X.
  42. ^"The Beatles with Billy Preston – Get Back ".Swiss Singles Chart.Retrieved 16 May 2016.
  43. ^"Official Singles Chart Top 100".Official Charts Company.Retrieved 16 May 2016.
  44. ^"The Beatles Chart History (Hot 100)".Billboard.Retrieved 16 May 2016.
  45. ^Hoffmann, Frank (1983).The Cash Box Singles Charts, 1950-1981.Metuchen, NJ & London: The Scarecrow Press, Inc. pp. 32–34.
  46. ^"Offizielle Deutsche Charts"(Enter "Beatles" in the search box)(in German).GfK Entertainment Charts.Retrieved16 May2016.
  47. ^"Official Singles Chart Top 100".Official Charts Company.Retrieved 16 May 2016.
  48. ^"The Beatles Chart History (Hot Rock & Alternative Songs)".Billboard.Retrieved 7 December 2021.
  49. ^"RPM Top Singles of 1969".RPM.17 July 2013.Retrieved24 December2017– viaLibrary and Archives Canada.
  50. ^"Top 100 Hits of 1969/Top 100 Songs of 1969".musicoutfitters.Retrieved2 May2019.
  51. ^"Cash Box Year-End Charts: Top 100 Pop Singles, December 27, 1969".Archived fromthe originalon 25 January 2019.Retrieved26 July2018.
  52. ^"Label's Biggest Seller Almost Wasn't Released"(PDF).Billboard.7 June 1975. p. 24.Retrieved17 September2021.
  53. ^abMurrells, Joseph (1985).Million selling records from the 1900s to the 1980s: an illustrated directory.Arco Pub. p. 276.ISBN0668064595.This disc was released in Britain on 15 April 1969 and was an immediate No 1, staying in that chart position for six weeks with 17 weeks in the bestsellers and selling over 530,000 // Get back was also No 1 in many countries including Canada, Germany, France, Spain, Norway, Denmark, Holland, Australia, Belgium, Malaysia, Singapore and New Zealand, global sales totalling an estimated 4,500,000
  54. ^"British single certifications – Beatles – Get Back".British Phonographic Industry.Retrieved8 March2022.
  55. ^"American single certifications – The Beatles – Get Back".Recording Industry Association of America.Retrieved14 May2016.

References

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Wikiquote has quotations related toLet It Be.
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