In C
In Cis amusical piececomposed byTerry Rileyin 1964 for an indefinite number of performers. He suggests "a group of about 35 is desired if possible but smaller or larger groups will work".[1]A series of short melodic fragments that can be repeated at the discretion of musicians,In Cis often cited as the firstminimalistcomposition to make a significant impact on the public consciousness.[2]
The piece was premiered on Novembre 4 and 6 1964, bySteve Reich,Jon Gibson,Pauline Oliveros,Stuart Dempster,Morton Subotnickand others at theSan Francisco Tape Music Center.[3][4]It received its first recorded release in 1968 onCBS Records.Subsequent performances have been recorded many times since.
In 2022, the 1968 LP recording ofIn Cwas selected by theLibrary of Congressfor preservation in the United StatesNational Recording Registryas being "culturally, historically, or aesthetically significant.".[5]
Technique
[edit]In Cconsists of 53 short numbered musical phrases, lasting from half a beat to 32 beats, and having from one note to twenty-five. Performers are expected to play the first phrase once in unison, after which each performer may repeat the phrase or move on to the next. Each phrase may be repeated an arbitrary number of times at the discretion of eachmusicianin the ensemble. Each musician is expected to use the same tempo, as led by "the pulse" on piano or pitched percussion (such asxylophoneormarimba) but otherwise the performers have control over which phrase they play and how many times it is repeated. Performers are encouraged to play the phrases starting at different times, even if they are playing the same phrase. In this way, although the melodic content of each part is predetermined,In Chas elements ofaleatoric musicto it and each performance will be different from others.[6]The performance directions state that themusical ensembleshould try to stay within two to three phrases of each other. The phrases must be played in order, although some may be skipped. The first musician to reach the final numbered phrase repeats it indefinitely until all other musicians reach the same phrase, at which point they all crescendo and gradually stop playing until only "the pulse" remains and then goes silent.
As detailed in some editions of the score, it is customary for one musician ( "traditionally... a beautiful girl," Riley notes in the score)[7]to play thenoteC in repeatedeighth notes,typically on apianoor pitched-percussion instrument (e.g.marimba). This functions as ametronomeand is referred to as "The Pulse".Steve Reichintroduced the idea of a rhythmic pulse to Riley, who accepted it, thus radically altering the original composition by Riley which had no pre-determined rhythm.[8]
In Chas no set duration; performances can last as little as fifteen minutes or as long as several hours, although Riley indicates "performances normally average between 45 minutes and an hour and a half." The number of performers may also vary between any two performances. The original recording of the piece was created by 11 musicians (although, through overdubbing, several dozen instruments were utilized), while a performance in 2006 at theWalt Disney Concert Hallfeatured 124 musicians.
The piece begins on a Cmajor chord(patterns one through seven) with a strong emphasis on themediantE and the entrance of the note F which begins a series of slow progressions to other chords suggesting a few subtle and ambiguous changes ofkey,the last pattern being an alternation between B♭and G. Though thepolyphonicinterplay of the various patterns against each other and themselves at different rhythmic displacements is of primary interest, the piece may be consideredheterophonic.
The first UK performance ofIn Cwas on 18 May 1968 atRoyal Institute Galleriesby the Music Now Ensemble directed byCornelius Cardewas part of a series of four Music Now, Sounds of Discovery Concerts, during May 1968.[9][10]
Recordings
[edit]The piece has been recorded a number of times:
| Artist | Instrumentation | Duration | Tempo (♩=) | Recording information | Release information |
|---|---|---|---|---|---|
| Terry Riley and Center of Creative and Performing Arts (SUNY-Buffalo) | saxophone, oboe, bassoon, trumpet, clarinet, flute, viola, trombone, vibraphone, marimbaphone | 42' 03 " | 132 | March 27–28, 1968 (many overdubs) | Columbia MS 7178 (LP); Sony SNYC 45368 (Re-mastered) |
| L'Infonie | saxophones, trumpets, percussion, piano, guitar, bass guitar, trombones | 29' 20 " | 104 | Recorded in 1970 | Volume 33: Mantra(LP);Reed Streams / In C,Cortical Foundation Corti 2 |
| Ensemble Percussione Ricerca | vibes, glockenspiel, marimbas, xylophone, crotales | 41' 01 " | 116 | Diamine Studio, Mestre-Venezia, Italy in 1983 | In C / Djembé,Materiali Sonori |
| Shanghai Film Orchestra | traditional Chinese instruments ( "various lutes, zithers, mouth organs, flute, and percussion" ) | 28' 35 " | 108 | Recorded in January 1989 at the Recording Studio of the Shanghai Film Industry. Mixed by Terry Riley,Jon HassellandBrian Eno | Celestial Harmonies 13026 |
| Piano Circus | concert grand piano, upright piano, Rhodes piano, harpsichords, vibraphone | 20' 00 " | 132 | Recorded in 1990 | Six Pianos / In C,Argo 430380 |
| Terry Riley and Friends | saxophones (sopranos, alto, tenor, and baritone), xylophone, synthesizers, voices, flute, viola, violins, trombones, cello, piano, guitars, glockenspiel, drums, marimba, clarinet, accordion, xylophone, bass clarinet | 76' 16 " | 108 | Recorded live on January 14, 1990 at the New Music Theatre and Life on the Water, San Francisco | In C – 25th Anniversary Concert,New Albion 71 |
| Quebec Contemporary Music Society | flute, oboe, English horn, clarinet, bassoon, French horns, trumpets, trombone, tuba, harp, percussion, sitar, tablas, violins, viola, cello, double bass, vocal ensemble | 35' 46 " | 116 | Recorded live on June 12, 1997 at the Salle Pierre-Mercure | Atma Classique 22251 |
| Ictus(with Blindman Kwartet) | percussion, double basses, harp, cello, guitar, piano, accordion, oboe, violin, clarinets, soprano saxophone, alto saxophone, tenor saxophone, baritone saxophone | 65' 00 " | 130 | Recorded live on May 31, 1997 at Chapelle des Brigitines, Brussels. Slightly overdubbed at Acoustic Recording Studio, Brussels | Cypres 5601 |
| Bang on a Can | cello, glockenspiel, vibraphone, bass, mandolin, soprano saxophone, pipa, piano, violin, electric guitar, chimes, marimba, clarinet | 45' 32 " | 120 | Recorded live on November 20, 1998 at theWorld Financial Center,New York | Cantaloupe 21004 |
| Terry Riley Repetitition[sic]Orchestra | keyboards, clarinet, trumpet, violins, cello, fretless baritone guitar, double bass, chime-bells, percussion, voices | 76' 40 " | 108 | Recorded live on April 20, 2000 in DOM, Moscow | Long Arm Records 01033 |
| The Styrenes | guitars, keyboards, bass, drums, vibraphone | 53' 19 " | 120 | Recorded on September 21, 2000 at Unique Studio, NYC (many overdubs) | Enja 94352 |
| Acid Mothers Temple & the Melting Paraiso U.F.O | voices, monster bass, electric guitars, synthesizers, drums, violin, zuruna, tambura, shruti box, vibraphone, glockenspiel | 20' 31 " | 92 | Recorded at FTF Studio, Indo-yo and Acid Mothers Temple, 2002 | Squealer 37 |
| European Music Project, zignorii++ | violin, viola, violoncello, marimba, electric piano, English horn, clarinets, alto saxophone, electronic arrangements | 60' 48 " | 120 | Recorded April 19–22, 2001 at Sendesaal des Funkhauses Köln | Wergo 66502 |
| re-sound | flute, clarinet, soprano saxophone, alto saxophone, voice, electric guitar, electric bass, percussion, keyboards, violin, cello | 57' 00 " | Recorded in Australia | Move RecordsMD 3262[11](2002) | |
| DésAccordes / d-zAkord | classical guitars, electric guitars, electric basses, harp, cellos, percussion, drums, bass | 48' 54 " | 120 | Recorded on November 23, 2003 at Espace Culturel du Bois Fleuri, Lormont, France | MUSEA/GAZUL GA8681.AR |
| Ut Gret | synthesizer, alto saxophone, vibes, marimba, flute, bass clarinet | 64' 11 " | 120 | Recorded live atTewligansin 2002 | Recent Fossils,Ear-X-tacy Records |
| Ars Nova Copenhagen, Percurama Percussion Ensemble | vocals, marimbas, bass marimba, vibraphone, Bali gong | 55' 16 " | 116 | Recorded on January 17, 2005 at Focus Recording, Copenhagen | Dacapo 8.226049 |
| American Festival of Microtonal Music | just-fretted guitars, viola, harpsichord, kanon, guitar "pulse" | 23' 11 " | 112 | Recorded live as "In C in Just Intonation," Terry Riley's reworking commissioned by the AFMM in 1988 | Ear Gardens,Pitch P-200209 |
| Oxford Minimalist Ensemble | 45' 09 " | Recorded live at Sheldonian Theatre Oxford UK on 11 May 2006 | minimalistensemble.co.uk | ||
| The New Audience Ensemble | 16' 36 " | Live at the Edge,Odessa Mama (2006) | |||
| Jeroen van Veen | Piano and other keyboards | 57' 56 " | 120 | Recorded at Barbara Church, Culemborg on October 23–28, 2006 (many overdubs) | Minimal Piano Collection,Brilliant Classics 8551 |
| GVSUNew Music Ensemble | piano, percussion, xylophone, bassoon, accordion, flute, bass flute, clarinet, bass clarinet, cello, English horn, soprano and tenor saxophones, marimba, vibraphone, guitar, trumpet, violin | 20' 43 " | The project included remixed versions by 16 other musicians, | In C Remixed,Innova 758 (2009) | |
| Orkest de Volharding | 51' 36 " | 108 | The Minimalists,Mode 214/215 (2009) | ||
| Hans Balmer | Flutes (overdubbed) | 40' 04 " | 124 | Minimal Flute,Fontastix (2009) | |
| Salt Lake Electric Ensemble | Laptop orchestra with percussion | 65' 56 " | 85 | Laptops recorded live Feb. 3, 2010 in Salt Lake City, acoustic instruments overdubbed Feb/Mar 2010 | sleearts (2010) |
| GVSUNew Music Ensemble | Piano, Percussion, Flute, Cello, Accordion, Violin, Clarinet, Bass, Saxophone, Acoustic Guitar, Electric Guitar, Trumpet. Featured Guest Dennis DeSantis on laptop and effects. | 61' 28 " | 124 | Recorded live on November 8, 2009, at Le Poisson Rouge, New York City | Terry Riley: In C Ghostly InternationalGI-108 (2010) Limited Edition CD + Digital Download |
| Invisible Polytechnic | Analogue modular synth 'pulse', organ, piano, marimba, percussion, violin, viola,hurdy-gurdy,harp, bass guitar, oboe,daegeum,bassoon, voices | 45' 40 " | 115 | Recorded at Hatchlands Park, Surrey, and Them Usem, London | Junior Aspirin Records(ASP020, 2011) |
| Anton Glushkin and friends | Piano 'pulse', guitar, electric guitar, 2 violins, viola, cello, balalayka, balalayka-contrabass, flute, clarinet, bassoon, French horn, bayan, harp, harpsichord, synthesizer, percussion | 51' | 110 | Recorded live on March 17, 2012, at museum of contemporary arts "Erarta", St. Petersburg, Russia | Hands For Friends studio |
| The Sensorium Saxophone Orchestra | Bass, Baritone, Tenor, Alto and Soprano Saxophones, with Snare Drum Pulse | 35' | 110 | Recorded December 2010 at Creative Music Studios, Brooklyn, New York | Living Records (2012) |
| University of Lethbridge Electroacoustic Ensemble | clarinet, alto saxophones, voices, electronic bells, DTX electronic drums, MIDI sequencer, CDJ-2000 turntable, iPad, piano, Minimoog Voyager, microKorg XL, keyboards, acoustic guitars, electric guitar, bass guitar (Ableton Suite and Logic Pro controlled by iPad and keyboards) | 41'13 " | 96 | Lethbridge, Canada, April 2013 | Digital Audio Arts University of Lethbridge |
| PressingPlay laptop Orchestra | Ableton Live 8, APC40, Kore 2 | 23'52 " | 128 | June 2013 | Recorded live at PlonkPlonk Records in June 2013 |
| Adrian Utley's Guitar Orchestra | Electric Guitars, Organs, Bass Clarinet, Percussion | 61'24 " | Recorded live at St. George's hall, Bristol, 6 February 2013 | Released by Invada Records on 14 October 2013 | |
| HaanwijkGuitaretEnsemble | 21 Hohner Guitarets | 19'47 " | Released April 2014 | ||
| Africa Express | balafons, baritone-guitar, calabash, djembe, flutes, guitars, imzad, kalimbas, kamel n'goni, koras, melodica, percussions, violin, vocals | 40'45 " | 130 | Recorded at Maison des Jeunes,Bamakoand Studio P5, Berlin | Released February 2015; titledIn C Mali.FeaturesBrian EnoandDamon Albarn.[12] |
| Fighting Windmills + Sethstat | clarinet, soprano saxophone, trombone, percussion, electronic percussion, analogue synthesizer, modeling synthesizer, electric guitar, electronics, bass guitar, contrabass | 78'41 " | (variable) | Performed without pulse in a varying, free-flowing tempo. Recorded live at Kino Frosina, MKC – Skopje, Macedonia, December 16, 2016. | Released by PMG Jazz on July 5, 2018 |
| dBs Music | Synthesizer Orchestra | 53'50 " | 85 | Recorded at dBs Bristol | Performed December 2018[13] |
| Selfie Orchestra and Friends | strings quintet, piano, guitar, bass, mezzo-soprano, accordion, electronics | 66'10 " | 93.75 | Recorded live at Onerkhana Performing Arts Theatre (Almaty, Kazakhstan) | Performed June 24, 2021[14] |
| The Young Gods | electronics, guitar, voice, drums and percussions | 51'59 " | Recorded live at the “Studio des Forces Motrices”, Geneva, Switzerland, 21 October 2021 | Released 9 September 2022[15] |
Impact on other music
[edit]Grand Valley State UniversityNew Music Ensemble produced an album of remixed versions ofIn C.A discussion of theIn Cremi xing project including music played from three of the remixed versions can be heard inRadiolab's podcast onIn Cfrom December 14, 2009.[16]The remixers includedJad Abumrad,Mason Bates,Jack Dangers,Dennis DeSantis,R. Luke DuBois,Mikael Karlsson/Rob Stephenson,Zoë Keating,Phil Kline,Kleerup,Glenn Kotche,David Lang,Michael Lowenstern,Paul D. Miller (DJ Spooky),Nico Muhly,Todd ReynoldsandDaniel Bernard Roumain(DBR).[17]
References
[edit]- ^Riley, Terry, "In C:Performing Directions ", from the score forIn C,1989, Celestial Harmonies
- ^Christopher Bonds,The Musical Impulse,second, revised edition (Dubuque, Iowa: Kendall Hunt Publishing Company, 1994): 345.ISBN9780840398024
- ^"A guide to Terry Riley's music"byTom Service,The Guardian,29 January 2013
- ^"Radio Eclectus: Stuart Dempster interviewed by Michael Schell",April 9, 2020
- ^"National Recording Registry Inducts Music from Alicia Keys, Ricky Martin, Journey and More in 2022".Library of Congress.Retrieved13 April2022.
- ^Honigmann, David (October 7, 2013)."In C, Barbican, London – review".Financial Times.Archivedfrom the original on 2022-12-10.Retrieved2014-07-28.
In C– probably the second-best-known aleatory classic – is less a score than a set of instructions
- ^This direction seems to be in the original score, but is not in the OtherMinds CC-licensed score.
- ^Andrew Ford(May 6, 2012)."Steve Reich – rhythm and minimalism".The Music Show.ABC Radio National.Archived from the original on 2021-12-09.Retrieved2014-08-07– via YouTube.
Steve Reich turned his back on Serialism back in the late 60s. He'd heard John Coltrane's free jazz and following a trip to Ghana in the early 70s he decided rhythm was more important than melody. So Minimalism was born in uptown New York.
{{cite web}}:CS1 maint: bot: original URL status unknown (link) - ^Programme for the Cornelius Cardew Ensemble, Royal Institute Galleries. (1968)
- ^Anderson, Virginia (18 November 2013)."Systems and Other Minimalism in Britain".In The Ashgate Research Companion to Minimalist and Postminimalist Music, ed. Keith Potter, Kyle Gann, and Pwyll ap Siôn. Farnham, Surrey: Ashgate.
- ^Move RecordsMD 3262re-sound: In C
- ^Clark, Philip."Riley In C".Gramophone.
- ^"VIDEO: A day recording with Portishead's Adrian Utley at DBS Music".
- ^Archived atGhostarchiveand theWayback Machine:"In C by Terry Riley".YouTube.
- ^"In C".The Young Gods.Retrieved6 November2022.
- ^Radiolab,"In C",December 14, 2009
- ^"In C Remixed".GVSU New Music Ensemble.Retrieved26 February2014.
Further reading
[edit]- Carl, Robert.2009.Terry Riley's in C.Oxford University Press.ISBN978-0-19-532528-7doi:10.1093/acprof:oso/9780195325287.001.0001
- Reed, S. Alexander. 2011. "In Con Its Own Terms: A Statistical and Historical View ".Perspectives of New Music49, no. 1 (Winter): 47–78.doi:10.7757/persnewmusi.49.1.0047
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