Jump to content

Pavane

From Wikipedia, the free encyclopedia
A Pavane,Edwin Austin Abbey,1897

Thepavane[a](/pəˈvɑːn,pəˈvæn/pə-VA(H)N;Italian:pavana,padovana;German:Paduana) is a slow processionaldancecommon in Europe during the 16th century (Renaissance).

The pavane, the earliest-known music for which was published in Venice byOttaviano Petrucci,inJoan Ambrosio Dalza'sIntabolatura de lauto libro quartoin 1508, is a sedate and dignifiedcouple dance,similar to the 15th-centurybasse danse.The music which accompanied it appears originally to have been fast or moderately fast but, like many other dances, became slower over time.[1]

Origin of term

[edit]

The wordpavaneis most probably derived from Italian [danza]padovana,[2][3]meaning "[dance] typical ofPadua"(similar toBergamask,"dance fromBergamo");pavanis an old Northern Italian form for the modern Italian adjectivepadovano(= from Padua).[b]This origin is consistent with the equivalent form,Paduana.

An alternative explanation is that it derives from the Spanishpavónmeaningpeacock.[5]

Although the dance is often associated with Spain,[6]it was "almost certainly of Italian origin".[1]

History

[edit]

The decorous sweep of the pavane suited the new more sober Spanish-influenced courtly manners of 16th-century Italy. It appears in dance manuals in England,France,andItaly.

The pavane's popularity was from roughly 1530 to 1676,[7]though, as a dance, it was already dying out by the late 16th century.[1]As a musical form, the pavane survived long after the dance itself was abandoned, and well into theBaroqueperiod, when it finally gave way to theallemande/courantesequence.[8].

Music

[edit]
  • Slow duple metre (2
    2
    or4
    4
    ) by the late 16th century, though there is evidence that it was still a fast dance as late as the mid-16th century, and there are also examples of triple-time pavans from Spain, Italy, and England.[1]
  • Two strains of eight, twelve, or sixteen bars each.
  • Accent generally comes on the third beat with a secondary accent on the 1st beat though some pavanes place the accent on the first beat with the secondary accent falling on the third.[citation needed]
  • Generally follows the form of A–A′–B–B′–C–C′.
  • It generally usescounterpointorhomophonicaccompaniment.
  • Often accompanied by ataborin a rhythmic pattern ofminimcrotchetcrotchet(1
    2
    1
    4
    1
    4
    ) or similar.[9]
  • This dance was generally paired with theGalliard.[clarification needed]
  • Usually no florid or running passages in instrumental ensemble settings, but pavans for solo instruments usually included written-out repeat sections with variations.[1]

Dance

[edit]
At the royal court ofHenry III of France:Anne de Joyeuseand his wife Marguerite de Vaudémont-Lorraine, dancing a pavane.[10]Left under the canopy the king and his motherCatherine de' Medici,to the right of her QueenLouise.The musicians on the right side. (c. 1581)

InThoinot Arbeau's French dance manual, it is generally a dance for many couples in procession, with the dancers sometimes throwing in ornamentation (divisions) of the steps.[11]

TheDictionnaire de Trevouxdescribes the dance as being a "grave kind of dance, borrowed from the Spaniards, wherein the performers make a kind of wheel or tail before each other, like that of a peacock, whence the name." It was usually used by regents to open grand ceremonies and to display their royal attire.[12]Before dancing, the performers saluted the King and Queen whilst circling the room. The steps were calledadvancingandretreating.Retreating gentlemen would lead their ladies by the hand and, after curtsies and steps, the gentlemen would regain their places. Next, a lone gentleman advanced and wenten se pavanant(strutting like a peacock) to salute the lady opposite him. After taking backward steps, he would return to his place, bowing to his lady.[13]

Modern use

[edit]

The step used in the pavane survives to the modern day in thehesitation stepsometimes used at weddings.

More recent works titled "pavane" often have a deliberately archaic mood. Examples include:

Explanatory notes

[edit]
  1. ^Variously attested aspavan,paven,pavin,pavian,pavine,orpavyn.
  2. ^this is reflected also, for example, in the family namePavan,rather diffuse in northern Italy.[4]

References

[edit]
  1. ^abcdeBrown 2001.
  2. ^"Pavane".Encyclopædia Britannica.Retrieved30 November2016.
  3. ^"Pavana".Vocabolario Treccani(in Italian).Retrieved30 November2016.
  4. ^"Cognome: PAVAN, Presente in 976 comuni".gens.labo.net(in Italian).Retrieved30 November2010.
  5. ^Sachs 1937,p. 356.
  6. ^Horst 1937,p. 7.
  7. ^Horst 1937,p. 8.
  8. ^Apel 1988,p. 259ff[page needed].
  9. ^Arbeau 1967,pp. 59–64.
  10. ^"Pavane à la cour d'Henri III".collections.louvre.fr.
  11. ^Arbeau 1967,pp. 59–66.
  12. ^Horst 1937,p. 9.
  13. ^Horst 1937,p. 12.

Literature

[edit]
  • Apel, Willi. 1988.The History of Keyboard Music to 1700.Bloomington: Indiana University Press.ISBN0-253-32795-4.
  • Arbeau, Thoinot. 1967.Orchesography,translated by Mary Stewart Evans, with a new introduction and notes by Julia Sutton and a new Labanotation section by Mireille Backer and Julia Sutton. New York: Dover Publications.ISBN0-486-21745-0.
  • Brown, Alan. 2001. "Pavan".The New Grove Dictionary of Music and Musicians,second edition, edited byStanley SadieandJohn Tyrrell.London: Macmillan Publishers.
  • Horst, Louis. 1937.Pre-Classic Dance Forms.A Dance Horizons Book. New York: Dance Observer. Reprinted, Princeton, N.J.: Princeton Book Co., 1987.ISBN9780916622510.
  • Sachs, Curt. 1937.World History of the Dance,translated by Bessie Schönberg. New York: W. W. Norton & Co., Inc.