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8-track cartridge

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This article is about the eight-track cartridge. For eight-track multitracking, seeMultitrack recording.
For other uses, seeCartridge (disambiguation).

Stereo 8
The inside of a cartridge. The black rubber pinch roller is at upper right.
Media typeMagnetic tape cartridgeendless loop
EncodingStereoanalog signal
CapacityFour stereo channels
ReadmechanismTape head
WritemechanismMagneticrecording head
DevelopedbyLear Industries
UsageAudio storage
ExtendedfromFidelipac/ Mohawk cartridge[1]

The8-track tape(formallyStereo 8;commonly calledeight-track cartridge,eight-track tape,andeight-track) is amagnetic-tape sound recordingtechnology that was popular[2]from the mid-1960s to the early 1980s, when thecompact cassette,which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.[3][4][5]

The format was commonly used in cars and was most popular in the United States and Canada and, to a lesser extent, in the United Kingdom and Japan.[3][4][6]One advantage of the 8-track tape cartridge was that it could play continuously in an endless loop, and did not have to be ejected, turned around and reinserted to play the entire tape. After about 80 minutes of playing time, the tape would start again at the beginning. Because of the loop, there is no rewind. The only options the consumer has are play, fast forward, record, and program (track) change.[7]

The Stereo 8 Cartridge was created in 1964 by a consortium led byBill Lear,ofLear JetCorporation,[8]along withAmpex,Ford Motor Company,General Motors,Motorola,andRCA Victor Records(RCA-Radio Corporation of America).

The 8-track tape format is now considered obsolete, although there are collectors who refurbish these tapes and players as well as some bands that issue these tapes as a novelty.Cheap Trick'sThe Latestin 2009 was issued on 8-track, as wasDolly Parton'sA Holly Dolly Christmasin 2020, the latter with an exclusive bonus track. Little Lost Girl Media from Oregon is currently still making 8-tracks and runs a mostly 8-track punk rock n roll record label. There are about 5 small independent record labels that manufacturer 8-track cartridges currently.

Technology

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The cartridge's dimensions are approximately 5.25 by 4 by 0.8 inches (13.3 cm × 10.2 cm × 2.0 cm). The magnetic tape is played at 3.75 inches per second (twice the speed of a cassette), is wound around a single spool, is about 0.25 inches (0.64 cm) wide and contains 8 parallel tracks. The player's head reads two of these tracks at a time, for stereo sound. After completing a program, the head mechanically switches to another set of two tracks, creating a characteristic clicking noise.[9]

History

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Development

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A blank compatible Stereo-Quadraphonic 8-track cartridge
Blank cartridges could be used to make recordings at home.

Inventor George Eash invented a design in 1953, called theFidelipac cartridge, also called the NAB cartridge.[10]which would later be used in not only the MuntzStereo-Pakbut also in various monaural background music systems from the late '60s to the early '90s.

His inspiration came from one of the first products that used theendless tape cartridgetechnology which was the Audio Vendor from a year earlier, an invention ofBernard Cousino.The tape is passed through an inner ring of loose tape reel, where the recording is stored, and looped back through the outer ring of the reel. Initially, this mechanism was to be implemented in a reel-to-reel audio tape recorder.

Later, Cousino developed a plastic case that could be mounted on some existing tape recorders. This cartridge was marketed by John Herbert Orr as Orrtronic Tapette. In this generation, the tape was wound with the magnetic coating facing the inside of the reel. Later cartridge types had the magnetic layer facing the outside of the reel, so it had to be played by a specially designed recorder. Once traction of the tape by capstan was added, users had the convenience of just pushing the cartridge into the recorder without having to thread the tape. These cassettes needed no internal space for the tape head slider because they accessed the tape from outside the cartridge.

Based on these new cassettes, George Eash developed the Fidelipac cartridge in 1954.PlayTapeand the endless-loop compact cassettes for the announcement text of answering machines were made with this technique as well along with other similar but incompatible answering machine tapes. The original separate take-up reel got a platter laid under the supply reel to combine the two and the perforation around the edge of the reel for traction was removed. There was no rear winding reel inside such a cassette so rewinding was impossible. Previously, a similar technique was used to storeTefifongrooved-vinyl sonic tape in the Tefi cartridge but without the benefit of a reel due to the width being 16mm, over twice that of an 8-track and due to the thickness of the film at 3 mils (75μm).

Another similar technology was the LaBelle Tutor 16 which combined several endless loop technologies at once. A 35mm filmstrip was reduced to 16mm and loaded into an endless loop film cartridge similar to a Fisher Price Movie Viewer which used silent truncated versions of 16mm cartoons. The bottom of this cartridge acted as the top for the sound cartridge below it which was basically identical to an 8-track. The only difference was the recording was the same 2-track format as mono NAB carts at the same 3-3/4 IPS speed (9.5 cm/s) as an 8-track with the program material on one track and the subsonic picture-change automation tone on the other track.

Films, both silent as well as sound, in 8mm as well as 16mm configurations and in optical as well as magnetic sound formats were also endless loops, used in everything from store end-cap sales tools, to on-the-road engineering instructions to early portable airline movies. Instead of having any part of the mechanism located inside the cartridge, the only part located there was a 45-degree mirror to reflect the light through the film and onto either the internal frosted screen or an external screen by way of flipping another mirror in to redirect the picture.

Stereo 8

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Lear Jet Stereo 8 advertisement,BillboardJuly 16, 1966

The Lear Jet Stereo 8 cartridge was designed by Richard Kraus while working for theLear Jet Corporation,underBill Lear,in 1963. The major change was to incorporate a neoprene rubber and nylon pinch roller into the cartridge itself, rather than to make the pinch roller a part of the tape player, reducing mechanical complexity. Lear also eliminated some of the internal parts of the Eash cartridge, such as the tape-tensioning mechanism and an interlock that prevented tape slippage. Because the Stereo-Pak cartridges were prone to jamming due to their complex design, Lear endeavored to redesign them, putting twice the number of tracks on them, doubling their recording time first to 80 minutes and then extending that to 100 minutes.[11]

Discrete Quadraphonic 8-track

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Four-channel 8-tracks were distinguishable by the notch in the upper left hand corner as in the picture to the right. Blanks such as this one were sold with a white spacer occupying the notch the same as45 rpm adapterwere sold to convert 7-inch (19 cm) large hole singles so that they could be played on conventional turntables. This notch activated the second set of tracks on the new head which would have originally played Programs 3 and 4 of a stereo tape and used them simultaneously with heads that would read Programs 1 and 2.

Tapes were first marketed for the Fall, 1970 music season which is a little strange, due to the fact that the lastStereo-Pakfour TRACK Muntz cartridge tapes (vs four CHANNEL quadraphonic) were still being produced at the same time as well as regular Stereo 8 tapes.

Time limitations

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Going back to using the same amount of tape for an album as a Stereo-Pak was a little annoying to consumers becauseTwo Albums on One Tape for the Same Low Price (as an LP)was now impossible. Quadraphonic issues of double albums on 8-track had to occupy two or even (in the case of classical music) three tapes.

If an album ran over 50 minutes, half the time that could be recorded on a Stereo 8-track, and there was not enough program material to justify a second tape, producers would edit or eliminate some songs to make the album fit the 25-minute-per-program time limit. Commercial recordings were going back to a slightly smaller version of the same truncated program problems that plagued 2-track stereo tapes 20 years earlier. Quadraphonic cassettes were experimented with starting in 1974, but never gained a toe-hold until cassette portastudios established themselves ten years later just before digital took off.

Commercial success

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Factory optional 8-track stereo player in a 1967American MotorsMarlinmounted between thecenter consoleand dash
Factory installed AM/FM radio/8-track unit in a 1978AMC Matadorwith aBriefcase Full of Bluescartridge in "play" position

The popularity of both four-track and eight-track cartridges grew from the booming automobile industry.[12]In September 1965, theFord Motor Companyintroduced factory-installed and dealer-installed eight-track tape players as an option on three of its 1966 models (the sportyMustang,luxuriousThunderbird,and high-endLincoln),[13]and RCA Victor introduced 175 Stereo-8 Cartridges from its RCA Victor and RCA Camden labels of recording artists catalogs.[14]By the 1967 model year, all of Ford's vehicles offered this tape player upgrade option. Most of the initial factory installations were separate players from the radio (such as shown in the image), butdashboardmounted 8-track units were offered in combination with an AM radio, as well as with AM/FM receivers.[15]

The 8-track format gained steadily in popularity because of its convenience and portability. Home players were introduced in 1966 that allowed consumers to share tapes between their homes and portable systems. By the late 1960s, the 8-track segment was the largest in the US consumer electronics market (Low UK & Europe sales as Compact Cassette was released 1962) and the popularity of 8-track systems for cars helped generate demand for home units.[16][page needed]"Boombox" type portable players were also popular but eight-track player/recorders failed to gain wide popularity and few manufacturers offered them except for manufacturer Tandy Corporation (for itsRadio Shackelectronics stores). With the availability of cartridge systems for the home, consumers started thinking of eight-tracks as a viable alternative to 33 rpm album stylevinyl records,not only as a convenience for the car. Also by the late 1960s, prerecorded releases on the 8-track tape format began to arrive within a month of the vinyl release. The 8-track format became by far the most popular and offered the largest music library of all the tape systems in the US.[17]

Early karaoke machines

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Daisuke Inoueinvented the first karaoke machine in 1971 called the Juke-8.[18][19]

Other use

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Milton Bradley's (MB)OMNI Entertainment Systemwas an electronic quiz machine game first released in 1980, similar toJeopardy!or later entries in theYou Don't Know Jackvideo game series,using 8-track tapes for questions, instructions, and answers, using audio playback as well as digital signals inmagnetic-tape data storageon remaining tracks to load the right answer for counting the score. In 1978, theMego Corporationlaunched the2-XLtoy robot, which utilized the tracks for determining right from wrong answers.[20]In 1977, the Scottish company GR International released the Bandmaster Powerhouse, a drum machine that played back custom-made 8-track cartridges similar to aMellotronorChamberlinMusic Master containing drum and percussion rhythm loops recorded with real instruments. These could be subjected to a degree of processing using the drum machine's controls, which included tempo and instrument balance.[21]

Decline

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In the United States, 1978 was the peak year for 8-track sales, with sales declining rapidly from then on.[22]Eight-track players became less common in homes and vehicles in the late 1970s, dwarfed by thecompact cassette(which arrived in 1963).[23]By 1980, the eight-track was already being phased out in favor of cassettes,[24]whose sales were rapidly increasing partly due to the success of theWalkman[25]and eventually caught up and dethronedLPsby 1983.[26]

In the U.S., eight-track cartridges were phased out of retail stores in late 1982 and early 1983. However, some titles were still available as eight-track tapes throughColumbia HouseandRCA(BMG) Music Service record clubs until late 1988. Until 1990,Radio Shack(Tandy Corporation) continued to sell blank eight-track cartridges and players for home recording use under itsRealisticbrand.[27]

See also

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References

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  1. ^TelePro Cartridge Patent Fails,Billboard vol. 79, No. 27, 8 July 1967 p. 3
  2. ^"What Are 8-Track Tapes?".wisegeek.Retrieved14 February2015.While immensely popular in the United States for a period of time...
  3. ^ab"Collector's Corner: The History of the Eight-Track Tape".23 December 2005.Retrieved22 January2014.Just as the signs were all pointing to eight-track toppling vinyl as the format of choice for music lovers in the United States, Canadaandto a lesser extent,in Great Britain,along came the audio cassette
  4. ^ab"What Are 8-Track Tapes?".Retrieved22 January2014.Outside of the United Kingdom, Canada, and a few other nations, the use of 8-track technology was virtually unknown.
  5. ^"Eight-Track Tapes | Encyclopedia".encyclopedia.Retrieved17 January2023.
  6. ^"8-Tracking Around the World".8trackheaven.
  7. ^"Car Cartridges Come Home",pp.18-22,HiFi/Stereo Review'sTape Recorder Annual 1968,retrieved May 22, 2023. (Detailed comparative diagrams of aFidelipaccartridge on p.20, with comparison to Lear Jet8-track cartridgeand Phillipscassettediagrams on p.21.)
  8. ^Wilford, John Noble (4 April 1971)."Bill Lear Thinks He'll Have the Last Laugh".The New York Times.ISSN0362-4331.Archived fromthe originalon 29 September 2017.Retrieved29 September2017.
  9. ^"The 8-Track FAQ".8-Track Heaven.Retrieved19 January2023.
  10. ^"George Eash CARtridge inventor tells how it was born".Billboard.Vol. 78, no. 10. 3 March 1966.Retrieved26 January2013.
  11. ^Crews, Andrew D. (1 December 2003)."From Poulsen to Plastic: A Survey of Recordable Magnetic Media".The Cochineal.Archived fromthe originalon 18 December 2013.Retrieved19 January2016.
  12. ^"Vintage Audio Recording History".Videointerchange. 10 May 2012.Retrieved27 January2013.
  13. ^Despagni, Anthony J. (1976)."Some Help From Debussy For the Hassled Driver".The New York Times.ISSN0362-4331.Retrieved29 September2017.
  14. ^"RCA Fires 175-Title Burst with Release of Stereo 8 Cartridges".Billboard.Vol. 77, no. 39. 25 September 1965. p. 3.ISSN0006-2510.Retrieved27 January2013.
  15. ^Mitchell, Larry G. (2000).AMC Muscle Cars.MBI Publishing. p. 73.ISBN978-0-7603-0761-8.Retrieved26 January2013.
  16. ^Kussisto, Oscar P. (2 November 1968)."8-track market booms".Billboard.Retrieved23 April2014.
  17. ^Shatavsky, Sam (February 1969)."The best tape system for you".Popular Science.Vol. 194, no. 2. pp. 126–129.
  18. ^Raftery, Brian (2008).Don't Stop Believin': How Karaoke Conquered the World and Changed My Life.Boston, Massachusetts: Da Capo Press.ISBN978-0306815836.
  19. ^Mitsui, Tōru; Hosokawa, Shūhei (1998).Karaoke around the world: global technology, local singing.London; New York: Routledge. pp. 29–42.ISBN9781280140877.
  20. ^Techmoan:MB OMNI Entertainment System - The 1980s 8-Track games machine,YouTube, 6 August 2017
  21. ^"GR International Bandmaster Powerhouse | Vintage Synth Explorer".vintagesynth.
  22. ^"U.S. Sales Database".Recording Industry Association of America.
  23. ^"The History of the Audio Cassette".Southtree.Retrieved15 December2019.
  24. ^Harrington, Richard (15 June 1980)."The Record Industry Goes To War On Home Taping".The Washington Post.
  25. ^Palmer, Robert (29 July 1981)."THE POP LIFE; CASSETTES NOW HAVE MATERIAL NOT AVAILABLE ON DISKS".The New York Times.ISSN0362-4331.Retrieved6 May2024.
  26. ^Salmans, Sandra (29 March 1983)."SALES OF RECORDS ON THE RISE".The New York Times.ISSN0362-4331.Retrieved6 May2024.
  27. ^"1990 Radio Shack Catalog".radioshackcatalogs.Archived fromthe originalon 9 August 2020.Retrieved17 March2017.
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