Jump to content

A12 scale

From Wikipedia, the free encyclopedia
A12 triad (4:7:10) in conventional notation.Play
Octave 12-tet (left) compared with tritave 12-tet (right)

A12(Play) is a non-octave-repeating scaleormusical tuningfeaturing twelve steps to thetritave.Astwelve steps to the octaveis based on a triad ofharmonics4:5:6 (root, major third, perfect fifth),PlayA12 is based on a triad of harmonics 4:7:10 (root,harmonic seventh,and compoundmajor third).[1]Discovered byHeinz Bohlenbetween 1972 and 1973,[2]it was named "A12" by Enrique Moreno.[3]Bohlen considered this scale less logically consistent than theBohlen–Pierce scale,which has thirteen steps in the twelfth.

Step Ratio Audio Cents (just) Audio Cents (ET) Difference
0 1/1 Play 0 Play 0 0
1 11/10 Play 165.00 Play 158.50 -6.50
2 6/5 Play 315.64 Play 316.99 1.35
3 30/23 Play 459.99 Play 475.49 15.50
4 10/7 Play 617.49 Play 633.99 16.50
5 11/7 Play 782.49 Play 792.48 9.99
6 7/4 Play 968.83 Play 950.98 -17.85
7 21/11 Play 1119.46 Play 1109.48 -9.99
8 21/10 Play 1284.47 Play 1267.97 -16.50
9 23/10 Play 1441.96 Play 1426.47 -15.49
10 5/2 Play 1586.31 Play 1584.97 -1.35
11 11/4 Play 1751.32 Play 1743.46 -7.86
12 3/1 Play 1901.96 Play 1901.96 0

See also

[edit]

References

[edit]
  1. ^"Other Unusual Scales".The Bohlen–Pierce Site.Retrieved27 November2012.
  2. ^Bohlen, Heinz: 13 Tonstufen in der Duodezime.Acustica,vol. 39 no. 2, S. Hirzel Verlag, Stuttgart, 1978, pp. 76 - 86. Cited in"Other Unusual Scales",The Bohlen–Pierce Site.
  3. ^Moreno, Enrique Ignacio (Dec 1995). "Embedding Equal Pitch Spaces and The Question of Expanded Chromas: An Experimental Approach".Dissertation.Stanford University: 12–22.Cited in"Other Unusual Scales",The Bohlen–Pierce Site.