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Ani DiFranco

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Ani DiFranco
Ani Difranco standing onstage, playing an acoustic guitar
DiFranco performing in 2007
Background information
Birth nameAngela Maria DiFranco
Born(1970-09-23)September 23, 1970(age 54)
Buffalo, New York,US
Genres
Occupations
  • Musician
  • singer-songwriter
  • poet
Instruments
  • Guitar
  • vocals
DiscographyAni DiFranco discography
Years active1989–present
LabelsRighteous Babe
WebsiteanidifrancoEdit this at Wikidata

Angela Maria"Ani"DiFranco[2](/ˈɑːniː/;born September 23, 1970) is an American-Canadian singer-songwriter.[3]She has released more than 20 albums.[4][5][6][7]DiFranco's music has been classified asfolk rockandalternative rock,although it has additional influences frompunk,funk,hip hopandjazz.She has released all her albums on her own record label,Righteous Babe.

DiFranco supports many social and political movements by performing benefit concerts, appearing on benefit albums and speaking at rallies. Through the Righteous Babe Foundation, DiFranco has backed grassroots cultural and political organizations supporting causes includingabortion rightsandLGBTvisibility. She counts American folk singer and songwriterPete Seegeramong her mentors.[8]

DiFranco released a memoir,No Walls and the Recurring Dream,on May 7, 2019, viaViking Books[9]and madeThe New York TimesBest Seller list.[10]

On February 9, 2024, DiFranco made herBroadwaydebut inHadestownasPersephone,reprising the role she played in theconcept album of the same name.[11]

Early life and education

DiFranco was born inBuffalo, New York,[12]on September 23, 1970, the daughter of Elizabeth (Ross) and Dante Americo DiFranco, who had met while attending theMassachusetts Institute of Technology.[13][14]Her father was of Italian descent, and her mother was from Montreal.[15]DiFranco started playingBeatlescovers at local bars andbuskingwith her guitar teacher, Michael Meldrum,[16]at the age of nine. By 14 she was writing her own songs. She played them at bars and coffee houses throughout her teens. DiFranco graduated from theBuffalo Academy for Visual and Performing Artshigh school at 16 and began attending classes atBuffalo State College.She was living by herself, having moved out of her mother's apartment after she became anemancipated minorwhen she was 15.[17]

Career

DiFranco started her own record company,Righteous Babe Records,in 1989 at age 19.[4]She released herself-titled debut albumin the winter of 1990, shortly after relocating to New York City. There, she took poetry classes atThe New School,where she met poetSekou Sundiata,who was to become a friend and mentor. She toured steadily for the next 15 years, pausing only to record albums. Appearances at Canadian folk festivals and increasingly larger venues in the U.S. reflected her increasing popularity on the North American folk and roots scene. Throughout the early and mid-1990s DiFranco toured solo and also as a duo with Canadian drummerAndy Stochansky.

In September 1995, DiFranco participated in a concert at theRock and Roll Hall of Famein Cleveland Ohio, inaugurating the opening of theWoody GuthrieArchives in New York City. She later released a CD on Righteous Babe of the concertTil We Outnumber Emfeaturing artists such as DiFranco,Billy Bragg,Ramblin' Jack Elliott,Arlo Guthrie,Indigo Girls,Dave Pirner,Tim Robbins,andBruce Springsteenwith 100 percent of proceeds going to the Woody Guthrie Foundation and Archives and the Rock and Roll Hall of Fame Museum educational department.[18]

In 1996, bassistSara Leejoined the touring group, whose live rapport is showcased on the 1997 albumLiving in Clip.DiFranco would later release Lee's solo albumMake It Beautifulon Righteous Babe. In 1998, Stochansky left to pursue a solo career as a singer-songwriter. A new touring ensemble consisting of Jason Mercer on bass, Julie Wolf on keyboards, and Daren Hahn on drums, augmented at times by a horn section, accompanied DiFranco on tour between 1998 and 2002.[19]

The 1990s were a period of heightened exposure for DiFranco, as she continued playing ever larger venues around the world and attracted international attention of the press, including cover stories inSpin,Ms.,andMagnet,among others,[20]as well as appearances on MTV and VH1. Her playfully ironic cover of the Bacharach/David song "Wishin' and Hopin'"appeared under the opening titles of the filmMy Best Friend's Wedding.[21] She guest starred on a 1998 episode of theFoxsitcomKing of the Hill,as the voice ofPeggy's feminist guitar teacher, Emily.[22] Beginning in 1999, Righteous Babe Records began releasing albums by other artists including Sara Lee,Sekou Sundiata,Arto Lindsay,Bitch and Animal,That One Guy,Utah Phillips,Hamell on Trial,Andrew Bird,Kurt Swinghammer,Buddy Wakefield,Anaïs MitchellandNona Hendryx.

On September 11, 2001, DiFranco was in Manhattan and later penned the poem "Self Evident" about the experience. The poem was featured in the bookIt's a Free Country: Personal Freedom in America After September 11.The poem's title also became the name of DiFranco's first book of poetry released exclusively in Italy by Minimum Fax. It was later also featured inVerses,a book of her poetry published in the U.S. by Seven Stories press.[23]DiFranco has written and performed many spoken-word pieces throughout her career and was showcased as a poet on the HBO seriesDef Poetryin 2005.[24]

Since her 2005 releaseKnuckle Down(co-produced by Joe Henry) DiFranco's touring band and recordings have featured bass playerTodd Sickafooseand in turns other musicians such asAllison Miller,Andy Borger, Herlin Riley, and Terence Higgins on drums andMike Dillonon percussion and vibes.

On September 11, 2007, she released the first retrospective of her career, a two-disc compilation entitledCanonand simultaneously a retrospective collection of poetry bookVerses.On September 30, 2008, she releasedRed Letter Year.

DiFranco performing in 2008

In 2009, DiFranco appeared atPete Seeger's 90th birthday celebration at Madison Square Garden, debuting her revamped version of the 1930s labor anthem "Which Side Are You On?"in a duet withBruce Cockburnand also duetting withKris Kristoffersonon the folk classic "There's a Hole in the Bucket".[25]

DiFranco released an album on January 17, 2012,¿Which Side Are You On?.It includes collaborations withPete Seeger,Ivan Neville,Cyril Neville,Skerik,Adam Levy,Righteous Babe recording artistAnaïs Mitchell,CC Adcock,and a host of New Orleans–based horn players known for their work in such outfits asGalactic,Bonerama,andRebirth Brass Band.

In 2014, she released her eighteenth album,Allergic to Water.In 2017, she released her nineteenth,Binary.

On May 7, 2019, DiFranco released a memoir,No Walls and the Recurring Dream,viaViking Books.It is described as a "coming-of-age story".[9]

In 2021, DiFranco released the albumRevolutionary Lovewhich was largely inspired byValarie Kaur's bookSee No Stranger.[26]

DiFranco signed the October 2023Artists4Ceasefireopen letter to Joe Biden calling for a ceasefire during the Israeli bombardment of Gaza.[27]

Ani DiFranco,RZA,andSteve AlbiniatThe New Yorkerfestival in September 2005.

Personal life

DiFranco came out asbisexualin her twenties,[28]and has written songs about love and sex with women and men. She addressed the controversy about her sexuality in the song "In or Out" on the albumImperfectly(1992). However, in 2015 she told the blog GoPride that she was "not so queer anymore, but definitely a woman-centered woman and just a human rights-centered artist."[29]In a 2019 interview withJezebel,she stated that she preferred the term "queer" because "bisexual" "always sounded very medical, like something you do to a frog in 9th grade science or something", and further added that "the irony is I'm pretty fuckin'hetero,which is unfortunate for me because many of my deepest connections are with women. But, naw, I just like what's in boys' pants better. "[30]In 1998, she married her sound engineer Andrew Gilchrist[31]in aUnitarian Universalistservice in Canada. DiFranco and Gilchrist divorced in 2003.[32]

In 1990, she wrote "Lost Woman Song", which was inspired by abortions she had at ages eighteen and twenty.[33]

DiFranco's father died in the summer of 2004.[34]In July 2005, DiFranco developedtendinitisand took a nine-month hiatus from touring. In January 2007 DiFranco gave birth to her first child, a daughter,[35][36]at her Buffalo home. She married the child's father, Mike Napolitano, also her regular producer, in 2009. In an interview on September 13, 2012, DiFranco mentioned that she was pregnant with her second child.[37]In April 2013, she gave birth to her second child, a son.[38]

DiFranco has resided in theBywater, New Orleans,neighborhood since 2008.[39]

DiFranco has described herself as anatheist.On the subject of religion, DiFranco has stated:[40]

Well, I'm not a religious person myself. I'm an atheist. I think religion serves a lot of different purposes in people's lives, and I can recognize the value of that, you know, the value of ceremony, the value of community, or even just having a forum to get together and talk about ideas, about morals – that's a cool concept. But then, of course, institutional religions are so problematic.

DiFranco has spoken critically ofcancel culture,saying it is "just gonna get us nowhere" and "The human family can't divorce each other".[30][41]DiFranco herself has received criticism for planning a 2013 songwriting retreat atNottoway,a former slave plantation.[30][29]She cancelled the retreat three days after the news broke, writing on her website, "I needed a wake-up call and you gave it to me." In a 2019 interview, she said of her choices at the time, "I should have found the ultimate humility to put down my own hurt, and all of the misconceptions or mis-truths out there. You have to make yourself accountable. There's a greater pain that's bigger than me, and it's more important."[42]

DiFranco wrote in her memoir that she "[sympathized] with both sides" regarding the controversialtrans-exclusionarypolicies of theMichigan Womyn's Music Festival.In a 2019 interview, she elaborated on this statement, discussing her perception that cisgender women were being "asked again... to move over and make room for somebody else," and later expressed that she understood the difficulty "for anybody outside of a very specific group to experience it the way that group does," saying that "maybe [women's spaces] should be a little more [inclusive]".[30]

Critical reception

DiFranco has been a critical success for much of her career, with a career album average of 55 onMetacritic.[43]Living in Clip,DiFranco's 1998 double live album, is the only one to achieve gold record status to date. DiFranco was praised byThe Buffalo Newsin 2006 as "Buffalo's leading lady of rock music".[44]

Starting in 2003, DiFranco was nominated four consecutive times forBest Recording Packageat theGrammy Awards,winning in2004forEvolve.[45]

On July 21, 2006, DiFranco received theWoman of Courage Awardat theNational Organization for Women(NOW) Conference and Young Feminist Summit inAlbany, New York.DiFranco was one of the first musicians to receive the award, given each year to a woman who has set herself apart by her contributions to the feminist movement.[46]

In 2009, DiFranco received the Woody Guthrie Award for being a voice of positive social change.[47]

Music

Style

DiFranco's guitar playing is often characterized by a signaturestaccatostyle,[48][49]rapidfingerpickingand many alternate tunings. She delivers many of her lines in a speaking style notable for its rhythmic variation. Her lyrics, which often includealliteration,metaphor,word playand a more or less gentleirony,have also received praise for their sophistication.[50]

DiFranco in concert

Although DiFranco's music has been classified as bothfolk rockandalternative rock,she has reached across genres since her earliest albums incorporating first punk, then funk, hiphop, and jazz influences.

While primarily an acoustic guitarist she has used a variety ofinstrumentsand styles:brass instrumentationwas prevalent in 1998'sLittle Plastic Castle;a simplewalking bassin her 1997 cover ofHal DavidandBurt Bacharach's "Wishin' and Hopin'";stringson the 1997 live albumLiving in Clipand 2004'sKnuckle Down;and electronics and synthesizers in 1999'sTo the Teethand 2006'sReprieve.

DiFranco has stated that "folk music is not an acoustic guitar – that's not where the heart of it is. I use the word 'folk' in reference topunk musicandrap music.It's an attitude, it's an awareness of one's heritage, and it's a community. It's subcorporate music that gives voice to different communities and their struggle against authority. "[51]

Musical collaborations, cover versions, and samples

DiFranco has collaborated with a wide range of artists. In 1997, she appeared on Canadian songwriterBruce Cockburn'sCharity of Nightalbum. In 1998, she produced fellow folksingerDan Bern's albumFifty Eggs.

She developed a deep association with folksinger and social activistUtah Phillipsthroughout the mid-1990s, sharing her stage and her audience with the older musician until his death in 2008 and resulting in two collaborative albums:The Past Didn't Go Anywhere(1996) andFellow Workers(1999, with liner notes byHoward Zinn).[52]The Pastis built around Phillips's storytelling, an important part of his art that had not previously been documented on recordings; on the album, DiFranco provides musical settings for his speaking voice.[51]The followup,Fellow Workers,was recorded live inDaniel Lanois's Kingsway Studio in New Orleans and features Phillips fronting DiFranco's touring band for a collection of songs and stories.

Princerecorded two songs with DiFranco in 1999, "Providence" on herTo the Teethalbum, and "Eye Love U, But Eye Don't Trust U Anymore" on Prince'sRave Un2 the Joy Fantasticalbum.[53]Funk and soul jazz musicianMaceo Parkerand rapper Corey Parker have both appeared on DiFranco's albums[54]and featured appearances by her on theirs. Parker and DiFranco toured together in 1999.

She has appeared on several compilations of the songs ofPete Seegerand frequented hisHudson Clearwater Revival Festival.[55]In 2001, she appeared on Brazilian artistLenine's albumFalange Canibal.In 2002, her rendition ofGreg Brown's "The Poet Game" appeared onGoing Driftless: An Artist's Tribute to Greg Brown.Also in 2002 she recorded a duet withJackie Chanof theIrving Gordonsong "Unforgettable"for a record of unlikely collaborations,When Pigs Fly: Songs You Never Thought You'd Hear.[56]

In 2005, she appeared onDar Williams' recordMy Better Self,duetting on William's cover ofPink Floyd's "Comfortably Numb". She performed withCyndi Lauperon "Sisters of Avalon" a track from Lauper's 2005The Body Acousticalbum. In 2006, she producedHamell on Trial's albumSongs for Parents Who Enjoy Drugs.In 2008, she appeared onTodd Sickafoose's albumTiny Resisters.In 2010, she co-produced a track withMargaret Chocalled "Captain Cameltoe" for the comedian'sCho Dependantalbum. In 2011, she appeared onRob Wasserman's albumNote of Hope,an exploration of the writings ofWoody Guthriewith musical accompaniment, though the track in which she appeared, "Voice", was actually recorded 13 years earlier. Also in 2011 she duetted withGreg Dullion theTwilight SingersrecordDynamite Steps.[57]

Other artists have covered and sampled DiFranco's work throughout the years. Her spoken word poem "Self Evident" was covered byPublic EnemyfounderChuck D's group called Impossebulls.Alana Davishad some commercial success with DiFranco's song "32 Flavors".

Samples from the track "Coming Up" were used byDJ Spookyin his albumLive Without Dead Time,produced forAdBustersMagazine in 2003.

In 2010, DiFranco playedPersephoneonAnaïs Mitchell's albumHadestown.

DiFranco was approached by Zoe Boekbinder to work on theirPrison Music Project,an album of collaborations between incarcerated and formerly incarcerated writers and musicians on the outside.[58]DiFranco co-produced the project with Boekbinder and co-wrote and performed "Nowhere but Barstow and Prison." The albumLong Time Gonewas released onRighteous Babe Recordsin 2020 after ten years in the making.[59]

Lyrical content

Although much of DiFranco's material is autobiographical, it is often also strongly political. Many of her songs are concerned with contemporary social issues such asracism,sexism,sexual abuse,homophobia,reproductive rights,poverty, and war. In 2008, she donated a song toAid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the2004 tsunami. The combination of personal and political is partially responsible for DiFranco's early popularity among politically active college students, particularly those of the left wing, some of whom set up fan pages on thewebto document DiFranco's career as early as 1994. DiFranco's rapid rise in popularity in the mid-1990s was fueled mostly by personal contact and word of mouth rather thanmainstream media.[60]

Label independence

DiFranco cites her anti-corporate ethos for the main reason she decided to start her own label. This has allowed her a considerable degree of creative freedom[61]over the years, including, for example, providing all instrumentals and vocals and recording the album herself at her home on an analog 8-trackreel to reel,and handling much of the artwork and packaging design for her 2004 albumEducated Guess.[62]She has referenced this independence from major labels in song more than once, including "The Million You Never Made" (Not a Pretty Girl), which discusses the act of turning down a lucrative contract, "The Next Big Thing" (Not So Soft), which describes an imagined meeting with a label head-hunter who evaluates the singer based on her looks, and "Napoleon" (Dilate), which sympathizes sarcastically with an unnamed friend who did sign with a label.

The business grew organically starting in 1990 with the first cassette tape. Connections were made when women in colleges started duplicating and sharing tapes. Offers to play at colleges started coming in and her popularity grew largely by word of mouth and through women's groups or organizations.[60]Zango and Goldenrod, two music distributors specializing in women's music, started carrying DiFranco's music. In general they sold music to independent music stores and women's book stores. In 1995, Righteous Babe Records signed withKoch Internationalfor DiFranco's release ofNot a Pretty Girl.Her records could then be found in large and small record stores alike.

DiFranco has occasionally joined withPrincein discussing publicly the problems associated with major record companies. Righteous Babe Records employs a number of people in her hometown of Buffalo. In a 1997 open letter toMs.magazine[63]she expressed displeasure that what she considers a way to ensure her own artistic freedom was seen by others solely in terms of its financial success.

Activism

From the earliest days of her career, DiFranco has lent her voice and her name to a broad range of social movements, performing benefit concerts, appearing on benefit albums, speaking at rallies, and offering info table space to organizations at her concerts and the virtual equivalent on her website, among other methods and actions. In 1999, she created her own not-for-profit organization; as the Buffalo News has reported, "Through the Righteous Babe Foundation, DiFranco has backed various grassroots cultural and political organizations, supporting causes ranging from abortion rights to gay visibility."[44]

During thefirst Gulf War,DiFranco participated in the anti-war movement. In early 1993 she playedPete Seeger's Clearwater Folk Festival for the first time. In 1998, she was a featured performer in the Dead Man Walking benefit concert series[64]raising money for SisterHelen Prejean's "Not in Our Name" anti-death penalty organization. DiFranco's commitment to opposing the death penalty is longstanding; she has also been a long time supporter of theSouthern Center for Human Rights.

During the2000 U.S. presidential election,she actively supported and voted forGreen PartycandidateRalph Nader,[65][66][67]though in an open letter she made clear that if she lived in aswing state,she would vote forAl Goreto preventGeorge W. Bushfrom being elected.[68]

In 2004, DiFranco visited Burma in order to learn about the Burmese resistance movement and the country's fight for democracy.[69]During her travels she met with then-detained resistance leaderAung San Suu Kyi.Her song "In The Way" was later featured onFor the Lady,a benefit CD that donated all proceeds to theUnited States Campaign for Burma.[70]

During the 2004 presidential primaries, she supported liberal, anti-war DemocratDennis Kucinich,who appeared on stage with her during several of her concerts. After the primary season ended, andJohn Kerrywas the clear Democratic candidate, DiFranco launched a "Vote Dammit!" tour of swing states encouraging audience members to vote.[71]In 2005, she lobbied Congress against the proliferation of nuclear power in general and the placement of nuclear waste dumps on Indian land in particular.[72][73]In 2008, she again backed Kucinich in his bid for the presidency.[74]

In 2002, Righteous Babe Records established the "Aiding Buffalo's Children" program in conjunction with members of the local community to raise funds for Buffalo's public school system. To kick off the program, DiFranco donated "a day's pay" —the performance fee from her concert that year at Shea's Performing Arts Center— to ABC and challenged her fans to do the same. Aiding Buffalo's Children has since been folded into the Community Foundation of Greater Buffalo, contributing to a variety of charitable funds.[75]

In 2005, whenHurricane Katrinadevastated DiFranco's newly adopted home town of New Orleans, she collected donations from fans around the world through The Righteous Babe Store website for the Katrina Piano Fund,[76]helping musicians replace instruments lost in the hurricane, raising over $47,500 for the cause.

In 2010, after theDeepwater Horizon oil spill,she performed at the "For Our Coast" benefit concert joiningMarianne Faithfull,C. C. Adcockand others at the Acadiana Center for the Arts Theater in Lafayette, raising money for Gulf Aid Acadiana, and the Gulf Aid show withLenny Kravitz,Mos Def,and others at Mardi Gras World River City in New Orleans, both shows raising money to help protect the wetlands, clean up the coast and to assist the fishermen and their families affected by the spill.[77]

DiFranco also sits on the board forThe Roots of Music,[39]founded byRebirth Brass BanddrummerDerrick Tabb.The organization provides freemarching bandinstruction to children in the New Orleans area in addition to academic tutoring and mentoring.

DiFranco joined about 500,000 people at the March for Women's Lives in DC in April 2004. As an honored guest she marched in the front row for the three-mile route, along withMargaret Cho,Janeane Garofalo,Whoopi Goldberg,Gloria Steinemand others. Later in the day, DiFranco played a few songs on the main stage in front of the Capitol, including "Your Next Bold Move".[78]

Scot Fisher, formerly Righteous Babe label president and DiFranco's manager for many years, has been a longtime advocate of the preservation movement in Buffalo. In 1999, he and DiFranco purchased a decaying church on the verge of demolition in downtown Buffalo and began the lengthy process of restoring it. In 2006, the building opened its doors again, first briefly as "The Church" and then as "Babeville," housing two concert venues, the record label's business office, and Hallwalls Contemporary Arts Center.[79]

DiFranco is also a member of the Toronto-based charity Artists Against Racism for which she participated in a radio PSA.[80]

In October 2023, DiFranco signed an open letter toJoe Biden,President of the United States,of artists calling for a ceasefire of the Israeli bombardment of Gaza.[81]

Awards and nominations

Year Nominated work Award Result
2017 Ani DiFranco A2IM Lifetime Achievement Award[82] Won
2021 Ani DiFranco John Lennon Real Love Award[83] Won
2024 Hadestown Broadway Audience Award for Favorite Replacement (Female) Nominated

Discography

Main article:Ani DiFranco discography

Studio albums

with Utah Phillips

Live albums

  • 1994 –An Acoustic Evening With
  • 1994 –Women in (E)motion(German Release)
  • 1997 –Living in Clip
  • 2002 –So Much Shouting, So Much Laughter
  • 2004 –Atlanta – 10.9.03(Official Bootleg series #1)
  • 2004 –Sacramento – 10.25.03(Official Bootleg series #1)
  • 2004 –Portland – 4.7.04(Official Bootleg series #1)
  • 2005 –Boston – 11.16.03(Official Bootleg series #1)
  • 2005 –Chicago – 1.17.04(Official Bootleg series #1)
  • 2005 –Madison – 1.25.04(Official Bootleg series #1)
  • 2005 –Rome – 11.15.04(Official Bootleg series #1)
  • 2006 –Carnegie Hall – 4.6.02(Official Bootleg series No. 1 – available in stores)
  • 2007 –Boston – 11.10.06(Official Bootleg series #1)
  • 2008 –Hamburg – 10.18.07(Official Bootleg series #1)
  • 2009 –Saratoga, CA – 9.18.06(Official Bootleg series #1)
  • 2009 –Chicago – 9.22.07(Official Bootleg series #1)
  • 2010 –Live at Bull Moose Music(Limited edition)[87]
  • 2012 –Buffalo – April 22, 2012(Official Bootleg series #2)
  • 2013 –London – October 29, 2008(Official Bootleg series #2)
  • 2014 –Ridgefield, CT – November 18, 2009(Official Bootleg series #2)
  • 2014 –Harrisburg, PA – January 23, 2008(Official Bootleg series #2)
  • 2015 –New York, NY – March 30, 1995(Official Bootleg series #2)
  • 2016 –Glenside, PA – November 11, 2012(Official Bootleg series #2)
  • 2016 –Melbourne, FL – January 19, 2016(Official Bootleg series #2)
  • 2018 –Charlottesville, VA 5.12.18(Official Bootleg series #3)
  • 2019 –Woodstock, NY Jun 16, 2019(Official Bootleg series #3)
  • 2020 –Keene, NH Nov 16, 2019(Official Bootleg series #3)
  • 2021 –Revolutionary Love: Live at Big Blue

EPs

Videos

  • 2002 –Render: Spanning Time with Ani DiFranco
  • 2004 –Trust
  • 2008 –Live at Babeville

Compilations

  • 1993 –Like I Said: Songs 1990–91[89]
  • 1995 –Live from Mountain Stage, Vol. 8– "Buildings & Bridges (live)"
  • 1996 –Women's Work– "Cradle and All (live)"
  • 1996 –Women: Live from Mountain Stage– "Egos Like Hairdos (live)"
  • 1997 –Divine Divas: A World of Women's Voices– "Amazing Grace"
  • 1998 –Live at World Café Vol. 6– "Buildings & Bridges (live)"
  • 1998 –Modern Day Storytellers– "Buildings & Bridges"
  • 1998 –Rare on Air Vol. 4(KCRW) – "Gravel (live)"
  • 1998 –Where Have All the Flowers Gone: Songs of Pete Seeger– "My Name is Lisa Kalvelage"
  • 1998 –Women of Spirit– "Done Wrong"
  • 1999 –Respect: A Century of Women in Music– "32 Flavors"
  • 2000 –Badlands: A Tribute to Bruce Springsteen's Nebraska– "Used Cars"
  • 2000 –Best of Hard Rock Café Live– "Little Plastic Castle (live)"
  • 2000 – 'Til We Outnumber 'Em– Performed "Do Re Mi"solo and" Ramblin' Round "withIndigo Girls;Producer
  • 2001 –Live @ The World Café Vol. 10– "32 Flavors"
  • 2001 –Best of Sessions at West 54th– "32 Flavors"
  • 2002 –Gascd– "Your Next Bold Move"
  • 2002 –Going Driftless: An Artist Tribute to Greg Brown– "The Poet Game"
  • 2002 –When Pigs Fly: Songs You Never Thought You'd Hear– "Unforgettable"w/Jackie Chan
  • 2003 –Peace Not War– "Self Evident"
  • 2004 –Peace Not War Vol. 2– "Animal"
  • 2004 –For the Lady– "In the Way"
  • 2005 –Bonnaroo Music Festival 2004(CD & DVD) – "Evolve (live)"
  • 2006 –Music Is Hope– "Napoleon (remix)"
  • 2006 –Dead Man Walking: Music from and Inspired by the Motion Picture– "Crime for Crime", "Fuel", "Up Up Up Up Up Up"
  • 2007 –Canon
  • 2007 –Sowing the Seed: The 10th Anniversary Appleseed Recordings– "Waist Deep in the Big Muddy"
  • 2007 –Cool as Folk: Cambridge Folk Festival– "Cradle and All (live)"
  • 2009 –Singing Through the Hard Times: A Utah Phillips Celebration– "The International"
  • 2011 –Note of Hope: A Celebration of Woody Guthrie– "Voice"
  • 2011 –Every Mother Counts– "Present/Infant" (Remix)
  • 2012 –Occupy This Album– "Which Side Are You On? (a capella)"
  • 2019 –No Walls Mixtape
  • 2020 –Prison Music Project:Long Time Gone –"Nowhere but Barstow and Prison"[90]

As producer

Other contributions

Poetry

  • 2004 –Self-evident: poesie e disegni
  • 2007 –Verses

References

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  4. ^abStout, Gene (August 21, 2006)."DiFranco makes time for radical sabbatical: Indie rocker records new album and prepares for motherhood".TheMilwaukee Journal Sentinel.Archived fromthe originalon May 13, 2007.RetrievedJanuary 2,2008.
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  12. ^[1]ArchivedFebruary 24, 2012, at theWayback Machine
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  17. ^Cassidy, Benjamin (June 15, 2018)."Ani DiFranco rises up, like she always has".Berkshireeagle.
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