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Arabhi

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Arabhi
ArohanamSR₂M₁PD₂
AvarohanamN₃D₂PM₁G₃R₂S

ArabhiorAarabhi(pronounced ārabhi) is aragam(musical scale) inCarnatic music(South Indian classical music). It is aJanyaraga (derived scale), whoseMelakartaraga (parent scale, also known asjanaka) isShankarabharanam,29th in the 72Melakartaraga system. It is a combination of the pentatonic scaleShuddha Saveri(orDurgainHindustani Music) and thesampurna ragascaleShankarabharanam.

Arabhiis aragathat dates back to 7 AD. Originally, it was called aspazhanthakkamin Ancient Tamil music[citation needed].A very auspicious ragam that emanatesVeera rasa(valour), Arabhi is one of the fiveGhanaragams that shine with special brilliance whenThanamis played onVeena.[1]

Structure and Lakshana[edit]

Ascending scale with Shadjam at C
Descending scale with Shadjam at C

Itsārohaṇa-avarohaṇastructure (ascending and descending scale) is as follows (seeswaras in Carnatic musicfor details on below notation and terms):

Arabhiraga is anOwdava-sampoornaraga meaning, 5swarasoccur in thearohana(so it is calledOwdava) and inavarohanaallswarasoccur (sosampoorna).

It is a raga without muchgamakasand frequency variations, relying instead on flat notes. The important point is the swara "ga" always comes very close to "ma" so when we sing the phrase "ma ga ri" it sounds like "ma ma ri". Likewise the swara "ni" always comes very close to the swara "sa" hence when we sing the phrase "sa ni da" it sounds like "sa sa da".[citation needed]

The closest raga to this one isDevagandhari.There are few aspects which make Arabhi different (though both share the same ascending and desce

  1. InArabhithe swara "ga" is close to "ma" but inDevagandhariit is not the same.
  2. The swara "ri" is not fluctuated inArabhibut it is given "asaivu" inDevagandhari
  3. The phrase "pa ma da sa" should not be sung inArabhi,as it is exclusive forDevagandhari
  4. Devagandhariis sung withgamakasandvilambita kala prayogas(usages with elongated notes)[2]
  5. Devagandhariis sung withdeergha gandharam(elongated G3)[2]

Arabhiraga is a very energetic and it lends itself to creativity inbrigas(fast-paced swara usages) more thangamakas.

Popular Compositions[edit]

The 3rd ofPancharatna Kritis(five gems of compositions),Sadhinchanae(also known as "Samayaniki Tagu Mataladene" ) by SaintThyagarajais a famous composition set in Arabhi raga. Here we can note that Thyagaraja uses phrases like "sa sa da" in the charanam although there are phrases like "sa ni da" also.

Here are some more compositions set to Arabhi.

Type Composition Composer talam
Varnam Sarasija Mukhiro Pallavi Doraiswamy Iyer Adi
Varnam Annamae aravaa Tiger Varadachariar Adi
Varnam Amba Gauri Irayimman Thampi Adi
Kriti Adidano Ranga(2nd Navaratna Malike) Purandara Dasa Adi
Kriti Lalisidalu Magana Purandara Dasa Adi
Kriti Dangurava Sari Purandara Dasa Adi
Kriti Gubbiyalo Gubbiyalo Vadiraja Tirtha Adi
Kriti Neela Lohita Damaruga Jagannatha Dasa Adi
Kriti Mantralayadolu Rajipa Kamalesha Vittala Dasu Adi
Kriti Dachuko Nee Padalaku Annamacharya Adi
Kriti Saadinchane O Manasa(3rd Pancharatnam) Thyagaraja Adi
Kriti Chaala kallalaadu Thyagaraja Adi
Kriti O Rajeevaksha Thyagaraja Chapu
Kriti Joothamurare Thyagaraja Rupakam
Kriti Nada sudha rasa Thyagaraja Rupakam
Kriti Patiki Mangala Thyagaraja Adi
Kriti Sundari Ninnu Varnimpa Thyagaraja Misra Chapu
Kriti Pranavakaram Siddhi Vinayakam Ootukadu Venkata Kavi Adi
Kriti Sakala Loka Nayike Twam Eva Sharanam Ootukadu Venkata Kavi Adi
Kriti Ganarajena rakshitoham Muthuswamy Dikshitar Misra Chapu
Kriti Shri Saraswati namostute Muthuswami Dikshitar Rupakam
Kriti Shwetaranyeshwaram Muthuswami Dikshitar Adi
Kriti Adipurishwaram Muthuswami Dikshitar Adi
Kriti Marakoti koti lavanya Muthuswami Dikshitar Jhampa
Kriti Gowrishaya Namaste Muthuswami Dikshitar Triputa
Kriti Palayashumam Paradevate Syama Sastri Triputa
Kriti Paahi Parvata Nandini (Navarathri krithi-9th day) Swathi Thirunal Adi
Kriti Vande Maheshwaram Swathi Thirunal Misra Chapu
Kriti Narasimha Mamava Swathi Thirunal Khanda Chapu
Kriti Shri Ramana Vibho Swathi Thirunal Aadi
Kriti Madhu kaitabha Muthiah Bhagavathar Adi
Kriti Rave Puruhutikamba Maddirala Venkataraya Kavi Misra Chapu
Kriti Maravanu ne ninnu G. N. Balasubramaniam Rupakam
Kriti Durga Lakshmi Saraswati Papanasam Sivan Adi
Kriti Nilakantha Nityananda Nilakanta Sivan Adi
Kriti Sri Sakala Ganadhipa DrM. Balamuralikrishna Adi
Kriti Mahadeva Sutam Dr. M. Balamuralikrishna Adi
Kriti Maha Balavanta Shri Hanumanta Kalyani Varadarajan Adi

Film Songs[edit]

Language:Tamil[edit]

Song Movie Composer Singer
Indru Namathullame Pongum Thanga Padhumai Viswanathan–Ramamoorthy T. M. Soundararajan,Jikki
Brindavanamum Nandakumaranum (shades of Devagandhari with the explicit Gandharam) Missiamma S. Rajeswara Rao A. M. Rajah,P. Susheela
Yeri Karaiyin Mele Mudhalali K. V. Mahadevan T. M. Soundararajan
Kaviri Paayum(Pallavi,anupallavi only) Maragatham S. M. Subbaiah Naidu
Kanni Paruvam Aval Indira En Selvam C. N. Pandurangan& H.R.Padmanabha Shastri P. B. Sreenivas,Soolamgalam Rajalakshmi
Thendralil Aadidum Madhuraiyai Meetta Sundharapandiyan M. S. Viswanathan K. J. Yesudas,Vani Jairam
Meenakshi Kalyanam(Ragamalika) Meenakshi Thiruvilayadal
Manthaara Malare Naan Avanillai P. Jayachandran,L. R. Eswari
Santhakavigal Metti Ilaiyaraaja Brahmanandam
Aasai Kiliye Thambikku Entha Ooru Malaysia Vasudevan
Madhurai Vaazhum Pudhupatti Ponnuthayi Unni Menon,S. Janaki
Mannavane Mannavane Thanthu Vitten Ennai S. P. Balasubrahmanyam,S. Janaki
Sandhanam Ennum Aatam Paatam Kondaatam Gangai Amaran Mano,Deepan Chakravarthy
Kaalai Arumbi Kana Kandaen Vidyasagar Srinivas,Kalyani Nair
Vidiya Vidiya Samudhiram Sabesh–Murali Udit Narayan,Sadhana Sargam
Rayilin Pathayil Appavi Joshua Sridhar Hariharan,Shreya Ghoshal

Title Song[edit]

Song Tv Serial Composer Singer
Aadugiran Kannan Adugiran Kannan C. Sathya Srinivas

Language:Malayalam[edit]

Song Movie Composer Singers
Navakabhishekam Kazhinju Guruvayur Kesavan G. Devarajan K J Yesudas

Language:Telugu[edit]

Song Movie Composer Singers
Hey Parvathi natha[3] Sita Rama Kalyanam (1961 film) Gali Penchala Narasimha Rao Ghantasala (musician)
Tapamu Phalinchina Shubhavela Sri Krishnarjuna Yuddhamu Pendyala (composer) Ghantasala (musician)
Sri Kamini Kamitakara Panduranga Mahatyam T. V. Raju Ghantasala (musician)
Brindavanamadi Andaridi Govindudu Andari vadele(Confluence of Devagandhari present)[4] Missamma S. Rajeswara Rao A. M. Rajah&P. Susheela

Notes[edit]

  1. ^Alternate notations:
    • Hindustani:SRMPD
    • Western: C D F G A C
  2. ^Alternate notations:
    • Hindustani:NDPMGRS
    • Western: C B A G F E D C

References[edit]

  1. ^"#19-Arabhi – The Raga with a Pleasing and Haunting Melody".ANURADHA MAHESH.17 December 2012.Retrieved30 August2021.
  2. ^abRagas in Carnatic musicby Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  3. ^Saregama Telugu."Seetharama Kalyanam-Full Album:; N.T.Rama Rao:; B.SarojaDevi:;Galipenchala Narasimha Rao".youtube(videostreaming Clip starts@4min50sec &ends after 98sec).Retrieved21 June2021.
  4. ^Shalimar Telugu Hindi Movies."Missamma Movie Brindaavanamadi Andaridi Video Song NTR ANR SVR Savitri Jamuna".youtube(videostreaming).Retrieved10 February2014.

External links[edit]