August Malmström

August Malmström
Born	Johan August Malmström 14 October 1829(1829-10-14) Motala,Sweden
Died	18 October 1901(1901-10-19) Stockholm,Sweden
Nationality	Swedish
Education	Royal Swedish Academy of Arts,Stockholm
Known for	Painting
Signature

Johan August Malmström(14 October 1829 – 18 October 1901) was a Swedish painter. As an artist, he was known for his country motifs often featuring children. His most widely recognized work isGrindslanten(1885) featuring a typical scene from 19th-century Sweden. Influenced by the national romanticism ofGothicismus,he also collected motives fromNorse mythology.He made illustrations for publications of bothFrithiofs saga(Friðþjófs saga hins frœkna) andThe Tales of Ensign Stål(Fänrik Ståls sägner).

Malmström served as a professor at theRoyal Swedish Academy of Artsand later manager of the same institution. Malmström was also an illustrator who worked for several newspapers and book publishing houses. Additionally, Malmström designed furnitures, worked as a pattern drawer and was a designer forGustavsberg porcelain.

Biography

Childhood and youth

Portrait of August Malmström as a young artist, signed inParisin 1859, byWilhelmina Lagerholm(1826–1912)

August Malmström was born at Nubbekullen in Västra Ny parish within the municipality ofMotalainÖstergötland County,Sweden. Nubbekullen (Nubbekullens hembygdsgård) is today the site of a local museum.

His father, Anders Gustaf Malmström, was a carpenter and ornamental sculptor who managed the small farm. August, together with his brother, helped his father with agriculture and woodwork. Among other works they made ornaments for altarpieces and pulpits to churches. Both parents encouraged August in his choice of life. His mother, Brita Stina Håkansdotter, was interested in literature, which evoked his interest in history. He showed early interest in drawing and painting. An injury in his right hand which never cured properly exempted him from hard work and gave him even more time to spend on arts. In his teens he was skilled enough to support his family, he made small paintings and colored pictures which were given away as presents on birthdays andname days.His parents recognized his talent and sold their only ox to finance his studies in Stockholm.

Academy of Fine Arts in Stockholm

Grindslanten(1885)

The Old and the Young Sweden(1894)

Dancing Fairies(1866)

Malmström came to Stockholm and applied for admission at theRoyal Swedish Academy of Arts.It was first with the help of the painterNils Andersson(1817-1865) that he managed to be accepted and thus on 3 November 1849 he was registered at the academy's ground school. Already at the beginning his talent attracted attention and his study period was marked by rewards of all sorts. The academy had painting contests every year with given themes and Malmström was probably the most diligent participant.

For the 1855 contest, he was the only student to submit a contribution withKonung Gustaf II Adolfs lifsfara i träffningen vid Wittsjö( "King Gustaf II Adolf in mortal danger at the battle of Wittsjö" ). However, his work was "not in a good condition to be rewarded". A growing problem the academy faced was that more and more students left the academy for studies inDüsseldorf,a trend Malmström followed in 1856. He considered the academy's education as insufficient and at the same time his economic situation became gradually better. Besides scholarships and picture sales, he earned incomes from portrait orders and restoration tasks.

Düsseldorf 1856–1857

Malmström is associated with theDüsseldorf school of painting.There exists no proofs that he took part in any education in the city. He presumably pursued studies on his own. During autumn 1856, he send home his first paintingKing Heimer and Aslögfrom Düsseldorf and during spring 1857 he then send homeKing Aella's messenger before Ragnar Lodbrok's sonsBoth of these works impressed the Swedish Academy. During their exhibition, the paintingKing Heimer and Aslögwas rewarded with the Royal Medal. Thereby the Academy had the possibility to give Malmström travel scholarships, which happened on 2 October. The grant and several painting sales meant that he was financially secured for many years forward.

Paris 1857–1859

In 1857, Malmström traveled together withMårten Eskil Winge(1825–1896) toParis.Winge was a good friend of Malmström and also had received a travel scholarship. Besides diligent studies at the museums, they were students ofThomas Couture(1815–1879) who had a solid reputation as a skillful teacher who taught a number of Swedish students. In 1856, Couture became an honorable member of the Royal Swedish Academy of Arts. Malmström returned 1858 to Düsseldorf to completeVikingar på stranden( "Vikings at shore" ) together with the Norwegian painterHans Fredrik Gude(1825–1903) but soon traveled back toParis.Regulations for travel scholarships prescribed that a copy of a work by a great master should be made. The choice fell onTitian's paintingChrist Crowned with Thorns,this because other works by Titian were already and constantly occupied by others, in some cases for many years.

Italy 1859–1860

According to the instructions for both holders of the travel scholarship. the Academy stated that after a year of residence in Paris they should take a travel toItaly.After two years in Paris, Winge and Malmström went toItalyat the end of 1859. Much to his indignation, Malmström got a rejection to his application to copyRafael's works atthe Vatican.Instead he made some copies of Rafael's and Titian's works inPalazzo Borghese.Malmström returned to Paris in 1860. In the summer of 1863, Malmström left Paris for a new visit to Italy to study.

Return to Sweden

His artistic breakthrough came in January 1864 after his return to Sweden. In 1866, he exhibited five works at theGeneral Industrial Exposition of Stockholm (1866)(Stockholmsutställningen 1866). He was appointed an apprentice (agré) at the Royal Swedish Academy of Art in Stockholm. Subsequently, he was appointed professor of the Royal Swedish Academy of Arts in 1867 where he taught until 1894. He also served as manager of the same institution from 1887 to 1893. Upon his death in 1901, he was buried in the cemetery atSolna Church(Solna kyrkogård) near Stockholm.

He bequeathed some 650 watercolors, drawings and 26 sketchbooks to theNordic MuseumonDjurgården.

See also

• Düsseldorf school of painting

Gallery

• 
  Aslaug(1850)
• 
  Kung Heimer och Aslög(1856)
• 
  King Aella's messenger before Ragnar Lodbrok's sons(1857)
• 
  Orvar-Odd relates of Hjalmar's death(1859)
• 
  Children playing in garden(1866)
• 
  Blenda(1860)
• 
  Traditional Swedish dance(1882)
• 
  Älvaleken,a study for theDancing Fairies

Other sources

• Björk, Tomas (1997)August Malmström - Grindslantens målare och 1800-talets bildvärld(Nordiska Museets Förlag)ISBN91-7108-416-9
• Facos, Michelle(1998)Nationalism and the Nordic Imagination: Swedish Art of the 1890s(University of California Press)ISBN978-0520206267

External links

• Nubbekullens hembygdsgård website