Barrio Fino
Barrio Fino | ||||
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Studio albumby | ||||
Released | July 13, 2004 | |||
Recorded | 2002–2004 | |||
Studio | El Cartel Studios (San Juan, Puerto Rico) Mas Flow Studios (Carolina, Puerto Rico) | |||
Genre | [1] | |||
Length | 66:24 | |||
Language | ||||
Label | ||||
Producer |
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Daddy Yankeechronology | ||||
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SinglesfromBarrio Fino | ||||
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Barrio Fino(Spanish pronunciation:[ˈbarjoˈfino];English:"Fine 'Hood") is the thirdstudio albumby Puerto Rican rapperDaddy Yankee,released on July 13, 2004, in the United States byVI MusicandEl Cartel Recordsand internationally byMachete MusicandPolydor Records.[3][4]Released two years after his previous studio album,El Cangri(2002), the album was recorded in Puerto Rico between 2003 and 2004. It explores themes ranging from dance, sex, romance,introspection,andprotestagainstpolitical corruptionandviolence against women.Barrio Finowas instrumental in popularizingreggaetonin the mainstream market, enhancing Daddy Yankee's career, as well as cementing his status as one of the most successful Latin artists of the 2000s.[vague][5]The album is reported to have sold over 8 million copies in the world.[6]
Daddy Yankee wrote all the tracks, with co-writing credits on seven, and is credited as executive producer. Four of the 21 songs were released as singles. The first single, "Gasolina",charted within the top 10 in Denmark, Italy, Norway, Ireland, Switzerland, the United Kingdom, Germany, and Austria, while"Lo Que Pasó, Pasó"peaked at number two on the USHot Latin Songschart.Barrio Finoreached number one on the USTropical Albumsand theTop Latin Albumscharts. It became the first reggaeton recording to debut and peak atop the latter chart. It ranked within the top 30 in theUnited States,Portugal, Switzerland and Spain.
The album was Daddy Yankee's first international commercial success,[vague]and garnered aLatin Grammy Award for Best Urban Music Album,while "Gasolina" became the first reggaeton song to receive a nomination for aLatin Grammy Award for Record of the Year.Barrio Finoproduced twoBillboardHot 100entries, but despite the album's success, none of its fourBillboardHot Latin Songs entries reached number one.[vague]Barrio Finowas ranked number 44 in the "Top 50 Records of 2005" list byRolling Stoneand was included inBillboard's "50 Greatest Latin Albums of the Past 50 Years" in 2015. The album received aplatinumcertification by theRecording Industry Association of America,denoting shipments of over one million copies in the United States, where it became the top-selling Latin album of 2005 and the 2000s decade and is the seventh best-selling Latin album of all time in the country.[7][8]In 2020,Rolling Stoneupdated their500 Greatest Albums of All Timelist placingBarrio Finoat number 473.
Daddy Yankee appeared at theBillboardLatin Music Awardsperforming the "Gasolina"with a guest appearance fromSean Combsin 2005; it was recognized byBillboardas one of the best performances of the night.[9]
Background
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/f/f4/DaddyYankee.jpg/110px-DaddyYankee.jpg)
In 1991,Daddy Yankeebegan his musical career on a collaborative project with Puerto Rican disc jockey and producerDJ Playero.[10][11]Daddy Yankee was later featured on Playero's37and38studio albums, before releasing his first solo record titledNo Mercyin 1995.[12]At the age of 17, while taking a break from a recording session, Ayala was shot in the leg after being caught inadvertently in the middle of a shootout, ending his aspirations of becoming a professional baseball player.[13]Following his injuries, Daddy Yankee continued working on underground reggaeton records, and released his first album as a producer,El Cartel de Yankee(1997).[12][13]After the release of his 2001 independent albumEl Cartel II: Los Cangris,Daddy Yankee released his second studio albumEl Cangri(2002), which is cited as the record that made him well known outside his natal Puerto Rico.[12][13]Prior toBarrio Fino,Daddy Yankee released a compilation album titledLos Homerun-es,which became his first record to chart within the top 10 on the US Top Latin Albums, reaching number seven.[14]Later that year, he was featured on Dominican duoLuny Tunes' debut studio album,Mas Flow,on the track "Cógela Que Van Sin Jockey",[15]whoseoutroincluded Daddy Yankee promotingBarrio Fino.[16]At first, the album was supposed to be titledEl Cangri 2: Barrio Finowith an August 2003 release; however, those plans were scrapped.[17]By 2004, Yankee caught on and established a steady career on his home island. His previous four albums had each sold more than 100,000 copies in Puerto Rico.[18]
Composition
[edit]![](https://upload.wikimedia.org/wikipedia/commons/thumb/4/41/Wisin_y_Yandel_en_Acceso_Total_%285349984581%29_%28cropped%29.jpg/200px-Wisin_y_Yandel_en_Acceso_Total_%285349984581%29_%28cropped%29.jpg)
The album's lyrics explore themes ranging from dance, sex, romance,introspection,andsocial issues,which are recurring themes in the rapper's repertoire. The intro, performed by ex-convict poet Gavilán, is a poetic piece focusing on the humble side of Puerto Rico's poor neighborhoods orbarrios.[19]On the next track, "King Daddy", the rapper describes his career and predicts howBarrio Finowill revolutionize reggaeton music and validate his stage name as a successful Latin artist in the United States.[19]"Dale Caliente" is a reggaeton dance song inspired bydancehallandJamaican music,featuring backing vocals by Puerto Rican singerGloryand Jamaican artist Blacka-Nice.[19]"No Me Dejes Solo"features lead vocals by Puerto Rican duoWisin & Yandeland backing vocals by Glory. Its sexually suggestive lyrics are about the fears of losing a girlfriend.[19][20]
"Gasolina",the album's lead single, was inspired by a Puerto Rican phrase about having a good time partying.[7]Before the release ofBarrio Fino,Daddy Yankee shared an apartment with his wife and three children in the Villa Kennedy housing project, where he occasionally heard people in the streets shouting "¡Cómo le gusta la gasolina!" ( "How she likes gasoline!" ) at women who accepted rides from men with fancy cars.[7]The hook "a mí me gusta la gasolina, dame más gasolina" ( "I like gasoline, give me more gasoline" ) was born after he chanted rhythmically what he was hearing outside. He contacted his colleague and friend Eddie Dee to work with him on the song's lyrics.[7]
"Like You"is Daddy Yankee's firstSpanglishsong.[19]Musically, it is a fusion of reggaeton andrhythm and blues,featuring backing vocals by May-Be and Raymond Acosta and guitars by Puerto Rican producerArnaldo "Naldo" Santos.[19][23]Daddy Yankee decided to write a song with English-language lyrics, so he "could be understood by people who liked reggaeton but did not speak Spanish."[19]"Lo Que Pasó, Pasó",the album's second single, fuses reggaeton andmerengue music,giving it "a Caribbean tropical sound", with lyrics about a man who breaks up with a girl he was seeing after finding out she has a boyfriend.[19]"Tu Príncipe" is a romantic track that features Puerto Rican duoZion & Lennox,with lyrics describing the dilemmas of falling in love with a best friend and the fears following a revelation of one's feelings.[19]"Cuéntame" is another romantic reggaeton song recorded in order to "balance the production" by creating a similar track to "Tu Príncipe".[19]
"Santifica tus Escapularios" is a rap recording that allowed Daddy Yankee to "vent against all spiritual evil."[19]"Sabor a Melao" fuses reggaeton andsalsa musicand features Puerto Rican singer-songwriterAndy Montañez,using a chorus from his Batacumbele orchestra.[19]"El Muro" and "El Empuje" are "classic hardcore reggaeton" tracks that were recorded in order to balance the variety of the recording's offerings.[19]The reggaeton and R&B-blended track, "¿Qué Vas a Hacer?", features vocals from May-Be and guitars by Jeorge Salgado and focuses on violence against women.[19]The song was written as a conversation between a man and a woman.[19]"Salud y Vida" is ahip hoptrack with Mexicanbandainfluences with lyrics that suggest that people value materialistic objects more than their own well-being.[19]Latin music journalist Ramiro Burr wrote that on this track, Daddy Yankee reflected on his neighborhood questioning "society's endless pursuit of material things."[24]The song features backing vocals by American artistNorman "Notch" Howelland Marcelo Castro performing trumpet.[25]
The interlude, performed by Gavilán, is another poem about the roughness of the barrio, serving as a prelude to the next track.[19]"Corazones" is a socially conscious rap song that "describes how every heart in the world is different and feels different things. So intentions, emotions and even the most similar of situations are always unique to each individual."[19]Daddy Yankee wrote the lyrics because he believes that themass mediafocuses more on reporting negative news rather than positive ones.[26]He also took notice about the needs of poor people andbarrios.[19][26]The track mentions politics, crime, hope and Christian spirituality.[19]"Golpe de Estado" is a personal song featuring novice rapper Tommy Viera whose lyrics are about Daddy Yankee's, andBarrio Fino'srole in the reggaeton music movement.[19]"Dos Mujeres", performed humorously, takes the point of view of a man who secretly maintains a relationship with two women.[19]"Saber Su Nombre" fuses reggaeton and dancehall music, and tells the story of a man who shows interest in a woman he met at a nightclub.[19]The album's outro, titled "Historia", was written to represent the people of Puerto Rican neighborhoods.[19]Daddy Yankee stated that he wanted to "bring them to life in a story that's very humble but full of pride."[19]
Production and packaging
[edit]Luny Tunes produced nine of the 21 tracks onBarrio Fino,including the singles "Gasolina", "Like You", and "Lo Que Pasó, Pasó".[25]Puerto Rican production duoMonserrate & DJ Urbaproduced three songs, including the single "No Me Dejes Solo".[25]Puerto Rican singer and producer Fido, one half ofAlexis & Fido,and Puerto Rican pianistElieleach produced two tracks. Puerto Rican producers Naldo,DJ Nelson,Echo,Diesel,Nely,Edgardo "Mattatracks"Matta, and Salvadoran production duo Crooked Stilo produced or co-produced one track on the album.[25]The intro, interlude and outro were produced by Ramsis.[25]
Barrio Finowas recorded between 2003 and 2004 at Daddy Yankee'sEl Cartel Studiosin Villa Kennedy,San Juan, Puerto Ricoand Luny Tunes' Mas Flow Studios inCarolina, Puerto Rico.[25]The album was mixed by Luny Tunes, Paul "Echo" Irizarry and Jose "Hyde" Cotto at Mas Flow Studios and The Lab Studios.[25]The mastering by Nestor Salomon at Digital Recording Services.[25]The cover art features Daddy Yankee in a black-and-white aesthetic. He hired Elastic People music video director and designer Carlos Perez, who wanted to "position him as one of the founders of the movement and portray him on a sophisticated note."[7]Daddy Yankee suggested a "monumental" black-and-white cover inspired from historical photographs involving Americanprofessional boxerandactivistMuhammad Ali.[7]
Release
[edit]Barrio Finowas released on July 13, 2004. In the week ending on July 31, the record debuted at number one on the USTop Latin Albums,[27]becoming the first reggaeton album to peak and debut at the top of that chart.[28]It also debuted at number one on the USTropical Albumsand at number 67 on theBillboard200,selling almost 18,000 copies in it first week.[29][30]The release of "Gasolina" as the album's lead single enhanced its chart performance and it topped the Top Latin Albums chart for a second week in 2005,[31]remaining there for another 22 non-consecutive weeks, for a total of 24 weeks at number one.[32]It also re-entered theBillboard200 in the week ending on December 18, 2004,[33]and peaked at number 26 on the April 16, 2005, issue.[34]It topped the Tropical Albums chart for 28 non-consecutive weeks.[35]It also charted for 54 weeks on theBillboard200,[36]and 42 weeks on Tropical Albums.[37]A bonus track version ofBarrio Fino,which includes a salsa remix of "Sabor a Melao" and abachataremix for "Lo Que Pasó, Pasó", was released on May 23, 2005.[38]
In 2005, the album became the first reggaeton record to chart in Europe, peaking at number 26 in Portugal[39]and Spain,[40]at number 28 in Switzerland,[41]at number 46 in Italy,[42]at number 51 in Austria,[43]and at number 67 in France.[44]On May 17, 2005, theRecording Industry Association of America(RIAA) certifiedBarrio Finoplatinum for having shipped one million copies in the United States.[45]On March 3, 2006, it was also certified platinum by theMexican Association of Producers of Phonograms and Videograms(AMPROFON) for sales of 100,000 units in Mexico.[46]The album also received a platinum certification by theArgentine Chamber of Phonograms and Videograms Producers(CAPIF) on March 22, 2005, for sales of over 40,000 units.[47]Barrio Finowas the fourth and 10th best selling album of 2005 in Venezuela and Chile, respectively,[48][49][50]and was certified gold for selling 10,000 units across Central America.[51]
In Canada, sales forBarrio Finowere considerably lower. Despite Daddy Yankee being one of the first reggaeton artists to receive airplay there, the album had sold only 9,300 units as of September 2005, according toNielsen SoundScan.[52]According toThe Record,Barrio Finoshipped five million copies worldwide as of June 2006.[28]In the United States,Barrio Finobecame the best-selling reggaeton album of 2004, the best- selling tropical recording of 2004, and the best-selling Latin album of 2005 and the 2000s decade.[53][54][55]As of October 2017[update],the record has sold 1,083,000 copies in the United States, making it the seventh best-selling Latin album in the country according to Nielsen SoundScan.[56]As of July 2024, it sold over 2.2 miilon of equivalent album units in the United States.[57]As of August 2005,Barrio Finohas sold three million of copies worldwide.[58]
The bonus track version was re-released for digital stores and streaming platforms on July 21, 2017, under El Cartel Records andThe Orchard,celebrating the album's 13th anniversary.[59][60][61]It subsequently re-entered the US Top Latin Albums chart at number 13 on August 12, 2017.[62]On the US Top Latin Albums chart,Barrio Finocharted for 262 non-consecutive weeks from July 31, 2004, to July 22, 2006, and from August 12, 2017, onwards.[63]
Singles
[edit]"Gasolina" became the first of the album's singles to enter theBillboardHot 100, peaking at number 32 on the week ending January 29, 2005.[64]It also reached number 10 and 17 on the USHot Rap Songsand Hot Latin Songs charts, respectively.[65][66]Leila CoboofBillboardstated that it could not pass its number 17 peak on the Hot Latin Songs chart because of the lack of urban music played on US Spanish-language radio stations at the time.[7]Internationally, the song ranked within the top five in Denmark,[67]Italy,[68]Norway,[69]Ireland[70]and the United Kingdom.[71]"Gasolina" did not chart in Japan, despite the track having shipped 100,000 units in the country as of September 2005.[72]
The album's second single, "Lo Que Pasó, Pasó", peaked at number two on Hot Latin Songs[66]and number six on the USBubbling Under Hot 100 Singleslist, where it charted for 18 weeks without entering the Hot 100.[73]It also became Daddy Yankee's first number one on the USTropical Airplaychart on March 12, 2005.[74]Internationally, "Lo Que Pasó, Pasó" peaked at number 35 in Switzerland.[75]The third single, "No Me Dejes Solo", peaked at number 32 on Hot Latin Songs[66]and at number eight on Tropical Airplay.[76]The fourth and final single fromBarrio Fino,"Like You", peaked at number 78 on theBillboardHot 100.[64]"Tu Príncipe" peaked at number 35 on the US Hot Latin Songs chart on the issue dated April 8, 2006.[66]Daddy Yankee stated in October 2014 that "Tu Príncipe" was not released as a single nor a promotional song, and that it charted "on its own, because of the fans."[77]
Critical reception
[edit]Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Consumer Guide | ![]() |
Pitchfork | 9.3/10[80] |
The Record | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Jason Birchmeier ofAllMusicgave the album a 4.5 out of 5 score, praising its first half as "remarkably solid" but commenting that its final quarter "begins to grow tiresome" because of the record's length. He states that Daddy Yankee "deserves a lot of credit for the success ofBarrio Fino,for his charisma, energy level, and command of the proceedings are well evident and often infectious. "Birchmeier selected" Gasolina "and" Lo Que Pasó, Pasó "as the album's highlights, with minor highlights including" Dale Caliente, "" No Me Dejes Solo, "" Tu Príncipe, "and" ¿Qué Vas a Hacer? ". He ended the review by saying thatBarrio Finois "a milestone reggaetón release for its time" alongside Don Omar'sThe Last Don.[82]
Rolling Stonemagazine's Christian Hoard gave it a 3.5 out of 5, stating thatBarrio Finois "the blingiest and most modern disc in current reggaeton" and highlighted the track "Gasolina" for its "slinky hook."[83]The album was later ranked by the magazine as the 44th best record of 2005.[84]On the 2005 year-end ranking ofRolling Stone Argentina,the album was ranked as the 47th best record of 2005, with the comment that "Daddy Yankee exploits aboricuaversion of50 Cent's style. "The magazine praised the album for its" elegant and fabulous rhythms "and ended the review by adding that"Barrio Finois an agitated excursion to reggaeton's most rough pleasures. "[85]
Adam Webb of theBBCstated in his review that Daddy Yankee's "sheer energy" is where he "reigns supreme over the majority of his hip hop peers."[86]He felt that the fusion of salsa, dancehall and hip hop on "Lo Que Pasó, Pasó", "Sabor a Melao" and "Gasolina" "is like being strapped to a particularly lascivious booty."[86]Journalist Ramiro Burr gave a positive review of the album. He said that "Gasolina" is "the engine driving this collection," describing the song as a basic reggae beat with a catchy chorus, and highlighted the dance tracks "No Me Dejes Solo" and "Like You".[24]He also gave credit toAndy Montañez's vocals on "Sabor a Melao", which added "a soulful flavor to the track."[24]
Kitty EmpireofThe Guardianwrote about "Gasolina" as a song that has "a spendidly infectious lurch."[87]She also stated that the rest of the album "doesn't let up" by "updating the subgenre of Spanish-language hip-hop with a new swagger."[87]An editor of the Indian music magazineThe Recordwrote a mixed review ofBarrio Fino,stating that anyone who is not intimidated by the Spanish language barrier "will find this to be a good album," praising his "strong rhyming skills." The reviewer criticized the record because it "is not nearly as catchy or accessible as you might have expected it to be" but says that Daddy Yankee almost "lives up to the promise of the hype surrounding him."[28]The album received a score of 3 out of 5.[28]
Accolades
[edit]Publication | Accolade | Recipient | Year | Rank | Ref. |
---|---|---|---|---|---|
Rolling Stone | The Top 50 Records of 2005 | Barrio Fino | 2005 | 44
|
[84] |
Billboard | The 50 Greatest Latin Albums of the Past 50 Years | Barrio Fino | 2015 | — | [32] |
Billboard | The 50 Greatest Latin Songs of All Time | "Gasolina" | 2015 | 9
|
[21] |
Billboard | The 12 Best Dancehall & Reggaeton Choruses of the 21st Century | "Gasolina" | 2017 | 8
|
[88] |
Billboard | The 50 Greatest Latin Songs of All Time(re-issue) | "Gasolina" | 2017 | 10
|
[89] |
Rolling Stone | 500 Greatest Albums of All Time | Barrio Fino | 2020 | 473
|
[90] |
600discoslatam | The 600 Albums of Latin America | Barrio Fino | 2024 | 31
|
[91] |
Barrio Finoreceived aLatin Grammy Award for Best Urban Music Albumat the6th Annual Latin Grammy Awards.[92][93]The lead single, "Gasolina", was nominated forRecord of the Year,becoming the first reggaeton song to be so honored.[94]The album also received aBillboard Music Awardfor Latin Album of the Year at the16th Billboard Music Awards,ceremony where "Lo Que Pasó, Pasó"was nominated forTop Latin Songand Daddy Yankee was awarded Latin Albums Artist of the Year.[95]Barrio Finoalso received aBillboard Latin Music Award for Reggaeton Album of the Year,aLo Nuestro Award for Urban Album of the Year,and a Latin Music Fan Award for Album of the Year.[96][97][98]
"Gasolina" also received the Catchiest Tune award at the2nd Premios Juventud.[99]Its music video received a Latin Music Fan Award for Music Video of the Year and was nominated for aMTV2 Awardat the22nd MTV Video Music Awardsand aMTV Video Music Awards Japanfor Best Reggae Video.[98][100][101]"Lo Que Pasó, Pasó" won anUrban Song of the Yearaward at the18th Lo Nuestro Awards.[102]
In 2006, Daddy Yankee received anASCAP Awardfor Latin Songwriter of the Year for his work on "Gasolina", "Lo Que Pasó, Pasó" and "No Me Dejes Solo", among other songs.[103]He was also awarded Artist of the Year at the13th Billboard Latin Music Awards,[104]andUrban Artist of the Yearat the 18th Lo Nuestro Awards.[102]He received thePremios Juventudaward for Voice of the Moment and Favorite Urban Artist at the 2nd Premios Juventud awards show, and was also nominated for aFavorite Latin Artistaward at the33rd American Music Awards.[99][105]
In 2015,BillboardincludedBarrio Finoon their unranked "50 Greatest Latin Albums of the Past 50 Years" list[32]and, in 2017, named "Gasolina" the 10th best Latin song of all-time[89]and the eighth best reggaeton chorus of the 21st century.[88]On September 22, 2020,Rolling Stoneupdated their500 Greatest Albums of All Timelist placingBarrio Finoon the 473rd position.[106]In 2022,Rolling Stoneranked "Gasolina" as the greatest reggaeton song of all time, while "Lo Que Pasó, Pasó" was placed at number 16.[107]
Legacy
[edit]The success of the album brought wealth to Daddy Yankee, who became the "messiah of reggaeton" according toBillboard,and inked a multi-year deal with the global athletic footwear companyReebok,launching a signature sport collection called DY in 2006.[7][108][109]In August 2005, he signed a five-year contract with American record labelInterscope Records,which distributed his subsequent albumsBarrio Fino en Directo(2005),El Cartel: The Big Boss(2007) andTalento de Barrio(2008).[110]That year, he produced and starred in his own semi-autobiographical feature film,Talento de Barrio,distributed byParamount Pictures.[13][111]The film, released in 2008, grossed $1.6 million at the box office in the United States as of November 2008.[112][113]
Barrio Finomade history as the first reggaeton record to peak at number one on the US Top Latin Albums chart, as well as becoming the best-selling Latin album in the United States in 2005 and the 2000s decade.[7][54][55]According toBillboardmagazine, the commercial success ofBarrio Fino"introduced Daddy Yankee to the mainstream market and made reggaeton an international [music] genre."[32]In 2015, the magazine included the recording on its list of "50 Essential Latin Albums of the Last 50 years" (1965–2015).[32]That same year, "Gasolina" was ranked ninth onBillboard's 50 Greatest Latin Songs of All Time, described as "the track that internationalized reggaeton" by making the genre a global phenomenon.[21]Billboardincluded Daddy Yankee on its list of "The 30 Most Influential Latin Artists of All Time", citing "Gasolina" as the song that "brought the underground urban sound of the [Puerto Rican hoods] to the world."[114]
In the United States, Latin album sales grew a startling 17.6% in the first half of 2005 in comparison to the previous year.Billboard's Leila Cobo cited that one of the reasons for this was the emergence of reggaeton and the commercial success of Barrio Fino.[115]The commercial success of "Gasolina" in the country led to the creation of a new radio format and aBillboardchart,Latin Rhythm Airplay,[7]in which Daddy Yankee eventually became the artist with the most total entries.[116]
The album also enhanced Luny Tunes' production career. They were later recognized as the genre's hit-makers following the release of their studio albumsMas Flow 2in 2005 andMas Flow: Los Benjaminsin 2006.[12][117]Daddy Yankee credited Wisin & Yandel's collaboration on the track "No Me Dejes Solo" as the boost they needed to be internationally recognized.[19]He considers "No Me Dejes Solo" as a "nightclub anthem" and "Lo Que Pasó, Pasó" a "Latin anthem" saying that both are contemporary and well received by fans.[19]According to Leila Cobo ofBillboard,the success ofBarrio Fino"detonated a global reggaeton explosion that irrevocably altered the business, sound and aesthetic of Latin music."[19]
According to Nestor Casonu, CEO of Casonu Strategic Management, "Daddy Yankee and 'Gasolina' triggered the explosion of urban Latin music worldwide."[7]Daddy Yankee has claimed that the album's success gave impoverished children frombarriosthe hope of fame through a music career.[7][19]Rachel Grace Amelda ofVicestated that "Daddy Yankee transcended being reduced to a one-hit wonder and started a movement that sent one resounding message tobarriokids: if Yankee can, I can too. "[118]On "I'm the Boss", a track from his 2013 mixtapeKing Daddy,Daddy Yankee revealed that "he is still spending hisBarrio Finomoney. "[119]In 2019, he celebrated the 15th anniversary of the album by posting on social media that it "changed the culture around the world, broke frontiers, and opened the doors for reggaeton music and the [urban movement] around the globe".[120]
Track listing
[edit]No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Intro" | Ramón Ayala | Ramsis | 1:19 |
2. | "King Daddy" | Ayala | Luny Tunes | 2:31 |
3. | "Dale Caliente" | Ayala | 3:15 | |
4. | "No Me Dejes Solo"(featuringWisin & Yandel) |
| 2:50 | |
5. | "Gasolina" |
| Luny Tunes | 3:12 |
6. | "Like You" | Ayala | Luny Tunes | 3:22 |
7. | "El Muro" | Ayala | Monserrate & DJ Urba | 2:59 |
8. | "Lo Que Pasó, Pasó" |
|
| 3:30 |
9. | "Tu Príncipe"(featuringZion & Lennox) | Luny Tunes | 3:25 | |
10. | "Cuéntame" | Ayala |
| 2:35 |
11. | "Santifica Tus Escapularios" | Ayala | Luny Tunes | 3:19 |
12. | "Sabor a Melao" (featuringAndy Montañez) |
| DJ Nelson | 3:43 |
13. | "El Empuje" | Ayala | Monserrate & DJ Urba | 3:23 |
14. | "¿Qué Vas A Hacer?" (featuring May-Be) | Ayala | Fido | 3:19 |
15. | "Salud y Vida" | Ayala |
| 3:26 |
16. | "Intermedio – Gavilán" | Ayala | Ramsis | 1:12 |
17. | "Corazones" | Ayala |
| 3:29 |
18. | "Golpe de Estado" (featuring Tommy Viera) |
|
| 3:06 |
19. | "2 Mujeres" | Ayala | Luny Tunes | 3:09 |
20. | "Saber Su Nombre" | Ayala | Edgardo Matta | 3:38 |
21. | "Outro" | Ayala | Ramsis | 5:42 |
Total length: | 1:06:24 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
22. | "Sabor a Melo" (Salsa Mix) |
| DJ Nelson | 3:39 |
23. | "Lo Que Pasó, Pasó" (Bachata Mix) |
|
| 3:49 |
Total length: | 1:11:32 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
24. | "Gasolina" (Remix featuringN.O.R.E.,Big Mato and Gemstar) |
| Luny Tunes | 4:48 |
Total length: | 1:16:20 |
Personnel
[edit]Credits adapted fromAllMusic[121]andDiscogs.[25][23]
- Raymond Acosta –back vocals(6)
- Mark Allen –typography
- James Begera – design
- Martin Betz – photography
- Marcelo Castro –trumpet(15)
- Eddie Dee–songwriting(5)
- Diesel – producer (17)
- Echo– producer (17), mi xing (all)
- Eliel– producer (8)
- Fido– producer (3, 4, 7, 14)
- Nestor Salomón - mastering
- Gavilán – lead vocals (1, 16)[19]
- Glory– back vocals (3–5, 13)
- Hyde – mi xing (all)
- Edgardo Matta – producer (20)
- May-Be – lead vocals (14), back vocals (6)
- Monserrate & DJ Urba– producer (3, 4, 7, 13, 14)
- Andy Montañez– lead vocals, songwriting (12)
- Naldo– producer (14), guitar (6)
- Notch– back vocals (15)
- DJ Nelson– producer (12)
- Nely– producer (18)
- Blacka-Nice – back vocals (3)
- Dino Olavarrias – songwriting (18)
- Joan Ortíz – songwriting (8)
- Carlos Perez – design, art direction
- Janice Quijano –wardrobe stylist
- Ramsis – producer (1, 16, 21)
- Jeorge Salgado – guitar (14)
- Sosa – producer (13)
- Crooked Stilo – producer (15)
- Luny Tunes– producer (2, 5, 6, 8–11, 19), mi xing (all)
- Tommy Viera – lead vocals (18)
- Wisin & Yandel– lead vocals, songwriting (4)
- Daddy Yankee– lead vocals (all), songwriting (all), executive producer[7]
- Zion & Lennox– lead vocals, songwriting (9)
Charts
[edit]
Weekly charts[edit]
|
Year-end charts[edit]
Decade-end charts[edit]
|
Certifications and sales
[edit]Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF)[47] | Platinum | 40,000^ |
Chile | — | 40,000[157] |
Mexico (AMPROFON)[158] | Platinum | 100,000^ |
United States (RIAA)[159] | Platinum | 1,083,000[56] |
Summaries | ||
Central America[160] | Gold | |
^Shipments figures based on certification alone. |
See also
[edit]- 2004 in Latin music
- List of number-one Billboard Top Latin Albums of 2004
- List of number-one Billboard Top Latin Albums of 2005
- List of number-one Billboard Latin Rhythm Albums of 2005
- List of number-one Billboard Tropical Albums from the 2000s
- List of best-selling Latin albums in the United States
- List of best-selling Latin albums
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