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Boss DS-1

From Wikipedia, the free encyclopedia
Boss DS-1
BrandBoss
ManufacturerRoland Corporation
Dates1978—present
Technical specifications
Effects typeDistortion pedal
Controls
Pedal controlGain (tone), Output volume (level), Distortion (dist)
Input/output
Inputsmono
Outputsmono

TheBoss DS-1is adistortion pedalfor guitar, manufactured by theRoland Corporationunder the brand nameBosssince 1978. The first distortioneffects unitmade by Boss,[1]it has become a classic effect, used by many notable guitar players.[2]

Boss released a successor, the DS-2.[3]The DS-2, "Turbo Distortion" was released in 1987, and is very similar to the DS-1 except that it features a "turbo" setting, which produces a sharper midrange tone.[4]Boss released a black limited edition 40th Anniversary model of the DS-1 in 2017.

Variations

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DS-1– The original pedal, released in 1978.

Boss DS-1 BK, limited edition pedal edition of 3000 units.

DS-1 BK– a Guitar Center exclusive with orange font on a black body, released in 2016 and limited to 3,000 units.[5]

DS-1-4A– A 40th-anniversary addition with gold font on a black body, released in 2017.[6]

DS-1W– WazaCraft version, released in 2023.[7]

DS-1-B50A– Orange metallic paint to commemorate the company's 50th anniversary; released in 2023 and limited to 7,000 units.[8]

Circuit

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The blueprint of the DS-1 circuit is simple, with a pair of in- and output buffers surrounding atransistorboost stage, anoperational amplifiergain stage with hard clippingdiodes,and a tone control.

It features the sameJFETswitching circuit as some other Boss effects units, allowing a simple momentary push button to reroute the signal, either bypassing the effect or engaging it. In either state, the signal will pass through the input and output buffer stage of the effect, and this is the key differentiating factor between Boss pedals and "true bypass" pedals. The buffers themselves are similar, bothCommon collectoramplifiers with unity gain. They each feature a 2SC2240Toshibatransistor, which is only special insofar as it is cheap and reliable.

The transistor boost stage consists of two highpass filters in series, followed by aCommon emitteramplifier. This serves to remove unnecessary bass frequencies before the distortion stage, preventing the signal from accumulating muddiness as it is amplified. This stage provides a 35 dB boost to the signal, and introduces a small amount of distortion.

Theoperational amplifiergain stage is the most important part of the Boss DS-1 circuit, featuring the clippingdiodes,Op-amps and further filters which refine and color the sound. The op-amp stage is the only part of the circuit which has undergone any real changes over the pedals history. Originally, in 1978, the circuit was built around the Toshiba TA7136AP pre-amplifier, not an op-amp, and this gave the effect more of a warm, rich sound. In 1994, the Toshiba pre-amps were nearing the end of their stock life, and so the circuit had to be modified in order to play host to an easier to find dual op amp, theRohmBA728N. This version is slightly quieter than the original, but is otherwise essentially the same. The Rohm op-amp was replaced in 2000 by theMitsubishiM5223AL op-amp, which remains the centerpiece of the circuit to this day.[9]Most of the distortion itself is handled by the silicon 1N4148 clipping diodes organized in a hard clipping arrangement, clipping any signal above 0.7v and below -0.7v. One of the popular modifications to the DS-1 consists of replacing one or both of the diodes, labeled D4 and D5, with LED or germanium diodes. Depending on the diodes, the pedal can take on many different sonic characters. A diode with a low forward voltage will make the pedal quieter but with a more saturated distortion, a diode with a high forward voltage will be louder but with less available distortion.

Last but not least, the humble "big muffpi "style tone control immediately preceding the output buffer is a fixed cutoff lowpass filter and a fixed cuttoff highpass filter which attenuate either the low or high end, depending on the position of thepotentiometer.The way the two filters are interconnected creates a notch, or scoop, around 500 Hz when the potentiometer is in the center position.[10]The seasaw nature of the tone control leads to a -12 dB volume loss which gives the pedal an output of 350mV[11] , which is suitable for most applications but does create issues with the DS-1 being able to achieve unity gain with higher level inputs.

Notable users

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Boss DS-1 original (left) and DS-1-4A anniversary edition (right)

See also

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References

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  1. ^The Boss Book: The Ultimate Guide to the World's Most Popular Compact Effects for Guitar.Hal Leonard. 2002. p. 78.ISBN978-0-634-04480-9.
  2. ^abBrewster, David M. (2003).Introduction to guitar tone & effects: an essential manual for getting the best sounds from electric guitars, amplifiers, effect pedals, and digital processors.Hal Leonard. p. 20.ISBN978-0-634-06046-5.
  3. ^The Boss Book: The Ultimate Guide to the World's Most Popular Compact Effects for Guitar.Hal Leonard. 2002. p. 88.ISBN978-0-634-04480-9.
  4. ^Music Trades,Volume 136, Issues 1-6,pages 73 & 91
  5. ^"Instagram".instagram.Retrieved2023-11-22.
  6. ^Jef (2017-01-22)."NAMM 2017: Boss announce 40th anniversary Limited Edition DS-1-4A Distortion pedal".gearnews.Retrieved2023-11-22.
  7. ^Corporation, BOSS."BOSS - DS-1W | Distortion".BOSS.Retrieved2023-11-22.
  8. ^Corporation, BOSS."BOSS - BOSS 50th Anniversary 1973 - 2023".BOSS.Retrieved2023-11-22.
  9. ^Harvey (2017-01-22)."Boss DS-1 Distortion Circuit Analysis".ElectroSmash.Retrieved2024-02-03.
  10. ^Corporation, BOSS."All About the DS-1: The Benchmark BOSS Distortion".BOSS.Retrieved2024-02-03.
  11. ^Harvey (2017-01-22)."Boss DS-1 Distortion Circuit Analysis".ElectroSmash.Retrieved2024-06-20.
  12. ^Gill, Chris (20 February 2016)."The Definitive Kurt Cobain Gear Guide".Guitar World.Archived fromthe originalon 15 April 2016.Retrieved20 April2016.
  13. ^Kitts, Jeff; Tolinski, Brad (2002).Guitar World Presents the 100 Greatest Guitarists of All Time!: From the Pages of Guitar World Magazine.Hal Leonard Corporation. p. 187.ISBN9780634046193.Retrieved11 January2013.
  14. ^Kobylensky, Paul (2018-03-08)."Khruangbin's Mark Speer: Addicted to Reverb".Premier Guitar.Retrieved2020-03-22.
  15. ^Gold, Jude (June 2007). "Mike Stern".Guitar Player.pp. 28–30.
  16. ^"Steve Rothery: Marillion's King of Guitar Town".MusicPlayers.2007-04-07.Retrieved2020-12-29.
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