Cathy Come Home

"Cathy Come Home"
The Wednesday Playepisode
Episodeno.	Season 6 Episode 3
Directed by	Ken Loach
Written by	Jeremy Sandford
Produced by	Tony Garnett
Editing by	Roy Watts
Original air date	16 November 1966(1966-11-16)

"Cathy Come Home"is a 1966BBCtelevision playabout homelessness. It was written byJeremy Sandford,produced byTony Garnettand directed byKen Loach.A 1998Radio Timesreaders' poll voted it the "best single television drama" and a 2000industry pollrated it as the second-best British television programme ever made.Filmed in a gritty,realisticdrama documentarystyle, it was first broadcast on 16 November 1966 onBBC1.The play was shown in the BBC'sThe Wednesday Playanthology strand, which often tackled social issues.

Plot

The play tells the story of a young couple, Cathy (played byCarol White) and Reg (Ray Brooks), and their descent into poverty and homelessness. At the start of the film, Cathy leaves her parents' overcrowded rural home andhitchhikesto the city, where she finds work and meets Reg, a well-paidlorrydriver. They fall in love, marry and rent a modern flat in a building that does not allow children. Cathy soon becomes pregnant and must stop working, and Reg is injured on the job and becomes unemployed. The loss of income and birth of baby Sean force them to leave their flat, and they are unable to find another affordable place to live that permits children.

They move in with Reg's mother, until tensions develop between her and Cathy in the crowded flat. A kind elderly landlady, Mrs. Alley, rents to them for a while, during which time Cathy has another son, Stevie. Mrs. Alley even allows them to stay when they fall behind on the rent. However, she dies suddenly and an agent of her nephew and heir appears at the door demanding all the back rent, which they are unable to pay. Again Cathy and Reg go house hunting but are continually turned down as they can find nothing available that permits children. During this time Cathy gives birth to her third child, a girl they call Marlene. Their new landlord takes them to court and the judge rules against them. The family are evicted bybailiffs.The family then moves to a caravan parked in a camp where several other families are already living in caravans, but the local residents object to the camp and set it on fire, killing several children. Cathy, Reg and their children are forced into illegalsquattingin a wrecked, abandoned building. They repeatedly try to get decent housing through the local council, but are not helped because of their many moves and the long list of other people also seeking housing assistance.

Cathy and Reg decide to separate temporarily so that Cathy and the children can move into an emergencyhomeless shelterwhere husbands are not allowed to stay. Reg leaves the area to seek employment. Cathy's loneliness and frustration finally boil over and she becomesbelligerentwith the shelter authorities, who are often cold and judgmental towards the women living in the shelter. Cathy's allotted time at the shelter expires while Reg is away, and she and her two remaining children (one having been sent to live with Reg's mother) have nowhere to go. They go to a railway station, where Cathy's children are taken away from her bysocial services.

Cast

• Carol Whiteas Cathy
• Ray Brooksas Reg
• Winifred Dennis as Mrs Ward
• Wally Patchas Grandad
• Adrienne Frame as Eileen
• Emmett Hennessy as Johnny
• Geoffrey Palmeras Property Agent
• Gabrielle Hamiltonas Welfare Officer
• Phyllis Hickson as Mrs Alley
• Barry Jacksonas Rent Collector
• Ruth Kettlewellas Judge
• Kathleen Broadhurst as Landlady
• Ron Pemberas Mr. Jones
• Paddy Joyceas Mr. Acercamber
• Lennard Pearceas The Ratepayer
• Lila Kayeas a Matron
• Andria Lawrenceas Inmate: Home Lea
• Tim Brooke-Tayloras a Wedding Guest

Production

The play was written byJeremy Sandford,produced byTony Garnettand directed byKen Loach,who went on to become a major figure in British film. Loach employed a realistic documentary style, using predominantly16 mm filmon location, which contrasted with the vast amount ofBBC dramaof the time, the bulk of which was entirely shot in a television studio. Union regulations of the time forced about ten minutes ofCathy Come Hometo be shot in this way, with the material shot in a studio on electronic cameras beingtelerecordedand spliced into the film as required.

The cinematographer was Tony Imi, whose innovative use of a hand-held camera to take moving action shots and close-ups gaveCathy Come Homealmost a feel of a current affairs broadcast and a realism which was rare in British television drama at the time. This produced shots some traditionalists thought "not technically acceptable". Imi commented: "I was stuck in a rut after working onDr Finlay's CasebookandMaigret– standard BBC productions. All of a sudden, withThe Wednesday Playand Ken, there was a newness that fitted into the way I was thinking at the time. "

Loach's naturalistic style helped to heighten the play's impact. Many scenes were improvised, and some include unknowing members of the public, such as the final scene in which Cathy's children are taken from her at a railway station (none of the passers-by intervened).

The song that is played at the beginning and end of the film is a cover version of "500 Miles"bySonny & Cher.

Broadcast

After the first transmission in 1966, the play was repeated on BBC1 on 11 January 1967, 13 November 1968 and again on BBC2 on 11 August 1976. It was broadcast in the United States onNational Educational Television(NET) on 28 March 1969, capitalizing on Carol White's international success inPoor CowandI'll Never Forget What's'isnamein 1967, andThe Fixerin 1968. It was also screened byChannel 4on 31 March 1993 as part of a season of programmes on homelessness, and byBBC Fourin a season on the same subject in 2006.BBC Fouralso aired this drama on 5 and 11 June 2003 (shown as part of Time Shift). On 31 July 2016 it was repeated on BBC Four as part of a retrospective on 1966 and repeated again on BBC Four on 13 November 2016. In 2022 it was shown again on BBC Four as part of a retrospective onThe Wednesday Play,then in May alongside an interview withKen Loach.

Reception

The play broached issues that were not then widely discussed in the popular media, such ashomelessness,unemployment and the rights of mothers to keep their own children. It was watched by 12 million people – a quarter of the British population at the time – on its first broadcast. Its hard-hitting subject matter and highly realistic documentary style, new to British television, created a huge impact on its audience.

One commentator called it "an ice-pick in the brain of all who saw it". The play produced a storm of phone calls to the BBC, and discussion in Parliament. For years afterwards Carol White was stopped in the street by people pressing money into her hand, convinced she must be actually homeless.

In a 2000 poll of industry professionals conducted by theBritish Film Instituteto determine theBFI TV 100of the 20th century,Cathy Come Homewas voted second (the highest-placed drama on the list), behind the comedyFawlty Towers.In 2005 it was named byBroadcastas the UK's most influential TV programme of all time.

Impact

In the light of public reaction to the film, and following a publicity campaign led by Willam Shearman andIain Macleodhighlighting the plight of the homeless, the charityCrisiswas formed the following year in 1967.

By coincidence, another charity for the homeless,Shelter,was launched a few days after the first broadcast. Though it was not connected to the programme, "the film alerted the public, the media, and the government to the scale of the housing crisis, and Shelter gained many new supporters."

However, Ken Loach has said that despite the public outcry following the play, it had little practical effect in reducing homelessness other than changing rules so that homeless fathers could stay with their wives and children in hostels.Indeed, housing policy was only considerably reformed over a decade later with the passing of theHousing (Homeless Persons) Act 1977.

Home media

In 2003 the play was released on VHS and DVD by theBritish Film Institutewith an audio commentary by Loach, and original production documentation (the BFI has screened the play on numerous occasions, including in a 2011 Ken Loach film festival). In 2011 the play was re-released on DVD by2 Entertainwith audio commentary by Loach. Along with other Loach films, it is available to watch on Loach's YouTube channel.It is also available as a special feature on the 2011 Criterion Blu-ray and DVD release ofKes,another Ken Loach film.

Theatrical adaptation

To celebrate the 50th anniversary of the release of the film, a theatrical adaptation ofCathy Come Homewas staged at theBarbican Theatrein 2016. It starredElle Payneas Cathy andDenholm Spurras Reg.

External links

• Cathy Come Homeat theBFI'sScreenonline
• Cathy Come Homeat theMuseum of Broadcast Communications
• "Cathy Come Home"atIMDb