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Charles Deas

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Charles Deas
The Voyageurs(1846) by Charles Deas
Born(1818-12-22)December 22, 1818
Philadelphia,PA
DiedMarch 23, 1867(1867-03-23)(aged 48)
New York City
NationalityAmerican
Known forpainting

Charles Deas(December 22, 1818 – March 23, 1867) was an American painter noted for his oil paintings ofNative Americansand fur trappers of the mid-19th century.

Early life

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Charles Deas was born inPhiladelphia,Pennsylvania. He was a son of William Allan Deas (1764-1863) and Anne (néeIzard) Deas (1764–1863), a daughter of the 18th century American politicianRalph IzardofSouth Carolinaand his wife,Alice De Lancey Izard.[1]

He attempted, and failed, to obtain an appointment to theUnited States Military AcademyatWest Point,New York.[2]As a young man, he studied under John Sanderson in Philadelphia, and subsequently embarked upon a career as a painter.[3]TheNational Academy of Designin New York soon recognized his work, electing him as an associate member in 1839.[4]

Career

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By 1840, he had decided to emulate one of his influences,George Catlin,and travel westward in the United States. It was during travels through theWisconsinTerritory that he became a noted painter of trappers andAmerican Indians.By 1841, Deas decided to establish his base inSt. Louis, Missouri.[2]During this time, Deas would typically spend "a few months among the Indian tribes, familiarizing himself with their manners and customs."[5]

The artist's works are described as expressing "psychological tension, perceived danger, alarm, and flight," epitomized by his paintingDeath Strugglewhich depicts an Indian and trapper locked in combat while falling to their deaths from a cliff.[2]

Deas was most famous while he was still alive. One critic, in 1947, stated that the painter was considered to have "enjoyed more of a reputation during his own lifetime" than currently.[6]Between 1841 and 1848, Deas' regularly exhibited his works in St. Louis at the "Mechanics Fairs." He also shipped many of his works, for sale, to thePennsylvania Academy of Fine Artsas well as to New York'sAmerican Art Union.[7]

Deas returned to New York in 1848 and expressed a desire to open a gallery of Indian art. Before he could do this he was declared legally insane.[8]While he was institutionalized, his paintings were described as being particularly intense. "One of his wild pictures, representing a black sea, over which a figure hung, suspended from a ring, while from the waves a monster was springing, was so horrible, that a sensitive artist fainted at the sight."[9]

Personal life

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On May 23, 1848, Deas was committed to New York'sBloomingdale Asylum(a site now occupied byColumbia University). He was institutionalized for the rest of his life.[10]

Deas died of "apoplexy" (possible stroke) in Bloomingdale Asylum on March 23, 1867.[10]

Selected works

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Wa-kon-cha-hi-re-ga(1840) by Charles Deas

Bibliography

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  • Clark, Carol et al.Charles Deas and 1840s America,Norman: University of Oklahoma Press, 2009. (ISBN9780806140308) (OCLC258767488)
  • Tuckerman, Henry T., "Deas" INArtist-life: or, Sketches of American painters,New York: D. Appleton & Company, 1847. pp. 202–214. (OCLC813736)

References

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  1. ^Wilson, James Grant.Appletons' cyclopædia of American biography (vol. 2).New York, D. Appleton. p.118.
  2. ^abcClark, Carol (1996). "Deas, Charles".The Dictionary of Art.8.New York, NY: Grove's Dictionaries, Inc.: 588.
  3. ^Clement, Clara Erskine; Hutton, Laurence (1885).Artists of the Nineteenth Century and Their Works.Boston: Osgood and Company. p. 187.
  4. ^"DEAS, Charles".Marquis Who Was Who in America 1607–1984.2009.RetrievedMarch 3,2010.
  5. ^Lanman, Charles (1847).A summer in the wilderness; embracing a canoe voyage up the Mississippi and around Lake Superior.New York: D. Appleton and Co. p.15.
  6. ^Baur, John I. H. (Summer 1947). "Unknown American Painters of the 19th Century".College Art Journal.6(4): 280. Retrieved March 3, 2010 from JSTOR.doi:10.2307/772653.JSTOR772653.S2CID191257926.
  7. ^Rubin, Beth (1999). Lawrence O. Christensen (ed.).Dictionary of Missouri Biography.Columbia, MO: University of Missouri Press. pp.235–236.ISBN0-8262-1222-0.
  8. ^Dippie, Brian (1990).Catlin and his contemporaries: the politics of patronage.Lincoln: University of Nebraska Press. p.495.ISBN0-8032-1683-1.
  9. ^Tuckerman, Henry T. (1867).Book of the Artists: American Artistic Life.New York: G.B. Putnam and Son. p.429.OCLC3078636.
  10. ^abClark, Carol (2009). "1".Charles Deas and 1840s America.Norman, Oklahoma: University of Oklahoma Press. pp. 35–45.ISBN978-0-8061-4030-8.
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