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Chicago XIV

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Chicago XIV
Studio albumby
Chicago
ReleasedJuly 21, 1980
RecordedMarch–May 1980
Studio
Genre
Length38:58
LabelColumbia
ProducerTom Dowd
Chicagochronology
Chicago 13
(1979) 		Chicago XIV
(1980) 		Greatest Hits, Volume II
(1981)
Professional ratings
Review scores
SourceRating
AllMusic[2]
The Rolling Stone Album Guide[3]

Chicago XIVis the twelfth studio album by AmericanrockbandChicago,released on July 21, 1980. Recorded at a time of waning interest in the band,Chicago XIVremains one of Chicago's poorest-selling albums, failing to reach Gold certification by theRecording Industry Association of America (RIAA),[4]and was deemed a commercial flop. It is also notable for being their last studio album withColumbia Records,and the last one to feature percussionistLaudir de Oliveira.

Background

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After the commercial and critical disappointment ofChicago 13,[5]and the departure of guitaristDonnie Dacus,Chicago decided that a new strategy was in order.Chris Pinnickplayed guitar on the sessions and would later become an official member.[1]The band also tried a new producer, this timeTom Dowd,[1]who had worked withAretha Franklin,Cream,andEric Clapton.With Dowd taking the reins, and with Chicago abandoning the dance club sound that permeated their previous album, the band recorded a lean, more streamlined record which would, predictably, be calledChicago XIV.Possibly designed as a response to the under-produced,new waveefforts on the radio at the time, the album was the band's least orchestrated effort to date.

Artwork, packaging

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Designed byJohn Berg,art director of Columbia/CBS Records, the album cover front features an album-cover-size black thumbprint on a white background, with the Chicago logo embedded in the whorls. The album cover back also features an album-cover-size black fingerprint or thumbprint on white background, but without the embedded Chicago logo. The inside dust cover is white with black printing that lists album credits, and also has at the edge four life-size black fingerprints from a right hand on the credits side of the liner, and a corresponding life-size black thumbprint at the edge of the back of the liner. This small thumbprint also has the Chicago logo embedded in the whorls.[6][7]Berg was nominated for aGrammy Award for Best Album Packagefor this album.[8]The cover was included in a 2012-2013 exhibit of Berg's album covers at Guild Hall of East Hampton.[7]The cover artwork is in the permanent collection ofThe Museum of Modern Artin New York City.[9]

Release and aftermath

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With four solo writing credits and one cowriting credit among the ten songs on the album,[6]Peter Ceteratook on a greater songwriting role in the band than in the past. His compositions included a mix of ballads, pop and rock songs.Robert Lammturned in the rockers "Manipulation" and "I'd Rather Be Rich" (a song from 1975[nb 1]);James Pankowdelivered the uptempo – if downbeat – "The American Dream"; and Lamm andDanny Seraphineco-wrote "Thunder and Lightning".[6]"Birthday Boy" marked the final collaboration between Seraphine and his songwriting partnerHawk Wolinski.LikeChicago 13before it,Chicago XIVfailed to improve Chicago's fortunes.[10]To the record-buying public, Chicago's image was out of touch in 1980, and once the new album was released, it became clear that any attempt to win new fans would be in vain.

Columbia Recordswas increasingly disappointed with the poor sales performance of the band.[11]Chicago XIVwent unnoticed upon release and bombed, reaching only number seventy-one on theBillboard 200chart in the US,[12]and disappeared quickly. Again, there were no singles hits, with "Thunder and Lightning" stalling below the top fifty[13]and "Song For You" failing to chart. Chicago also saw a poor attendance in many venues during the supporting tour.[citation needed]Realizing that the relationship had soured considerably,Columbia Recordsterminated their contract with Chicago with a buyout of approximately $2 million.[14]In 1982, Robert Lamm recalled,

The thrill was gone as far as they were concerned, I think. Especially after Jeff Wald, who managed us in 1978 and 1979, kind of bullied them into signing a ridiculous multimillion dollar contract where every time we delivered an album, they had to cough up a million bucks. CBS didn't get close to recouping their money, and they wanted to get out of the deal. In fact they ended up paying us to leave the label.[15]

As a settlement to ending the arrangement early, Columbia releasedthe band's second greatest-hits albumand jettisoned them from the label. The money from the settlement was used to recordChicago 16independently,[1]while the band shopped for a new label (eventually they signed withWarner). Realizing that the Latin/Jazz percussion style evident in the latter half of the previous decade no longer fit with their "more pop-oriented sound", while beginning work onChicago 16,the albumChicago XIVsignaled the end of percussionistLaudir de Oliveira's tenure with the band after nine years.[16]: 200 Peter Cetera, meanwhile, concentrated on his firstself-titled solo albumduring the hiatus.[17]

In 2003,Chicago XIVwas remastered and reissued byRhino Records,with three outtakes from the sessions, "Doin' Business" (which first appeared on the 1991 4-Disc anthologyGroup Portrait), "Live It Up", and "Soldier of Fortune" as bonus tracks.

Track listing

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Track titles, track order, and writers for tracks one through ten from 1980 vinyl LP liner.[6]

Side One
No.TitleWriter(s)Lead vocalsLength
1."Manipulation"Robert LammLamm3:45
2."Upon Arrival"Lamm,Peter CeteraCetera, Lamm3:48
3."Song for You"CeteraCetera3:41
4."Where Did the Lovin' Go"CeteraCetera4:06
5."Birthday Boy"Danny Seraphine,David "Hawk" WolinskiCetera4:55
Side Two
No.TitleWriter(s)Lead vocalsLength
6."Hold On"CeteraCetera4:15
7."Overnight Cafe"CeteraCetera4:19
8."Thunder and Lightning"Lamm, Seraphine[nb 2]Cetera, Lamm3:32
9."I'd Rather Be Rich"LammLamm3:08
10."The American Dream"James PankowCetera3:19
Bonus tracks on Rhino reissue
No.TitleWriter(s)Lead vocalsLength
11."Doin' Business"LammLamm3:31
12."Live It Up"PankowCetera3:23
13."Soldier of Fortune"LammLamm3:50

Personnel

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Chicago

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Additional musicians

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Production

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  • Produced by Tom Dowd
  • Production Coordination – Schatzi Hagerman
  • Engineered and Mixed by Michael Carnevale
  • Assistant Engineers – Ricky Delena, Karat Faye and Bill Freesh.
  • Mastered byBernie GrundmanatA&M Studios(Hollywood, CA).
  • Design –John Berg
  • Artwork and Cover Lettering –Gerard Huerta

Charts

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Chart (1980) Peak
position
Australian Albums (Kent Music Report)[18] 71
Canada Top Albums/CDs (RPM)[19] 60
Norwegian Albums (VG-lista)[20] 26
Swedish Albums (Sverigetopplistan)[21] 46
USBillboard200[22] 71

Notes

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  1. ^A 1975 recording of this song, slightly different from the final version, appears as a bonus track on the Rhino CD reissue of Chicago X.
  2. ^The Rhino CD reissue credits this song to Lamm, Seraphine and Cetera.

References

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  1. ^abcdRuhlmann, William James (1991).Chicago Group Portrait (Box Set)(Media notes). New York City, NY: Columbia Records. p. 8. Archived fromthe original(CD booklet archived online)on March 28, 2019.RetrievedJuly 26,2017.
  2. ^https:// allmusic /album/r3856/review
  3. ^The Rolling Stone Album Guide.Random House. 1992. p. 130.
  4. ^"Gold & Platinum - RIAA: Search by Artist".RIAA.Archivedfrom the original on December 16, 2016.RetrievedJuly 26,2017.
  5. ^Amicone, Michael (July 20, 2002)."A vigorous 35-year-old feelin' stronger every day".Billboard.Howard Lander. p. 50.RetrievedJuly 28,2017– via Google Books....Chicago 13 (1979), proved to be as unlucky as its number would portend.
  6. ^abcdChicago XIV(vinyl LP liner).Chicago.CBS Inc.1980. BL 36517.{{cite AV media notes}}:CS1 maint: others in cite AV media (notes) (link)
  7. ^abJacobson, Aileen (November 23, 2012)."Album Covers That Are as Evocative as the Music".The New York Times.Archivedfrom the original on January 16, 2018.RetrievedDecember 28,2017.
  8. ^"John Berg".GRAMMY.Recording Academy. May 14, 2017.Archivedfrom the original on August 12, 2021.RetrievedOctober 25,2017.
  9. ^"John Berg, Nick Fasciano, Gerard Huerta. Cover for Chicago's twelfth self-titled album. 1980 | MoMA".The Museum of Modern Art.Archivedfrom the original on October 25, 2017.RetrievedOctober 25,2017.
  10. ^Amicone, Michael (July 20, 2002)."A vigorous 35-year-old feelin' stronger every day".Billboard.Howard Lander. p. 50.RetrievedJuly 28,2017– via Google Books....Chicago XIV,produced by Tom Dowd, could not stem the band's commercial downturn...
  11. ^Seraphine, Danny (2011).Street Player: My Chicago Story.John Wiley & Sons Inc. pp. 192–193.ISBN9780470416839.
  12. ^"Top 200 Albums for September 13, 1980".Billboard.Archivedfrom the original on February 19, 2018.RetrievedJuly 26,2017.
  13. ^"Music: Top 100 Songs | Billboard Hot 100 Chart for September 20, 1980".Billboard.Archivedfrom the original on July 10, 2017.RetrievedJuly 27,2017.
  14. ^Seraphine, Danny (2011).Street Player: My Chicago Story.John Wiley & Sons Inc. pp. 197–198.ISBN9780470416839.
  15. ^Van Matre, Lynn (June 13, 1982)."Revitalized Chicago Back On Road Again".Chicago Tribune.Archivedfrom the original on January 17, 2017.RetrievedJuly 26,2017.
  16. ^Seraphine, Danny (2011).Street Player: My Chicago Story.John Wiley & Sons, Inc.ISBN978-0-470-41683-9.
  17. ^Cetera, Peter(October 1, 1992)."Old Interview: Peter Cetera, October 1, 1992".Listening Is Everything(Interview). Interviewed by Jeff Giles. Jeff Giles. Archived fromthe originalon September 22, 2017.RetrievedSeptember 22,2017.
  18. ^Kent, David(1993).Australian Chart Book 1970–1992(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 62.ISBN0-646-11917-6.
  19. ^"Top RPM Albums: Issue 0239b".RPM.Library and Archives Canada.Retrieved June 20, 2024.
  20. ^"Norwegiancharts – Chicago – XIV".Hung Medien. Retrieved June 20, 2024.
  21. ^"Swedishcharts – Chicago – XIV".Hung Medien. Retrieved June 20, 2024.
  22. ^"Chicago Chart History (Billboard200) ".Billboard.Retrieved June 20, 2024.
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