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Culture of Singapore

From Wikipedia, the free encyclopedia

Centre square of Raffles Place
Old Supreme Court of Singapore

Theculture of Singaporehas changed greatly over the millennia. Its contemporary modern culture consists of a combination ofAsianand European cultures, mainly byMalay,South Asian, East Asian and Eurasian influences. Singapore has been dubbed as a country where "East meets West", "Gateway to Asia" and a "Garden city".[1]

History[edit]

Singapore's indigenous culture originates primarily from theAustronesian peoplethat arrived from the island ofTaiwan,settling between 1500 and 1000 BCE. It was then influenced during the Middle Ages primarily by multiple Chinese dynasties such as theMingandQing,as well as by other Asian countries such as theMajapahit Empire,Tokugawa shogunate,and theRyukyu Kingdom.In the near-contemporary history after the British arrived, Singapore was also influenced bywestern countries.Repeated influence, absorption and selection in various ways have added to the development of a distinct and unique culture.

It has a diverse populace of over 5.47 million people[2]which is made up of Chinese, Malays, Indians, and Eurasians (plus other mixed groups) and Asians of different origins such as thePeranakanpeople, descendants of Chinese immigrants with Malay or Indonesian heritage.[3]

National character[edit]

Meritocracy[edit]

The Ministry of Education claims that "The system ofmeritocracyin Singapore ensures that the best and brightest, regardless of race, religion and socio-economic background, are encouraged to develop to their fullest potential. Everyone has access to education, which equips them with skills and knowledge to earn a better living. "[4]Primary educationis compulsory for all children of age 7 to 12. Parents have to apply for exemptions from the Ministry of Education in Singapore to excuse their children with valid reasons.

Racial harmony[edit]

Singapore is a secular immigrant country. The main religions in Singapore areBuddhism,Christianity,Islam,Taoism,andHinduism.Respect for different religions and personal beliefs is heavily emphasised by the government.[5]Nevertheless, critics assert that the ethnic Chinese majority, which forms nearly 75% of the population, enjoysChinese privilegeover other races.[6]

To demonstrate the importance of imparting racial harmony knowledge to the youths, schools in Singapore celebrateRacial Harmony Dayon 21 July annually. Students come to school dressed in different ethnic costumes, and some classes prepare performances regarding racial harmony.

Democracy, peace, progress, justice and equality[edit]

The concepts of democracy, peace, progress, justice and equality are enshrined as stars in theSingapore national flag.Freedom in the Worldranked Singapore 4 out of 7 for political freedom, and 4 out of 7 for civil liberties (where 1 is the most free), with an overall ranking of "partly free".Reporters without Bordersranked Singapore 153rd out of 180 countries in theirPress Freedom Indexfor 2015.[7]

Ethnic areas[edit]

Singapore has several distinct ethnic neighbourhoods, includingKatong,Kampong Glam,Geylang Serai,ChinatownandLittle India.

Both Geylang Serai and Kampong Glam are the focal points of theMalays in Singapore.[8]AMalay Heritage Centrein Kampung Glam showcases the history and cultural exposure of the Malays,[9]who are indigenous to the land.[10]Both areas feature an annual month longHari Raya Bazaar,during the fasting month ofRamadan.This is patronised by Malays and also other races.[11]

Katongis home of the Peranakans, and the neighbourhood's identity is shaped by its unique architecture – colourful two-storey shophouses, colonial bungalows, intricate motifs and ceramic tiles. It was designated as a national heritage conservation area by the Singapore Government in 1993.

Little India is known and patronised by all races within the population for itsthalisSouth Indian"buffets"that are vegetarian and served on the traditional bananaleaves.These neighbourhoods are accessible by public transport, especially by theMass Rapid Transit(MRT).

Singapore'sChinatownis an ethnic neighbourhood featuring distinctlyChinesecultural elements and a historically concentratedethnic Chinese population.Chinatown is located within the larger district ofOutram.

Ethnic enclaves from the British colonial era, akin to those seen in major cities in many Western countries, are largely non-existent. The remnant "enclaves" such as Little India, Chinatown and Kampong Glam are now mainly business hubs for their respective ethnic groups and preserved for historic and cultural reasons. TheHousing Development Boardenforces the Ethnic Integration Policy (EIP) to "preserve Singapore’s multi-cultural identity and promote racial integration and harmony" and sets proportions for each ethnic group in each housing estate.[12]

Art[edit]

Georgette Chen,Sweet Rambutans,1965, Oil on canvas,National Gallery Singapore

From its precolonial history to present, the history of Singaporean art may include artistic traditions of theMalay Archipelago,the diverse visual practices of itinerant artists and migrants from China, theIndian subcontinent,and Europe arriving in the colonial period, such as sculpture,Portraiture,landscapes,andnatural historydrawings, as well asChinese ink painting,Islamic calligraphy,Nanyang Stylepaintings,social realist art,abstract art,photography, andprintmaking.[13]It also includes thecontemporary artpractices of today, such as performance art,conceptual art,installation art,video art,sound art,andnew media art.Due to Singapore and Malaysia's long shared history asBritish Malaya,there are many overlaps in the art histories of both countries.[14]

The emergence ofmodern artin Singapore is often tied to the rise of art associations, art schools, and exhibitions in the 20th century, though this has since been expanded to include earlier forms of visual representation, such as from Singapore's early colonial period.[15]Some of the most well-known works are of the migrant Chinese artists who painted in theNanyang Stylefrom the 1950s to 60s, such asGeorgette Chen.The Nanyang artists characteristically depicted Southeast Asian subject matter such as tropical fruit,kampungscenes, andbatikfabric while drawing upon a synthesis of Westernwatercolorandoil paintingtechniques withChinese inktraditions.[16][13][14][17]The name of the movement draws from "Nanyang"(Chinese:Nam Dương;pinyin:nán yáng;lit.'Southern Ocean'), asinocentricChinese term used to refer to Southeast Asia from the geographical perspective of China.[16][18][19]

Contemporary artin Singapore tends to examine themes of "hyper-modernity and the built environment; alienation and changing social mores; post-colonial identities and multiculturalism."[20]Across these tendencies, "the exploration of performance and the performative body" is a common running thread.[20]Singapore carries a notable history of performance art, with the state having enacted a no-funding rule for the art form for a decade from 1994 to 2003, following a controversial performance artwork at the5th Passageart space in Singapore.[21][22]Prominent Singaporean contemporary artists include, for example,Tang Da Wu,Amanda Heng,Lee Wen,Ho Tzu Nyen,andShubigi Rao.

Cultural policy[edit]

Singapore maintains tight restrictions on arts and cultural performances. Most artistic works have to be vetted by the government in advance, and topics that breach so-called out of bounds markers (OB markers) are not permitted. While the OB markers are not publicly defined, they are generally assumed to include sensitive topics such as race, religion, and allegations of corruption or nepotism in government. Nudity and other forms of loosely defined "obscenity" are also banned. Singaporean film directorRoyston Tanhas produced movies which challenge these policies, including a movie calledCutin reference to censorship of the arts.[23]

The country's first pre-tertiary arts school,School of the Arts,is now completed and stands along the country's prominent Orchard Road. Commenced in 2008, the school aims to provide an environment for nurturing young artists aged between 13 and 18 years. There has been muchpublic rhetoricabout liberalisation and its association with the development of a creative economy in Singapore. The response from artists, academics, public intellectuals, and civil society activists has ranged from strongly optimistic to deeply pessimistic, as reflected in the chapters written for edited bookRenaissance Singapore: Economy, Culture, and Politics.The difference between what is "culture" and what makes up "the arts" has been a matter of some debate in Singapore. For an attempt at defining what is artistic, see, for example, the Report of the Censorship Review Committee 1992.[24]

Cuisine[edit]

In Singapore'shawker centres,for example, traditionallyMalayhawkerstalls also sell Chinese andTamilfood.Chinesestalls may introduce Malay ingredients, cooking techniques or entire dishes into their range of catering.

Singaporeans also enjoy a wide variety of seafood including crabs, clams, squid, and oysters. One favourite dish is thestingraybarbecued and served on banana leaf and with sambal (chilli), andchili crab.

Festivals[edit]

Deepavalidecorations in Singapore.

The major public holidays reflect the mentioned racial diversity, includingChinese New Year,BuddhistVesakDay,MuslimEid ul-Fitr(known locally by itsMalaynameHari Raya Puasa), HinduDiwali(known locally by itsTamilnameDeepavali) and Christmas,Good Friday(By Christians), and New Year's Day are also public holidays.

On 9 August, Singapore celebrates the anniversary of its independence with a series of events, including theNational Day Paradewhich is the main ceremony. The first National Day Parade, which was held in 1966, was held at thePadangin the city centre.

In 2003, theEsplanade – "Theatres on the Bay",a centre for performing arts, was opened. The Esplanade is also known as "TheDurian",due to its resemblance to the fruit. The Arts House at Old Parliament Lane has also been supportive of local performing arts in recent years.Nanyang Academy of Fine Arts(NAFA) andLASALLE College of the Artsare the two main arts institutions offering full-time programmes for the performing arts in Singapore.

Languages[edit]

Sign board with warnings in Singapore's four main languages: English, Chinese,MalayandTamil

Many Singaporeans arebilingual.Most speakSingaporean Englishand another language, most commonlyMandarin,Malay,TamilorSingapore Colloquial English(Singlish). Singapore Standard English is virtually the same asBritish,Malaysian, andIndian Standard Englishin most aspects of grammar and spelling, though there are some differences in vocabulary as well as minor ones in spelling; for example, the word 'swap' is commonly spelled 'swop', as is standard inThe Straits Times.[25]

All Singaporeans study English as their first language in schools, under the compulsory local education system, and their mother-tongue language as their second language. Thus, most Singaporeans are effectively bilingual, especially the youths in today's society. There are four main languages in usage in Singapore. The 'national' language of Singapore isBahasa Melayu.This is in recognition of the Malay people as the indigenous community in Singapore. 85% of Singaporeans do not speak Malay. Malay is used in the national anthem, national motto and military parade drill commands. Tamil is an official language as a majority of South Asians in Singapore are ethnic Tamils from India and Sri Lanka. While most Chinese Singaporeans are descendants of southern Chinese migrants who spoke a variety of regional languages, it is the northern Chinese language of Mandarin that is official in Singapore, though dialects such as Hokkien and Cantonese are still prevalent in the older generation of Chinese.

Popular culture[edit]

Music[edit]

Singapore has a diverse music culture that ranges from rock and pop to folk and classical.

Creative writing[edit]

Singaporean literature, also called "SingLit", is influenced by the multiracial nature of the country. Its development has been hampered by the strong focus on maths and science in Singaporean schools, and a preference for foreign works, which generally sell more. Some grants are provided by the government, although they are dependent on the content of the works. Notable authors includeCyril Wong,Topaz Winters,Balli Kaur Jaswal,Jeremy Tiang,[26]andSonny Liew.[27]

Media[edit]

Murals[edit]

Murals in Singapore have been encouraged by the government in recent years as part of Singapore's efforts to recast itself as a "Renaissance City" and global arts city. These public art works require permission from the government; unauthorised public art andgraffitiare subject to legal penalties under theVandalism Actin Singapore.[28]Manymuralsdepict scenes common to Singapore's cultural heritage.[29]

In 2013, Singapore launched the PubliCity program, which designated two blank walls along theRail Corridorforurban art.The Rail Corridor, once a 24 kilometres (15 mi) railway line between Singapore and Malaysia, had closed in 2011. Artwork along the walls of the Rail Corridor is curated by RSCLS, a local art collective. In 2014, theNational Arts Councilset up the Public Art Trust which provided both a public spaces program in which artists' proposals and willing site owners are matched up, as well as six walls at Goodman Arts Centre, Aliwal Arts Centre, and *Scape youth centre for practice spaces.[28]

Parks[edit]

The Supertree Grove atGardens by the Bay

Gardens and gardening have a special place in Singaporean culture as well as in politics. Historically this is all officially attributed toLee Kuan Yewwho apparently spearheaded this philosophy in 1963.[30]In a rare interview withMonty Donshown in the TV seriesAround the World in 80 Gardens,Lee Kuan Yew reveals that after visits to other big Asian cities such as Hong Kong andBangkokhe feared that Singapore would turn into another concrete jungle, and he decided that gardens and parks should be established everywhere and made this a priority of the government.

Performing arts[edit]

Singapore is also known as a cultural centre for arts and culture, including theatre and music.

Stand-up comedy[edit]

Singapore has a growing comedy scene with three active rooms. The three comedy rooms in Singapore are weekly, starting withComedy Masala[31]on Tuesdays, Talk Cock Comedy[32]on Wednesdays and Comedy Hub Singapore[33]on Mondays and Thursdays. Every month, The Comedy Club Asia features leading international comics such asShazia MirzaandImran Yusuf.Comedy Masala also brings in international comedians, such asPaul Ogata.[34]Kumar,adrag queenwho has performed in Singapore for more than 17 years, is one of Singapore's leading stand-up comedians.[35]

Religion[edit]

Buddha Tooth Relic Temple and Museum

Religion in Singapore is characterised by a diversity of religious beliefs and practices due to its diverse ethnic mix of peoples originating from various countries.

UNESCO Cultural World Heritage Sites[edit]

TheSingapore Botanic Gardensis one of three gardens, and the only tropical garden, to be honoured as aUNESCO World Heritage Site.

UNESCO Representative List of the Intangible Cultural Heritage of Humanity[edit]

A hawker centre inLavender,Singapore

Hawker culture in Singapore was added to the UNESCO list in December 2020, unanimously accepted by a 24-member international committee on 16 December 2020.[36]

National Geographic described Singapore's hawker culture as an endangered food tradition due to a halt in construction of hawker centres since Singapore's rapid development in the seventies and eighties, and an increase in difficulty to get young people into the hawker profession.[37]

See also[edit]

References[edit]

  1. ^"Singapore Cooperation Program".Archived fromthe originalon 24 January 2015.
  2. ^"SingStat".Archived fromthe originalon 1 September 2015.Retrieved3 September2015.
  3. ^"Who Are The Peranakans and What Are Their Traditions?".culturally.co.26 December 2017.
  4. ^"Ministry of Education".Archived fromthe originalon 25 March 2013.
  5. ^PM Lee on racial and religious issues (National Day Rally 2009) / Our News / Singapore United – Community Engagement Programme PortalArchived11 May 2011 at theWayback Machine.Singaporeunited.sg (16 August 2009). Retrieved 21 July 2013.
  6. ^"What Privilege Looks Like in Singapore".7 January 2017.
  7. ^"Classement mondial de la liberté de la presse 2020 | Reporters sans frontières".Reports Without Borders.
  8. ^Lotus Relocation (24 May 2016)."A Little Red Dot – Singapore: Our Heritage".lotusrelocation.Archived fromthe originalon 7 January 2018.Retrieved8 April2018.
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  12. ^"Ethnic Integration Policy and SPR Quota".Housing Development Board.1 October 2015. Archived fromthe originalon 10 June 2020.Retrieved3 February2017.
  13. ^abSusanto, Melinda (2015). "Tropical Tapestry".Siapa Nama Kamu? Art in Singapore Since the 19th Century.Singapore: National Gallery Singapore. pp. 30–41.ISBN9789811405570.
  14. ^ab"T.K. Sabapathy".Esplanade Offstage.12 October 2016.Archivedfrom the original on 27 February 2021.Retrieved27 February2021.
  15. ^Low, Sze Wee, ed. (2015). "Some Introductory Remarks".Siapa Nama Kamu? Art in Singapore since the 19th Century.Singapore: National Gallery Singapore. pp. 8–29.ISBN9789810973520.
  16. ^abBalagopal, Roberta; Yeo, Alicia (31 August 2009)."The Nanyang Style".National Library Board.Archived fromthe original(article)on 10 March 2011.Retrieved6 August2010.
  17. ^Sabapathy, T.K. (2010).Road to Nowhere: The Quick Rise and the Long Fall of Art History in Singapore.Singapore: The Art Gallery, National Institute of Education.ISBN978-9810852641.
  18. ^Ting Szu Kiong (2005)."Nanyang Art".Central Singapore Community Development Council. Archived fromthe original(article)on 27 December 2009.Retrieved6 August2010.
  19. ^Yeo, Alicia (April 2006)."Singapore Art,NanyangStyle "(PDF).biblioasia.Singapore:National Library Board.pp. 4–11. Archived fromthe original(PDF)on 27 February 2012.Retrieved6 August2010.
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  21. ^Lee, Weng Choy (1996). "Chronology of a Controversy". In Krishnan, S.K. Sanjay; Lee, Weng Choy; Perera, Leon; Yap, Jimmy (eds.).Looking at Culture.Singapore: Artres Design & Communications.ISBN9810067143.Archived fromthe originalon 8 June 2020.
  22. ^Lingham, Susie (November 2011)."Art and Censorship in Singapore: Catch 22?".ArtAsiaPacific(76). Archived fromthe originalon 15 September 2014.Retrieved8 June2020.
  23. ^Jake Lloyd Smith, 24 July 2004.Singapore filmmaker takes Cut at censors,Houston Chronicle.Retrieved 25 January 2006
  24. ^Annex D: "Definition of the Term Artistic" in Report of the Censorship Review Committee 1992http:// spp.nus.edu.sg/ips/docs/pub/CRC%20report%201992.pdfArchived13 May 2012 at theWayback Machine
  25. ^Han, Wong Wei (16 December 2014)."Singapore, Indonesia on track to implement automatic tax data swop".The Straits Times.Retrieved3 September2015.
  26. ^Tan, Megan (11 August 2018)."A new chapter for SingLit".The Business Times.Retrieved4 April2021.
  27. ^Ho, Olivia (22 July 2017)."Graphic novelist Sonny Liew is first Singaporean to win Eisner award, bagging 3 comics Oscars".The Straits Times.Retrieved4 April2021.
  28. ^abChang, T. C. (1 March 2020)."Wall dressed up: Graffiti and street art in Singapore".City, Culture and Society.20:100329.doi:10.1016/j.ccs.2019.100329.ISSN1877-9166.
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  37. ^Ng, Rachel (29 January 2021)."How Singapore street food got recognized as a UNESCO treasure".Travel.Archived fromthe originalon 17 February 2021.Retrieved20 September2021.

External links[edit]