Jace Clayton
DJ /rupture | |
---|---|
Background information | |
Birth name | Jace Clayton |
Born | August 18, 1975 |
Origin | Boston,U.S. |
Genres | |
Occupation(s) | DJ, writer, interdisciplinary artist |
Instrument | Turntables |
Years active | Late 1990s–present |
Labels | Tigerbeat6 New Amsterdam Records |
Website | negrophonic jaceclayton |
Jace Clayton,also known asDJ /rupture,is a New York–based AmericanDJ,writer and interdisciplinary artist. In addition to his music, Clayton has established ablogidentity with musical and non-musical posts on his website, "mudd up!". His book,Uproot: Travels in 21st-Century Music and Digital Culture,was published in 2016.[1]
Life and career
[edit]Clayton spent his teenage years inNorth Andover, Massachusetts.In the mid-1990s, Clayton was a member of Toneburst, described as "Boston's most active and visible experimental electronic art/music/DJ collective", pursuing "a steadfastly DIY aesthetic".[2]Clayton graduated fromHarvard Universitywith a B.A. in English.[3]
In 2001, Clayton (under the name DJ /rupture) releasedGold Teeth Thief,initially as an internet download.[4]Themixtapeconsists of 43 tracks in 68 minutes, includingbreakcore,raggaand Arabic folk music. It was named as one of the "50 Records of the Year" byThe Wirein 2001.[5]The track was released by the Violent Turd label in 2002.[6]ReviewingGold Teeth ThiefonAllMusic,Joshua Glazer wrote: "Gold Teeth Thiefis an impossibly noisy and aggressive set, yet the earthy Jamaican vocals and blunted hip-hop beats counteract the sonic devastation, making it palatable, even at its most dissident. "[7]
In 2005, Clayton was asked to write about "the 10 artists that impacted my view of electronic music" and he mentioned:Edgard Varèse,theHanatarashi,King Tubby,Pere Ubu,Steely & Clevie,Gregory Whitehead,Timbaland,Mannie Fresh,DJ Scud andWiley.[8]
Between June 6, 2007, and February 27, 2013, DJ /rupture hosted a 1-hour weekly radio program "Mudd Up!" onWFMU.[9]
In 2010, Clayton was a resident atEyebeam,an arts research organization specialising in the interface between art and technology.[10][11]
In 2012, Clayton received aFoundation for Contemporary ArtsGrants to Artists Award.[12]This grant enabled Clayton to develop Sufi Plug Ins, which he described as "a free suite of music software-as-art based on non-western conceptions of sound and alternative interfaces".[12][13]InSpin,Philip Sherburnedescribed Sufi Plug Ins as "one of the few digital tools I've seen that I would also consider art".[14]
In 2013, Clayton received aCreative Capitalaward[15]for the development of his projectGbadu and the Moirai Index,which Clayton described as "a performance piece for four vocalists and the stock market".[16]Clayton joined the Music/Sound faculty of the MFA program atBard Collegein 2013.[17]
On March 26, 2013,New Amsterdam Recordsreleased an album by Clayton,The Julius Eastman Memory Depot.The album includes performances of works by composerJulius Eastman,"Evil Nigger" and "Gay Guerilla" by David Friend and Emily Manzo that have been manipulated and re-arranged by Clayton. The album's final track is a tribute to Eastman titled "Callback from the American Society of Eastman Supporters", which conjures up "a world where supporters of Eastman are so legion that they are turned away via robo-call".[18]InPitchfork,Jayson Greene described the track as "a supremely Julius-Eastman moment, a short sharp bark of wry laughter fading into dead seriousness, and it caps Clayton's searingly immediate communion with Eastman's vital, contrary spirit."[18]
In 2016, Clayton publishedUproot: Travels in 21st-Century Music and Digital Culture,described by the author as "a user manual for the world created by Mr MP3 and Ms Internet". Reviewing the book inThe Guardian,Sukhdev Sandhu described it as "a travelogue of sorts",[1]which covers the music ofMonterrey,north-east Mexico, capturing "emokids andreggaetonfans on his way to hear thundering tribalguaracheroplayed by a DJ behind whom is projected a Harry Potter movie ". Clayton looks at the music culture of theBerbersin Morocco, who make showy use ofAuto-Tuneand "ponders the popularity ofWhitney Houston-style melisma across theMaghreb."[1]Sandhu writes, "When Clayton talks about techniques such as transcoding and compressing – the art of squeezing recorded music into easily exportable and copyable packets of data – he could almost be talking about the journeys of refugees and migrants. Clayton, like many club goers, embraces the idea of music as a zone of mutation and adaptation, of new rhythms as thrillingly contagious, of the dancefloor as a place of both affirming and redefining community."[1]
Personal life
[edit]Clayton is married to fashion designer Rocio Salceda. They have lived in Madrid and Barcelona before settling in New York City in 2006.[3]
Discography
[edit]Albums
[edit]- Special Gunpowder(Tigerbeat6,2004)
- Patches(withAndy Moor) (Unsuitable Records, 2008)
- TheJulius EastmanMemory Depot(as Jace Clayton) (New Amsterdam Records,2013)
Singles & EPs
[edit]- "Rummage About" (split 12-inch with Config.sys) (Soot Records, 1999)
- "$ Vol. 7-inch (split 7-inch withKid606) (Tigerbeat6,2001)
- "Rude Descending a Staircase" (7-inch) (Tigerbeat6,2002)
- Split EP(split 12-inch EP withThe Bugvs.The Rootsman) (Tigerbeat6,2003)
- Special Gunpowder EP 1(12-inch EP) (Tigerbeat6,2004)
- Special Gunpowder EP 2(12-inch EP) (Tigerbeat6,2004)
- "No Heathen" (split 12-inch with Com.a and Wicked Act) (Shockout,2004)
- "Dem Nuh Know Me" (split 12-inch with Team Shadetek and Wayne Lonesome) (Shockout,2004)
- Little More Oil(12-inch EP withKid606andSister Nancy) (Soul Jazz Records,2005)
- Redux(12-inch EP) (Brooklyn Beats, 2005)
- "Miss Nemesis" (7-inch) (Ek-ke, 2006)
- "Quémalo Ya" (split 12-inch with Filastine) (Shockout,2007)
- Shallows EP(12-inch EP with Matt Shadetek) (theAgriculture, 2009)
DJ mixes
[edit]- 1 + 1 = 3(cassette) (self-released, 1999)
- Gold Teeth Thief(self-released/Tigerbeat6,2001)
- Minesweeper Suite(Tigerbeat6,2002)
- 58.46 Radio Mix(self-released, 2003)
- Post Election Mix(radio broadcast onResonance FM,2004)
- Shotgun Wedding Vol. 1: The Bidoun Sessions(with Mutamassik) (Tigerbeat6,2004)
- Low Income Tomorrowland(Applecore Records, 2005)
- Soot Fall Tour 06(with Filastine) (self-released, 2006)
- Improvisation for Guitar + Turntables(withAndy Moor) (Soot Records, 2006)
- Shotgun Wedding Vol. 6(with Filastine) (Tigerbeat6,2007)
- Live in France(withAndy Moor) (Soot Records, 2007)
- Porque Soy Sonidero Y Voy a Muchos Lugares(self-released, 2008)
- Uproot(theAgriculture, 2008)
- New York Tropical Vol. 1(with Geko Jones) (self-released, 2009)
- K-K-Kumbia(self-released, 2009)
- Solar Life Raft(with Matt Shadetek) (theAgriculture, 2009)
- Curiosity Slowdown(self-released, 2010)
- Harlem Is Nowhere(withSharifa Rhodes-Pitts) (self-released, 2011)
- Dreamachine / Beyond Digital(cassette with Palm Wine &Maga Bo) (Palm Wine, 2011)
- Change the Mood(self-released, 2012)
- Sunset Park Rent Strike Mix(self-released, 2012)
- 1100 vs. 2200(with Sonido Martines) (self-released, 2013)
Appearances
[edit]- "RKK13" – Natti Tone Scat (2000)
- VA – Paws Across the World 2003 Tour (2004)
- VA – Open Up and Say...@<%_|^[!] (2004)
- The Wire Tapper 12
References
[edit]- ^abcdSandhu, Sukhdev (October 27, 2016)."Uproot by Jace Clayton review".theguardian.RetrievedMarch 13,2017.
- ^Tweney, Chris (February 23, 1998)."The weird science of Toneburst".Boston Phoenix.Archived fromthe originalon June 10, 2011.RetrievedMarch 13,2017.
- ^abPellegrinelli, Lara (November 2016)."World Music 2.0: Jace Clayton reflects on musical technological trends across the globe".Harvard Magazine.RetrievedMarch 13,2017.
- ^"DJ/ rupture: Gold Teeth Thief (2001; 43 tracks, 68 minutes, mixed live on 3 turntables)".negrophonic. May 10, 2005.RetrievedMarch 13,2017.
- ^"2001 Rewind".The Wire.January 2002.RetrievedMarch 13,2017.
- ^"Gold Teeth Thiefrelease ".allmusic.RetrievedMarch 13,2017.
- ^Glazer, Joshua (April 10, 2011)."Gold Teeth Thief overview".allmusic.RetrievedMarch 13,2017.
- ^Clayton, Jace (April 29, 2005)."Hotel Rwanda, Varèse, and friends".negrophonics. Archived fromthe originalon July 22, 2011.RetrievedMarch 13,2017.
- ^"Mudd Up! with DJ/Rupture: Playlists and Archives".wfmu.org.RetrievedMarch 13,2017.
- ^"New 2010 Eyebeam Resident Artists And Fellows".Eyebeam.eyebeam.org. Archived fromthe originalon 15 February 2016.Retrieved19 January2019.
- ^"Jace Clayton".Eyebeam.eyebeam.org. Archived fromthe originalon 26 March 2016.Retrieved19 January2019.
- ^ab"Foundation for Contemporary Arts: Jace Clayton".foundationforcontemporaryarts.org. January 31, 2013.RetrievedMarch 13,2017.
- ^"Sufi Plug Ins".beyond-digital.org. April 10, 2015.RetrievedMarch 13,2017.
- ^Sherburne, Philip (June 13, 2012)."DJ /Rupture Hacks Western Musical Institutions:Sufi Plug Ins give audio software a multicultural twist".Spin.RetrievedMarch 13,2017.
- ^Taylor, Charles (April 10, 2013)."Creative capital: Jace Clayton".creative-capital.org. Archived fromthe originalon March 14, 2017.RetrievedMarch 13,2017.
- ^"Gbadu and the Moirai Index".jaceclayton. April 10, 2015. Archived fromthe originalon March 14, 2017.RetrievedMarch 13,2017.
- ^"Jace Clayton: Music/ Sound".Bard College. March 10, 2013.RetrievedMarch 13,2017.
- ^abGreene, Jayson (March 28, 2013)."The Julius Eastman Memory Depot".pitchfork.RetrievedMarch 13,2017.