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Doom metal

From Wikipedia, the free encyclopedia

Doom metalis anextremesubgenre ofheavy metal musicthat typically uses slowertempos,low-tuned guitarsand a much "thicker" or "heavier" sound than other heavy metal genres.[6]Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom.[2]The genre is strongly influenced by the early work ofBlack Sabbath,[2]who formed a prototype for doom metal. During the first half of the 1980s,[2]a number of bands such asWitchfinder GeneralandPagan Altarfrom England, American bandsPentagram,Saint Vitus,the Obsessed,Trouble,andCirith Ungol,and Swedish bandCandlemassdefined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".[7]

Characteristics

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Instrumentation

[edit]

Theelectric guitar,bass guitar,anddrum kitare the most common instruments used to play doom metal (althoughkeyboardsare sometimes used), but its structures are rooted in the same scales as inblues.[1]Guitarists and bassists often down tune their instruments to very low notes and make use of large amounts ofdistortion,thus producing a very "thick" or "heavy" guitar tone, which is one of the defining characteristics of the genre.[8]Along with the usual heavy metal compositional technique of guitars and bass playing the same riff in unison, this creates a loud andbass-heavy wall of sound. Another defining characteristic is the consistent focus on slowtempos,[2]andminor tonalitywith much use ofdissonance(especially in the form of thetritone), employing the usage of repetitive rhythms with little regard to harmonic progression and musical structure.[8]

Vocals

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Traditional doom metal vocalists favor clean vocals, which are often performed with a sense of despair, desperation, or pain; imitating the high-tone wails ofOzzy Osbourne(Black Sabbath),[9]Frank Ferrara (Bang), Bobby Liebling (Pentagram),[8]and Zeeb Parkes (Witchfinder General). So-called "epic doom" vocalists often take it a step further, singing in anoperaticstyle. Doom metal bands influenced by other extreme metal genres often use growled or screamed vocals, as is the case ofdeath-doom,black-doom,andfuneral doom.

Lyrical themes

[edit]

Lyrics in doom metal play a key role. Influenced by notablebluesmusicians likeRobert JohnsonandSon House,[1]normally they are gloomy and pessimistic,[9]including themes such assuffering,depression,fear,grief,dread, death, and anger. While some bands write lyrics in introspective and personal ways, others convey their themes using symbolism – which may be inspired byoccultartsandliterature.[1]

Some doom metal bands use religious themes in their music.Trouble,one of the genre's pioneers, were among the first to incorporate Christian imagery. Others have incorporatedoccultandpaganimagery.[10]For many bands, the use of religious themes is for aesthetic and symbolic purposes only. Examples include lyrics/imagery about theLast Judgmentto invoke dread, or the use ofcrucifixesand cross-shaped headstones to symbolize death.

Furthermore, some doom metal bands write lyrics about drugs or drug addiction. This is most common among stoner doom bands, who often describehallucinogenic or psychedelicexperiences.

History

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Tony Iommi's guitar style greatly influenced and defined doom metal.

Origins (late 1960s–1970s)

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The first traces of doom in rock music could be heard as far back asthe Beatles' 1969 track "I Want You (She's So Heavy)".[11][12]Black Sabbathare generally regarded as the progenitors of doom metal.[2]Black Sabbath's music is (in and of) itself stylistically rooted inblues,but with the deliberately doomy and loud guitar playing ofTony Iommi,and the then-uncommon dark and pessimistic lyrics and atmosphere, they set the standards of early heavy metal and inspired various doom metal bands.[8]In the early 1970s, both Black Sabbath andPentagram(also as side band "Bedemon" ) composed and performed this heavy and dark music, which would in the 1980s begin to be known and referred to asdoom metalby subsequent musicians, critics and fans.[1]Joe Hasselvander, Pentagram's drummer also cited bands likeBlack Widow,Toe Fat,Iron Claw,Night Sun,and Zior as pioneers of the doom metal sound.[13]

Aside from Pentagram and Black Sabbath, other groups from the 1970s would heavily influence the genre's development.Blue Cheeris often hailed as one of the firststoner metalbands. Through the use of loud amplifiers and guitarfeedback,their debutVincebus Eruptumcreated a template for other artists to follow.[14]Though lacking the pessimistic lyrical content of their contemporaries, Welsh heavy metal bandBudgiewould also produce heavy songs which were amongst the loudest of their day, stylistically influencing various doom metal acts.[15]Led Zeppelin'sNo Quarteris considered as one of the earliest examples of a doom metal song made by a rock band.[16]Early doom metal was also influenced by Japanesepsychedelic rockalbums, such as Kuni Kawachi & Friends'KirikyogenandFlower Travellin' Band'sSatori.[17]Bang's 1971 self-titled debut is considered an important forerunner to doom metal.[18][19]Other notable groups includeSir Lord Baltimore,[20]Buffalo,[21]Necromandus,[22]Lucifer's Friend,[22]andLeaf Hound.[23]

Development (1980s)

[edit]

During the early-mid-1980s, bands from England and the United States[2]contributed much to the formation of doom metal as a distinct genre. In 1982, English pioneersWitchfinder Generalreleased their debut albumDeath Penalty.During 1984, two American pioneers also released their debuts—Saint Vitusreleased theireponymous albumandTroublereleasedPsalm 9.That same year, American bandCirith Ungol(formed in 1971) released their second studio album,King of the Dead—regarded by many as an early influence on doom.[24][25]The following year, American bandPentagramwould go on to release their debut,Relentless.The SwedishCandlemasswould also prove influential with their first recordEpicus Doomicus Metallicusin 1986, from whichepic doom metaltakes its name.[26]

Some doom metal bands were also influenced by the undergroundgothic rockandpost-punkscene of the 1980s, showing similarities with the dark themes addressed through lyrics and the atmosphere both music styles deal with. A doom metal band likeMindrotwas often described as a cross-over betweendeath metaland gothic rock.

Regional scenes

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Like otherextreme metalgenres, doom metal also has regionally based scenes, with their own particular characteristics:

Finnish doom metal

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In one of the greatest doom metal outputs, Finnish groups focus more on the depressive mood of the genre, evoking an intense grieving feeling.[27]The bands play with very slow tempos and melodic tones, creating an atmosphere of darkness and melancholia.[27][28]This scene was kick-started by the bandRigor Mortis(which, due to an older US band with the same name, changed their name to Spiritus Mortis), which originated in 1987.[29][30]Notable bands includeReverend Bizarre,[31]Minotauri,[30]Dolorian,[27]Shape of Despair,[27]Thergothon,[27]Skepticism,[27]andUnholy.[32]

Louisiana doom metal

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Regarded assludge metal's birthplace byAllMusic,[2]this scene originated inNew Orleansin the late 1980s.[33][34][35]The bands of this scene employ somepunkinfluences, like harsh vocals, guitardistortionand downtuned sound.[36][37][38]This scene was pioneered byExhorder,who was the first band to combine doom metal with apunk-influenced metal sound.[35]In the 90s, several sludge and stoner metal bands arose in the state, mainly influenced by bands likeBlack SabbathandMelvins,also mi xing their sound with genres likehardcore punkandSouthern rock.[34][38][39][40]Notable bands includeEyehategod,[34]Down[39]Exhorder,[35]Crowbar,[38]andAcid Bath.[41][42]

Washington D.C. doom metal

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This scene formed in the early 1970s and was kickstarted byPentagramandthe Obsessed.[43][44]Various doom/stonerbands, mostly fromWashington, D.C.and itsmetropolitan areaonMarylandandVirginia(thus also being labelled"Maryland doom sound"[43]), formed in this region being heavily influenced by earlyhard rockandheavy metalbands, likeUFO,Blue Cheer,Black Sabbath,Uriah HeepandSir Lord Baltimore.[44][45]This scene is also known as"Hellhound sound"for being closely related to the lateHellhound Records,[43]who signed with many important bands of the scene likeSaint Vitus,[46][47]Internal Void,[47][45]Iron Man,[47]Revelation,[47]Wretched[47]andUnorthodox.[47]Other notable bands includeEvoken,[48]Spirit Caravan,[44][45]Earthride,[44]andthe Hidden Hand.[46]

Pacific Northwest doom metal

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ThePacific Northwestregion – primarilyOregon,Washington,andBritish Columbia– has been host to a growing scene of doom, sludge,[49]and stoner metal[50][51]since the 1990s. It is influenced by the geographical origin ofgrungemusic and a sound pioneered in part by the Washington bandMelvins.[52][2]Common visual themes include the region's cold, rainy, forested climate, and many bands utilize psychedelic imagery influenced by bands likeSleep,Karp and Harkonen.[50]Musical styles often share crossover features withatmospheric/ambient black metal,drone metal,andpost-metalas seen in Oregon'sYOB,Agalloch,Witch Mountain,andRed Fang;Washington'sEarth,andSunn O)));and Vancouver'sAnciients,Astrakhan,[53]andAaron TurnerprojectSumac,among various others.

Palm Desert Scene

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Palm Desert, California,hosts a thriving desert rock and stoner metal scene, drawing heavy influences frompsychedelia,bluesandhardcore punk,often featuring distinctive repetitive drum beats, a propensity for free-formjamming,and "trance-like" or "sludgy"grooves.[54][55][56]Because of their integration, the term "stoner rock" is sometimes used interchangeably with the term "desert rock".[57]Notable bands includeKyuss,[58][59]Queens of the Stone Age,[54]Dali's Llama,[60]Slo Burn,[61]andBrant Bjork.[62]

Stylistic divisions

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Black-doom

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Black-doom, also known as blackened doom, is a style that combines the slowness and thicker, bassier sound of doom metal with theshrieking vocalsand heavily distorted guitar sound ofblack metal.[63][64][65]Black-doom bands maintain the Satanic ideology associated with black metal, while melding it with moodier themes more related to doom metal, like depression, nihilism, and nature.[63]They also use the slower pace of doom metal in order to emphasize the harsh atmosphere present in black metal.[66]Examples of black-doom bands includeBarathrum,[67]Forgotten Tomb,[64]Woods of Ypres,[68]Deinonychus,[69]Shining,[70]Nortt,[71]Bethlehem,[72]earlyKatatonia,[73]Tiamat,[66]Dolorian,[66]October Tide,[66]andIn the Woods...[66]

Depressive suicidal black metal

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Pioneered by black-doom bands likeOphthalamia,Katatonia,Bethlehem,Forgotten Tomb,andShining,depressive suicidal black metal, also known as suicidal black metal, depressive black metal, or DSBM, is a style that melds thesecond wave-style of black metal with doom metal,[74]with lyrics revolving around themes such as depression, self-harm, misanthrophy, suicide, and death.[75][76]DSBM bands draw thelo-firecording and highly distorted guitars of black metal, while employing the usage of acoustic instruments and non-distorted electric guitar's timbres present in doom metal, interchanging the slower, doom-like, sections with fastertremolo picking.[74]Vocals are usually high-pitched like in black metal, but lacking of energy, simulating feelings like hopelessness, desperation, and plea.[74]The presence of one-man bands is more prominent in this genre compared to others.[74]Examples of bands includeXasthur,[77]Leviathan,[74]Strid,[74]Silencer,[75][76]Make a Change... Kill Yourself,[74]andI Shalt Become.[75][76]

Blackened death-doom

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Blackened death-doom is a genre that combines the slow tempos and monolithic drumming of doom metal, the complex and loud riffage ofdeath metaland the shrieking vocals ofblack metal.[78]Examples of blackened death-doom bands include Morast,[78]Faustcoven,[78]the Ruins of Beverast,[78]Bolzer,[78]Necros Christos,[78]Harvest Gulgaltha,[79]Dragged into Sunlight,[80]Hands of Thieves,[81]andSoulburn.[82]

Death-doom

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My Dying Brideat Frozen Rock Festival 2007

Death-doom is a style that combines the slow tempos and pessimistic atmosphere of doom metal with the deepgrowling vocalsand double-kick drumming ofdeath metal.[83]Influenced mostly by the early work ofHellhammerandCeltic Frost,the style emerged during the late 1980s and gained a certain amount of popularity during the 1990s.[83]Death-doom was pioneered by bands such asWinter,[84]Disembowelment,[84]Paradise Lost,[84]Autopsy,Anathema,My Dying Bride[84]andNovembers Doom.[85]

Funeral doom

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Funeral doom is a genre that crossesdeath-doomwithfuneral dirge music.[86]It is played at an extremely slow tempo, and places an emphasis on evoking a sense of emptiness and despair.[1]Typically, electric guitars are heavily distorted anddark ambientaspects such askeyboardsorsynthesizersare often used to create a "dreamlike" atmosphere.[63]Vocals consist of mournful chants or growls and are often in the background.[63]Funeral doom was pioneered byMournful Congregation,[87]Esoteric,Evoken,Funeral,Thergothon,[88]andSkepticism.[89]

Drone metal

[edit]
Sunn O)))performing live

Drone metal (also known as drone doom) is a style of doom metal that is largely defined bydrones;notes or chords that aresustainedand repeated throughout a piece of music.[90][91][92]Typically, the electric guitar is performed with large amounts ofreverbandfeedback[90]while lacking the presence of drums and vocals.[63][93]Songs are often very long and lackbeatorrhythmin the traditional sense.[63]Drone metal is generally influenced bydrone music,[90]noise music,[90]andminimalist music.[90]The style emerged in the early 1990s and was pioneered byEarth,[94]Boris,andSunn O))).[90]

Epic doom

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Epic doom has a heavyclassicalinfluence. One of the main characteristics are the vocals; vocalists typically employ clean,operatic,andchoralsinging, accompanied by keyboarding and drumming performed in a bombastic fashion in order to evoke an "epic" sensation.[63][95][96]Lyrics and imagery are typically inspired byfantasyormythology.[63]Examples of prominent epic doom bands includeCandlemass,[97]Solitude Aeturnus,[98]Solstice,[99]While Heaven Wept,[96]andDoomsword.[100]

Gothic-doom

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Gothic-doom, also known as doom-gothic, is a style that combines more traditional elements of doom metal withgothic rock.[101][102]Gothic-doom bands usually play at slow and mid-tempos and employ the usage of instruments that are more related toclassical music,alongside traditional doom metal instruments, in order to create darker and meditative atmospheres.[101]Doom-gothic lyrics combines the dramatic and romantic elements of gothic rock with the sorrowness and melancholy present in doom metal, while being more introspective and focused on personal experiences such as love, grief, irreparable loss, loss of faith, etc.[101]Unlike ingothic metalanddeath-doom,gothic-doom bands prefer the use of cleaner vocals instead of employingdeath growls,[102]although some of them employ harsher vocals occasionally, and avoid the usage of death metal-like riffage.[101]Bands labelled as gothic-doom include Weeping Silence,[103]the Foreshadowing,[102]Grave Lines,[104]Artrosis,[105]Ava Inferi,[106]Draconian,[107]andType O Negative.[108]

Progressive doom

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Progressive doom is a fusion genre that combines elements ofprogressive metaland doom metal.[109]Notable bands include King Goat,[109]Below the Sun,[110]Sierra,[111]Oceans of Slumber,[112]andGreen Carnation.[113]

Sludge metal

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Sludge metal (also known as sludge doom[8][66]) is a style that combines doom metal andhardcore punk.[8][66][2][93]Many sludge bands compose slow and heavy songs that contain brief hardcore passages.[34][38]However, some bands emphasise fast tempos throughout their music.[114]The string instruments are heavilydistortedand are often played with large amounts offeedbackto produce an abrasive, sludgy sound.[115][36]Drumming is often performed in typical doom metal fashion,[citation needed]but drummers may employ hardcored-beator double-kick drumming during faster passages. Vocals are usually shouted or screamed, and lyrics often focus on suffering, drug abuse, politics and anger towards society. The style was pioneered in the late 1980s by theMelvins,and in the 1990s by bands such asEyehategod,[34]Crowbar,[38]Buzzov*en,[114]Acid Bath,[116]andGrief.[117]

Sludgecore

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Sludgecore further combines sludge metal with hardcore punk, and possesses a slow pace, a low and dark pitch, and a grinding dirge-like feel.[118]Bands regarded as sludgecore include Acid Bath, Eyehategod,Soilent Green,[119][120]Black Sheep Wall, Admiral Angry, andThe Abominable Iron Sloth.[121]Crowbar mixed "detuned, lethargic sludged-out metal with hardcore andsouthern elements".[122]

Stoner metal

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Jus ObornofElectric Wizard

Stoner metal or stoner doom[123][124]describes doom metal that incorporatespsychedelic rockandacid rockelements.[93][125][126]Stoner metal is often heavilydistorted,groove-ladenbass-heavy sound, making much use ofguitar effectssuch asfuzz,phaser,orflanger.[127]Stoner bands typically play in slow-to-midtempo,employing the usage of melodic vocals and "retro" production.[128]It was pioneered in the early–mid-1990s by bands such asKyuss,[129]Sleep,[130][131]Acid King,[132][133]Electric Wizard,[134][131]Orange Goblin,[134]andSons of Otis.[135]

Desert rock

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Desert rock combines the psychedelic elements of stoner metal withhard rockcharacteristics.[59][93]Bands of this style include Kyuss,[136]Fu Manchu,[136]Queens of the Stone Age,[137]Earthlings?[136]andYawning Man.[136][137]

Traditional doom

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Influenced by 70s and 80sheavy metal,[138]traditional doom metal bands more commonly use higher guitar tunings, and do not play as slowly as many other doom bands.[63]Traditional doom bands typically play slow to mid-tempo songs with a thick and heavy sound with the electric bass following the melody line, and sometimes employ the usage of keyboards, although assuming a secondary role on traditional doom metal songs.[9]Vocals are usually clean with the occasional growl or scream.[63]The lyrics in traditional doom usually are eerie and dark like other doom metal divisions. Some bands who play traditional doom metal areOrodruin,[139][140]Reverend Bizarre,[141]Witchcraft,Saint Vitus,[9]andCount Raven.[9]

See also

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