Extremely Loud & Incredibly Close(film)
Extremely Loud & Incredibly Close | |
---|---|
Directed by | Stephen Daldry |
Screenplay by | Eric Roth |
Based on | Extremely Loud & Incredibly Close byJonathan Safran Foer |
Produced by | Scott Rudin |
Starring | |
Cinematography | Chris Menges |
Edited by | Claire Simpson |
Music by | Alexandre Desplat |
Production company | |
Distributed by | Warner Bros. Pictures |
Release date |
|
Running time | 129 minutes |
Country | United States |
Language | English |
Budget | $40 million[2] |
Box office | $55.2 million[3] |
Extremely Loud & Incredibly Closeis a 2011 Americandrama filmdirected byStephen Daldryand written byEric Roth.Based on the2005 novel of the same namebyJonathan Safran Foer,it starsTom Hanks,Sandra Bullock,Thomas Hornin his film debut,Max von Sydow,Viola Davis,John Goodman,Jeffrey Wright,andZoe Caldwellin her final film role. Production took place inNew York City.The film had a limited release in the United States on December 25, 2011 byWarner Bros. Pictures,and a wide release on January 20, 2012, grossing over $55 million.[3]Despite mixed reviews, the film was nominated for twoAcademy Awards,Best PictureandBest Supporting Actorfor von Sydow, sparking controversy.
Plot
[edit]Nine-year-old Oskar Schell isautisticand lives inNew York Citywith his parents Linda and Thomas Schell. He is close to his father, who stimulates him with missions to hunt for clues to New York City's "lost Sixth Borough". The tasks he is given force him to explore his surroundings and communicate with other people, which is not easy for him.
OnSeptember 11, 2001,schools close early, and Oskar arrives home alone to find six answering machine messages left by his father from theWorld Trade Center.Oskar hides under his bed, where his grandmother finds him and stays until Linda returns home. Oskar is angry at his father's funeral, unable to make sense of his death.
A year later, Oskar has a secret hiding place with memories of his father, including the answering machine and its messages. In his father's room, he accidentally shatters a vase, and inside finds a key in an envelope with the word "Black" on it. He becomes obsessed with finding the lock the key fits, believing it a clue from his father. He finds 472 Blacks in the New York phone book and plans to visit each one. He lies to his mother, with whom he is becoming increasingly distant, about his outings. He first meets Abby Black, who is in the process of divorcing her husband, but she tells Oskar she did not know his father. Further encounters are fruitless, but he meets a variety of people, photographing and recording notes on each one in a scrapbook.
One day, Oskar ventures into his grandmother's apartment, but instead of finding her there, encounters the reclusive elderly renter that has been living there, whom his grandmother had warned him to avoid. The renter does not talk, communicating instead with the words "yes" and "no" tattooed on his hands and a writing pad. Oskar confides in him, and the man offers to accompany Oskar on his outings. As they explore the city together, Oskar learns to face his fears, such as those of public transport and bridges. Eventually, Oskar concludes that the stranger is his grandfather and plays the increasingly desperate answering machine recordings, but the man becomes agitated, refuses to listen to the final one, and tells Oskar to stop his search. Later, Oskar sees him arguing with his grandmother and packing to leave, and angrily confronts him as his taxi pulls away.
Oskar then notices a phone number for an estate sale circled on the back of a newspaper clipping of his father's. He dials the number and reaches a surprised Abby, who takes Oskar to meet her ex-husband William. William realizes that Oskar's key is the one he has been looking for, which had been left to him in the vase by his own now deceased father, unbeknownst to him when he gave away not sold the vase to Thomas at the estate sale. Oskar confides that on the day of the attacks, he was home when the phone rang a sixth time, but was too afraid to answer. After witnessing the tower collapse on TV as the phone call cut off, he replaced the answering machine so his mother would never find out. He leaves the key with William, but runs away from Abby, distraught.
Back in his room, he proceeds to destroy the material from his search, until his mother reveals to him that she had been aware of all his outings, and had gone ahead of him to meet all the Blacks to prepare them for his visit. Finally realizing how much his mother cares about him, he accepts his father's death and writes letters to all the people he met to thank them for their kindness, including his grandfather to return home, who does come back to live with his grandmother. He gives his mother his scrapbook from his adventures filled with pop-ups and pull tabs, titled "Extremely Loud and Incredibly Close".
Soon after, Oskar visits a spot inCentral Parkhe and his father frequented, and looking underneath his father's favorite swing, finds a message from his father, congratulating him for finishing what would have been their final expedition, giving Oskar the closure he desperately needed.
Cast
[edit]- Tom Hanksas Thomas Schell
- Sandra Bullockas Linda Schell
- Thomas Hornas Oskar Schell
- Max von Sydowas The Renter
- Viola Davisas Abby Black
- Madison Arnold as Alan Black
- John Goodmanas Stan the Doorman
- Jeffrey Wrightas William Black
- Zoe Caldwellas Oskar's grandmother
- Hazelle Goodmanas Hazelle Black
- Adrian Martinezas Hector Black
- Stephen Hendersonas Walt the Locksmith
- Stephanie Kurtzubaas Elaine Black
- Catherine Curtinas Leigh-Anne Black
Production
[edit]Development
[edit]In August 2010, it was reported that directorStephen Daldryand producerScott Rudinhad been working on a film adaptation of thenovelfor five years.[4]Eric Rothwas hired to write the script.[5]Extremely Loud & Incredibly Closeis a co-production withParamount PicturesandWarner Bros.,with Warner being the "lead studio".[4]Chris Mengesserved asdirector of photography,K. K. Barrettasproduction designerandAnn Rothascostume designer.[6]
Casting
[edit]Tom HanksandSandra Bullockwere the first to be cast in the film.[7]A nationwide search for child actors between the ages of 9 and 13 began in late October 2010 for the role of Oskar Schell.[8]Thomas Horn, who had won over $30,000 at age 12[9]on the 2010Jeopardy!Kids Week,was chosen for the role in December 2010.[10]Horn had had no prior acting interest but was approached by the producers based on his quiz-show appearance.[9]On January 3, 2011The Hollywood Reporterannounced thatJohn Goodmanjoined the cast.[11]Nico Muhlywas credited in the film poster as the composer, but on October 21, 2011 it was reported thatAlexandre Desplatwas chosen to compose the score.[12]Similarly,James Gandolfiniwas credited on the initial poster, and was originally in the film as a love interest for Bullock's character. Test audiences reacted negatively to their scenes together, and he was cut.[13]Austrian actressSenta Bergerwas offered a role in the film, but declined.[14]
Characterization
[edit]Daldry stated in an interview that the film is about "a special child who is somewhere on theautistic spectrum,trying to find his own logic – trying to make sense of something that literally doesn’t make sense to him. "[15]When asked how much research was necessary to realistically portray a character with such a condition, he answered "we did a lot of research," and that he "spent a lot of time with different experts ofAsperger’sand talked to them. "[15]In the film, Oskar reveals that he was tested for Asperger syndrome, but the results were inconclusive.[15][16]As Daldry explained: "Every child is different on the autistic spectrum, so we created our own version of a child that was in some way – not heavily, but somewhere on that spectrum in terms of the fears and the phobias."[15]There are no references to autism in the novel.[16]AuthorJonathan Safran Foerstated in an interview that he had never thought of Oskar as autistic, but added, "Which is not to say he isn't – it's really up for readers to decide. It's not to say that plenty of descriptions of him wouldn't be fitting, only that I didn't have them in mind at the time."[16]
Filming
[edit]Principal photographywas expected to begin in January,[8]but started in March 2011.[6]Filming went on hiatus in June.[17]On May 16, 2011, scenes were shot on the streets of theLower East SideandChinatown.Craneswere used to shoot scenes on the corner ofOrchard StreetandGrand Street.[18]Extremely Loud & Incredibly Closewas filmed with anArri Alexaand was the first Hollywood feature film to useArri's ArriRaw format to store the data for post-production.[19]Several scenes for the film were shot in Central Park, a location that is integral to the storyline, near The Lake and Wollman Rink.[20]The Seaport Jewelry Exchange onFulton St.was used for a pivotal scene in the film when the son is searching through a jewelry store and its back room.[citation needed]
Release
[edit]Daldry had hoped to have the film released around the tenth anniversary of the terrorist attacks of September 11, 2001. Atest screeningtook place in New York on September 25, 2011 to a positive reaction.[21]Extremely Loud & Incredibly Closehad a limited release in the United States on December 25, 2011, and a wide release on January 20, 2012.[22]It was released in the United Kingdom on February 17, 2012.[23]
Home media release
[edit]The film was released inBlu-ray,[24]DVD,anddigital downloadformats inRegion 1on March 27, 2012.[25]
Reception
[edit]Critical response
[edit]Review aggregation websiteRotten Tomatoesreported a 45% approval rating and an average rating of 5.60/10 based on 191 reviews. The website's consensus reads, "Extremely Loud & Incredibly Closehas a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it. "[26]Metacritic,which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 46 based on 41 reviews.[27]Audiences polled byCinemaScoregave the film an average grade of "A-" on an A+ to F scale.[28]
Critics were sharply divided about the subject matter of the film. Betsy Sharkey of theLos Angeles Timeswrote that the film was a "handsomely polished, thoughtfully wrapped Hollywood production about the national tragedy of 9/11 that seems to have forever redefined words like 'unthinkable,' 'unforgivable,' 'catastrophic'."[29]Andrea Peyser of theNew York Postcalled it "Extremely, incredibly exploitive" and a "quest foremotional blackmail,cheap thrills and a naked ploy for anOscar."[30]Peter Howell of theToronto Stargave the film one out of four stars, saying that "[the] film feels all wrong on every level, mistaking precociousness for perceptiveness and catastrophe for a cuddling session. It's calculated asOscar bait,but the bait is poisoned by opportunism and feigned sensitivity ".[31]
Accolades
[edit]Award | Category | Nominee | Result |
---|---|---|---|
84th Academy Awards | Best Picture | Scott Rudin | Nominated |
Best Supporting Actor | Max von Sydow | Nominated | |
Boston Film Critics | Boston Society of Film Critics Award for Best Supporting Actor | Nominated | |
Art Directors Guild | Best Art Direction in a Contemporary Film | K.K. Barrett | Nominated |
Broadcast Film Critics Association Awards | Best Picture | Nominated | |
Best Director | Stephen Daldry | Nominated | |
Best Young Actor/Actress | Thomas Horn | Won | |
Best Adapted Screenplay | Eric Roth | Nominated | |
Dallas-Fort Worth Film Critics Association | Best Picture | Nominated | |
Best Supporting Actor | Max von Sydow | Nominated | |
Georgia Film Critics Association | Best Supporting Actor | Nominated | |
Best Supporting Actress | Sandra Bullock | Nominated | |
Houston Film Critics Society | Best Picture | Nominated | |
Phoenix Film Critics Society[32] | Best Original Score | Alexandre Desplat | Nominated |
Best Performance by a Youth in a Lead or Supporting Role – Male | Thomas Horn | Won | |
Breakthrough Performance on Camera | Won | ||
San Diego Film Critics Society Awards | Best Supporting Actor | Max von Sydow | Nominated |
Best Score | Alexandre Desplat | Nominated | |
Teen Choice Awards | Choice Movie Actress – Drama | Sandra Bullock | Nominated |
Best Picture nomination controversy
[edit]Before the film's release,Extremely Loud & Incredibly Closewas expected to be a major contender at the84th Academy Awards(Stephen Daldry's previous two films had garneredBest Picturenominations). However, due to the film's polarizing reception and being ignored by most of the critics groups' awards – namely, theGolden Globes,theBAFTAs,and theScreen Actors Guild Awards– it was no longer deemed a major contender.[33]Nevertheless, the film was nominated forBest PictureandMax von SydowforBest Supporting Actor.Critics and audiences criticized the film's nomination for Best Picture, with some calling the film one of the worst Best Picture nominees ever.[34]Chris Krapek ofThe Huffington Postwrote very negatively about the film's nomination, calling the film "not only the worst reviewed Best Picture nominee of the last 10 years, [but] easily the worst film of 2011".[35]PasteMagazine's Adam Vitcavage called the film's consensus for a Best Picture nominee "certainly the worst for at least 28 years",[36]and David Gritten ofThe Telegraphcalled the nomination "mysterious".[37]
Many critics have blamed the new Best Picture rules for the nomination. John Young atEntertainment Weeklysaid that, when it comes to the new rules, "it's better to be loved by a small and passionate group instead of liked by a much larger group",[38]and Jen Chaney atThe Washington Postbelieves that "the Academy should've just stuck to the 10 rule so that films likeDragon TattooorHarry Pottercould've joined the other worthy contenders, because if you're going to create a bunch of drama around the number of nominees and then come up one shy of what has become the typical total, that just feels like a letdown. "[39]The Weekwrote that the new rules are a failure, as it lets "smaller, divisive movies that the Academy had hoped to weed out, likeTree of LifeandExtremely Loud and Incredibly Close,in, but prevents critically-praised crowd pleasers likeBridesmaidsandThe Girl With the Dragon Tattoofrom being nominated. "[40]
On the other hand, awards pundit Tom O'Neil defended the nomination and the film, stating: "This is a movie that we unwisely wrote off, but we did it because we believed the critics. This movie delivers. It is asuperbmotion picture. It is moving, it is relevant to our time, it isextremelywell made. "[41]
At the84th Academy Awards,Extremely Loud & Incredibly Closelost in both of its categories (Best Picture toThe Artistand Best Supporting Actor toChristopher PlummerforBeginners).
In 2024, Metacritic listed the film as the lowest-scoring Best Picture nominee of the past 40 years, stating "Though the film looked on paper like a surefire awards-season favorite, critics found it manipulative, and its Oscar hopes were all but shot when it received [two nominations] but nothing else. It's the worst-reviewed best picture nominee of the past four decades—and, quite possibly, even longer."[42]
Autism controversy
[edit]Autism advocates were quick to find offense when reviewers likeThe New York Times‘ Manohla Dargis proclaimed that in real life Oskar “would be one of those children who inspire some adults to coo and cluck while reminding others of how grateful they are to be child-free.” Worse, Mick LaSalle of the San Francisco Chronicle called him “creepy,” “weird,” “snappish” and “superior.”
Autism Key‘s Michelle Gonzalez found the trend disturbing. “It appears that many moviegoers and critics take issue with the way children with autism behave and speak,” she wrote.[43]
Soundtrack
[edit]Title | Songwriter, song performer and music composer |
---|---|
"If You Know The Lord Is Keeping You" | Charles Taylor |
"Cleo's Back" | Little Freddie Kingand Willie J. Woods |
All Music | Alexandre Desplat |
See also
[edit]References
[edit]- ^Debruge, Peter (2011-12-18)."Review: 'Extremely Loud & Incredibly Close'".Variety.Retrieved2016-10-29.
- ^Appelo, Tim (9 January 2012)."'Extremely Loud & Incredibly Close' Child Actor Discovered on Teen 'Jeopardy!'".The Hollywood Reporter.Retrieved29 October2016.
- ^ab"Extremely Loud & Incredibly Close".Box Office Mojo.Retrieved2016-10-29.
- ^abFleming, Mike (August 22, 2010)."Warner Bros and Paramount In Tandem On 'Extremely Loud and Incredibly Close'".Deadline Hollywood.PMC.Archivedfrom the original on September 5, 2011.RetrievedMay 30,2011.
- ^Kit, Borys (October 14, 2010)."Stephen Daldry to direct 'Extremely Loud': Project based on a Sept. 11-themed novel".The Hollywood Reporter.Prometheus Global Media.Archivedfrom the original on October 21, 2011.RetrievedMay 26,2011.
- ^ab"Cameras Roll on" Extremely Loud & Incredibly Close "as It Heads from the Page to the Big Screen".Business Wire.March 1, 2011.Archivedfrom the original on October 4, 2012.RetrievedMay 30,2011.
- ^"Hanks and Bullock Getting Extremely Loud & Incredibly Close".ComingSoon.net.CraveOnline.August 23, 2010. Archived fromthe originalon January 13, 2012.RetrievedMay 26,2011.
- ^abLehman, Daniel (November 1, 2010)."'Extremely Loud and Incredibly Close' Casting Boys in Brooklyn? ".Backstage.Prometheus Global Media.Archivedfrom the original on March 23, 2012.RetrievedMay 30,2011.
- ^abSiegel, Robert,"Stephen Daldry Discusses New Movie",interview with Daltry,All Things Considered,NPR,December 20, 2011. Audio only. Retrieved 2011-12-20.
- ^Fleming, Mike (December 15, 2010)."'Jeopardy!' Wiz Kid Lands Lead in WB Movie ".Deadline Hollywood.PMC.Archivedfrom the original on October 2, 2011.RetrievedMay 26,2011.
- ^Kit, Borys (January 3, 2011)."EXCLUSIVE: John Goodman Joining Sandra Bullock, Tom Hanks in 'Extremely Loud and Incredibly Close'".The Hollywood Reporter.Prometheus Global Media.Archivedfrom the original on April 25, 2011.RetrievedMay 26,2011.
- ^Tapley, Kristopher (October 21, 2011)."Alexandre Desplat tapped for 'Extremely Loud and Incredibly Close'".HitFix.Archivedfrom the original on October 24, 2011.RetrievedOctober 22,2011.
- ^"Star Cut From Movies".Yahoo! Lifestyle.Yahoo!.Archived fromthe originalon 29 September 2013.Retrieved26 September2013.
- ^"Na gut, reden wir übers Küssen".Tagesspiegel(in German). 2012-03-27.Retrieved2012-12-10.
- ^abcdGilchrist, Todd (December 20, 2011)."Stephen Daldry Talks Asperger's, Depicting 9/11 In 'Extremely Loud and Incredibly Close,' And The Oscars".Indiewire.RetrievedMarch 20,2012.
- ^abcKahn, Joseph P. (January 25, 2012)."Autism gaining greater visibility in films, TV".The Boston Globe.Archived fromthe originalon January 27, 2012.RetrievedMarch 20,2012.
- ^"New York Production Listings".Backstage.Prometheus Global Media.June 23, 2011.Archivedfrom the original on October 15, 2011.RetrievedJune 25,2011.
- ^Hedlund, Patrick (May 16, 2011)."LES is Backdrop for Post-9/11 Film 'Extremely Loud and Incredibly Close'".DNAinfo. Archived fromthe originalon May 18, 2011.RetrievedMay 30,2011.
- ^Giardina, Carolyn (April 14, 2011)."Cinematographer Roger Deakins Switching From Film to Digital Camera".The Hollywood Reporter.Prometheus Global Media.Archivedfrom the original on October 31, 2011.RetrievedOctober 22,2011.
- ^"Extremely Loud and Incredibly Close Park Locations".Central Park Sunset Tours.Archived fromthe originalon October 15, 2014.RetrievedMarch 12,2013.
- ^Tapley, Kristopher (September 28, 2011)."In 'Extremely Loud and Incredibly Close,' could Max Von Sydow finally win an Oscar...for a silent performance?".HitFix.Archivedfrom the original on November 1, 2011.RetrievedOctober 22,2011.
- ^Fleming, Mike (August 3, 2011)."Warner Bros Sets Its Oscar Season Dance Card".Deadline Hollywood.PMC.Archivedfrom the original on October 15, 2011.RetrievedAugust 3,2011.
- ^Gritten, David (October 18, 2011)."War Horse is a weepie".The Daily Telegraph.London.Archivedfrom the original on October 24, 2011.RetrievedOctober 22,2011.
- ^Whitman, Howard."lu-ray Review: Extremely Loud and Incredibly Close (Warner Bros.)".Technology Tell.technologytell. Archived fromthe originalon 2012-05-14.Retrieved2012-04-12.
- ^"'EXTREMELY LOUD & INCREDIBLY CLOSE' FINDS ITS WAY ON BLU-RAY & DVD MARCH 27TH ".Hollywood Outbreak.2012-02-22.Retrieved2019-09-05.
- ^"Extremely Loud & Incredibly Close (2012)".Rotten Tomatoes.Fandango.RetrievedMarch 26,2021.
- ^"Extremely Loud and Incredibly Close Reviews".Metacritic.CBS Interactive.RetrievedDecember 24,2011.
- ^Beard, Lanford (2012-01-24)."Oscar nominations 2012: 'Extremely Loud' for best pic?".Entertainment Weekly.Meredith Corporation.Retrieved2022-12-21.
- ^Sharkey, Betsy (December 23, 2011)."'Extremely Loud & Incredibly Close' review: Eloquence in loss ".Los Angeles Times.Archivedfrom the original on February 26, 2012.RetrievedDecember 25,2011.
- ^Peyser, Andrea (January 19, 2012)."Extremely, incredibly exploitive".New York Post.
- ^Howell, Peter (December 22, 2011)."Review: Extremely Loud & Incredibly Close exploits a tragedy".Toronto Star.Star Media Group.Archived fromthe originalon 2012-01-08.RetrievedDecember 25,2011.
- ^"Phoenix Film Critics Society 2011 Awards".Phoenix Film Critics Society. Archived fromthe originalon January 12, 2012.RetrievedJanuary 22,2012.
- ^"Oscar Nomination Reactions and Analysis".Archived fromthe originalon January 12, 2014.RetrievedMarch 13,2012.
- ^Brooks, Xan (February 23, 2012)."Oscars 2012: Is Extremely Loud and Incredibly Close the worst best picture nominee ever? | Film".The Guardian.London.Retrieved2012-07-07.
- ^"Chris Krapek: Extremely Loud Oscar Angst".Huffingtonpost. February 22, 2012.Retrieved2012-07-07.
- ^"Is Extremely Loud the Worst-Reviewed Oscar-Nominated Movie in History?".Pastemagazine. 2012-01-25.Retrieved2012-07-07.
- ^Gritten, David (January 27, 2012)."Oscars 2012: The mystery of the ninth Oscar nomination for best film".The Daily Telegraph.London.Retrieved2012-07-07.
- ^Bierly, Mandi."Academy Award nominations: Why 9 Best Pic nominees? | Inside Movies | EW".Insidemovies.ew.Retrieved2012-07-07.
- ^Chaney, Jen (2012-01-24)."Oscar nominations 2012: Did the best picture change make a difference? – Celebritology 2.0".The Washington Post.Retrieved2012-07-07.
- ^"Oscars 2012: Are the new Best Picture rules a failure?".The Week.Retrieved2012-07-07.
- ^"Oscar Nomination Reactions and Analysis Question 6".Archived fromthe originalon January 12, 2014.RetrievedMarch 13,2012.
- ^"Worst-Reviewed Best Picture Nominees Since 1985".Metacritic.14 February 2018.Retrieved2024-02-06.
- ^"Extremely Loud and Incredibly Familiar".Child Mind Institute.
External links
[edit]- 2011 films
- 2010s coming-of-age drama films
- American coming-of-age drama films
- Films about autism
- Films about children
- Films based on the September 11 attacks
- Films based on American novels
- Films shot in New York City
- Warner Bros. films
- Films directed by Stephen Daldry
- Films with screenplays by Eric Roth
- Films produced by Scott Rudin
- Films scored by Alexandre Desplat
- Films about grief
- Jonathan Safran Foer
- 2010s English-language films
- 2010s American films
- 2012 controversies in the United States
- Political controversies in film
- Films set in 2001
- Films set in 2002
- Films set in the 2000s
- Films set in New York City