Fictional universe

Map of the Land of Oz, the fictional realm that is the setting forL. Frank Baum'sOzseries

Afictional universe(also called animagined universeor aconstructed universe) is theinternally consistentfictionalsettingused in anarrative workorwork of art,most commonly associated with works offantasyandscience fiction.Fictional universes appear innovels,comics,films,television shows,video games,art,and other creative works.^[1]^[2]

In science fiction, a fictional universe may be a remote alien planet or galaxy with little apparent relationship to the real world (as inStar Wars); in fantasy it may be a greatly fictionalized or invented version of Earth's distant past or future (as inThe Lord of the Rings).^[1]

Fictional continuity

In a 1970 article inCAPA- Alpha,comics historianDon Marksteinprovided a definition of fictionaluniversemeant to clarify the concept of fictional continuities. According to the criteria he imagined:^[3]

If characters A and B have met, then they are in the same universe; if characters B and C have met, then,transitively,A and C are in the same universe.
Characters cannot be connected by real people—otherwise, it could be argued thatSupermanand theFantastic Fourwere in the same universe, as Superman metJohn F. Kennedy,Kennedy metNeil Armstrong,and Armstrong met the Fantastic Four.
Characters cannot be connected by characters "that do not originate with the publisher" —otherwise it could be argued that Superman and the Fantastic Four were in the same universe, as both metHercules.
Specific fictionalized versions of real people—for instance, the version ofJerry LewisfromDC Comics'The Adventures of Jerry Lewis,who was distinct from the real Jerry Lewis in that he had a housekeeper with magical powers—canbe used as connections; this also applies to specific versions of public-domain fictional characters, such asMarvel Comics' version of HerculesorDC Comics' version of Robin Hood.
Characters are only considered to have met if they appeared together in a story; therefore, characters who simply appeared on the same front cover are not necessarily in the same universe.

Collaboration

Fictional universes are sometimes shared by multiple prose authors, with each author's works in that universe being granted approximately equal canonical status. For example,Larry Niven's fictional universeKnown Spacehas an approximately 135-year period in which Niven allows other authors to write stories about theMan-Kzin Wars.Other fictional universes, like theRing of Fireseries,actively court canonical stimulus from fans, but gate and control the changes through a formalized process and the final say ofthe editor and universe creator.^[4]

References

^^a ^bSchult, Stefanie; Tolkien, J. R. R.; Pratchett, Terry; Williams, Tad (2017).Subcreation: fictional-world construction from J.R.R. Tolkien to Terry Pratchett and Tad Williams.Ernst-Moritz-Arndt-Universität Greifswald. Berlin: Logos Verlag Berlin GmbH.ISBN 978-3-8325-4419-5.
^Pavel, Thomas G. (1986).Fictional Worlds.Harvard University Press.ISBN 9780674299665.
^"THE MERCHANT OF VENICE meets THE SHIEK OF ARABI",byDon Markstein(as "Om Markstein Sklom Stu" ), inCAPA- Alpha#71 (September 1970); archived at Toonopedia
^Flint, Ericand various others (26 December 2006).Grantville Gazette III.Thomas Kidd(cover art).Baen Books.pp. 311–313.ISBN 978-1-4165-0941-7.The print published and e-published Grantville Gazettes all contain a post bookafterworddetailing where and how to submit a manuscript to the fictional canon oversight process for the1632 series.

v t e Narrative
Character	Antagonist Archenemy Character arc Character flaw Characterization Confidant Deuteragonist False protagonist Focal character Foil Gothic double Hamartia Hero Anti Byronic Tragic Narrator Protagonist Stock character Straight man Supporting character Title character Tritagonist Villain
Plot	Ab ovo Action Backstory Origin story Chekhov's gun Cliché Cliffhanger Conflict Deus ex machina Dialogue Dramatic structure Eucatastrophe Foreshadowing Flashback Flashforward Frame story In medias res Kishōtenketsu MacGuffin Pace Plot device Plot twist Poetic justice Red herring Reveal Self-insertion Shaggy dog story Stereotype Story arc Story within a story Subplot Suspense Trope
Setting	Alternate history Backstory Crossover Dreamworld Dystopia Fictional location city country universe parallel Utopia Worldbuilding
Theme	Irony Leitmotif Metaphor Moral Moral development Motif Deal with the Devil Conflict between good and evil Self-fulfilling prophecy Time travel
Style	Allegory Bathos Comic relief Diction Figure of speech Imagery Mode Mood Narration Narrative techniques Hook Show, don't tell Stylistic device Suspension of disbelief Symbolism Tone
Structure	Act Act structure Three-act structure Freytag's Pyramid Exposition/Protasis Rising action/Epitasis Climax/Peripeteia Falling action/Catastasis Denouement/Catastrophe Linear narrative Nonlinear narrative films television series Premise Types of fiction with multiple endings
Form	Drama Fabliau Flash fiction Folklore Fable Fairy tale Legend Myth Tall tale Gamebook Narrative art Narrative poetry Epic poetry Novel Novella Parable Short story Vignette
Genre (List)	Autobiography Biography Fiction Action fiction Adventure Comic Crime Docu Epistolary Ergodic Erotic Historical Mystery Nautical Paranoid Philosophical Picaresque Political Pop culture Psychological Religious Rogue Romance Chivalric Prose Saga Satire Speculative fiction Fantasy Gothic Southern Horror Magic realism Science Hard Utopian and dystopian Underwater Superhero Theological Thriller Urban Western Nonfiction Novel Creative
Narration	Diegesis First-person Second-person Third-person Third-person omniscient narrative Subjectivity Unreliable narrator Multiple narrators Stream of consciousness Stream of unconsciousness
Tense	Past Present Future
Related	Dominant narrative Fiction writing Continuity Canon Reboot Retcon Parallel novel Prequel/Sequel Genre List Literary science Literary theory Narrative identity Narrative paradigm Narrative therapy Narratology Metafiction Political narrative Rhetoric Glossary Screenwriting Storytelling Tellability Verisimilitude

v t e Fictional locations
Buildings	Bars and pubs Castles Prisons Railway stations
Cities and towns	Settlements in animation in comics in film in literature in television
Countries,counties, and states	Countries African Asian European Oceanian Pan-American by region Islands Mythological places
Planets, worlds, anduniverses	Fantasy worlds Planets Universes film and television animation and comics literature science fiction
Related	Continuity Fantasy map Lists of fictional locations Shared universe Worldbuilding

Fictional universe

Fictional continuity

Collaboration

See also

References

Further reading